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Lloyd Newson founded DV8 Physical
Theatre in 1986 in response to his frustration with the lack of subject matter in contemporary dance. He felt audiences were being ‘conned about the depth’ of (much) contemporary dance, which he saw as generally superficial; obsessed with 'aesthetics over content'.
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DV8's work is characterised by a desire to take risks, to question people's attitudes and beliefs, to dissolve barriers that separate art forms, and ultimately to communicate ideas and feelings clearly and unpretentiously. The company frequently addresses pertinent social topics, such as freedom of
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DV8's work is characterised by the desire to communicate ideas and feelings clearly with a focus on socio-political issues. The work challenges the limitations of dance by using any means necessary to find the most appropriate way to say something, thereby incorporating elements of theatre, dance,
537:
DV8 Physical
Theatre received funding through Arts Council England's National Portfolio programme, as well as occasional project support from the British Council. It toured work extensively in the UK and Europe, and further afield to Australia, the US, Hong Kong, Korea and Taiwan. Many of its
449:– setting minutely-detailed movement to the real (edited) words of real people. To create the script, 85 people of varying ethnicities and sexuality were interviewed by Newson and his researcher, Anshu Rastogi, about their experiences and views concerning religion, culture and homosexuality.
485:(2014) follows the life-story of a man, the eponymous title character, played by Hannes Langolf. It traces his criminality, drug use, personal relationships, efforts at rehabilitation and desire to lead an ordinary life. Again co-produced with the
455:(2011–12), a second verbatim production, dealt with freedom of speech, censorship and Islam. It drew on existing interviews as well as those conducted by Newson himself, and involved people associated with the burning of author
350:, Newson began to develop a more poetic style, involving increasingly complex sets. He stated at the time that he was "fatigued by the bruising physicality that marked DV8’s work from 1986–1989. The first of these works was
496:
On 12 January 2016, the company announced that artistic director Lloyd Newson was taking time out to reflect about the future. Due to this the company confirmed that the production of new work was to be paused indefinitely.
542:
associate company, and also a member of the ITC, Dance UK and IETM. Newson often stated that the company is motivated by artistic inspiration and creative need, rather than financial, organisational and touring demands.
2018:
528:
DV8's work seeks to use the most appropriate means available to serve its mission. Thus, its productions incorporate elements of dance, naturalistic movement, video, circus skills and more recently, verbatim text.
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299:(1987), which explored the psychology of women who seek out relationships with abusive men. It was based on an audio recording of a close female friend of Newson's and the book, Women Who Love Too Much by
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was created for the stage and, two years later, adapted for film – the first of several made by the company. The production drew inspiration from the book, Killing for
Company, about serial killer
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246:(1986), which was co-created and performed with Nigel Charnock. DV8 officially ended in April 2022 when Lloyd Newson announced his retirement via the company web page.
710:/Marstall, München, Léonard de Vinci, opéra de Rouen, Kulturhus Åarhus, Julidans Festival/Stadsschouwburg Amsterdam and Internationales Sommertheater Festival Hamburg
438:(London). This was a significant new relationship in terms of the company’s cross-genre position between increasingly arbitrary categories of "dance" and "theatre".
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268:(1986); it tackled the emergence of AIDS and investigated the idea of trust, both emotionally and physically, between two gay men. This was followed by
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and the
Festival d'Automne; Romaeuropa Festival; Julidans Festival / Stadsschouwburg Amsterdam; PACT Zollverein / Choreographisches Zentrum NRW and
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It produced 18 works for the stage, the majority of which toured internationally, and four award-winning films adapted from stage performances.
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speech, human rights, multiculturalism, tolerance/intolerance, gender roles, sexual identity and social class, as well as personal issues.
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film, and, increasingly, text. DV8 toured work in the UK and to 28 countries worldwide, and received 55 national and international awards.
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955:"At the theatre of blood and bruises: DV8 tread a fine line between athleticism and masochism. Their new work, MSM, goes one step further"
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362:. Again, it was a critical success: the stage production won the London Dance & Performance Award (1992) and was adapted for a
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Film adaptations of DV8's theatrical productions, except Dead Dreams of
Monochrome Men, were produced by DV8 Films Ltd.
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616:, 1990 – co-produced by The Festival Unit – Glasgow City of Culture 1990, Festival d'Eté de Seine Maritime (Rouen) and
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Throughout the 1990s, DV8 continued to produce work that was critically well received and popular with audiences. The
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The first work Newson produced with the new company was made in partnership with Nigel
Charnock, and was titled
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led the company as choreographer and artistic director from its inception, apart from the production
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1151:"Underwater group therapy: Judith Mackrell reviews DV8's Strange Fruit at the Riverside Studios"
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716:, 2000 – commissioned by Sydney 2000 Olympic Arts Festival and co-produced in London by DV8 and
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long-term co-production partners were theatres and festivals from across the world. It was an
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280:(1987): works which focused on heterosexual relationships. All three works toured the UK, and
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591:, 1987 – commissioned by Yorkshire Arts, and funded by Yorkshire & Humberside Arts Board
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354:(1990), which won the Golden Pegasus Award at the Melbourne International Festival (1990).
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478:(Australia, 2012), and was named Tanz Magazine's Production of the Year (Germany, 2012).
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season, and toured to Hong Kong. In 2004, the work was adapted into an award winning
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238:(1986–2015), Michelle Richecoeur (1986–1988) and Nigel Charnock (1986–1989, 1992).
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were also performed in New York as part of the Next Wave
Festival (held at the
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358:(1992) followed, featuring Wendy Houstoun alongside Nigel Charnock and singer
338:(ITV), collaborated with Newson to adapt the stage production for television.
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and
Festival d'Automne Paris, Dansens Hus Stockholm and Dansens Hus Oslo.
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1624:"DV8's John, National Theatre, review: 'bravely confrontational'"
1589:"Theatre review: To be Straight with You / Playhouse, Nottingham"
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692:, the Centre National de Danse Contemporaine d'Angers l'Esquisse
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1642:"With DV8 Physical Theatre (Sorted by Popularity Ascending)"
1095:"Wendy Houstoun: the death that made me question everything"
782:, Maison des Arts de Creteil and Festival D'Automne, Paris.
276:
joined Newson, Richecoeur and
Charnock as a performer, and
184:
1530:"The Information On... DV8: 'The Happiest Day of My Life'"
934:
from the original on 14 December 2021 – via YouTube.
207:
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234:, United Kingdom. It was officially founded in 1986 by
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610:, 1988 – commissioned by the Third Eye Centre, Glasgow
366:
film the same year, later winning the company’s first
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Convention on the Rights of Persons with Disabilities
1128:(Second ed.). Abingdon: Routledge. p. 303.
322:. It garnered numerous awards for DV8, including the
806:, Biennale de la Danse de Lyon, La Villette, Paris,
729:(promenade performance), 2003 – commissioned by the
489:, it was broadcast to cinemas worldwide through the
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1069:. New York: St Martin's Griffin. pp. 108–114.
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and the Festival d'Automne, Paris; spielzeiteuropa/
398:In 2000, the Sydney Cultural Olympiad commissioned
330:Ballet Award, both in 1989. In 1990, film-director
203:
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55:. Unsourced material may be challenged and removed.
1609:"Can We Talk About This, National Theatre, review"
1426:"DV8 artistic director to put his company on hold"
752:, 2005 – co-produced by Romaeuropa Festival and
2484:Arts organisations based in the United Kingdom
680:, 1997 – co-produced by Springdance Festival,
383:(1996) won a Prix Italia and an International
2050:Declaration on the Rights of Disabled Persons
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630:, Britain at EXPO, and co-produced with the
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1998:
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1676:. Abingdon: Routledge. pp. 297–303.
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774:, 2008 – co-produced by spielzeit'europa/
504:, created by Newson and co-produced with
418:(2003), commissioned by and for London’s
115:Learn how and when to remove this message
1569:"Just for Show, Corn Exchange, Brighton"
1088:
1086:
2274:Disproportionality in special education
1066:On Directing: Interviews with Directors
858:
434:, the first of co-productions with the
158:they all got inspiration from riverdale
1246:Guider, Elizabeth (24 November 1997).
1231:: CS1 maint: archived copy as title (
1224:
466:, who was murdered by Dutch Islamist,
2464:Dance companies in the United Kingdom
1741:Dance companies in the United Kingdom
1424:Bowie-Sell, Daisy (13 January 2016).
714:Can We Afford This/The Cost of Living
445:(2007), marked a move by Newson into
7:
1039:"Review/Dance; Clashes of the Sexes"
927:DV8 Physical Theatre – Company Promo
53:adding citations to reliable sources
2381:Disability in children's literature
1310:"Living Costs, Tate Modern, London"
512:, staged its world premiere at the
2244:Emotional or behavioral disability
1706:Dead Dreams of Monochrome Men IMDB
1368:"Can We Talk About This? – review"
1149:Judith, Mackrell (1 August 1992).
295:The next work for the company was
14:
1673:Fifty Contemporary Choreographers
1125:Fifty Contemporary Choreographers
848:, 2004, commissioned by Channel 4
2437:
2428:
2427:
1622:Crompton, Sarah (22 July 2015).
1093:Judith, Mackrell (26 May 2014).
567:, and supported by a grant from
29:
1845:Shobana Jeyasingh Dance Company
1308:Meisner, Nadine (29 May 2003).
840:, 1995, commissioned by the BBC
832:, 1992, commissioned by the BBC
792:and Festival d'Automne, Paris,
40:needs additional citations for
2259:Disability and LGBT identities
1558:ballet-dance.com February 2004
406:. It went on to open London’s
1:
2071:Services for mental disorders
1063:Giannachi, Gabriella (1999).
824:Dead Dreams of Monochrome Men
608:Dead Dreams of Monochrome Men
563:, 1986 – commissioned by the
462:and associates of film-maker
348:Dead Dreams of Monochrome Men
316:Dead Dreams of Monochrome Men
2469:Theatre companies in England
2076:Services for disabled people
1850:Siobhan Davies Dance Company
1835:Richard Alston Dance Company
1815:National Dance Company Wales
802:, 2014 – co-produced by the
708:Bayerisches Staatsschauspiel
698:, 1999 – co-produced by the
639:, 1993 – co-produced by the
632:National Arts Centre, Ottawa
2479:Physically integrated dance
2359:Arts, media, culture, sport
1393:"Past nominees and winners"
826:, 1989, commissioned by LWT
754:Accademia Filarmonica, Rome
696:The Happiest Day of My Life
672:Bayerische Staatsschauspiel
666:, with a contribution from
389:The Happiest Day of My Life
2500:
2386:Disability in horror films
2178:Activities of daily living
796:and Dansens Hus Stockholm.
788:, 2011 – co-produced with
422:contemporary art gallery.
15:
2423:
1413:. Royal National Theatre.
626:, 1992 – commissioned by
577:, 1987 – commissioned by
290:Brooklyn Academy of Music
259:Foundation and early work
2279:Sexuality and disability
2254:Disability and disasters
2166:Structural and assistive
1769:London Children's Ballet
1670:Bremser, Martha (1999).
1456:Adelaide Festival Centre
1122:Bremser, Martha (2011).
804:National Theatre, London
794:National Theatre, London
780:National Theatre, London
758:National Theatre, London
738:, 2003 – co-produced by
654:, 1995 – co-produced by
603:London Borough of Camden
597:, 1987 – co-produced by
395:Set Design of the Year.
272:(1987), in which dancer
16:For the comic book, see
2393:Disability in the media
2264:Disability and religion
2203:Personal Care Assistant
1764:English National Ballet
1759:Birmingham Royal Ballet
1696:The Cost of Living IMDB
786:Can We Talk About This?
772:To Be Straight With You
718:The Royal Festival Hall
472:Can We Talk About This?
453:Can We Talk About This?
443:To Be Straight With You
430:In 2004-5, DV8 created
2376:Disability in the arts
2269:Disability and poverty
2208:Physical accessibility
1840:Scottish Dance Theatre
1504:"DV8 Physical Theatre"
1478:"A dance for the ages"
876:"DV8 Physical Theatre"
686:Cambridge Arts Theatre
569:Camden Borough Council
533:Funding and Production
334:, commissioned by the
64:"DV8 Physical Theatre"
1967:driver rehabilitation
1855:Studio Wayne McGregor
1830:Rambert Dance Company
1825:Phoenix Dance Theatre
1554:25 March 2019 at the
1397:helpmannawards.com.au
1248:"Brits bask in Emmys"
668:Bayerische Staatsoper
618:The South Bank Centre
565:Battersea Arts Centre
441:The next production,
2300:Models of disability
2284:Youth and disability
2249:Invisible disability
2198:Orthotics and braces
2183:Assistive technology
1995:Rights, law, support
1805:DV8 Physical Theatre
1538:. 22 September 1999.
1291:"C4 drama wins prix"
1037:(15 December 1988).
1015:on 26 September 2015
980:"ELEMEN T(H)REE SEX"
720:in association with
645:Nottingham Playhouse
500:A new production of
326:Dance Award and the
216:DV8 Physical Theatre
130:DV8 Physical Theatre
49:improve this article
1952:Learning disability
1691:Enter Achilles IMDB
1364:Billington, Michael
1339:"What Lies Beneath"
953:(6 November 1993).
808:Théâtre de la Ville
790:Théâtre de la Ville
776:Berliner Festspiele
766:Berliner Festspiele
762:Théâtre de la Ville
740:Théâtre de la Ville
704:Théâtre de la Ville
700:Royal Festival Hall
690:Royal Festival Hall
682:Théâtre de la Ville
660:Royal Festival Hall
641:Royal Court Theatre
187:and Internationally
148:Michelle Richecoeur
131:
2366:Disability culture
2293:Disability studies
2188:Independent living
1916:Disability studies
1295:broadcastnow.co.uk
1043:The New York Times
845:The Cost of Living
736:The Cost of Living
595:My Body, Your Body
589:Elemen T(h)ree Sex
404:The Cost of Living
400:Can We Afford This
360:Melanie Pappenheim
297:My Body, Your Body
278:Elemen T(H)ree Sex
2451:
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2320:Neuroqueer theory
2223:Web accessibility
2173:Accessible toilet
2161:
2160:
2014:Disability rights
2009:Ableism/disablism
1863:
1862:
1701:Strange Fish IMDB
1683:978-0-415-38081-2
1535:Independent.co.uk
1484:. 6 February 2020
1432:. What's On Stage
1366:(13 March 2012).
1135:978-0-415-38082-9
930:. 10 March 2015.
880:Theatre and Dance
656:Wiener Festwochen
628:EXPO 92 (Seville)
583:The Place Theatre
561:My Sex, Our Dance
514:Adelaide Festival
282:My Sex, Our Dance
266:My Sex, Our Dance
244:My Sex, Our Dance
226:company based at
220:Dance and Video 8
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193:Artistic Director
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2305:Inspiration porn
2218:Universal design
2019:Pejorative terms
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1962:Physical therapy
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1597:. 15 April 2008.
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468:Mohammed Bouyeri
457:Salman Rushdie's
447:verbatim theatre
436:National Theatre
402:, later renamed
377:film version of
328:Evening Standard
224:physical theatre
208:Official Website
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1556:Wayback Machine
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1458:. 15 March 2020
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678:Bound to Please
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428:
391:(1999) won the
387:in 1997, while
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38:This article
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32:
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2335:Anthropology
2325:Deaf studies
2315:Crip as verb
2193:Mobility aid
2153:Reach Canada
1926:Social model
1804:
1793:Contemporary
1779:Royal Ballet
1754:Ballet Cymru
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1486:. Retrieved
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1460:. Retrieved
1455:
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1434:. Retrieved
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1375:. Retrieved
1372:The Guardian
1371:
1358:
1346:. Retrieved
1343:The Guardian
1342:
1329:
1317:. Retrieved
1313:
1303:
1294:
1285:
1276:
1267:
1255:. Retrieved
1251:
1241:
1215:. Retrieved
1208:the original
1195:
1183:. Retrieved
1179:
1170:
1158:. Retrieved
1154:
1144:
1124:
1102:. Retrieved
1099:The Guardian
1098:
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1046:. Retrieved
1042:
1029:
1017:. Retrieved
1013:the original
1008:
999:
987:. Retrieved
983:
974:
962:. Retrieved
958:
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901:. Retrieved
897:
888:
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835:
830:Strange Fish
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727:Living Costs
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624:Strange Fish
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579:John Ashford
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416:Living Costs
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356:Strange Fish
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332:David Hinton
315:
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309:Strange Fish
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240:Lloyd Newson
236:Lloyd Newson
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198:Lloyd Newson
146:Lloyd Newson
126:
111:
102:
92:
85:
78:
71:
59:
47:Please help
42:verification
39:
22:
2408:Paralympics
2403:Deaflympics
2213:Prosthetics
1904:Main topics
1810:Motionhouse
1665:DV8 website
1217:16 November
493:programme.
420:Tate Modern
368:Prix Italia
307:(1990) and
292:) in 1988.
2458:Categories
2398:Parasports
1935:Approaches
1911:Disability
1897:Disability
1436:22 January
1273:"Timeline"
1185:6 November
1048:3 November
1019:6 November
1005:"DEEP END"
989:6 November
903:6 November
853:References
674:/Marstall.
385:Emmy Award
274:Liz Ranken
75:newspapers
2345:Education
2340:Geography
1984:education
1947:Inclusion
1519:dv8.co.uk
1517:About DV8
1377:5 October
1348:5 October
1319:5 October
1257:5 October
1180:dv8.co.uk
1160:5 October
1104:5 October
1009:dv8.co.uk
984:dv8.co.uk
964:5 October
898:dv8.co.uk
746:in Berlin
540:Artsadmin
342:1990–2000
314:In 1988,
228:Artsadmin
170:Artsadmin
135:Formation
2433:Category
2350:Journals
2330:Eugenics
2310:Bodymind
2117:Students
2064:Services
1552:Archived
1549:DV8 2003
1227:cite web
932:Archived
894:"Awards"
768:, Berlin
670:/Labor,
658:and the
620:(London)
601:and the
585:, London
575:Deep End
393:Time Out
352:If Only…
324:Time Out
311:(1992).
305:If Only…
286:Deep End
270:Deep End
222:) was a
163:Location
143:Founders
2085:Support
1800:Candoco
1488:17 June
1482:InDaily
1462:17 June
1252:Variety
614:If Only
491:NT Live
254:History
204:Website
155:Purpose
89:scholar
2002:Rights
1979:school
1747:Ballet
1680:
1411:"JOHN"
1132:
1073:
688:, the
474:won a
346:After
232:London
91:
84:
77:
70:
62:
2443:Lists
2148:MINDS
1211:(PDF)
1204:(PDF)
815:Films
662:with
555:Stage
547:Works
520:Style
96:JSTOR
82:books
2122:CNIB
2107:SSDI
2102:Rail
2097:ODSP
2035:AODA
1678:ISBN
1647:IMDb
1490:2020
1464:2020
1438:2016
1379:2015
1350:2015
1321:2015
1259:2015
1233:link
1219:2015
1187:2015
1162:2015
1130:ISBN
1106:2015
1071:ISBN
1050:2015
1021:2015
991:2015
966:2015
905:2015
800:John
731:Tate
643:and
581:for
508:and
483:JOHN
412:film
284:and
218:(or
138:1986
68:news
2143:DPI
2138:CCD
2112:SSI
2092:DLA
2040:ADA
2028:Law
1942:IEP
637:MSM
375:BBC
364:BBC
230:in
51:by
18:DV8
2460::
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1229:}}
1225:{{
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861:^
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760:;
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185:UK
1889:e
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571:.
118:)
112:(
107:)
103:(
93:·
86:·
79:·
72:·
45:.
20:.
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