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had begun his poetic training in the Teimon school; but was much impressed by his meeting with Sōin, changing his pen name from Sōbō to Tosei, and becoming a member of the Danrin school. Though he later broke away from the latter, his mature style was to benefit from his ability to blend the
47:. In place of their formalism and didacticism, the new school looked to humour and low comedy for fresh inspiration, as well as to becoming more in touch with the common people, and therefore infusing a greater spirit of freedom into their poetry.
59:. Its members explored people's daily life for sources of playfulness, but while opening up the world of haiku to fresh influences, they ran the risk of ending up with mere frivolity.
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The school arose in reaction against the serious "bookishness" and concern for traditional culture popular in
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The Danrin school favored plain language, everyday subjects, and the use of humor, often mocking or debunking the elegance of court
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The
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31:(1605 to 1682). The name literally means 'talkative forest' – in other words a ‘Literary Forest’.
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with the artistic freedom nurtured by the Danrin poets.
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358:List of Japanese poetry anthologies
121:Cambridge University Press, 1959 xv
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231:The Narrow Road to the Deep North
218:The Narrow Road to the Deep North
205:The Narrow Road to the Deep North
117:Sargent, G.W. and Ihara Saikaku.
527:17th-century Japanese literature
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414:Thirty-Six Immortals of Poetry
409:Japanese poets (category list)
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465:. You can help Knowledge by
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166:A History of Haiku Vol I
233:(1983) p. 19 and p. 152
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134:(in Japanese). kotobank
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132:"談林派(ダンリンハ)とは - コトバンク"
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277:Major forms
181:(2005) p. 6
164:R H Blyth,
155:(1982) p. 7
151:l Zolbrod,
63:Bashō/Tosei
506:Categories
138:2017-11-28
106:References
371:Man'yōshū
419:Rokkasen
84:See also
43:and the
364:Kaifūsō
35:Origins
459:poetry
385:Kai Ōi
334:senryū
292:kanshi
285:haikai
74:Saigyō
25:poetry
22:haikai
457:This
392:Iroha
341:tanka
327:renku
320:renga
313:hokku
306:haiku
95:Haiga
463:stub
299:waka
90:Dada
78:Sōgi
76:and
57:waka
16:The
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