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839:"In 1958 the band went to Los Angeles, where they were signed to the new Demon label. The label did not use the Storms but did record Reynolds, backed with a number of professional session musicians on his 1958 single 'Endless Sleep' (covered in the UK by Marty Wilde), a song Reynolds had written with George Brown (credited under the pseudonym Delores Nance). The song reached number 5 and became one of the first of the so-called 'death rock' hits of the 50s and 60s (others in that category included '
900:"In class, discuss the History of Rock Development Chart. A. Use an overhead projector to present this or any other appropriate materials. NOTE: Not all types of Rock are listed on the Chart. The students may name some you might want to include, such as Death Rock, Surf Rock, etc. Use your own discretion. B. To really give the student a good insight into the historical development of Rock, he should be exposed to the development of the European influence and the African influence."
571:, which set them apart from the rest of the glam and post-punk scenes in Britain. In 1983, Gun Club toured in Europe as did Christian Death in 1984, leading to cross-pollination between the European gothic rock scene and the American deathrock scene. By 1984, California deathrock band Kommunity FK toured with UK gothic rock band Sex Gang Children (and the following year with Alien Sex Fiend) which continued the trend in which American and British movements intermixed.
775:"The first prowlings of death rock came in the early '80s before we were labeled as our other counterparts – the gothic movement. There were no Goths. The Death rockers were splintered off from the punk/hardcore scene that was going on at the time. We played punk rock but we loved Halloween and we looked like vampires. So the phrase Death rock was born."
607:
act. The term "gothic rock" became preferred over "deathrock" (previously, they had been used interchangeably), a change which
Williams attributed to the influence of the Sisters of Mercy. As a result, the term "deathrock" was seldom used except in retrospective reference to the Los Angeles bands 45 Grave and Christian Death.
881:"There was a trend, of a sort, in 'death rock' in the early '60s, epitomized by morbid teen songs like 'Deadman's Curve' and 'Last Kiss.' But before death rock came 'Gloomy Sunday.' According to David Ewen's 'All the Years of American Popular Music', the song was 'promoted by its publishers as a "suicide song
700:
Dinah Cancer has been referred to as the "Queen of
Deathrock", the "Goddess of Deathrock" and the "High Priestess of Deathrock" for her role as the frontwoman for 45 Grave during a time when female lead singers were still considered somewhat of a rarity. Other influential female deathrockers included
527:
abandoned the intensity of punk music in favor of a more elaborate style characterized by moody guitars and dark droning bass guitar patterns combined with romantic and morbid themes. This style of rock became known as "gothic rock" or "positive punk". A second wave of bands had coalesced a few years
708:
Many artists in the United States released EPs and LPs prior to 1982 which would now be considered deathrock, such as
Theatre of Ice and Mighty Sphincter. British bands also made major contributions to the deathrock sound by adding a strong post-punk influence, including Joy Division, Bauhaus and
606:
The mid-1980s marked the second wave of gothic rock, when the sound began to shift away from its punk and post-punk roots and towards the more serious, rock-oriented approach. Bauhaus broke up, Williams left
Christian Death, and the Sisters of Mercy became the dominant and most influential gothic
689:, Christian Death's 1982 debut album, is cited as the first American gothic album and cannot be easily classified as either a darker flavor of punk, horror punk or gothic rock. As a result, Williams, the band's deceased lead singer (also known for
1235:"Los Angeles bands like T.S.O.L., 45 Grave, the Flesh Eaters, Kommunity FK, and Christian Death focused on a grim, discordant, and echoey musical offering very much in line with overseas goth proprietors such as Bauhaus and Joy Division."
598:. The fertile New York scene featured Scarecrow (1983), Of a Mesh (1983), Chop Shop (1984), Fahrenheit 451 (1984), The Naked and the Dead (1985), Brain Eaters (1986), the Children's Zoo (1986), the Plague (1987) and the Ochrana (1987).
287:". These songs about dead teenagers were noted for their morbid yet romantic view of death, spoken word bridges, and sound effects. In 1974, the term "deathrock" was used by Gene Grier to describe the same phenomenon in rock music.
479:
compilation LP, which represented an early attempt to collect and promote local artists on the cutting edge of this new, darker version of L.A. punk. The bands generally performed and congregated at the Anti-Club, a club night in
540:. Many of those bands featured tribal drumming, high-pitched vocals, scratchy guitar, and bass guitar as melodic lead instrument and a visual look blending glam with Native American-influenced warpaint and spiky haircuts.
235:, disillusionment, loss, life, death, etc.; as can the style, varying from harsh and dark to upbeat, melodic, and tongue-in-cheek. Deathrock lyrics and other musical stylistic elements often incorporate the themes of campy
1064:"10 essential '70s punk bands from Los Angeles you should already know 10 essential '70s punk bands from Los Angeles you should already know 10 essential '70s punk bands from Los Angeles you should already know"
843:', 'Terry', 'Teen Angel' and 'Leader Of The Pack'). Reynolds made the charts once more with 'Fire Of Love' (also in 1958), but none of his subsequent recordings for Demon, Smash or other labels charted."
697:), was considered one of the most influential artists in the goth and deathrock scene. Other influential male deathrockers included Patrick Mata of Kommunity FK and Larry Rainwater of Ex-VoTo.
1025:
They consider Alice Cooper, Black
Sabbath, The Damned and the Cramps as progenitors, and Fetish patrons regularly request their songs, but the big favorite is "Bela Lugosi is Dead" by Bauhaus.
459:. Nonetheless, amongst this splinter bands began to form merging the sounds of Los Angeles punk rock with these darker elements to create deathrock. The most prominent of these groups were
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634:. During its run time it became southern California's most frequented goth night and Long Beach's longest running club night, launching the careers of deathrock bands like
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with "Murder in the
Graveyard"; and Don Hinson and the Rigormorticians with "Riboflavin-Flavored Non-Carbonated Poly-Unsaturated Blood". Contemporarily, the 1979 single "
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610:
The mid-1990s marked a third wave of gothic rock, as the music drifted its furthest from the original punk and post-punk sound by incorporating many elements of the
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scene at the time (which itself had moved away from experimental noise and into a more dance-rock oriented sound) and the more repetitive and electronic sounds of
455:. According to this interpretation, Crash's death led to a period of mourning amongst many of those in the scene and eventually to a fascination with the
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The earliest influences for some deathrock acts can be traced to the horror-themed novelty rock and roll acts of the late 1950s and early 1960s such as
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time signature while the guitars either play simple chords or effects-driven leads to create atmosphere. Chorus effects, such as those produced by the
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638:. The success of the club caused many other deathrock club nights to be established in the following years. This, along with the rise of online
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pedal, are commonly used by deathrock guitarists to create a wider and more haunting tone. The use of lyrics can vary, but are typically
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Influenced more by the
British scene and less by California, deathrock bands began to form in other parts of the United States, such as
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Deathrock songs usually incorporate a driving, repetitive rhythm section; the drums and bass guitar laying the foundation within a
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The term later re-emerged to describe the sound of various West Coast punk bands. It most likely came from one of three sources:
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Before deathrock was emerging as a distinctively darker subgenre of punk rock in the United States, other subgenres of punk and
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298:, to describe the sound of his band; the music press, reusing the 1950s term to describe an emerging subgenre of punk; and/or
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885:' because it was reputed to have encouraged the suicidal tendencies of the tormented and the harassed of the early thirties."
1981:
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Siouxsie and the
Banshees. Other bands from around the world added their own unique contribution to deathrock, including
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led to the increased popularity of older deathrock bands and establishment of new, international deathrock groups, like
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618:. Some clubs even completely dropped deathrock and first generation gothic rock from their setlists to appeal to a
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306:, which featured a fictitious cannibalistic "deathrock" punk band called "Suzy Putrid and the Mental Deficients."
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The club is a roving underground mecca, which has a new home every couple of weeks although always in
Hollywood.
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Halloween 1998 saw the launch of
Release the Bats, a monthly goth and deathrock club night in
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was one of the major influences amongst the early deathrock scene. Other influences included
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independently created a sound which some sources have considered as pioneering deathrock.
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too took a macabre take on early LA punk, by merging the sound with lyrics influenced by
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musical acts, the two main bands which debuted and performed frequently at the Batcave,
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were a defining group in the scene who briefly embraced gothic and deathrock elements.
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themes emerged from the Los Angeles punk rock scene. According to a 2006 article by
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1148:"15 bands that defined LA punk in the '80s, from Black Flag to the Go-Go's"
1092:"15 bands that defined LA punk in the '80s, from Black Flag to the Go-Go's"
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646:, commencing the first deathrock revival. During this period groups like
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At the beginning of the 1980s, an offshoot of those interested in darker
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films. Despite the similar-sounding name, deathrock has no connection to
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1361:"Long Beach death-rock/goth night Release the Bats ends after 20 years"
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that would change venues every few weeks; the O.N. Klub, located in
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Die Welt der Gothics. Spielräume düster konnotierter Transzendenz.
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2011:
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1120:"The Mountain Goats On Growing Up, And Growing Older, In Goth"
259:
The term "deathrock" was first used in the 1950s to describe
2007:
1223:
This Music Leaves Stains. The Complete Story of the Misfits
990:
This Music Leaves Stains. The Complete Story of the Misfits
475:. Tracks by several of these acts were featured on 1981's
666:, began to make use of an aesthetic heavily inspired by
1201:, Wiesbaden: VS Verlag für Sozialwissenschaften 2004,
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The Goth Bible: A Compendium for the Darkly Inclined
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England Fades Away. Stylus Magazine's Guide to Goth
717:from Ireland, and the Birthday Party in Australia.
89:
81:
45:
40:
934:, pp 227-228. Manchester University Press (2003).
551:. Initially envisioned as a venue specializing in
1293:Schattenwelt. Helden und Legenden des Gothic Rock
1249:Schattenwelt. Helden und Legenden des Gothic Rock
543:During 1982, the scene was brewing at the London
382:began in the mid to late 1970s, with groups like
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1040:, published in Matzke, Peter; Seeliger, Tobias:
740:, published in Matzke, Peter; Seeliger, Tobias:
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536:, along with Brigandage, Blood and Roses, and
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1271:Rip It Up and Start Again: Postpunk 1978–1984
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662:. Many groups from this period, most notably
261:a thematically related genre of rock and roll
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511:By 1980, a wave of post-punk bands such as
321:Bobby "Boris" Pickett and the Crypt-Kickers
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654:began to merge deathrock with elements of
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508:were developing independently in the UK.
151:in the early 1980s and overlaps with the
1339:"A Brief History of Deathrock, Part III"
913:. New York: St. Martin's Griffin, 2004,
827:The Virgin Encyclopedia of Fifties Music
785:
783:
781:
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182:
1406:"A Brief History of Deathrock, Part II"
813:, CVLT Nation magazine, January 6, 2014
770:Interview with Dinah Cancer of 45 Grave
726:
159:genres. Notable deathrock acts include
341:Screaming Lord Sutch & the Savages
1197:Schmidt, Axel; Neumann-Braun, Klaus:
896:The Conceptual Approach to Rock Music
7:
1396:"Deathrock: A Brief History, Part I"
1291:Thompson, Dave; Borchardt, Kirsten:
1247:Thompson, Dave; Borchardt, Kirsten:
1044:, Schwarzkopf Verlag, Germany 1999,
744:, Schwarzkopf Verlag, Germany 1999,
1713:Singapore Dark Alternative Movement
979:, Souciant magazine, April 16, 2012
869:The Mass Media: Opposing Viewpoints
829:, Virgin Books, 1st edition, 1998,
773:, Women in L.A. Punk, November 2004
437:and Johnnie Sage performing in 1983
227:, and deal with the dark themes of
976:Deathrock: A Brief History, Part I
14:
2627:Animal rights and punk subculture
1359:Kang, Esther (October 26, 2018).
1337:Sheppard, Oliver (May 21, 2012).
1314:Das Gothic- und Dark-Wave-Lexikon
1312:Matzke, Peter; Seeliger, Tobias:
1176:"Is there life after Death rock?"
1015:"Is there life after Death rock?"
705:and Voodoo Church's Tina Winter.
1118:Gotrich, Lars (April 25, 2017).
279:". The term was also applied to
2612:List of punk compilation albums
594:; and Shadow of Fear (1985) in
149:West Coast of the United States
528:later, headed by acts such as
1:
1982:Suicide of Nicola Ann Raphael
1739:Le Phonographique (1979–2005)
858:, Reason magazine, March 1987
347:" by British post-punk group
1316:, Schwarzkopf Verlag, 2003,
85:Early 1980s, Los Angeles, US
2617:List of punk rock festivals
1800:Convergence (goth festival)
1566:List of gothic rock artists
956:Egrets on Ergot at The Echo
867:Bernards, Neal; Modl, Tom:
810:Interview with Kommunity FK
380:Los Angeles punk rock scene
263:, which began in 1958 with
143:theatrics. It emerged from
2774:
2571:Second wave punk musicians
1987:Murder of Sophie Lancaster
1174:Rasen, Edward (May 1985).
1013:Rasen, Edward (May 1985).
855:Rock Me with a Steady Roll
677:
602:Irreconcilable differences
590:); Gargoyle Sox (1985) in
22:
2733:20th-century music genres
2566:First wave punk musicians
1612:Cassandra Peterson/Elvira
1526:Siouxsie and the Banshees
1295:, Hannibal Verlag, 2004,
1251:, Hannibal Verlag, 2004,
871:, Greenhaven Press 1988,
517:Siouxsie and the Banshees
294:, the founding member of
271:" and ended in 1964 with
247:, which is a subgenre of
94:
2743:American styles of music
1815:List of gothic festivals
1805:Bats Day in the Fun Park
1274:, Faber and Faber 2005,
1225:, Scarecrow Press 2013,
992:, Scarecrow Press 2013,
588:Providence, Rhode Island
477:Hell Comes to Your House
23:Not to be confused with
959:, LA Weekly, March 2015
680:List of deathrock bands
135:subgenre incorporating
114:punk rock in California
99:List of deathrock bands
1790:Lumous Gothic Festival
1561:Fields of the Nephilim
632:Long Beach, California
438:
195:
2707:Timeline of punk rock
2637:Death of Brian Deneke
2247:Progressive metalcore
841:Tell Laura I Love Her
695:Premature Ejaculation
584:Boston, Massachusetts
582:; Holy Cow (1984) in
429:
333:Screamin' Jay Hawkins
186:
2533:Scottish Gaelic punk
1536:The Sisters of Mercy
932:Defining Cult Movies
686:Only Theatre of Pain
644:Bloody Dead and Sexy
394:. Within this scene
337:I Put a Spell on You
2748:Gothic music genres
2575:List of punk bands
1897:Film and literature
1795:Whitby Goth Weekend
1780:M'era Luna Festival
1754:Death Guild (1993–)
1744:Batcave (1982–1985)
1727:Notable club nights
909:Kilpatrick, Nancy.
534:Southern Death Cult
18:Rock music subgenre
2701:List of punk films
2596:Women in punk rock
2119:Christian hardcore
1946:The Goodbye Family
1785:Drop Dead Festival
1775:Wave-Gotik-Treffen
1749:Slimelight (1987–)
1734:F Club (1977–1982)
1682:Wednesday Mourning
973:Sheppard, Oliver:
807:Sheppard, Oliver:
439:
345:Bela Lugosi's Dead
285:Leader of the Pack
196:
2738:Rock music genres
2715:
2714:
2632:Conservative Punk
2559:People and groups
2242:Melodic metalcore
2185:Beatdown hardcore
2005:
2004:
1997:Vampirefreaks.com
1925:The Addams Family
1647:Patricia Morrison
1268:Reynolds, Simon:
1153:Alternative Press
1097:Alternative Press
1069:Alternative Press
1038:20 Years in Death
942:, 9780719066313.
738:20 Years in Death
674:Artists and bands
648:the Phantom Limbs
592:Detroit, Michigan
530:Sex Gang Children
122:
121:
73:horror film score
46:Stylistic origins
2765:
2758:Punk rock genres
2605:Related articles
2383:Alternative rock
2205:Melodic hardcore
2195:Digital hardcore
2190:Crossover thrash
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2018:
2009:
1977:Gother Than Thou
1657:Elizabeth Fraser
1456:Associated music
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711:Xmal Deutschland
612:industrial music
580:Lodi, New Jersey
400:The Flesh Eaters
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82:Cultural origins
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2753:Goth subculture
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2677:Punk literature
2672:Punk visual art
2667:Punk ideologies
2657:Punk subculture
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2591:Punk filmmakers
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2340:Punk pathetique
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2006:
2001:
1965:
1919:Edgar Allan Poe
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1824:Art and fashion
1819:
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1759:Xmortis (2004–)
1722:
1691:Regional scenes
1686:
1627:Monica Richards
1602:Andrew Eldritch
1575:Notable figures
1570:
1546:Alien Sex Fiend
1516:Christian Death
1499:
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1448:Goth subculture
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1412:magazine, 2012)
1402:magazine, 2012)
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1768:Notable events
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691:Shadow Project
678:Main article:
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494:Fallon, Nevada
490:Theatre of Ice
469:Super Heroines
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2474:List of bands
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304:They Eat Scum
302:'s 1979 film
301:
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292:Rozz Williams
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269:Endless Sleep
266:
265:Jody Reynolds
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221:introspective
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2687:Puntala-rock
2662:Punk fashion
2433:Thrash metal
2230:Nintendocore
2085:Anarcho-punk
1958:
1953:The Munsters
1951:
1944:
1937:
1930:
1923:
1868:Edward Gorey
1667:Lisa Gerrard
1622:Dinah Cancer
1587:Peter Murphy
1582:Robert Smith
1531:Joy Division
1479:
1409:
1399:
1381:AllMusic.com
1376:
1364:. Retrieved
1354:
1342:. Retrieved
1313:
1308:
1303:, p. 182−189
1292:
1287:
1269:
1264:
1248:
1222:
1198:
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1185:
1179:
1169:
1157:. Retrieved
1151:
1141:
1129:. Retrieved
1123:
1113:
1101:. Retrieved
1095:
1085:
1073:. Retrieved
1067:
1057:
1041:
1037:
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1024:
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790:
768:
741:
737:
713:in Germany,
707:
699:
684:
683:
664:Tragic Black
640:music piracy
629:
609:
605:
573:
542:
513:Joy Division
510:
503:
473:Kommunity FK
446:
440:
396:the Gun Club
384:the Runaways
377:
361:Alice Cooper
329:Monster Mash
318:
315:Predecessors
303:
289:
258:
206:
197:
192:Dinah Cancer
165:Kommunity FK
128:
124:
123:
90:Other topics
33:Suicide Rock
20:
15:
2528:Celtic punk
2496:Netherlands
2428:Speed metal
2388:Gothic rock
2362:Street punk
2325:Psychobilly
2296:Street punk
2281:Latino punk
2276:Horror punk
2200:Krishnacore
2175:Garage punk
2163:Celtic punk
2053:Garage rock
1960:The Sandman
1883:Backcombing
1863:Rose Mortem
1853:Lip Service
1846:Health Goth
1698:Camden Town
1632:Lisa Hammer
1463:Gothic rock
1366:October 11,
1344:October 12,
1259:, pp. 13−14
1159:October 10,
1131:October 10,
1103:October 11,
1075:October 10,
586:(and later
569:pop culture
545:gothic rock
500:Interaction
486:Silver Lake
453:Darby Crash
412:Catholicism
388:the Weirdos
357:David Bowie
249:heavy metal
245:death metal
157:horror punk
153:gothic rock
104:Horror punk
63:gothic rock
25:Death metal
2728:Death rock
2722:Categories
2697:Punk films
2550:Yugoslavia
2544:California
2447:By country
2438:Visual kei
2413:Noise rock
2403:Industrial
2330:Punk blues
2313:Skate punk
2269:Thrashcore
2259:Riot grrrl
2168:Gypsy punk
2131:Dance-punk
2107:Avant-punk
2090:Crust punk
2058:Proto-punk
2046:Precursors
1914:Tim Burton
1909:Literature
1662:Doc Hammer
1652:Carl McCoy
1597:Ian Curtis
1541:The Damned
1468:Gothabilly
765:Bag, Alice
721:References
578:(1983) in
373:the Damned
365:the Cramps
133:rock music
129:death rock
109:gothabilly
58:shock rock
2682:Punk zine
2642:DIY ethic
2622:Afro-punk
2516:Trallpunk
2454:Australia
2418:Post-punk
2367:Surf punk
2335:Punk jazz
2286:Nazi punk
2264:Taqwacore
2254:Queercore
2225:Crunkcore
2215:Deathcore
2210:Metalcore
2158:Anti-folk
2153:Folk punk
2063:Glam punk
2039:Punk rock
1992:Post-punk
1878:Deathhawk
1841:Cybergoth
1708:Cleveland
1607:Nick Cave
1490:Dark wave
1485:Cold wave
1480:Deathrock
1209:, p. 262.
670:fashion.
660:synthpunk
652:Black Ice
620:crossover
553:glam rock
506:post-punk
482:Hollywood
353:the Doors
300:Nick Zedd
277:Last Kiss
255:Etymology
229:isolation
217:Boss CE-2
190:vocalist
145:punk rock
125:Deathrock
68:glam rock
53:Punk rock
41:Deathrock
2511:Könsrock
2408:New wave
2357:Ska punk
2345:Punk rap
2303:Pop-punk
2237:Mathcore
2136:Egg punk
2102:Art punk
1970:See also
1939:The Crow
1873:Big hair
1511:The Cure
1410:Souciant
1400:Souciant
1324:, p. 144
1282:, p. 423
921:, p. 89.
879:, p. 130
837:, p. 353
561:Specimen
557:new wave
525:The Cure
465:45 Grave
433:members
416:T.S.O.L.
390:and the
325:Zacherle
188:45 Grave
169:45 Grave
2647:Moshing
2486:Germany
2469:Estonia
2350:Emo rap
2146:Emo rap
2126:Cowpunk
1836:Fashion
1718:Toronto
1703:Chicago
1521:Bauhaus
1233:, p. 32
1052:, p. 45
1042:Gothic!
1000:, p. 33
752:, p. 42
742:Gothic!
668:Batcave
656:no wave
626:Revival
622:crowd.
576:Samhain
549:Batcave
521:Bauhaus
457:macabre
422:Origins
349:Bauhaus
310:History
225:surreal
194:in 2007
147:on the
131:) is a
2652:Poseur
2506:Sweden
2491:Greece
2481:France
2464:Canada
2459:Brazil
2398:Grunge
2308:2 Tone
2095:D-beat
1320:
1299:
1278:
1255:
1229:
1205:
1184:: 75.
1048:
1023:: 75.
996:
938:
917:
875:
833:
748:
538:Ritual
523:, and
443:horror
406:, the
335:with "
327:with "
241:sci-fi
237:horror
171:, and
141:gothic
137:horror
2501:Spain
2423:Scene
2393:Grebo
1617:Eva O
703:Eva O
547:club
492:from
392:Germs
233:gloom
31:, or
1904:Film
1368:2022
1346:2022
1318:ISBN
1297:ISBN
1276:ISBN
1253:ISBN
1227:ISBN
1203:ISBN
1181:Spin
1161:2022
1133:2022
1105:2022
1077:2022
1046:ISBN
1020:Spin
994:ISBN
936:ISBN
915:ISBN
873:ISBN
831:ISBN
746:ISBN
693:and
658:and
650:and
563:and
555:and
532:and
471:and
410:and
378:The
371:and
323:and
275:'s "
239:and
223:and
155:and
127:(or
2584:L–Z
2579:#–K
2291:Oi!
2141:Emo
1831:Art
1125:NPR
616:EBM
339:";
331:";
283:' "
267:' "
2724::
1329:^
1240:^
1214:^
1178:.
1150:.
1122:.
1094:.
1066:.
1017:.
1005:^
964:^
818:^
800:^
780:^
767::
757:^
729:^
519:,
515:,
467:,
463:,
386:,
375:.
367:,
363:,
359:,
355:,
251:.
231:,
175:.
167:,
163:,
27:,
2703:)
2699:(
2546:)
2542:(
2031:e
2024:t
2017:v
1439:e
1432:t
1425:v
1408:(
1398:(
1370:.
1348:.
1163:.
1135:.
1107:.
1079:.
883:"
207:4
35:.
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