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550:, No. 269 South Fifth Street—One of the leading and most successful designers and manufacturers of artistic furniture in Philadelphia is Mr. Daniel Pabst, whose office and manufactory are located at No. 269 South Fifth Street. The business was established in 1854 by Pabst & Krauss, who were pioneers in the trade here. About 16 years ago Mr. Pabst became sole proprietor. The premises are very spacious, admirably arranged, and equipped throughout with every facility and convenience for the transaction of business, employment being given to 25 skilled workmen. Mr. Pabst designs and manufactures art and antique furniture of all kinds, which, for beauty and originality of design, superior and elaborate finish are unexcelled. The trade of the house extends through this and adjacent States. It is so well known and has retained its old customers for so long a time, that its reputation for honorable, straightforward dealing is established beyond the requirements of praise.
291:, closely examined a house nearing completion at 510 South Broad Street, and decided that he was going to work for the firm that designed it. The next day he presented himself to Frank Furness, and was hired as a draftsman at US$ 10 a week. The Bloomfield H. Moore House was the most ambitious Furness & Hewitt domestic commission to date, and Furness's interiors – manufacture attributed to Pabst – were his most perverse. The egrets from the Roosevelt dining table reappeared, this time supporting the dining room mantel, but the house is best remembered for the nightmarish chimneypiece in its library. The tall and massive walnut chimneypiece featured compressed columns supporting oversized piers incised with stylized sunflowers, twin "hounds of hell" grotesques snarling from behind shields, a
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common practice of our cabinet-makers with their best work … The hinges and metallic mountings were of oxidized silver of the finest workmanship and spirited in design. All the panels were filled with relief-carving, animal and floral forms being introduced; but these were not all of original design. A noticeable feature was the central mirror surmounted by a crocketed gable, richly carved, with finial composed of two birds resembling pelicans. Four finials on the posts which defined the three main divisions were finished with carved cockatoos. The amount of rich carving far surpassed that on any other Gothic piece in the
Exhibition...
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1150:"Furness and Hewitt drenched the interior of the Gibson house in sybaritic splendor, making it look rather like an extended Moorish smoking room. Each cabinet was distinguished by cusped horseshoe arches and geometric wood screens, behind which tantalizing vistas beckoned. Even the furniture was designed with an eye toward the ensemble, so that leonine heads guarded the table and roared beneath the fireplace mantel. The effect was dazzling—as if the Alhambra had been smuggled into one of William Penn's orderly streets."
271:(father of the future president) hired Furness to decorate his newly built townhouse at 6 West 57th Street, New York City (demolished). The ornate Neo-Grec paneling, bookcases, cabinetry and mantels are based on designs in Furness's sketchbook, and their manufacture is attributed to Pabst. The pair is also credited with individual pieces of Roosevelt furniture. The massive dining table (image left) – with a base featuring carved herons pinching frogs in their bills – is now in the collection of the
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brickwork. The Potts House (altered 1875–76) seems to have been strongly influenced by
Furness's work, and has over-the-top Neo-Grec interiors that may be by Pabst. The dog-faced beasts appear again, flanking a fireplace, only this time they have wings! The Potts House barely escaped demolition in the late 1960s, when the University of Pennsylvania razed several city blocks to expand. From 1970 to 2005, it housed the university's radio station,
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1181:"The contract for the mason work was awarded to J. & G. Stewart; for the carpenter work to S. F. Quick; the plumbing, which is very extensive and thorough, was done by the day by J. J. Coffey; the mantels were furnished by Daniel Pabst, of Philadelphia; the decorative painting was executed by Leissner & Louis, of New York; the plain painting by John McLain, of this city."
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172:, where he would make his professional career. The excellence of his craftsmanship elevated him above his peers, as did the strongly architectonic (building-like) quality of his furniture designs—often massively scaled, with columns, pilasters, rounded and Gothic arches, bold carving and polychromatic decoration. He was a master at
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489:, in Washington, D.C. The bedroom suite was reputedly purchased just before or during their honeymoon, and returned with them to Colorado. The bed's 8-foot-8-inch (2.64 m)-tall headboard is carved with owls and bats, creatures of the night; the 8-foot-11-inch (2.72 m)-tall bureau-and-mirror is carved with
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284:) are unlocated. The late antiques expert/dealer Robert Edwards – who discovered the Pabst-attributed cabinets now at the Brooklyn Museum and the Metropolitan Museum of Art – identified a Neo-Grec side chair (now in the Barrie & Deedee Wigmore collection) as having come from the Roosevelt library.
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He retired in 1896 at age 70, but continued making furniture for friends and family members into his 80s. In June 1910, he was honored by the
University of Pennsylvania for 50 years of carving large decorative spoons for senior-class "Honor Men Awards." Several of the spoons survive, including one in
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Several sets of glass-doored bookcases attributed to Pabst exist—including a Modern Gothic 10-bookcase set (with shingled roofs), matching mantel (with dog-faced beasts) and overmantel mirror, that may have been part of a
Furness commission. Pabst is credited with the elaborate, two-story interior of
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Pabst also worked with
Furness's competitors. The firm of Collins & Autenrieth designed the Charles T. Parry House (1870–71) at 1921–27 Arch Street, Philadelphia, and its Renaissance Revival interior woodwork is attributed to Pabst. The paneled vestibule, while still attributed to Pabst, may date
189:. His Philadelphia shop grew to employ up to 50 workmen, but the company's records do not survive. Of the presumably thousands of pieces produced by his shop over half a century, only two are signed, and very few are documented. Therefore, identification of his works must be done through attribution.
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The documented pieces are the
Furness-Pabst bookcases (Pabst is credited in an 1871 Furness letter); and the mantels and sideboard at "Glenview" (Pabst is credited in an 1877 Yonkers newspaper article). The Modern Gothic exhibition cabinet at the Brooklyn Museum has a fragment of a handwritten label
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Scholarship on Daniel Pabst rests on the foundational research begun in the early 1930s by
Philadelphia Museum of Art curator of decorative arts Calvin Hathaway. Utilizing the Pabst customer list, provided by the cabinetmaker's daughter Emma Pabst Reisser, Hathaway tracked down furniture still owned
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Daniel Pabst really did develop a unique and identifiable decorative vocabulary. He tended to envelop the object's architecture with a fine scale pattern; it was an invention of his own. He wasn't aping the
European antecedent. While I think there are masterpieces of Pabst's not from Furness's pen,
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The mark of a great cabinetmaker is his combination of design and execution. It's how well they resolve the challenges of designing a piece coupled with their craftsmanship and technique. Pabst was the most distinguished cabinetmaker in
Philadelphia in the last quarter of the 19th century. Clearly,
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sideboard designed and made by Daniel Pabst of
Philadelphia. The treatment was rather architectural throughout, too much so for practical purposes. Such a heavy piece should be built in a house, and not be treated as movable furniture. The wood was filled and highly polished on shellac, as is the
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The most famous pieces attributed to Pabst are a Neo-Grec desk and chair made to the designs of Frank Furness. Created for the architect's brother Horace (and slightly altered from Frank's surviving drawings), they are now at the Philadelphia Museum of Art. Furness family papers document a set of
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Joseph M. Wilson (of Wilson Brothers) was hired by Col. Joseph D. Potts to remodel a circa-1850 suburban house at 3905 Spruce Street, Philadelphia. And remodel it Wilson did, designing numerous additions – including a 4-story tower – and unifying the exterior with polychromatic diamond-patterned
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The Philadelphia Museum of Art hosted a study day on Pabst in October 2008, organized by Jennifer Zwilling, and is preparing a comprehensive exhibition of his work. (The exhibition was put on hold in 2010. The Philadelphia Museum of Art has the largest institutional holdings of Pabst's work). A
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complex. An 1877 newspaper article credits the mansion's mantels to Pabst; and the interior woodwork, ebonized library, and grand staircase are attributed to him. Although there is no evidence of Furness's involvement, Pabst used design elements that can also be found in Furness commissions—the
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Pabst formed a partnership with Franz Krausz (Krauss) about 1854. According to Philadelphia directories, Pabst was located at 222 South 4th Street, circa 1854–56; Pabst and Franz Krausz were listed as cabinetmakers at 90 Cherry Street, circa 1855–57; both were working at 600 Cherry Street and
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now at the Metropolitan Museum of Art is attributed to Pabst, and was once attributed also to Furness. It features cameo-carved doors in maple and walnut, painted glass panels backed with foil, a shingled-roof top, and ornate brass hardware. This tour de force piece is reminiscent of
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a light-colored wood over a darker, then carving through to create a vivid contrast. Some pieces were adorned with decorative tiles, others with painted glass panels backed with reflective foil. Elaborate strap hinges and hardware were commonly used, and sometimes the furniture was
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parlor's mantel features the dog-faced beasts that flank fireplaces in several Furness houses, the entrance hall features door frames and a chimneypiece with shingled roofs (a frequent Furness motif). The 1877 article specifically credits the dining room's "very elaborate
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of Colorado – is attributed to Pabst. Tabor was sworn in as a U.S. senator on January 27, 1883, but was only a temporary placeholder, serving 37 days in office until the Colorado legislature could fill the vacancy. Three days before resigning he married his paramour,
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pediment rising to a finial, and twin owls staring down from the roof. The Moore house was demolished in the 1950s, but much of the chimneypiece, stripped of its grotesques and thus about 3 feet (0.91 m) shorter, survives. Sullivan went on to lead the
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city house. The eye-popping Moorish and Neo-Grec interiors are attributed to Furness, and may have been made by Pabst. Gibson appears to have used copies of the PAFA armchairs as seating in his picture gallery. His Neo-Grec library table – now at the
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by the customers' descendants. The Lea dining room suite and music cabinet, the Ingersoll cabinets, and several other pieces were loaned to PMA for a 1933 exhibition on Victorian art and decorative arts. Some pieces were later donated to the museum.
245:(1871–76). The Philadelphia art-museum-and-school's original furnishings included a lectern, bookcases, and set of Neo-Grec furniture for the boardroom. Armchairs from the set, attributed to Furness and Pabst, are in the collections of the
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According to Philadelphia land records, Daniel Pabst and Franz Krauss, both cabinetmakers of the city of Philadelphia, purchased the property at 269 South Fifth Street on February 16, 1865, for the sum of US$ 4,500 ($ 89,600 today).
758:. The maple-veneered panels of the doors are cameo-carved to reveal the walnut underneath. The Art Nouveau tiles are reverse-painted glass, backed with reflective foil. The compressed columns are ebonized. Height: 96 in. (2.44 m.).
1168:"David Barquist, curator of American decorative arts at the Philadelphia Museum of Art, … agreed with Catherine Voorsanger, that the Pabst cabinet at the Metropolitan Museum of Art, illustrated on the cover of the 1986 catalog
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234:, others are now in the Barrie & Deedee Wigmore collection in New York City. A circa-1870 Neo-Grec armchair from Horace Howard Furness's city house, designed by Frank Furness and attributed to Pabst, was exhibited at the
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Pabst was active in Philadelphia's large German-American community, and sponsored other emigrants, "taking them into his household while they were studying and learning their way in the new country." He was a member of the
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On his business card – undated (no earlier than 1865, from the address) – Pabst listed "Gothic church furniture a specialty." So there may remain numerous as-yet-unidentified pulpits, pews and altars created by his shop.
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Social Arts Club mantel & furniture – library table, console, chairs, map case – (1878), designed by Frank Furness. Renamed the Rittenhouse Club, it sold the clubhouse in the 1990s, and auctioned off the mantel and
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in his library at "Lindenshade," Wallingford, Pennsylvania, ca. 1900. The Furness-Pabst bookcases are beneath the balcony at far right and far left. The lamps of the Furness-Pabst desk are visible in the background,
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article, that says the mantels and the buffet are by Pabst. No other woodworkers are mentioned and so the attribution of the rest of the house is stylistic." — Laura Vookles, Curator of Collections, Hudson River
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National Historic Site, President Theodore Roosevelt's summer home in Oyster Bay, New York. The Neo-Grec case for the Roosevelts' upright piano (with cameo-carved panels) and their library table (with oversized
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Neo-Grec armchair (1871–76), made for the Pennsylvania Academy of the Fine Arts, design attributed to Frank Furness, Victoria and Albert Museum, London. Another armchair from the set is at the Allentown Art
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I brought all of Germany here with me, in my inward eye. The tall towers of Cologne, the wonders of Frankfurt-on-Main, the old grey castles perched in mid-air along the Rhine—they were all part of my work.
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the quality of his carving and cabinetmaking is of the highest order, and Philadelphia has a tradition of producing superior furniture since the 18th century, overshadowing Boston and New York.
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residing at 234 Stamper's Alley in Philadelphia, circa 1858; the shop moved to 120 Exchange Place, circa 1861; and the company was listed under the name "Pabst and Krauss," circa 1866.
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A year after his emigration to the United States, Pabst married Helena "Salina" Gross (1831–1912) in Philadelphia, on June 11, 1850. As a wedding gift, he made her an exquisite
447:'s private library (1881). This was removed from Lea's house at 2000 Walnut Street, Philadelphia in 1925, and installed at the University of Pennsylvania. When it was re-installed at
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Zwilling, Jennifer A. (Summer 2012). "Period Room Architecture in American Art Museums : Interior Woodwork from 1921 Arch Street, Philadelphia, Built 1871, Renovated Pre-1885".
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in 1886. The cameo-carved maple exhibition cabinet in the Sitting Room (center) and the ebonized chimneypiece and bookcases in the Library (background, left) are attributed to Pabst.
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Furness-Pabst bookcases (1870–71), made for the city house of Horace Howard Furness, one bookcase is at the University of Pennsylvania, the rest are in private collections.
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Modern Gothic bedroom suite – bed, bureau with mirror, nightstand – (1878), made for his daughter, Emma Pabst Reisser, two additional pieces are owned by her descendants.
622:" Of the couple's seven children, only three lived to adulthood: Emma, Laura and William. William Pabst worked in his father's shop, and was listed as a partner in 1894.
120:. He is credited with some of the most extraordinary custom interiors and hand-crafted furniture in the United States. Sometimes working in collaboration with architect
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Honor Men Awards (1861–1910). An ornate spoon is jokingly awarded each year to the most-popular member of the senior class. Pabst carved these spoons for fifty years.
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Modern Gothic exhibition cabinet (c. 1875), Brooklyn Museum. It has a fragment of a handwritten label that may have originally read "Pabst" and "Philadelphia."
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The largest collection of Pabst furniture is at the Philadelphia Museum of Art. In addition to the above museums, he is represented in the collections of the
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The two signed pieces are a mahogany sewing box (Pabst's 1850 wedding gift to his bride, Helena Gross), private collection; and an 1884 Modern Gothic
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Henry C. Gibson drawing room (decorated c. 1870, demolished), Furness & Hewitt, architects. The Neo-Grec library table (foreground) is now at the
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Furness-Pabst bookcase (1870–71), made for Horace Howard Furness. Other bookcases and a pair of cabinet doors from the set are in private collections.
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Charles T. Parry House vestibule paneling. This either was original to the house and dates from 1870 to 1871, or dates from a pre-1885 renovation.
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874:(1878), Cape May, New Jersey. Furness designed (and Pabst likely made) the interior woodwork, and 2 bedroom suites original to the house. The
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Neo-Grec highchair (1870–80). The highchair's crest is related to the crest on the "Fox and Crane" sideboard at the Art Institute of Chicago.
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Bloomfield H. Moore library (1872–74, demolished 1950s), Furness & Hewitt, architects. The chimneypiece is now at a California winery.
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These bookcases were placed in position this day—February 18th 1871. They were designed by Capt. Frank Furness, and made by Daniel Pabst …
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Bullitt, Furness, Harrison, McKean, Preston, Welsh, Wister, Roosevelt, and the Pennsylvania Railroad were all Frank Furness clients.
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Modern Gothic tall case clock (1884). Signed and dated: "Daniel Pabst, Artist / 1884." One of only two known pieces signed by Pabst.
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The Bloomfield Moore chimneypiece has been restored, replacement grotesques carved, and it is now installed in a California winery.
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Renaissance Revival music cabinet (c. 1865–70), made for Beauveau Borie, deaccessioned from High Museum of Art, private collection.
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The 1885 Wilson Brothers catalogue lists "alterations and additions" to the Parry house, but does not give details or list a date.
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Neo-Grec dining table (1873), designed by Frank Furness, made for Theodore Roosevelt, Sr., High Museum of Art, Atlanta, Georgia.
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Renaissance Revival dining room suite – sideboard, table, 2 armchairs, 10 sidechairs – (1868–70), made for Henry Charles Lea.
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Modern Gothic maple bedroom suite (c. 1880) – bed, bureau with mirror, nightstand, armchair – private collection.
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Dining room: "Fox and Crane" buffet base. The black walnut mantel, described as "massive" in 1877, was removed in the 1930s.
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Entrance hall: paneling, ebonized columns, shingled-roof door frames, mantel. The shingled-roof overmantel is a re-creation.
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Neo-Grec library table (c. 1870), design attributed to Frank Furness, made for Henry C. Gibson, Detroit Institute of Arts.
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Pair of Renaissance Revival sideboards (c. 1869), made for Henry Pratt McKean and Thomas J. McKean, private collections.
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Philadelphia, Three Centuries of American Art: Bicentennial exhibition, April 11-October 10, 1976 [catalogue]
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Ebonized fire screen (c. 1875–95) – sold at Christie's New York, October 14, 1999 – private collection.
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Modern Gothic bedroom suite (c. 1870) – bed, bureau, armoire, nightstand, 2 chairs – made for Henry Pratt McKean.
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Furness-Pabst cabinet doors (1870–71), private collection. Designed for Horace Howard Furness's private library.
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The "Baby Doe" Tabor bedroom suite – a massive, intricately carved bed and bureau that once belonged to Senator
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Eastlake-Influenced American Furniture, 1870–1890: Catalogue of an Exhibition November 18, 1973-January 6, 1974
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Building America's First University: An Historical and Architectural Guide to the University of Pennsylvania
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Neo-Grec bedroom suite – bed, armoire, table, 2 chairs, settee – (1873), made for Theodore Roosevelt, Sr.,
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Late in life, Pabst made a list from memory of his customers. It included prominent Philadelphians such as
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Henry Charles Lea Library (1881). Removed from 2000 Walnut Street, Philadelphia in 1925; now installed in
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The fox-and-crane panels appear on a third sideboard, and on a wine cabinet owned by a Pabst descendant.
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A director of the academy, liquor baron Henry C. Gibson, hired Furness & Hewitt to redecorate his
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Modern Gothic Campeche-style chair (c. 1875–80), attributed to Furness and Pabst, private collection.
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Neo-Grec D-shaped pedestal desk (c. 1870). The carving is similar to that on the Borie music cabinet.
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Modern Gothic exhibition cabinet (c. 1875), Munson-Williams-Proctor Arts Institute, Utica, New York.
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Modern Gothic pedestal (c. 1875), design attributed to Frank Furness, Museum of Fine Arts, Boston.
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Neo-Grec armchair (c. 1871), made for the city house of Horace Howard Furness, private collection.
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Neo-Grec side chair, (1873), made for the library of Theodore Roosevelt, Sr., private collection.
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Pair of Modern Gothic pedestals (c. 1880), deaccessioned from Newark Museum, private collection.
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great-grandson, Richard Pabst, is assembling a complete list of his known and attributed works.
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The newly formed architectural firm of Furness & Hewitt won the design competition for the
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Neo-Grec desk and chair (1870–71), designed by Frank Furness, made for Horace Howard Furness.
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Pabst created masterworks without Furness. He received a medal for excellence at the 1876
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Hanks, David A.; Talbott, Page (April 1977). "Daniel Pabst: Philadelphia Cabinetmaker".
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1105:"Designs for Two Mantelpieces" (July 1887). One of the few surviving drawings by Pabst.
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Renaissance Revival sideboard (c. 1870), Biggs Museum of American Art, Dover, Delaware.
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sewing box – its inscription, written in a mixture of German and English, concludes: "
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Pair of Renaissance Revival exhibition cabinets (1865–70), made for Edward Ingersoll.
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The Virginia Crawford Carroll Collection: American Decorative Arts, 1825–1917
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Renaissance Revival mirror and console table (1866–76), made for Charles T. Parry.
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The Art That Is Life: The Arts & Crafts Movement in America, 1875–1920
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Pabst's "largest existing work" is thought to be the John Bond Trevor mansion, "
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The Quest for Unity : American Art between World's Fairs, 1876–1893
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1635:"Berghold Estate Winery owner blends historical art with business," (image #5)
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505:. The Tabors' rags-to-riches-to-rags saga became the basis for the 1932 film
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in 1962, the fireplace was moved from one of the long walls to a short wall.
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Joseph D. Potts staircase (1876), Wilson Brothers & Company, architects.
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and songbirds, creatures of the day. The suite was later owned by publisher
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Renaissance Revival music cabinet (1868–70), made for Henry Charles Lea.
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3140:
1235:
A copy of the Pabst customer list is at the Philadelphia Museum of Art.
525:, and is now part of the permanent collection of its museum in Denver.
471:
343:
300:
287:
A 17-year-old architecture student visiting Philadelphia in June 1873,
1208:, made by Pabst, is built into an alcove opposite the massive mantel."
690:
he certainly benefitted from his close association with the architect.
409:. The house's second owner was the renowned surgeon and teacher, Dr.
197:
3039:"Iz You Iz or Iz You Ain't Daniel Pabst : PMA Tries to Find Out"
390:
3124:
3029:
Hints on Household Taste in Furniture, Upholstery, and Other Details
2968:"Decorative Fine-Art Work at Philadelphia : American Furniture"
1686:
1172:, although once attributed to Furness does not show Furness’s hand."
423:. Before it was demolished in 1968, the house was documented by the
275:, Atlanta, Georgia. The cameo-carved master bedroom suite is now at
3449:
3054:
Nineteenth Century Furniture : Innovation, Revival, and Reform
2319:
1093:
Emlen Physick sitting room mantel (1878), Frank Furness, architect.
893:
bedroom suite (c. 1882–83) – bed, bureau with mirror –
3017:
Cooper, Dan (Fall 2007). "Daniel Pabst, Modern Gothic Furniture".
593:
571:
208:
196:
786:"Fox and Crane" sideboard (c. 1870–80), Art Institute of Chicago.
3562:
3375:
Thomas, George E.; Cohen, Jeffrey A.; Lewis, Michael J. (1996).
518:
432:
3566:
3544:
1558:
1204:"The dining room is trimmed with black walnut. A very elaborate
828:(c. 1875–80), design attributed to Furness, private collection.
168:, Germany, Pabst immigrated to the U.S. in 1849 and settled in
3318:"Winterthur's Philadelphia Furniture Forum: What Was Learned?"
3285:"Henry Charles Lea and the Libraries within the Library (PDF)"
3002:. Metropolitan Museum of Art. cover, pp. 142, 146-47, 460-61.
2514:
2512:
3190:
Kaplan, Wendy (May 1987a). "The Furniture of Frank Furness".
1721:
1719:
1308:
1306:
1304:
878:
on one bed's headboard is repeated in a stained glass window.
764:
Renaissance Revival sideboard (c. 1860s), deaccessioned from
548:
Daniel Pabst, Designer and Manufacturer of Artistic Furniture
3640:
1848:
1846:
821:
Modern Gothic smokers cabinet (c. 1875), private collection.
1429:
1427:
521:– the "Baby Doe" Tabor bedroom suite was acquired by
140:
styles. Examples of his work are in the collections of the
116:(June 11, 1826 – July 15, 1910) was a German-born American
2999:
In Pursuit of Beauty: Americans and the Aesthetic Movement
226:" The bookcases are visible in a circa-1900 photograph of
3207:. Little Brown and Company; Museum of Fine Arts, Boston.
2063:
Philadelphia Land Records – Recorded LRB Book 74 Page 491
1864:
1825:
1623:
Bloomfield Moore chimneypiece in 2009, nos. 257 & 258
1141:
that may have originally read "Pabst" and "Philadelphia."
3058:. New York, N.Y: Art & Antiques. cover, pp. 36-43.
850:
Sitting room: 2 cameo-carved maple exhibition cabinets.
3224:
Frank Furness : Architecture and the Violent Mind
1414:
1412:
1410:
1408:
1406:
347:
Henry Charles Lea Library (1881), as now installed in
834:
Modern Gothic cabinetwork & furniture (1876–77),
783:
Ebonized pedestal (c. 1870), Cleveland Museum of Art.
1041:
Charles T. Parry vestibule (c. 1870–84), now at the
380:" (1876–77), in Yonkers, New York—part of the
3950:
3885:
3751:
3694:
3651:
3600:
2083:"Philadelphia: Leading Merchants and Manufacturers"
2015:
2013:
456:
85:
77:
61:
42:
21:
3051:
1362:Historic American Buildings Survey PA.23-WALF.2A-5
714:— Andrew Van Styn, furniture scholar & dealer.
2991:. Ph.D. dissertation, University of Pennsylvania.
2980:. James R. Osgood & Company. January 6, 1877.
1029:1870-75), attributed to Pabst, private collection
966:Joseph D. Potts House, interior woodwork (1876),
931:Pier mirror (1870–71), made for Charles T. Parry.
389:" to Pabst, although only its base survives. Its
2638:
2424:
2107:
1749:
1610:
1574:
1532:
1494:Gibson dining room, with picture gallery beyond.
1457:
1445:
1397:
1190:"Our attribution is based on an August 3, 1877,
900:Colonial Revival desk (1901), exhibited at the
847:Library: ebonized chimneypiece & bookcases.
3350:Thomas, George E.; Brownlee, David B. (2000).
2470:, from Munson-Williams-Proctor Arts Institute.
1888:
3578:
2626:
2072:McElroy's Philadelphia City Directory of 1866
1879:, from Philadelphia Architects and Buildings.
1804:, from Philadelphia Architects and Buildings.
806:National Historic Site, Oyster Bay, New York.
641:Pabst died in Philadelphia on July 15, 1910.
393:fox-and-crane panels, copied from a plate in
367:The most prominent object of the class was a
8:
3403:Cape May : Queen of the Seaside Resorts
3247:. Hudson River Museum. cover, plates 10-12.
2852:
2744:
2518:
2243:
2231:
2191:
2155:
1543:
1541:
1312:
739:Modern Gothic exhibition cabinet (c. 1875),
3092:Hanks, David A.; Peirce, Donald C. (1983).
2295:
1662:
3613:St. Peter's Episcopal Church of Germantown
3585:
3571:
3563:
3522:"Daniel Pabst Cabinet Maker" business card
1625:, from Oley Valley Architectural Antiques.
884:Ebonized chair (c. 1880), Brooklyn Museum.
322:Furness's bank buildings of the late-1870s
217:house in New York City (1873, demolished).
29:
18:
3730:St. Michael's Episcopal Church, Birdsboro
3400:Thomas, George E.; Doebley, Carl (1976).
1998:Daniel Pabst "Baby Doe" Tabor Bedroom Set
1687:American Architect and Building News 1877
996:Modern Gothic drop-front music portfolio.
864:(c. 1877–80), Metropolitan Museum of Art.
435:. Now called "Wayne Hall," it houses the
405:from a later renovation by another firm,
3096:. Atlanta, Georgia: High Museum of Art.
3032:. (1st American ed.) Charles C. Perkins.
2988:Renaissance Revival Furniture in America
2132:Antique Gothic Style Pabst Oak Bench Pew
2120:Daniel Pabst Cabinet Maker business card
1852:
1773:
1598:
746:
734:
722:
673:in Wilmington, Delaware, and elsewhere.
605:
342:
331:
3378:Frank Furness : The Complete Works
1761:
1710:
1433:
1418:
1255:
1120:
999:
853:Parlor: mantel (with dog-faced beasts).
4063:Hessian emigrants to the United States
3742:First Unitarian Church of Philadelphia
3265:Westchester : The American Suburb
2950:
2926:
2914:
2769:Renaissance Revival exhibition cabinet
2267:
2255:
1737:
1698:
1516:
1514:
1373:
1261:
1259:
727:Fox and Crane Sideboard (c. 1870–80),
667:Munson-Williams-Proctor Arts Institute
598:Daniel Pabst & Son advertisement,
497:, and was part of the furnishings of "
453:
265:– is attributed to Furness and Pabst.
230:'s library. One of them is now at the
3631:Pennsylvania Academy of the Fine Arts
3499:"Cabinet, attributed to Daniel Pabst"
3290:. University of Pennsylvania Library.
3050:Hanks, David (1982). "Daniel Pabst".
2394:PAFA armchair at Allentown Art Museum
2207:
2179:
2167:
2095:
2032:McElroy's Philadelphia City Directory
1650:
1505:
1469:
1385:
1336:
1295:
1267:"Cabinet, attributed to Daniel Pabst"
243:Pennsylvania Academy of the Fine Arts
7:
4058:Burials at West Laurel Hill Cemetery
3999:
3427:. Philadelphia: Lippincott. p.
2973:American Architect and Building News
2602:
2348:, from Biggs Museum of American Art.
1931:
638:the collection of the Pabst family.
3172:"Furness library interior for sale"
3113:Philadelphia Museum of Art Bulletin
2446:, from Museum of Fine Arts, Boston.
696:work presents the very germ of the
124:(1839–1912), he made pieces in the
3899:Provident Life & Trust Company
3810:University of Pennsylvania Library
3421:Wilson Brothers & Co. (1885).
3316:Solis-Cohen, Lita (5 March 2014).
2996:Burke, Doreen Bolger, ed. (1986).
2905:, from University of Pennsylvania.
2886:, from University of Pennsylvania.
2867:, from Philadelphia Museum of Art.
2843:, from Philadelphia Museum of Art.
2831:, from Philadelphia Museum of Art.
2819:, from Philadelphia Museum of Art.
2807:, from Philadelphia Museum of Art.
2795:, from Philadelphia Museum of Art.
2783:, from Philadelphia Museum of Art.
2771:, from Philadelphia Museum of Art.
2759:, from Philadelphia Museum of Art.
2384:, from Victoria and Albert Museum.
2222:, from University of Pennsylvania.
2144:Victorian Modern Gothic hall bench
2085:. Philadelphia. 1886. p. 167.
1946:, from University of Pennsylvania.
1922:, from University of Pennsylvania.
1867:, p. 7. illustrations, p. 21.
1677:, from Philadelphia Museum of Art.
1131:at the Philadelphia Museum of Art.
425:Historic American Buildings Survey
14:
3037:Edwards, Robert (November 2008).
1523:, from Detroit Institute of Arts.
993:Modern Gothic vanity with mirror.
943:Neo-Grec partners desk (1870–90).
222:bookcases created by the pair – "
118:cabinetmaker of the Victorian Era
37:1871), Philadelphia Museum of Art
35:Horace Howard Furness Desk (1870-
3998:
3358:University of Pennsylvania Press
3026:Eastlake, Charles Locke (1872).
2985:Ames, Kenneth (1 January 1970).
2468:Modern Gothic exhibition cabinet
2456:Modern Gothic exhibition cabinet
2372:, from Art Institute of Chicago.
1098:
1086:
1074:
1062:
1050:
1034:
1018:
1002:
862:Modern Gothic exhibition cabinet
752:Modern Gothic exhibition cabinet
462:
437:University of Pennsylvania Press
317:Modern Gothic exhibition cabinet
2939:Daniel Pabst Vanity (thumbnail)
2705:Pair of Modern Gothic pedestals
2360:, from Cleveland Museum of Art.
1521:Henry Clay Gibson Library Table
299:bisected by a center column, a
3301:. Philadelphia Museum of Art.
3226:. W. W. Norton & Company.
2639:Thomas, Cohen & Lewis 1996
2579:Glenview sideboard (far right)
2425:Thomas, Cohen & Lewis 1996
2108:Thomas, Cohen & Lewis 1996
1865:Wilson Brothers & Co. 1885
1826:Wilson Brothers & Co. 1885
1752:, pp. 169, 250, 261, 265.
1750:Thomas, Cohen & Lewis 1996
1611:Thomas, Cohen & Lewis 1996
1575:Thomas, Cohen & Lewis 1996
1533:Thomas, Cohen & Lewis 1996
1458:Thomas, Cohen & Lewis 1996
1446:Thomas, Cohen & Lewis 1996
1398:Thomas, Cohen & Lewis 1996
628:German Society of Pennsylvania
620:Remember me Salina Gross 1850.
468:"Baby Doe" Tabor bedroom suite
306:Chicago School of Architecture
72:Philadelphia, Pennsylvania, US
1:
4073:19th-century American artists
3988:Wilson Brothers & Company
3923:B&O Station, Philadelphia
3864:Girard Trust Company Building
3858:St. Luke's Church, Kensington
3755:
3383:Princeton Architectural Press
3077:. Detroit Institute of Arts.
2865:Modern Gothic tall case clock
2480:Modern Gothic smokers cabinet
2339:Renaissance Revival sideboard
2280:Renaissance Revival sideboard
1675:Centennial medal won by Pabst
1026:
968:Wilson Brothers & Company
599:
407:Wilson Brothers & Company
351:, University of Pennsylvania.
4048:American furniture designers
3822:Princeton Club, Philadelphia
3752:Furness, Evans & Company
3343:The Autobiography of an Idea
3295:Sewell, Darrel, ed. (1976).
3268:. Fordham University Press.
3170:Iams, David (6 April 2002).
2667:Dr. Emlen Physick's bedroom.
2270:, quoted throughout article.
1982:Baby Doe Tabor bedroom suite
1548:Theodore Roosevelt furniture
766:Virginia Museum of Fine Arts
542:A company profile from 1886:
487:Elizabeth "Baby Doe" McCourt
315:An 8-foot (2.4 m)-tall
107:(Metropolitan Museum of Art)
3917:B&O Station, Pittsburgh
3341:Sullivan, Louis H. (1924).
3241:Madigan, Mary Jean (1973).
2733:The New York Times Magazine
2695:, from Garden State Legacy.
2533:, from Hudson River Museum.
2494:, from Christie's New York.
902:1904 St. Louis World's Fair
655:Museum of Fine Arts, Boston
308:, and become the mentor to
56:Langenstein, Hesse, Germany
16:American furniture designer
4094:
3935:Jersey City Ferry Terminal
3507:Metropolitan Museum of Art
3424:Catalogue of Work Executed
3406:. The Art Alliance Press.
3262:Panetta, Roger G. (2006).
3222:Lewis, Michael J. (2001).
3148:Iams, David (2 May 1993).
2941:, from S & S Auctions.
2415:, from High Museum of Art.
1889:Thomas & Brownlee 2000
1589:, from Winterthur Library.
1376:, pp. 378–79, 401–03.
1275:Metropolitan Museum of Art
1043:Philadelphia Museum of Art
955:University of Pennsylvania
916:Hanging cabinet (1860–70).
910:Philadelphia Museum of Art
756:Metropolitan Museum of Art
247:Victoria and Albert Museum
236:Museum of Fine Arts Boston
232:University of Pennsylvania
170:Philadelphia, Pennsylvania
154:Victoria and Albert Museum
146:Philadelphia Museum of Art
142:Metropolitan Museum of Art
4078:American furniture makers
4068:Artists from Philadelphia
3996:
3929:Buckingham Valley station
3786:Brooke Mansion, Birdsboro
3638:
3524:, from Bryn Mawr College.
3176:The Philadelphia Inquirer
3155:The Philadelphia Inquirer
2896:Henry Charles Lea Library
2627:Thomas & Doebley 1976
2569:, from Wikimedia Commons.
2122:, from Bryn Mawr College.
1944:Henry Charles Lea Library
1903:, from Wikimedia Commons.
1816:, from Wikimedia Commons.
1587:Robert Edwards Collection
1484:, from Wikimedia Commons.
1482:Henry C. Gibson interiors
1011:Detroit Institute of Arts
461:
263:Detroit Institute of Arts
28:
3968:G. W. & W. D. Hewitt
3661:Centennial National Bank
3652:Frank Furness, Architect
2853:Hanks & Talbott 1977
2745:Hanks & Talbott 1977
2730:"Magnificent Obsession,"
2707:, from Live Auctioneers.
2617:, from Live Auctioneers.
2593:, from frankfurness.org.
2567:Glenview parlor, c. 1886
2519:Hanks & Talbott 1977
2329:, from J&L Antiques.
2310:, from Live Auctioneers.
2244:Hanks & Talbott 1977
2232:Hanks & Talbott 1977
2192:Hanks & Talbott 1977
2156:Hanks & Talbott 1977
2146:, from Live Auctioneers.
2134:, from Live Auctioneers.
2020:"Tabor Bed and Dresser,"
1792:, from Live Auctioneers.
1313:Hanks & Talbott 1977
729:Art Institute of Chicago
669:in Utica, New York, the
399:Hints on Household Taste
150:Art Institute of Chicago
4038:German furniture makers
3978:William Lightfoot Price
3283:Peters, Edward (2000).
3203:Kaplan, Wendy (1987b).
2719:, from Brooklyn Museum.
2615:Rittenhouse Club mantel
2458:, from Brooklyn Museum.
2427:, pp. 175, 182–83.
2370:Fox and Crane sideboard
2296:Hanks & Peirce 1983
2284:Antiques & Fine Art
1957:"Tabor Bed and Dresser"
1790:Fox and Crane sideboard
1496:from Wikimedia Commons.
1327:, from Brooklyn Museum.
895:History Colorado Center
663:Cleveland Museum of Art
576:Theodore Roosevelt, Sr.
568:Charles Custis Harrison
495:William Randolph Hearst
363:(whereabouts unknown):
269:Theodore Roosevelt, Sr.
4043:American cabinetmakers
3804:Williamson Free School
3768:Lotta Crabtree Cottage
3645:
3619:Trinity Church, Oxford
3345:. Dover, 1956 reprint.
2953:, illustration, p. 61.
2877:Pabst-Furness bookcase
2841:Neo-Grec partners desk
2504:Glenview entrance hall
2437:Modern Gothic pedestal
2406:Roosevelt dining table
2308:Neo-Grec music cabinet
2022:from History Colorado.
2007:, from Rare Victorian.
1838:Charles T. Parry House
1814:Charles T. Parry House
1802:Charles T. Parry House
904:, whereabouts unknown.
759:
744:
732:
716:
611:
603:
556:John Christian Bullitt
552:
514:The Ballad of Baby Doe
503:San Simeon, California
413:– subject of the 1889
374:
352:
340:
218:
215:Theodore Roosevelt Sr.
206:
4033:People from Kirchhain
3644:
3530:from Live Auctioneers
3503:The Collection Online
3192:The Magazine Antiques
3073:Hanks, David (1983).
2581:, from Mattie's Blog.
2557:, from Mattie's Blog.
2555:Glenview sitting room
2196:The Evening Bulletin,
1986:The Magazine Antiques
1913:Joseph D. Potts House
1901:Joseph D. Potts House
1726:The Yonkers Statesman
1352:. Library of Congress
1271:The Collection Online
838:, Yonkers, New York:
768:, private collection.
750:
738:
726:
684:
609:
597:
580:Pennsylvania Railroad
564:Horace Howard Furness
545:
365:
357:Centennial Exposition
346:
335:
228:Horace Howard Furness
212:
202:Horace Howard Furness
200:
105:Modern Gothic cabinet
4053:American woodworkers
3941:Broad Street Station
3886:Demolished buildings
3780:Water Street station
3712:Gravers Lane station
3667:Emlen Physick Estate
3625:Thomas Hockley House
3438:Winterthur Portfolio
2651:Emlen Physick Estate
2506:, from Beau Stanton.
2492:Ebonized fire screen
2194:, p. 7, citing
1740:, quoted in page 59.
1388:, quoted in page 43.
1170:In Pursuit of Beauty
826:Campeche-style chair
719:Examples of his work
251:Allentown Art Museum
3852:Merion Cricket Club
3696:Furness & Evans
3679:Wallingford station
3019:Style 1900 Magazine
2855:, cover, pp. 16-18.
2829:Modern Gothic chair
2735:, November 4, 2012.
1963:. February 27, 2015
1641:, January 22, 2015.
1025:Neo-Grec armchair (
872:Emlen Physick House
702:Christopher Dresser
511:and the 1956 opera
382:Hudson River Museum
359:for a large walnut
282:Corinthian capitals
249:in London, and the
213:Dining room of the
126:Renaissance Revival
100:Emlen Physick House
89:Collaboration with
3870:Wilmington Station
3846:Horace Jayne House
3816:The Baldwin School
3718:Mount Airy station
3646:
3539:2014-12-22 at the
2901:2012-08-29 at the
2882:2014-12-24 at the
2817:Modern Gothic desk
2691:2016-03-04 at the
2686:Mrs. Ralston's bed
2676:from Cape May MAC.
2672:2014-12-31 at the
2641:, pp. 209–10.
2629:, pp. 116–17.
2531:Glenview staircase
2482:, from iCollector.
2442:2014-12-18 at the
2411:2015-09-24 at the
2344:2014-12-27 at the
2325:2014-12-19 at the
2246:, pp. 11, 15.
2003:2014-12-20 at the
1918:2018-04-23 at the
1891:, pp. 326–28.
1764:, cover, plate 10.
1653:, pp. 460–61.
1639:Lodi News-Sentinel
1613:, pp. 168–69.
1601:, pp. 190–92.
1577:, pp. 180–83.
1553:2014-12-22 at the
1508:, pp. 263–64.
1460:, pp. 157–59.
1400:, pp. 166–67.
760:
745:
733:
612:
604:
353:
341:
310:Frank Lloyd Wright
273:High Museum of Art
219:
207:
180:) in wood –
166:Langenstein, Hesse
4010:
4009:
3951:Associated people
3724:Undine Barge Club
3699:(1881–1886)
3654:(1875–1881)
3606:(1871–1875)
3413:978-0-8798-2016-9
3367:978-0-8122-3515-9
3275:978-0-8232-2594-1
3254:978-0-87100-043-9
3233:978-0-3937-3063-0
3103:978-0-93980-216-6
3084:978-0-89558-098-6
3009:978-0-87099-468-5
2917:, pp. 49–50.
2793:Lea music cabinet
2358:Ebonized pedestal
1855:, pp. 44–57.
1728:, August 3, 1877.
1325:Fragment of label
1192:Yonkers Statesman
982:Winterthur Museum
671:Winterthur Museum
562:, John M. Doyle,
478:
477:
445:Henry Charles Lea
443:medieval scholar
411:David Hayes Agnew
253:in Pennsylvania.
111:
110:
4085:
4002:
4001:
3905:Sedgwick station
3876:Zurbrugg Mansion
3834:New Hope station
3760:
3757:
3587:
3580:
3573:
3564:
3518:
3516:
3514:
3477:
3432:
3417:
3396:
3381:(2nd ed.).
3371:
3346:
3337:
3335:
3333:
3324:. Archived from
3312:
3291:
3289:
3279:
3258:
3237:
3218:
3199:
3186:
3184:
3182:
3166:
3164:
3162:
3144:
3107:
3088:
3069:
3057:
3046:
3041:. Archived from
3033:
3022:
3013:
2992:
2981:
2954:
2948:
2942:
2936:
2930:
2924:
2918:
2912:
2906:
2893:
2887:
2874:
2868:
2862:
2856:
2850:
2844:
2838:
2832:
2826:
2820:
2814:
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2766:
2760:
2754:
2748:
2742:
2736:
2728:Jean Zimmerman,
2726:
2720:
2714:
2708:
2702:
2696:
2683:
2677:
2664:
2658:
2648:
2642:
2636:
2630:
2624:
2618:
2612:
2606:
2600:
2594:
2591:Social Arts Club
2588:
2582:
2576:
2570:
2564:
2558:
2552:
2546:
2543:Glenview library
2540:
2534:
2528:
2522:
2516:
2507:
2501:
2495:
2489:
2483:
2477:
2471:
2465:
2459:
2453:
2447:
2434:
2428:
2422:
2416:
2403:
2397:
2391:
2385:
2379:
2373:
2367:
2361:
2355:
2349:
2336:
2330:
2320:McKean sideboard
2317:
2311:
2305:
2299:
2293:
2287:
2277:
2271:
2265:
2259:
2253:
2247:
2241:
2235:
2229:
2223:
2220:Honor Men Awards
2217:
2211:
2205:
2199:
2189:
2183:
2177:
2171:
2165:
2159:
2153:
2147:
2141:
2135:
2129:
2123:
2117:
2111:
2105:
2099:
2093:
2087:
2086:
2079:
2073:
2070:
2064:
2061:
2055:
2029:
2023:
2017:
2008:
1995:
1989:
1979:
1973:
1972:
1970:
1968:
1961:History Colorado
1953:
1947:
1941:
1935:
1929:
1923:
1910:
1904:
1898:
1892:
1886:
1880:
1874:
1868:
1862:
1856:
1850:
1841:
1835:
1829:
1823:
1817:
1811:
1805:
1799:
1793:
1787:
1781:
1771:
1765:
1759:
1753:
1747:
1741:
1735:
1729:
1723:
1714:
1708:
1702:
1696:
1690:
1684:
1678:
1672:
1666:
1663:Solis-Cohen 2014
1660:
1654:
1648:
1642:
1632:
1626:
1620:
1614:
1608:
1602:
1596:
1590:
1584:
1578:
1572:
1566:
1545:
1536:
1530:
1524:
1518:
1509:
1503:
1497:
1491:
1485:
1479:
1473:
1467:
1461:
1455:
1449:
1443:
1437:
1436:, p. 73-74.
1431:
1422:
1416:
1401:
1395:
1389:
1383:
1377:
1371:
1365:
1364:
1359:
1357:
1346:
1340:
1334:
1328:
1322:
1316:
1310:
1299:
1293:
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1282:
1263:
1245:
1242:
1236:
1233:
1227:
1224:
1218:
1215:
1209:
1202:
1196:
1188:
1182:
1179:
1173:
1166:
1160:
1157:
1151:
1148:
1142:
1138:
1132:
1125:
1102:
1090:
1078:
1066:
1054:
1038:
1028:
1022:
1006:
975:Van Pelt Library
891:"Baby Doe" Tabor
836:Glenview Mansion
601:
523:History Colorado
466:
465:
454:
449:Van Pelt Library
420:The Agnew Clinic
395:Charles Eastlake
349:Van Pelt Library
337:Glenview Mansion
295:and gold-leafed
138:Colonial Revival
95:Glenview Mansion
68:
52:
50:
33:
19:
4093:
4092:
4088:
4087:
4086:
4084:
4083:
4082:
4013:
4012:
4011:
4006:
3992:
3946:
3881:
3840:Wycombe station
3828:Lahaska station
3758:
3753:
3747:
3698:
3690:
3653:
3647:
3636:
3605:
3596:
3591:
3541:Wayback Machine
3512:
3510:
3497:
3485:
3480:
3435:
3420:
3414:
3399:
3393:
3374:
3368:
3349:
3340:
3331:
3329:
3315:
3309:
3294:
3287:
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3255:
3240:
3234:
3221:
3215:
3202:
3189:
3180:
3178:
3169:
3160:
3158:
3147:
3125:10.2307/3795335
3110:
3104:
3091:
3085:
3072:
3066:
3049:
3036:
3025:
3016:
3010:
2995:
2984:
2966:
2962:
2957:
2949:
2945:
2937:
2933:
2925:
2921:
2913:
2909:
2903:Wayback Machine
2894:
2890:
2884:Wayback Machine
2875:
2871:
2863:
2859:
2851:
2847:
2839:
2835:
2827:
2823:
2815:
2811:
2803:
2799:
2791:
2787:
2779:
2775:
2767:
2763:
2757:Hanging cabinet
2755:
2751:
2743:
2739:
2727:
2723:
2715:
2711:
2703:
2699:
2693:Wayback Machine
2684:
2680:
2674:Wayback Machine
2665:
2661:
2649:
2645:
2637:
2633:
2625:
2621:
2613:
2609:
2601:
2597:
2589:
2585:
2577:
2573:
2565:
2561:
2553:
2549:
2541:
2537:
2529:
2525:
2517:
2510:
2502:
2498:
2490:
2486:
2478:
2474:
2466:
2462:
2454:
2450:
2444:Wayback Machine
2435:
2431:
2423:
2419:
2413:Wayback Machine
2404:
2400:
2392:
2388:
2380:
2376:
2368:
2364:
2356:
2352:
2346:Wayback Machine
2337:
2333:
2327:Wayback Machine
2318:
2314:
2306:
2302:
2294:
2290:
2278:
2274:
2266:
2262:
2254:
2250:
2242:
2238:
2234:, pp. 3–5.
2230:
2226:
2218:
2214:
2206:
2202:
2190:
2186:
2178:
2174:
2166:
2162:
2154:
2150:
2142:
2138:
2130:
2126:
2118:
2114:
2106:
2102:
2094:
2090:
2081:
2080:
2076:
2071:
2067:
2062:
2058:
2030:
2026:
2018:
2011:
2005:Wayback Machine
1996:
1992:
1980:
1976:
1966:
1964:
1955:
1954:
1950:
1942:
1938:
1930:
1926:
1920:Wayback Machine
1911:
1907:
1899:
1895:
1887:
1883:
1877:Potts Residence
1875:
1871:
1863:
1859:
1851:
1844:
1836:
1832:
1824:
1820:
1812:
1808:
1800:
1796:
1788:
1784:
1772:
1768:
1760:
1756:
1748:
1744:
1736:
1732:
1724:
1717:
1709:
1705:
1697:
1693:
1685:
1681:
1673:
1669:
1661:
1657:
1649:
1645:
1633:
1629:
1621:
1617:
1609:
1605:
1597:
1593:
1585:
1581:
1573:
1569:
1555:Wayback Machine
1546:
1539:
1535:, pp. 181.
1531:
1527:
1519:
1512:
1504:
1500:
1492:
1488:
1480:
1476:
1468:
1464:
1456:
1452:
1448:, pp. 161.
1444:
1440:
1432:
1425:
1417:
1404:
1396:
1392:
1384:
1380:
1372:
1368:
1355:
1353:
1348:
1347:
1343:
1335:
1331:
1323:
1319:
1315:, pp. 8–9.
1311:
1302:
1294:
1290:
1280:
1278:
1265:
1264:
1257:
1253:
1248:
1243:
1239:
1234:
1230:
1225:
1221:
1216:
1212:
1203:
1199:
1189:
1185:
1180:
1176:
1167:
1163:
1158:
1154:
1149:
1145:
1139:
1135:
1129:tall case clock
1126:
1122:
1118:
1113:
1106:
1103:
1094:
1091:
1082:
1079:
1070:
1067:
1058:
1055:
1046:
1039:
1030:
1023:
1014:
1007:
984:
957:
952:
912:
907:
741:Brooklyn Museum
721:
713:
710:Craftsman style
698:modern movement
691:
688:
683:
659:Brooklyn Museum
647:
592:
531:
463:
457:External videos
330:
328:Without Furness
195:
162:
103:
98:
93:
73:
70:
66:
57:
54:
48:
46:
38:
36:
24:
17:
12:
11:
5:
4091:
4089:
4081:
4080:
4075:
4070:
4065:
4060:
4055:
4050:
4045:
4040:
4035:
4030:
4025:
4015:
4014:
4008:
4007:
3997:
3994:
3993:
3991:
3990:
3985:
3983:Louis Sullivan
3980:
3975:
3970:
3965:
3960:
3954:
3952:
3948:
3947:
3945:
3944:
3938:
3932:
3926:
3920:
3914:
3908:
3902:
3896:
3889:
3887:
3883:
3882:
3880:
3879:
3873:
3867:
3861:
3855:
3849:
3843:
3837:
3831:
3825:
3819:
3813:
3807:
3801:
3795:
3789:
3783:
3777:
3771:
3764:
3762:
3749:
3748:
3746:
3745:
3739:
3733:
3727:
3721:
3715:
3709:
3702:
3700:
3692:
3691:
3689:
3688:
3682:
3676:
3670:
3664:
3657:
3655:
3649:
3648:
3639:
3637:
3635:
3634:
3628:
3622:
3616:
3609:
3607:
3601:Furness &
3598:
3597:
3592:
3590:
3589:
3582:
3575:
3567:
3561:
3560:
3551:
3531:
3525:
3519:
3495:
3484:
3483:External links
3481:
3479:
3478:
3450:10.1086/668451
3444:(2/3): 44–57.
3433:
3418:
3412:
3397:
3391:
3372:
3366:
3347:
3338:
3328:on 2 July 2014
3322:Furniture News
3313:
3307:
3292:
3280:
3274:
3259:
3253:
3238:
3232:
3219:
3213:
3200:
3187:
3167:
3145:
3108:
3102:
3089:
3083:
3070:
3064:
3047:
3045:on 2009-01-19.
3034:
3023:
3014:
3008:
2993:
2982:
2963:
2961:
2958:
2956:
2955:
2943:
2931:
2929:, p. 403.
2919:
2907:
2888:
2869:
2857:
2845:
2833:
2821:
2809:
2797:
2785:
2773:
2761:
2749:
2737:
2721:
2717:Ebonized chair
2709:
2697:
2678:
2659:
2655:Cape May Times
2643:
2631:
2619:
2607:
2595:
2583:
2571:
2559:
2547:
2545:, from Flickr.
2535:
2523:
2508:
2496:
2484:
2472:
2460:
2448:
2429:
2417:
2398:
2396:, from Flickr.
2386:
2374:
2362:
2350:
2331:
2312:
2300:
2288:
2286:(Summer 2014).
2272:
2260:
2248:
2236:
2224:
2212:
2200:
2198:June 11, 1910.
2184:
2172:
2170:, p. 461.
2160:
2148:
2136:
2124:
2112:
2100:
2088:
2074:
2065:
2056:
2024:
2009:
1990:
1974:
1948:
1936:
1924:
1905:
1893:
1881:
1869:
1857:
1842:
1830:
1818:
1806:
1794:
1782:
1766:
1754:
1742:
1730:
1715:
1713:, p. 152.
1703:
1691:
1679:
1667:
1655:
1643:
1627:
1615:
1603:
1591:
1579:
1567:
1537:
1525:
1510:
1498:
1486:
1474:
1462:
1450:
1438:
1423:
1402:
1390:
1378:
1366:
1341:
1329:
1317:
1300:
1298:, p. 460.
1288:
1254:
1252:
1249:
1247:
1246:
1237:
1228:
1219:
1210:
1197:
1183:
1174:
1161:
1152:
1143:
1133:
1119:
1117:
1114:
1112:
1109:
1108:
1107:
1104:
1097:
1095:
1092:
1085:
1083:
1080:
1073:
1071:
1068:
1061:
1059:
1056:
1049:
1047:
1040:
1033:
1031:
1024:
1017:
1015:
1008:
1001:
998:
997:
994:
991:
988:
983:
980:
979:
978:
971:
964:
961:
956:
953:
951:
950:
947:
944:
941:
938:
935:
932:
929:
926:
923:
920:
917:
913:
911:
908:
906:
905:
898:
888:
885:
882:
879:
869:
865:
859:
858:
857:
854:
851:
848:
845:
842:
832:
829:
824:Modern Gothic
822:
819:
816:
813:
810:
807:
800:
797:
793:
790:
787:
784:
781:
778:
775:
772:
769:
761:
754:(c. 1877–80),
720:
717:
682:
679:
646:
643:
591:
588:
530:
527:
476:
475:
459:
458:
329:
326:
289:Louis Sullivan
194:
191:
161:
158:
109:
108:
87:
86:Known for
83:
82:
79:
75:
74:
71:
69:(aged 84)
63:
59:
58:
55:
44:
40:
39:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
4090:
4079:
4076:
4074:
4071:
4069:
4066:
4064:
4061:
4059:
4056:
4054:
4051:
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4039:
4036:
4034:
4031:
4029:
4026:
4024:
4021:
4020:
4018:
4005:
3995:
3989:
3986:
3984:
3981:
3979:
3976:
3974:
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3969:
3966:
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3959:
3956:
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3942:
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3927:
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3921:
3918:
3915:
3912:
3909:
3906:
3903:
3900:
3897:
3894:
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3890:
3888:
3884:
3877:
3874:
3871:
3868:
3865:
3862:
3859:
3856:
3853:
3850:
3847:
3844:
3841:
3838:
3835:
3832:
3829:
3826:
3823:
3820:
3817:
3814:
3811:
3808:
3805:
3802:
3799:
3796:
3793:
3790:
3787:
3784:
3781:
3778:
3775:
3774:Solomon House
3772:
3769:
3766:
3765:
3763:
3750:
3743:
3740:
3737:
3734:
3731:
3728:
3725:
3722:
3719:
3716:
3713:
3710:
3707:
3704:
3703:
3701:
3697:
3693:
3686:
3683:
3680:
3677:
3674:
3671:
3668:
3665:
3662:
3659:
3658:
3656:
3650:
3643:
3632:
3629:
3626:
3623:
3620:
3617:
3614:
3611:
3610:
3608:
3604:
3599:
3595:
3594:Frank Furness
3588:
3583:
3581:
3576:
3574:
3569:
3568:
3565:
3559:
3555:
3552:
3550:
3546:
3542:
3538:
3535:
3532:
3529:
3526:
3523:
3520:
3508:
3504:
3500:
3496:
3494:
3490:
3487:
3486:
3482:
3475:
3471:
3467:
3463:
3459:
3455:
3451:
3447:
3443:
3439:
3434:
3430:
3426:
3425:
3419:
3415:
3409:
3405:
3404:
3398:
3394:
3392:1-56898-094-9
3388:
3384:
3380:
3379:
3373:
3369:
3363:
3359:
3355:
3354:
3348:
3344:
3339:
3327:
3323:
3319:
3314:
3310:
3308:0-87633-016-2
3304:
3300:
3299:
3293:
3286:
3281:
3277:
3271:
3267:
3266:
3260:
3256:
3250:
3246:
3245:
3239:
3235:
3229:
3225:
3220:
3216:
3214:0-87846-278-3
3210:
3206:
3201:
3198:(5): 1088–95.
3197:
3193:
3188:
3177:
3173:
3168:
3157:
3156:
3151:
3146:
3142:
3138:
3134:
3130:
3126:
3122:
3118:
3114:
3109:
3105:
3099:
3095:
3090:
3086:
3080:
3076:
3071:
3067:
3065:0-8230-8004-8
3061:
3056:
3055:
3048:
3044:
3040:
3035:
3031:
3030:
3024:
3020:
3015:
3011:
3005:
3001:
3000:
2994:
2990:
2989:
2983:
2979:
2975:
2974:
2969:
2965:
2964:
2959:
2952:
2947:
2944:
2940:
2935:
2932:
2928:
2923:
2920:
2916:
2911:
2908:
2904:
2900:
2897:
2892:
2889:
2885:
2881:
2878:
2873:
2870:
2866:
2861:
2858:
2854:
2849:
2846:
2842:
2837:
2834:
2830:
2825:
2822:
2818:
2813:
2810:
2806:
2801:
2798:
2794:
2789:
2786:
2782:
2777:
2774:
2770:
2765:
2762:
2758:
2753:
2750:
2747:, p. 23.
2746:
2741:
2738:
2734:
2731:
2725:
2722:
2718:
2713:
2710:
2706:
2701:
2698:
2694:
2690:
2687:
2682:
2679:
2675:
2671:
2668:
2663:
2660:
2656:
2652:
2647:
2644:
2640:
2635:
2632:
2628:
2623:
2620:
2616:
2611:
2608:
2604:
2599:
2596:
2592:
2587:
2584:
2580:
2575:
2572:
2568:
2563:
2560:
2556:
2551:
2548:
2544:
2539:
2536:
2532:
2527:
2524:
2521:, p. 22.
2520:
2515:
2513:
2509:
2505:
2500:
2497:
2493:
2488:
2485:
2481:
2476:
2473:
2469:
2464:
2461:
2457:
2452:
2449:
2445:
2441:
2438:
2433:
2430:
2426:
2421:
2418:
2414:
2410:
2407:
2402:
2399:
2395:
2390:
2387:
2383:
2382:PAFA armchair
2378:
2375:
2371:
2366:
2363:
2359:
2354:
2351:
2347:
2343:
2340:
2335:
2332:
2328:
2324:
2321:
2316:
2313:
2309:
2304:
2301:
2298:, p. 34.
2297:
2292:
2289:
2285:
2281:
2276:
2273:
2269:
2264:
2261:
2258:, p. 54.
2257:
2252:
2249:
2245:
2240:
2237:
2233:
2228:
2225:
2221:
2216:
2213:
2210:, p. 43.
2209:
2204:
2201:
2197:
2193:
2188:
2185:
2182:, p. 36.
2181:
2176:
2173:
2169:
2164:
2161:
2157:
2152:
2149:
2145:
2140:
2137:
2133:
2128:
2125:
2121:
2116:
2113:
2109:
2104:
2101:
2098:, p. 38.
2097:
2092:
2089:
2084:
2078:
2075:
2069:
2066:
2060:
2057:
2053:
2049:
2045:
2041:
2037:
2033:
2028:
2025:
2021:
2016:
2014:
2010:
2006:
2002:
1999:
1994:
1991:
1987:
1983:
1978:
1975:
1962:
1958:
1952:
1949:
1945:
1940:
1937:
1933:
1928:
1925:
1921:
1917:
1914:
1909:
1906:
1902:
1897:
1894:
1890:
1885:
1882:
1878:
1873:
1870:
1866:
1861:
1858:
1854:
1853:Zwilling 2012
1849:
1847:
1843:
1839:
1834:
1831:
1827:
1822:
1819:
1815:
1810:
1807:
1803:
1798:
1795:
1791:
1786:
1783:
1779:
1775:
1774:Eastlake 1872
1770:
1767:
1763:
1758:
1755:
1751:
1746:
1743:
1739:
1734:
1731:
1727:
1722:
1720:
1716:
1712:
1707:
1704:
1701:, p. 59.
1700:
1695:
1692:
1688:
1683:
1680:
1676:
1671:
1668:
1664:
1659:
1656:
1652:
1647:
1644:
1640:
1636:
1631:
1628:
1624:
1619:
1616:
1612:
1607:
1604:
1600:
1599:Sullivan 1924
1595:
1592:
1588:
1583:
1580:
1576:
1571:
1568:
1564:
1560:
1556:
1552:
1549:
1544:
1542:
1538:
1534:
1529:
1526:
1522:
1517:
1515:
1511:
1507:
1502:
1499:
1495:
1490:
1487:
1483:
1478:
1475:
1472:, p. 85.
1471:
1466:
1463:
1459:
1454:
1451:
1447:
1442:
1439:
1435:
1430:
1428:
1424:
1420:
1415:
1413:
1411:
1409:
1407:
1403:
1399:
1394:
1391:
1387:
1382:
1379:
1375:
1370:
1367:
1363:
1351:
1345:
1342:
1339:, p. 37.
1338:
1333:
1330:
1326:
1321:
1318:
1314:
1309:
1307:
1305:
1301:
1297:
1292:
1289:
1276:
1272:
1268:
1262:
1260:
1256:
1250:
1241:
1238:
1232:
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1214:
1211:
1207:
1201:
1198:
1193:
1187:
1184:
1178:
1175:
1171:
1165:
1162:
1156:
1153:
1147:
1144:
1137:
1134:
1130:
1124:
1121:
1115:
1110:
1101:
1096:
1089:
1084:
1077:
1072:
1065:
1060:
1053:
1048:
1044:
1037:
1032:
1021:
1016:
1012:
1005:
1000:
995:
992:
989:
986:
985:
981:
976:
972:
970:, architects.
969:
965:
962:
959:
958:
954:
948:
945:
942:
939:
936:
933:
930:
927:
924:
921:
918:
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914:
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903:
899:
896:
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889:
886:
883:
880:
877:
873:
870:
866:
863:
860:
855:
852:
849:
846:
843:
840:
839:
837:
833:
830:
827:
823:
820:
817:
814:
811:
808:
805:
804:Sagamore Hill
801:
798:
794:
791:
788:
785:
782:
779:
776:
773:
770:
767:
763:
762:
757:
753:
749:
742:
737:
730:
725:
718:
715:
711:
707:
706:Bruce Talbert
703:
699:
695:
694:Modern Gothic
680:
678:
674:
672:
668:
664:
660:
656:
651:
644:
642:
639:
635:
633:
629:
623:
621:
617:
608:
596:
589:
587:
583:
581:
577:
574:; New Yorker
573:
569:
565:
561:
560:Henry Disston
557:
551:
549:
544:
543:
539:
535:
528:
526:
524:
520:
516:
515:
510:
509:
508:Silver Dollar
504:
500:
499:Hearst Castle
496:
492:
488:
483:
473:
469:
460:
455:
452:
450:
446:
440:
438:
434:
428:
426:
422:
421:
416:
415:Thomas Eakins
412:
408:
402:
400:
396:
392:
391:relief-carved
388:
383:
379:
373:
370:
364:
362:
358:
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327:
325:
323:
318:
313:
311:
307:
302:
298:
294:
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285:
283:
278:
277:Sagamore Hill
274:
270:
266:
264:
259:
258:Greek Revival
254:
252:
248:
244:
239:
237:
233:
229:
225:
216:
211:
203:
199:
192:
190:
188:
183:
179:
175:
174:cameo-carving
171:
167:
159:
157:
155:
151:
147:
143:
139:
135:
134:Modern Gothic
131:
127:
123:
122:Frank Furness
119:
115:
106:
101:
96:
92:
91:Frank Furness
88:
84:
80:
76:
65:July 15, 1910
64:
60:
53:June 11, 1826
45:
41:
32:
27:
20:
3973:Daniel Pabst
3972:
3754:(1886–
3554:Daniel Pabst
3534:Daniel Pabst
3528:Daniel Pabst
3513:December 27,
3511:. Retrieved
3502:
3493:Find a Grave
3489:Daniel Pabst
3441:
3437:
3423:
3402:
3377:
3352:
3342:
3330:. Retrieved
3326:the original
3321:
3297:
3264:
3243:
3223:
3204:
3195:
3191:
3179:. Retrieved
3175:
3159:. Retrieved
3153:
3116:
3112:
3093:
3074:
3053:
3043:the original
3028:
3018:
2998:
2987:
2977:
2971:
2946:
2934:
2922:
2910:
2891:
2872:
2860:
2848:
2836:
2824:
2812:
2800:
2788:
2781:Parry mirror
2776:
2764:
2752:
2740:
2732:
2724:
2712:
2700:
2681:
2662:
2654:
2646:
2634:
2622:
2610:
2598:
2586:
2574:
2562:
2550:
2538:
2526:
2499:
2487:
2475:
2463:
2451:
2432:
2420:
2401:
2389:
2377:
2365:
2353:
2334:
2315:
2303:
2291:
2283:
2275:
2263:
2251:
2239:
2227:
2215:
2203:
2195:
2187:
2175:
2163:
2158:, p. 9.
2151:
2139:
2127:
2115:
2103:
2091:
2077:
2068:
2059:
2031:
2027:
1993:
1985:
1977:
1967:December 20,
1965:. Retrieved
1951:
1939:
1927:
1908:
1896:
1884:
1872:
1860:
1840:, from HABS.
1833:
1828:, p. 9.
1821:
1809:
1797:
1785:
1769:
1762:Madigan 1973
1757:
1745:
1733:
1725:
1711:Panetta 2006
1706:
1694:
1689:, p. 4.
1682:
1670:
1658:
1646:
1638:
1630:
1618:
1606:
1594:
1582:
1570:
1528:
1501:
1489:
1477:
1465:
1453:
1441:
1434:Kaplan 1987b
1419:Edwards 2008
1393:
1381:
1369:
1361:
1354:. Retrieved
1344:
1332:
1320:
1291:
1281:December 27,
1279:. Retrieved
1270:
1240:
1231:
1222:
1213:
1205:
1200:
1191:
1186:
1177:
1169:
1164:
1155:
1146:
1136:
1123:
685:
675:
652:
648:
640:
636:
631:
624:
619:
613:
584:
553:
547:
546:
541:
540:
536:
532:
512:
506:
482:Horace Tabor
479:
441:
429:
418:
403:
398:
386:
375:
369:black-walnut
366:
354:
314:
286:
267:
255:
240:
223:
220:
193:With Furness
163:
114:Daniel Pabst
113:
112:
81:Cabinetmaker
67:(1910-07-15)
23:Daniel Pabst
4028:1910 deaths
4023:1826 births
3963:John Fraser
3958:Allen Evans
3893:Lindenshade
3759: 1931
3736:Hockley Row
3509:. 2000–2014
3332:25 December
3181:25 December
3161:25 December
2951:Cooper 2007
2927:Sewell 1976
2915:Peters 2000
2805:Pier mirror
2268:Cooper 2007
2256:Cooper 2007
1738:Cooper 2007
1699:Cooper 2007
1374:Sewell 1976
1356:25 December
1277:. 2000–2014
156:in London.
4017:Categories
3119:(316): 5.
2657:(no date).
2208:Hanks 1982
2180:Hanks 1982
2168:Burke 1986
2096:Hanks 1982
1778:plate XIII
1651:Burke 1986
1506:Hanks 1983
1470:Lewis 2001
1386:Hanks 1982
1337:Hanks 1982
1296:Burke 1986
1111:References
868:furniture.
844:Staircase.
681:Assessment
578:; and the
572:John Wyeth
417:painting,
160:Background
152:, and the
78:Occupation
49:1826-06-11
3558:Pinterest
3545:Furnesque
3474:110141238
3458:0084-0416
3133:0031-7314
2603:Iams 1993
1932:Iams 2002
1559:Furnesque
1251:Citations
897:, Denver.
876:cartouche
491:cockatoos
361:sideboard
301:crocketed
238:in 1987.
182:veneering
102:interiors
97:interiors
3798:Idlewild
3706:Dolobran
3685:Knowlton
3673:Fairview
3537:Archived
3021:: 54–61.
2899:Archived
2880:Archived
2689:Archived
2670:Archived
2440:Archived
2409:Archived
2342:Archived
2323:Archived
2034:, Years
2001:Archived
1916:Archived
1551:Archived
692:Pabst's
616:mahogany
590:Personal
529:Business
397:’s book
378:Glenview
297:tympanum
293:diapered
187:ebonized
178:intaglio
164:Born in
130:Neo-Grec
4004:Commons
3911:Pencoyd
3792:Ormonde
3466:3739864
3141:3795335
2960:Sources
2653:, from
2282:, from
1984:, from
1557:, from
1195:Museum.
796:Museum.
700:. Like
472:YouTube
3943:(1893)
3937:(1892)
3931:(1891)
3925:(1888)
3919:(1887)
3913:(1884)
3907:(1882)
3901:(1879)
3895:(1873)
3878:(1910)
3872:(1908)
3866:(1907)
3860:(1904)
3854:(1897)
3848:(1895)
3842:(1891)
3836:(1891)
3830:(1891)
3824:(1891)
3818:(1891)
3812:(1891)
3806:(1890)
3800:(1890)
3794:(1888)
3788:(1888)
3782:(1887)
3776:(1887)
3770:(1886)
3744:(1886)
3738:(1886)
3732:(1885)
3726:(1883)
3720:(1882)
3714:(1882)
3708:(1881)
3687:(1881)
3681:(1880)
3675:(1880)
3669:(1879)
3663:(1876)
3633:(1876)
3627:(1875)
3621:(1875)
3615:(1873)
3603:Hewitt
3549:Tumblr
3472:
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1206:buffet
665:, the
661:, the
657:, the
645:Legacy
387:buffet
205:right.
148:, the
144:, the
136:, and
3543:from
3470:S2CID
3462:JSTOR
3288:(PDF)
3137:JSTOR
1116:Notes
602:1894.
501:" in
470:from
3515:2014
3454:ISSN
3408:ISBN
3387:ISBN
3362:ISBN
3334:2014
3303:ISBN
3270:ISBN
3249:ISBN
3228:ISBN
3209:ISBN
3183:2014
3163:2014
3129:ISSN
3098:ISBN
3079:ISBN
3060:ISBN
3004:ISBN
2052:1866
2048:1861
2044:1858
2040:1857
2036:1856
1969:2015
1358:2014
1283:2014
704:and
519:eBay
433:WXPN
62:Died
43:Born
3556:on
3547:on
3491:at
3446:doi
3196:131
3121:doi
1561:on
4019::
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3505:.
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1934:.
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176:(
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
