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330:– where Cook pretends to visit his over-possessive and deranged mother, ending with Cook telling his mother to "shut your fucking face and die". "Valerie's Hymen," where Moore discussed cutting out his wife's hymen with a carving knife, and "Lady Vera Fart Teller", wherein Moore elaborates on a visit to a fortune teller who could tell his future by examining his
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It is often mistakenly assumed that all of their releases were recorded while under the influence of alcohol. While this can be presumed of "Come Again" – where the sounds of bottles can be heard in the background, featuring some tracks where both Cook and Moore are slurring their words – the home
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lying in state, Derek's account of a stranger accosting him and the ensuing profanity-laden conversation between them, followed by Clive's reminiscence of viciously assaulting a man who had said "Hello" to him at a football match, and a horse-racing 'commentary' featuring horses given the names of
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Considered highly offensive by many at the time, the sketches primarily took the form of bizarre, sometime drunken streams of consciousness led by Cook, with interjections from Moore. Memorable moments from the records include Clive claiming that the worst job he ever had was retrieving
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Cook became bemused at the idea that they should not be making money from the increasing popularity of Derek and Clive, and suggested to Moore that the recording should be released officially. By this point, Moore had embarked on a successful
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but he's not sure "on which side"), and "A Million Pounds", where Cook plays an hysterical woman trying to obtain a million pounds from a sympathetic Moore. The remaining unreleased out-takes are variations on actual releases.
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Two more records were made. They were less like dialogues and more like vindictive attacks on the increasingly successful Moore by Cook, whose career had stalled somewhat in comparison. One such merciless assault was in a
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277:-themed diatribe when Cook was fully aware that Moore had recently lost his father to the disease. The same love-hate relationship between them is evident in the
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attendants (although in one sketch, 'Back of the Cab', they play the roles of two London taxi drivers) first surfaced in the mid-1970s.
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circulated. They were mostly unscripted dialogues incorporating copious swearing – including frequent use of the word "
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film career and found the tapes embarrassing, until he too realised his contemporaries were fans.
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was one such bogey), Clive claiming that he was sexually aroused by the sight of a deceased
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Double act of comedic characters created by Dudley Moore (Derek) and Peter Cook (Clive)
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504:"From Voodoo Ray to Infinity and beyond – the story of the UK's biggest rave anthems"
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Though the recordings were far too crude for a mainstream audience, Derek and Clive
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Transcripts of further, unreleased, out-takes are available in a book titled
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throughout. During the filming, a prank was played upon Cook and Moore by
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478:"Derek and Clive are back – are they too much for the 21st century?"
136:(Clive) in the 1970s. The performances were captured on the records
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sessions. Surreal at times, these included "Mother" – featured on
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193:'s arsehole, Derek claiming his worst job was cleaning up
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containing some previously unreleased material, called
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160:(1979). Upon release, more than 100,000 copies of
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416:Rude & Rare: The Best of Derek and Clive
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208:sexual organs, often in their vulgar forms.
174:Rude & Rare: The Best of Derek and Clive
154:(1978), as well as in a film documentary,
357:The "Bo Duddley" sketch as it appears on
109:Learn how and when to remove this message
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45:Please improve this article by adding
559:Theatre characters introduced in 1976
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502:Richards, Sam (3 September 2015).
239:Cook and Moore were performing on
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164:were sold in the United Kingdom.
128:of comedic characters created by
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227:The characters, supposedly two
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534:Derek and Clive – transcripts
47:secondary or tertiary sources
431:Derek and Clive Get the Horn
327:Derek and Clive Get the Horn
290:Derek and Clive Get the Horn
280:Derek and Clive Get the Horn
157:Derek and Clive Get the Horn
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564:Male characters in theatre
401:Derek and Clive Ad Nauseam
393:Derek and Clive Come Again
151:Derek and Clive Ad Nauseam
145:Derek and Clive Come Again
554:Comedy theatre characters
361:was sampled on the song "
574:Fictional British people
235:Development of the show
385:Derek and Clive (Live)
359:Derek and Clive (Live)
259:Derek and Clive (Live)
243:with their revue show
162:Derek and Clive (Live)
139:Derek and Clive (Live)
34:relies excessively on
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312:Later CD releases of
250:Not Only... But Also
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579:Dudley Moore
513:. Retrieved
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482:the Guardian
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459:. 2015-09-28
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148:(1977), and
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424:Videography
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584:Peter Cook
543:Categories
488:2021-06-01
463:2017-09-24
439:References
363:Voodoo Ray
343:Eisenhower
339:Come Again
322:Ad Nauseam
318:Ad Nauseam
314:Come Again
255:alcoholism
223:Characters
134:Peter Cook
126:double act
99:March 2008
69:newspapers
36:references
347:Viet Cong
267:Hollywood
241:Broadway
229:lavatory
187:lobsters
142:(1976),
351:Vietnam
305:where '
283:movie.
200:Titanic
83:scholar
419:(2011)
404:(1978)
396:(1977)
388:(1976)
378:Albums
307:police
295:coffee
275:cancer
124:was a
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457:Uncut
365:" by
332:farts
299:water
189:from
90:JSTOR
76:books
517:2015
316:and
297:and
217:cunt
205:Pope
62:news
219:".
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