712:, the chimes are hung from the ceiling above the audience, the xylophone is split in two and placed at the extreme left and right of the stage and the glockenspiel and a Disklavier piano are on stage. All of the percussion and piano are controlled by the Radio-drum and the strings are positioned in the aisles surrounding the audience, with two cellos in the extreme rear of the hall, followed (rear-to-front) by violas, violins II and violins I. The work was premiered on March 4, 2011 at the 2011 Other Minds Festival in San Francisco. In his program notes Jaffe wrote that the piece "explores what can be communicated and what must remain unsaid as eight isolated string players embedded in the audience, and one percussionist alone on stage, reach out to one another.". Reviews of the concert can be found at the following references: and. The work was subsequently performed at Open Space in Victoria, BC, Canada (2013) and on the Wayward Music Series at the Good Shepherd Center in Seattle (2016). The latter was supported by a grant from New Music USA the Nonsequitur.
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between the live guitars and the tape, but had only partial success. While playing the Mozart piano quartet, he mentioned to the violist, Alex Strong, that he was working on guitar synthesis. Strong excitedly told him about a new technique he had discovered. After appropriate non-disclosure forms had been signed (Strong was applying for a patent), he showed Jaffe the technique, who was impressed with the clarity and realism of the technique. Returning to CCRMA, Jaffe began working with it but quickly ran into limitations. He began extending the technique to solve problems of tuning, dynamics, expression, and many other issues, in collaboration with electrical engineering PhD student, Julius Smith.
696:, Jaffe wanted to transform the project into one that would explore new territory. After Henry Brant's death, Jaffe inherited Brant's percussion instruments (18 chimes, a xylophone, and a glockenspiel). He traveled to Santa Barbara to visit Brant's widow and pack up the instruments for shipping, and learned that Trimpin had also inherited some of Brant's instruments (Trimpin and Brant had been planning a collaboration that never came to fruition.) Jaffe approached Trimpin with a proposal to transform the Brant instruments into robotic devices. The piece took its final form when
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528:. Often based on interrelationships, juxtaposition, and synthesis, Jaffe’s works frequently merge abstract and "representational" material and draw upon such varied sources as world music, jazz, and historical Western concert styles. Jaffe is credited with pioneering and defining a "maximalist" approach to composition.
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In the late 1990s, he was a co-founder of
Staccato Systems and developed the SynthCore sound engine. Staccato Systems was acquired by Analog Devices in 2001, where Jaffe continued as Chief Architect and developed SoundMAX (which has shipped on over 80 million PCs) and VisualAudio, presented at the
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as a three-dimensional mouse at Bell Labs in New Jersey. Jaffe has used it in such works as the "Seven
Wonders of the Ancient World," which Joshua Kosman of the San Francisco Chronicle praised for the "resourceful intricacy and variety of Jaffe's writing". These works have been developed in close
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At the same time, he and Smith presented a paper on the technique at the 1983 International
Computer Music Conference. This paper was then published back-to-back with the Karplus/Strong paper in Computer Music Journal. The paper has also appeared in book form in “The Music Machine,” by MIT Press.
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to write a work for eight guitars, voice and tape. When he returned to
Stanford in the fall of 1981, he began work on the computer part. As part of the composition of the tape part, he strove to use Chowning’s FM synthesis technique to simulate plucked strings, as a way of bridging the sonic gulf
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Jaffe has taught composition at
Stanford, the University of California San Diego, Princeton University, and Melbourne University, where he was the MacGeorge Fellow. His music has been issued on ten CDs, including four solo CDs from Well-Tempered Productions, and has been presented by the
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In addition, his works often draw upon extra-musical elements such as bird song (in such works as “Impossible
Animals,” in which a bird sings with a synthesized human voice”) and political issues (in works such as “No Trumpets, No Drums” based on the Israeli/Palestinian conflict.)
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After the premiere of “May All Your
Children Be Acrobats,” which combined the new technique and the FM synthesis-based method, Jaffe created a work for four-channel tape alone, in which the plucked string synthesis technique was further developed. The result,
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The finale from the piece was included in The
Digital Domain, one of the first compact discs ever made, created to showcase the new CD technology. It was released by Elektra/Asylum in 1983. The work has also been released on several CDs, including
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Several of his pieces have focused on the Afro-Cuban musical tradition, including "Underground
Economy," for Cuban jazz pianist Hilario Duran, with violin and interactive electronics; and “Bull’s Eye,” for violin, cello and Afro-Cuban percussion.
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Since 2006, he has been a Senior
Scientist/Engineer at Universal Audio, where he developed the DSP system for the UAD-2, Satellite, Apollo and RealTime Rack hardware, used to emulate classic analog hardware and do high resolution audio I/O.
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and various choruses, string quartets and other chamber ensembles. His music has been performed at international music festivals, including the Berlin Festival, the Bergen Festival, the ISCM Warsaw Autumn Festival, the
728:. As the first computer to ship with a DSP capable of real-time sound synthesis, Jaffe and Julius Smith collaborated to create a programmable environment called the Music Kit, which fused elements of Music 5 and
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He received a Doctor of Musical Arts degree from Stanford University in 1983, where he was part of the computer music group at the Stanford Artificial Intelligence Lab, then later
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who has written over ninety works for orchestra, chorus, chamber ensembles, and electronics. He is best known for using technology as an
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He has been awarded several patents, as well as awards from the Bourges Festival and the International Engineering Consortium.
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This article is about the composer of contemporary classical and computer music. For the video game designer, see
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David A. Jaffe and Julius O. Smith (1983). "Extensions of the Karplus-Strong Plucked-String Algorithm".
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Since 1990, he has written extensively for an electronic controller called the "Radio-drum," (aka
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His musical approach carries forward the American experimentalism of the late American composer
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Most recently, he collaborated with Seattle sound artist/inventor Trimpin to create
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David A. Jaffe and W. Andrew Schloss (1994). "The Computer-Extended Ensemble".
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joined the commission consortium, along with a grant from the
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He attended Ithaca College, where he studied composition with
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In the mid-1990s, he developed the sound for games such as
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2006 Audio Engineering Society Conference in New York.
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A major contributor to this article appears to have a
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In 1981, Jaffe received a commission from guitarist
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1085:"Music Technology and Computers - Readings"
784:"Henry Brant in Memoriam by David A. Jaffe"
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915:"Symposium on Computer Music Composition"
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518:Henry Brant
481:Chanticleer
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281:or harmful.
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1588:Categories
1560:August 17,
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770:References
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417:Karel Husa
301:newspapers
260:references
91:improve it
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1510:Bloomberg
1458:March 14,
1390:March 28,
1364:March 28,
794:August 9,
745:Aerosmith
622:radiodrum
541:bluegrass
411:Biography
401:Music Kit
160:talk page
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1259:cite web
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