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Dark Eden (novel)

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442:, praised Beckett's method of rendering "the terror of the darkness beyond the forests with a riveting deftness" and the way he "cleverly" introduced new challenges and threats to keep the reader interested. But she strongly criticized the plot for being predictable and hackneyed and the characters for being clichéd. She had harsh words for what she saw as "the 1950s ethos underpinning the whole thing. The Family has developed into a relatively peaceful 396:. But that didn't matter: "ll this heavy categorizing misses the essence of the reader’s first contact with the book, which is pure astonishment and pleasure, a storytelling ride full of brio and wonder. ... The reader is swiftly seduced by two things that are intrinsic to, but separate from, the powerful plot: the Carrollian language, and the freaky ecology." He had high praise for the character of John Redlantern, who was a 298:
has yet to set in, so that Family lacks words to describe much of their world ("Cold Dark" instead of "high, dark mountain wreathed in glaciers"). Beckett said he adopted the unsophisticated, childish language of the Edenites after realizing he had crafted a society in which "the Eden settlers were a
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Family lives in Circle Valley. Resources are stretched but they believe that leaving will make it hard for them to be found when Earth returns for them. Eden's animals each have two hearts, green-black blood, huge and lidless eyes, six legs, and tentacled feelers around their mouths. Trees tap into
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The novel begins about 160 years after two human beings, Angela and Tommy, are stranded on Eden. Their three companions—Mehmet, Michael, and Dixon—have left in a damaged spaceship to get help. Years have passed, and although Angela and Tommy initially held out hope for rescue, they begin to raise
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among their descendants is common, with few children knowing who their father is. Social life centers around powerful rituals: Retelling of story of the stranding, the worship of what few relics remain, myths about Earth, and the need to stay close to Circle—the place where the landing vehicle
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that venerates its elders and has necessarily relaxed sexual norms; the society John seeks to create instead is monogamous, individualistic, rife with subtle bigotries and rooted in murder. Survival and progress, the story seems to suggest, require these things."
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won the 2013 Arthur C. Clarke Award for the best science fiction novel published in the United Kingdom in 2012. Clarke Award judge Andrew M. Butler, noting why the judges gave the award to a new author rather than an established writer, said of the book,
327:. The ramifications of John Redlantern's transgression, he noted, also has a wide number of unintended ramifications. The novel explores a socially and theologically conservative society's reaction to this transgression, which at first leads to a 335:) but in ways no one can anticipate. Beckett said much of the latter part of the novel is about how positive, creative new ways of thinking can still harm people badly, and force people to make sacrifices they do not wish to make. 453:
thought the novel "hew too closely to historical patterns", and declared the climax very unsatisfying. The reviewer still found the changing narrative viewpoints, ecological setting, and linguistic devices interesting, however.
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bunch of kids and two adults... . There's no external adult world as a reference point". With the two adults constantly speaking baby-talk to their children, pre-teens and teens never adopted more adult ways of speaking.
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The novel centers around John Redlantern, a "newhair" (teenager) who begins to resent the deep social and technological conservatism of Family. Killing a deadly leopard proves to be an
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magazine, described the plot as uninventive but "so splendidly it feels brand new and remade". He pointed out that the novel's "harsh oasis" plot device resembled the work of
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fuses rich biological and sociological speculation. Beckett really makes you care for characters who are stranded light years from an Earth they have never really known."
432:, an anonymous reviewer called it "bsorbing if often familiar, inventive and linguistically adept but less than fully satisfying... Enjoyable but no blockbuster." Author 783: 286:
has given the people of Eden unique nouns ("police veekle", "rayed yoh", and "Jesus Juice" instead of "police vehicle", "radio", and "Jesus and the Jews"). The
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consisted of "small domestic stories elevated to a mythical level", and he established the social norms, rituals, and myths of Family around similar stories.
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acts which lead to the "breaking" of Family. Exile of John and his teenaged followers is only the first of many ramifications, as John leads a
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facing Family, which has grown too large for its tiny valley. Supported by pretty Tina Spiketree and John's cousins (the passive Gerry and the
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the heat just below Eden's surface, bringing up warmth and providing fruit and other food. Nearly all plant and animal life on Eden is
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called it a "superior piece of theologically nuanced science fiction", although he noted that the novel drew a little heavily on
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response. Only later does it lead to social upheaval in ways some characters predict (most notably Tina Spiketree's fears of
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originally set down, and is supposed to return to and bring them back to Earth. Social norms are strongly adhered to in this
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was author Chris Beckett's second novel. Reviews were generally very positive in the United Kingdom. Stuart Kelly in
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voice by various characters, and each short chapter is told from a different character's perspective.
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children, forming a new society which becomes known as "Family". Frequent and regular
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sometimes requires not only "transgressive" but extremely "cruel" behavior, he told
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in 2012. The novel explores the disintegration of a small group of a highly
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for best science fiction novel published in the United Kingdom in 2012.
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Beckett also wanted to explore themes about making hard choices. To
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quest for a land "over Cold Dark" where Family can grow and thrive.
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people, descendants of two individuals whose spaceship crashed on a
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they call Eden. It is the first in the Eden trilogy, followed by
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pre-adolescent, thoughtful Jeff), John engages in a series of
428:. American reviewers were much more critical of the book. In 306:...turned on its head", one in which people are "expelled to 141: 310:". He conceived the novel after realizing that much of the 715:"Science Fiction: Jeff VanderMeer's 'Authority,' and More" 603:"Chris Beckett wins Arthur C Clarke award for Dark Eden" 424:
was published in the United States in April 2014 by
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(30 May 2014). 339:Critical reception and awards 1005:The Testament of Jessie Lamb 686:"Sci-Fi roundup: January 15" 601:Flood, Alison (1 May 2013). 254:which opens his eyes to the 1126:2012 science fiction novels 1077:The Animals in That Country 38:Original UK cover from 2012 16:2012 novel by Chris Beckett 1157: 235:, and innovation is rare. 18: 1136:Novels based on the Bible 799: 436:, reviewing the novel in 376:, reviewing the book for 278:The novel is told in the 188:, first published in the 31: 1045:The Underground Railroad 19:Not to be confused with 989:The City & the City 885:The Calcutta Chromosome 1131:Social science fiction 917:Perdido Street Station 793:Arthur C. Clarke Award 256:Malthusian catastrophe 215:Arthur C. Clarke Award 175:social science fiction 68:Social science fiction 319:think outside the box 296:Linguistic relativity 1141:Atlantic Books books 408:. 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Index

Darkover

Chris Beckett
English
Social science fiction
Corvus
United Kingdom
Hardback
Paperback
ISBN
9781848874640
OCLC
869300938
Mother of Eden
social science fiction
novel
British
Chris Beckett
United Kingdom
inbred
rogue planet
Mother of Eden
Arthur C. Clarke Award
incest
matriarchy
bioluminescent
Milky Way
epiphany
Malthusian catastrophe
club footed

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