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fights of the era. Autumn mornings would find a horde of enthusiasts armed with bamboo tubes, cages and pots for the prey heading for abandoned temples with piles of old tiles and stones. At the heart of the classic was the realization of the flux of all things and the ultimate evanescence of human
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capital, was a city of gaiety and markets and fairs. Descriptions are given of Ming period fairs with literary men in pursuit of books, art objects and antiquities. Poetry is an integral part of the book and the authors portray a scholar in verse as finding nothing in his purse, but only able to
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twitch his own whiskers with his hopeful hand. Along with Ming period art that was treasured in its own day, there are descriptions of western paintings of Christ for sale. The
Catholic cathedral is described and a judicious space is devoted to the Jesuit missionary
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A celebration of a city's ambiance that would disappear behind the secluded walls of a conquered city, the work features descriptions of multiple gardens and estates that would soon vanish forever. Ming dynasty
Beijing, in contrast with the later conservative
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China, and a scholar of local traditions. Liu may have just polished the prose, but gained most of the prestige. Liu dates the preface as 1635, the same year Yu died in
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The preface reveals Liu as the actual author, while Yu was a compiler with Zhou acting as something of an assistant to the other two. However, Yu was a native of
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Carpenter, Bruce E., "Survey of
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Religion and
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degree and member of the
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is also notable for being the first text to mention that
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Survey of
Scenery and Monuments in the Imperial Capital
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Ledderose, Lothar (2004). 'Changing the
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