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inputs, with pin 1 and 4 for low-level signals like microphone levels, while pin 3 and 5 were used for line-level signals. On all these recorders the output signals were only active in play mode, not in stop, record, rewind, fast forward or any other mode. The main benefits with this usage is that tape copying can be done with the regular pin-to-pin connected cables commonly used to connect tape recorders to amplifiers/receivers. An additional benefit is that several tape recorders can be connected in parallel, and can also be connected to an amplifier/receiver. Copying is done simply by pressing play on the playback recorder, rec on any recorders used for recording, and the amplifier/receiver is either switched off or set to the tape position. Recording of radio broadcasts or records is equally simple, just press record on any recorder and do not set any other recorder to playback mode. This eliminates the need for any switch boxes otherwise commonly used to connect more than one tape recorder to a single tape recorder connector on an amplifier/receiver. The drawbacks were that connecting any mono recorder with pin 1 joined to 4 and pin 5 joined to 3 (a common practice to make mono recorders record both channels in parallel and reproduce in both channels) would make all tape sounds mono. Also any tape recorder with three heads, used for monitoring while recording, needs an extra lead between the recorder and the amplifier to be able to monitor the recording through the amplifier and speakers. On
Philips amplifiers/receivers and three head recorders that extra socket is labeled Monitor while the regular socket is labeled Tape. Another drawback is the possible confusion when interconnecting with other equipment, where a person sometimes would use a straight pin-to-pin cable and sometimes use a special "copying" cable with pin 1 swapped with pin 3 and pin 4 swapped with pin 5. Sometimes a person would also need to lower the signal to make a line output fit a microphone level input. In other cases it was also used for sending power to a device. For example some tuners, usually only pins 1, 4 and 2 are required for audio signal, other ( 3 and 5 were used to send power supply to the tuner U usually DC, as AC may cause hum, tuners usually having low power requirements). The input, is still compatible with other standard input connectors, but misusing the use of pins 3 and 5 may cause damages. Other manufacturers were using more than 5 pins, for example the cassette decks, two other pins being for power supply). Usually these were proprietary connections, making them compatible only with decks of the same manufacturers. Some other manufacturers, were using more than 5 pins connections (7 or even 9 pins) for devices with remote control, beside the audio signals there was also the remote control link ( usually the main unit with remote receiver being the amplifier/receiver). Other uses, some amplifiers and receivers with ceramic phono input, were using 1,4,2 pins for conventional line audio signal input and pins 3 and 5 for powering an optional external magnetic phono preamplifier. In this case, these manufacturers were also supplying the preamplifier. The input without preamplifier can be used as standard input on pins 1, 2 and 4, but care should be taken to avoid shorting pins 3 and 5 in this case, which are power supply, which may cause damages to equipment. In other cases, pins 1 2 and 4 are used for magnetic cartridge, and 3, 5 ( with ground on 2 ) for ceramic. This depends on manufacturer. Other uses for example in case of cassette decks were: Input and output, power supply, remote control and record sync. But this will be usually usable solely with the same decks of the manufacturer. Usually will be compatible with the conventional deck, but care must be taken not to short the other pins.
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off or not as required: inserting the plug one way would activate a switch on the periphery of the socket (thus switching off the speakers), whereas inserting the plug in the opposite orientation would not activate the switch (due to the cut-out in the plug body)—the left and right channels would not be transposed, as the plug was wired such that each headphone speaker was connected "top left–bottom right" and "top right–bottom left". Note that when rotating a DIN headphone connector 180 degress the polarity will be reversed. This generally doesn't affect the audio but if an adapter with a DIN headphone male connector and most other types of female headphone connector is used, the negative connection for both channels will be joined resulting in the audio being stereo with the DIN connector inserted one way and mono when inserted the other way. To avoid this and still be able to use a pair of headphones both with equipment that has a DIN headphone connector and also use it with other equipment it is suggested to permanently mount a DIN connector on the headphones and make an adapter to use other devices with headphones that has a DIN connector. If used as a serial data connection, the transmit and receive lines could be crossed (although the pinout adopted by Acorn did not allow for this).
753:(or other device; many of the earlier shoebox style tape recorders used them), is known as the DIN 41529 loudspeaker connector. It commonly exists as a panel-mounting female version, and line-mounted male and female versions, although there were rare panel mounted male connectors, for example fitted on the external speaker boxes on certain early 1980s Luxor TV sets. The male version has a central flat pin, and circular pin mounted off-centre. The circular pin is connected to the positive line (red) while the spade is connected to the negative line (black). The panel-mounting female version is available with or without an auxiliary contact that disconnects the internal speaker of the device if an external speaker connector is inserted. Most common is a three-hole female connector with one circular hole on either side of the spade hole, one of them with an aux contact and one without, which provides the option to leave the internal speaker connected by inserting the plug twisted by 180°.
227:
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power, memory for radios with electronic settings memory, dashboard light power) and out (for an automatic electric antenna). This setup was commonly combined with an 8-pin DIN connector where pin 1-5 were used for line output for connecting power amplifier (using the same pinout as for home audio equipment, except "tape record" would be front audio out and "tape play" would be rear audio out). The middle pin was used for remote start of an amplifier. If standard 5-pin home audio cables were used the automatic antenna connector could also be used for remote starting an amplifier. Eventually this connector setup was replaced with the later ISO car stereo connector standard.
159:(DIN), the German Institute for Standards, in the mid 1950s, initially with 3 pins for mono, but when stereo connections and gear appeared in late 1950s (1959 or so), versions with 5 pins or more were launched. The male DIN connectors (plugs) feature a 13.2 mm diameter metal shield with a notch that limits the orientation in which plug and socket can mate. The range of DIN connectors, different only in the configuration of the pins, have been standardized as DIN 41524 / IEC/DIN EN 60130-9 (3-pin at 90° and 5-pin at 45°); DIN 45322 (5-pin and 6-pin at 60°); DIN 45329 / IEC/DIN EN 60130–9 (7-pin at 45°); and DIN 45326 / IEC/DIN EN 60130-9 (8-pin at 45°).
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record players and auxiliary signal sources commonly join pin 1 and 5 in order to be compatible both with the 3/180° and 5/180° pinouts. This generally works fine. However the join of pin 1 and 5 on adapters between DIN and RCA connectors can cause problems if used with a five-pin DIN connector tape connector on an amplifier or receiver, as it will join the left record with right playback signal. The other way around is usually not a problem as sending the right playback out of a tape recorder back in to the left record input usually imposes no problem in playback mode.
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simple circuitry in rudimentary lighting desks. Pinouts vary between manufacturers: Zero 88, Anytronics, Lightprocessor and Strand have the control signals on pins 1–6, 0 V on pin 8 and power on pin 7 and Pulsar and Clay Paky have power on pin 1, 0 V on pin 2 and channel outputs on pins 3 to 8. The polarity of the power supply and control signals relative to ground also varies, with Strand having negative voltages, but most other brands having positive voltages.
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655:. Non-European products intended for the European market commonly combined both DIN and RCA connectors, with cassette decks having both and amplifiers/receivers commonly having RCA connectors for everything and an additional 5-pin DIN connector for at least one tape connection, usually in parallel with a set of RCA connector for the same input/output.
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five pins upwards, and facing them): 1–4–2–5–3. Holes on female connectors are also numbered 1-4-2-5-3, but from left to right (facing the holes). The three pins that make contact with a 3 pin DIN connector will have the same pin numbering both in the three-pin and the five-pin connector. A four-conductor cord wired in this way is sometimes called a
384:. Additional configurations up to 24 pins are also offered in the same shell size. A version with a bayonet locking ring was used on portable tape recorders, dictation machines, and lighting dimmers and controls through from the 1960s to the 1980s, an example being the microphone input connector and some others on the "Report" family of
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B series connector. This connector was commonly referred to as the "Bleecon", an example of its use being the Strand Tempus range of theatrical lighting dimmers and control desks. A version with a pushbutton latch similar to that on an XLR cable mounted socket was also available. Female connectors
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Analogue theatrical lighting control (pre-dating the more recent digital control protocols such as DMX) commonly used the 8-pin (45°) DIN connector, six of the pins being 0–10 V control signals for six separate dimmer circuits, and the other two a 0 V reference and a DC source for powering
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interconnections, the 3/180° plugs are sufficient. When a mono plug is inserted into a stereo socket, it mates with the left channel. For playback only interconnections, the 3/180° plugs are sufficient, with pin 1 and 3 used for the stereo channels and pin 2 as signal ground. Five-pin DIN inputs for
364:
In addition to these connectors, there are also connectors with 10, 12, and 14 pins. Some high-range equipment used seven-pin connectors where the outer two carried digital system data: if the connected equipment was incompatible, the outer two pins could be unscrewed from plugs so that they fitted
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There are seven common patterns, with any number of pins from three to eight. Three different five-pin connectors exist, known as 180°, 240°, and domino/360°/270° after the angle of the arc swept between the first and last pin. There are also two variations of the six-pin, seven-pin (one where the
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Some "domino" five-pin connectors had a keyway on opposing sides of the socket, allowing it to be reversed. If used as a headphone connector, the plug sometimes had a cut-out in the body that, depending on which way the plug was inserted, would either allow (e.g.) external speakers to be switched
623:
tape recorder could connect to a stereo amplifier using the five pins for the four signal connections plus ground. The connectors on the cord are connected pin for pin, (pin 1 to pin 1, etc.). Pins on male connectors are numbered (from right to left, viewed from outside of the connector, with the
756:
Many
European car radio/stereo brands used this connector, commonly spaced so close apart that you need smaller male cable connectors. This was commonly used in conjunction with a connector block with two larger and four smaller flat blade connectors with a standardized pinout for power in (main
166:, the term "DIN connector" identifies types of cylindrical connectors that the German Institute for Standards (DIN) had initially standardised for analog audio signals. Some DIN connectors have been used in analog video applications, for power connections, and for digital interfaces, such as the
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Some manufacturers, like
Philips, Uher and others, did use the connector slightly differently for tape recorders. Pin 2 (signal ground) was the same as others, and in playback mode pin 3 and 5 were used for left and right line level output as others. However in record mode all pins were active
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The plugs consist of a circular shielding metal skirt protecting a number of straight round pins. The pins are 1.45 mm in diameter and equally spaced (at 90°, 72°, 60° or 45° angles) in a 7.0 mm diameter circle. The skirt is keyed to ensure that the plug is inserted with the correct
360:
There is some limited compatibility; for example, a three-pin connector will fit any 180° five-pin socket, engaging three of the pins and leaving the other two unconnected; and a three-pin or 180° five-pin connector will also fit a 270° seven-pin or either eight-pin socket.
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tape recorders. The bayonet locking version is sometimes referred to by the trade name Preh. Belling Lee offered a version with a sprung-loaded collar which latched on insertion but required the collar to be pulled back to release the connector, similar to the
768:
to connect the bulb to the power supply. The two-pin DIN plug lacks the outer metal shell, so far less force is required to disconnect the plug accidentally. There are also three- and four-pin versions of this loudspeaker connector, used for example by
379:
Screw-locking versions of this connector have also been used in instrumentation, process control, and professional audio. In North
America, this variant is often called a "small Tuchel" connector after one of the major manufacturers, now a division of
178:
connectors (DIN 41524). The original, technical standards for these models of DIN connector are unavailable, and were replaced with equivalent connectors, such as the international standard IEC 60130-9.
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The signal levels are generally in the low range of line levels for playback/reproduction signals. The levels for recording can be considerably lower, more like microphone levels in some cases.
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I have a
Philips tape recorder which has a "domino" headphone socket; the headphone plug has a cut-out in the body thus allowing the external speakers to remain active or not as required.
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orientation, and to prevent damage to the pins. The basic design also ensures that the shielding is connected between socket and plug prior to any signal path connection being made.
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This interface was rare outside products for the
European market, and has progressively disappeared on new equipment, both in Europe and worldwide, since the 1980s, in favour of
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The term "DIN connector" alone does not unambiguously identify any particular type of connector unless the document number of the relevant DIN standard is added (e.g., "
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IEC 60574-3: Audiovisual, video and television equipment and systems — Part 3: Specification for connectors for the interconnection of equipment in audiovisual systems.
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As the keying is consistent across all connectors, it does not completely prevent incompatible connectors from mating, which can lead to damage; this is changed in
226:
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The 3/180° and 5/180° connectors were originally standardized and widely used in
European countries for interconnecting analog audio equipment. For example, a
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The DIN connector saw several other uses apart from audio. It was particularly popular as a connector for various home computers and video game consoles.
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outer pins form 300° or 360° and one where they form 270°), and eight-pin (one where the outer pins form 270° and one where they form 262°) connectors.
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Audio in the original HME wireless communicators (It is the headset connector for inbound and outbound audio for drive-through restaurants.)
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IEC 60130-9: "Connectors for frequencies below 3 MHz — Part 9: Circular connectors for radio and associated sound equipment."
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It is now mainly found on older equipment, such as 16 mm movie projectors.. The connector is used on some
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845:"DIN 41524:1974-03: Dreipolige und fünfpolige Steckverbinder für Rundfunk- und verwandte Geräte"
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DIN 45329 / IEC/DIN EN 60130-9 types IEC-10, IEC-11, IEC-12, and IEC-13: seven-pin, 45°, 270°
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DIN 41524, for circular connectors often used for audio signals or some digital signals like
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DIN 45322 / IEC/DIN EN 60130-9 types IEC-16, IEC-17, IEC-18, and IEC-19: six-pin, 60°, 240°
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Graves-Brown, Paul. "Plugging in: A Brief
History of Some Audio Connectors".
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DIN 45326 / IEC/DIN EN 60130-9 types IEC-20 and IEC-21: eight-pin, 45°, 270°
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Peripherals or power connectors for personal computers from the 1980s
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A polarised two-pin unshielded connector, designed for connecting a
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Five-pin male 180° DIN connector from the keyboard of an original
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IEC/DIN EN 60130-9 types IEC-30 and IEC-31: four-pin, 72°, 216°
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into standard five-pin 180° sockets without data connections.
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Fiebranz, August; Rottmann, Hans-Peter (November 1979).
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is an electrical connector that was standardized by the
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60:. Unsourced material may be challenged and removed.
741:Speaker DIN line socket (left) and plug (right)
191:connector"). Some DIN connector standards are:
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843:Deutsches Institut für Normung (March 1974).
687:The 5/180° connectors are commonly used for:
136:Five-pin male 180° DIN connector from a 1988
8:
1062:"Control interface for antenna line devices"
714:antennas (Antenna Interface Standards Group)
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671:. Note the unusually thick shielding skirt.
449:. Unsourced material may be challenged and
211:connectors used for computer data and video
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345:DIN IEC 60574-18: eight-pin, 45°/41°, 262°
921:International Electrotechnical Commission
469:Learn how and when to remove this message
120:Learn how and when to remove this message
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1676:Municipal Services Standards Committee
1020:. www.blue-room.org.uk. Archived from
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7:
867:"Der gegenwärtige Stand der Normung"
602:Common colors on DIN-2*RCA adapters
585:Common colors on DIN-4*RCA adapters
447:adding citations to reliable sources
58:adding citations to reliable sources
956:"Sounds Heavenly - Help and Advice"
401:DIN Connectors with correct pin-out
372:, which keys different connectors.
1094:"0 to 10V Analog Control Protocol"
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985:"Why are domino plugs reversible"
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933:Markström, Håkan (2017-11-18).
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717:Connecting two controllers for
45:needs additional citations for
1749:Deutsches Institut für Normung
1702:Multimedia extension connector
1574:Deutsches Institut für Normung
1045:. 5 March 2009. Archived from
721:together for training purposes
679:Eight-pin DIN connector for a
605:(sometimes joined with pin 5)
283:DIN 45322: five-pin, 60°, 240°
155:Deutsches Institut für Normung
1:
700:electronic musical instrument
217:automotive coaxial connectors
876:(in German). p. T 535.
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814:IBM PC keyboard#Connection
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1511:List of video connectors
1240:Speaker spring terminal
1739:Audiovisual connectors
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164:consumer electronics
54:improve this article
27:Electrical connector
1759:Computer connectors
1754:DC power connectors
847:. Beuth Verlag GmbH
230:Circular connectors
222:Circular connectors
1697:Mini-DIN connector
809:Mini-DIN connector
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1208:D-subminiature
1205:
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1188:
1187:
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1172:
1165:
1157:
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1149:
1146:
1144:DIN Connectors
1140:
1138:
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1132:
1131:
1105:
1085:
1043:"AISG Website"
1034:
1006:
997:
976:
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947:
925:
912:
893:
857:
834:
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831:
828:
827:
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819:PS/2 connector
816:
811:
806:
801:
795:
794:
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775:
734:
731:
723:
722:
715:
708:
705:
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698:interface for
660:
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653:RCA connectors
615:
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582:
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554:Tape recorder
551:
550:
547:
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541:
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530:
529:Screen/return
527:
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209:D-subminiature
205:
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184:
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128:
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42:
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33:
26:
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14:
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10:
9:
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1698:
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1692:DIN connector
1690:
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1582:DIN standards
1579:
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1504:Visual charts
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1307:Component RGB
1305:
1303:
1300:
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1297:
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1287:
1284:
1282:
1279:
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1259:Digital audio
1257:
1251:
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1228:
1224:
1221:
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1038:
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1024:on 2019-04-03
1023:
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897:
894:
883:
879:
875:
868:
861:
858:
846:
839:
836:
829:
825:
824:XLR connector
822:
820:
817:
815:
812:
810:
807:
805:
802:
800:
797:
796:
792:
786:
781:
776:
774:
772:
767:
766:halogen lamps
763:
758:
754:
752:
748:
739:
733:Other designs
732:
730:
726:
720:
716:
713:
709:
706:
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693:
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689:
688:
682:
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612:
609:
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604:
600:
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593:
590:
587:
583:
579:
576:
573:
570:
568:Stereophonic
567:
566:
556:
552:
548:
545:
542:
539:
537:Stereophonic
536:
535:
521:
514:
510:
506:
503:
500:
497:
494:
493:
490:Pin function
482:
473:
470:
462:
452:
448:
444:
438:
437:
433:
428:This section
426:
422:
417:
416:
410:
405:
399:
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387:
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371:
366:
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182:
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177:
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150:
149:DIN connector
143:
139:
134:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
1744:Surveillance
1691:
1336:
1217:
1203:Binding post
1191:Analog audio
1122:. Retrieved
1118:
1108:
1097:. Retrieved
1088:
1076:. Retrieved
1069:the original
1051:. Retrieved
1047:the original
1037:
1026:. Retrieved
1022:the original
1004:IEC 60268-11
1000:
989:. Retrieved
979:
970:
959:. Retrieved
950:
939:. Retrieved
937:(in Swedish)
928:
915:
906:
902:
896:
885:. Retrieved
874:Funk Technik
873:
860:
849:. Retrieved
838:
759:
755:
744:
727:
724:
686:
650:
646:
643:
633:
629:
625:
618:
484:Application
465:
456:
441:Please help
429:
411:Analog audio
406:Applications
378:
374:
367:
363:
359:
355:
351:
188:
186:
161:
148:
146:
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
1527:Thunderbolt
1458:DisplayPort
1428:Belling-Lee
1198:Banana plug
747:loudspeaker
557:Monophonic
515:Monophonic
1733:Categories
1685:Connectors
1669:Committees
1655:Engschrift
1322:D-Terminal
1230:Audio jack
1137:References
1099:2017-05-10
1028:2017-05-09
991:2017-05-10
961:2009-03-19
941:2019-04-02
887:2021-09-13
851:2017-04-01
681:Tandy 1000
659:Other uses
577:Right out
563:Audio out
543:Right out
526:Audio out
512:Amplifier
487:Connector
207:DIN 41652
80:newspapers
1650:DIN 91379
1645:DIN 72552
1640:DIN 62056
1635:DIN 47100
1625:DIN 43700
1620:DIN 41612
1615:DIN 31635
1378:Micro-DVI
1213:Euroblock
1018:"Bleecon"
882:0016-2825
762:LED lamps
634:DIN cable
580:Left out
574:Right in
560:Audio in
546:Right in
540:Left out
532:Audio in
459:June 2021
430:does not
215:DIN 41585
202:DIN 41612
189:DIN 45322
183:Standards
138:Schneider
110:July 2011
1718:DIN rail
1630:DIN 4420
1610:DIN 5009
1605:DIN 5008
1600:DIN 1530
1595:DIN 1451
1590:DIN 1025
1480:Minijack
1474:superMHL
1433:CCJ/EIAJ
1405:Mini-VGA
1366:Mini-DVI
1342:Mini-DIN
1223:Mini-DIN
1124:27 March
935:"Kablar"
799:DIN sync
777:See also
683:keyboard
630:DIN lead
626:DIN cord
571:Left in
549:Left in
382:Amphenol
370:Mini-DIN
174:and the
18:DIN plug
1660:ISO 216
1485:P&D
1448:HDBaseT
1390:S-Video
1281:TOSLINK
1245:Speakon
804:Hosiden
594:yellow
523:5/180°
451:removed
436:sources
94:scholar
1443:Type F
1349:DMS-59
1327:DB13W3
1276:S/PDIF
880:
669:IBM PC
636:. For
621:stereo
613:white
597:black
588:white
142:Cherry
96:
89:
82:
75:
67:
1711:Rails
1495:SCART
1295:Video
1271:D-sub
1078:8 May
1072:(PDF)
1065:(PDF)
1053:8 May
870:(PDF)
830:Notes
749:to a
632:or a
101:JSTOR
87:books
1490:PDMI
1453:HDMI
1368:бЕхк
1126:2010
1080:2009
1055:2009
878:ISSN
764:and
712:UMTS
696:MIDI
692:SYNC
638:mono
628:, a
610:red
591:red
434:any
432:cite
391:LEMO
386:Uher
197:MIDI
168:MIDI
147:The
73:news
1532:USB
1470:MHL
1463:mDP
1438:EVC
1423:ADC
1400:VGA
1395:UDI
1385:RCA
1361:DVI
1354:LFH
1337:DIN
1332:DFP
1302:BNC
1286:XLR
1266:BNC
1250:XLR
1235:RCA
1218:DIN
694:or
445:by
162:In
56:by
1735::
1117:.
1009:^
907:46
905:.
872:.
773:.
507:3
1566:e
1559:t
1552:v
1476:)
1472:(
1176:e
1169:t
1162:v
1128:.
1102:.
1082:.
1057:.
1031:.
994:.
964:.
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909:.
890:.
854:.
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495:1
472:)
466:(
461:)
457:(
453:.
439:.
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
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