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Axonometric projection

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652: 610: 586: 428: 329: 630: 598: 417: 54: 697: 436: 685: 651: 490:, the direction of viewing is such that all of the three axes of space appear unequally foreshortened. The scale along each of the three axes and the angles among them are determined separately as dictated by the angle of viewing. Dimensional approximations in trimetric drawings are common, and trimetric perspective is seldom used in technical drawings. 472:, and there is a common angle of 120° between them. As the distortion caused by foreshortening is uniform, the proportionality between lengths is preserved, and the axes share a common scale; this eases one's ability to take measurements directly from the drawing. Another advantage is that 120° angles are easily constructed using only a 483:, the direction of viewing is such that two of the three axes of space appear equally foreshortened, of which the attendant scale and angles of presentation are determined according to the angle of viewing; the scale of the third direction is determined separately. Dimensional approximations are common in dimetric drawings. 387:
Thus, in German literature, "axonometric projection" might be considered synonymous with "parallel projection", overall; but in English literature, an "axonometric projection" might be considered synonymous with an "auxiliary view" (versus a "primary view") in a "multiview orthographic projection".
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Farish published his ideas in the 1822 paper "On Isometric Perspective", in which he recognized the "need for accurate technical working drawings free of optical distortion. This would lead him to formulate isometry. Isometry means "equal measures" because the same scale is used for height, width,
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Since the 1920s axonometry, or parallel perspective, has provided an important graphic technique for artists, architects, and engineers. Like linear perspective, axonometry helps depict three-dimensional space on a two-dimensional picture plane. It usually comes as a standard feature of
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in European art whose perspective was objective, or looking from the outside, Chinese art used parallel projections within the painting that allowed the viewer to consider both the space and the ongoing progression of time in one scroll. The concept of
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From the middle of the 19th century, according to Jan Krikke (2006) isometry became an "invaluable tool for engineers, and soon thereafter axonometry and isometry were incorporated in the curriculum of architectural training courses in
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With an axonometric projection, the scale of an object does not depend on its location (i.e., an object in the "foreground" has the same scale as an object in the "background"); consequently, such pictures look distorted, as
742:(1961) is a well-known image, in which a channel of water seems to travel unaided along a downward path, only to then paradoxically fall once again as it returns to its source. The water thus appears to disobey the 629: 609: 725:, this is not how human vision or photography normally works. It also can easily result in situations where depth and altitude are difficult to gauge, as is shown in the illustration to the right. 585: 368:. However, outside of German literature, the term "axonometric" is sometimes used only to distinguish between orthographic views where the principal axes of an object are 690:
In this drawing, the blue sphere is two units higher than the red one. However, this difference in elevation is not apparent if one covers the right half of the picture.
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attributed to Zhang Zeduan (1085–1145). Note that the picture switches back and forth between axonometric and perspective projection in different parts of the image.
404:, in which the perceived scale of an object depends on its distance and location from the viewer. This distortion, the direct result of a presence or absence of 659: 597: 468:, the most commonly used form of axonometric projection in engineering drawing, the direction of viewing is such that the three axes of space appear equally 717:, objects drawn with axonometric projection do not appear larger or smaller as they lie closer to or farther away from the viewer. While advantageous for 1073: 473: 1845: 571:
journalist Jan Krikke, axonometry, and the pictorial grammar that goes with it, has taken on a new significance with the introduction of
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used for creating a pictorial drawing of an object, where the object is rotated around one or more of its axes to reveal multiple sides.
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depicts a staircase which seems to ascend (anticlockwise) or descend (clockwise) yet forms a continuous loop.
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orthogonal to the projection plane, and orthographic views in which the principal axes of the object
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orthogonal to the projection plane. (In multiview projection these would be called
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Example of isometric projection in Chinese art in an illustrated edition of the
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The three axonometric views. The percentages show the amount of foreshortening.
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Protecting historic architecture and museum collections from natural disasters
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Technical drawings — Projection methods — Part 3: Axonometric representations
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had existed in a rough empirical form for centuries, well before Professor
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systems and other visual computing tools. According to science author and
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Optical-grinding engine model (1822), drawn in 30° isometric perspective
1698: 1210: 540: 986: 340:"Axonometry" means "to measure along the axes". In German literature, 729: 528: 457:, depending on the exact angle by which the view deviates from the 1205: 556: 499: 434: 426: 415: 327: 603:
Example of a dimetric perspective drawing from a US Patent (1874)
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was the first to provide detailed rules for isometric drawing.
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Jan Krikke (2000). "Axonometry: a matter of perspective". In:
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The popular acceptance of axonometry came in the 1920s, when
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Example of a trimetric projection showing the shape of the
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Visual messages: graphic communication for senior students
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Drawing distinctions: the varieties of graphic expression
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William Farish (1822) "On Isometrical Perspective". In:
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International Institute for Asian Studies Newsletter
1816: 1686: 1550: 1504: 1428: 1327: 1296: 1289: 1196: 1090: 873:"Why the world relies on a Chinese "perspective"" 1044:Yve-Alain Bois, "Metamorphosis of Axonometry," 30:For axonometric projection in video games, see 443:The three types of axonometric projection are 1067: 555:, which caused a sensation when exhibited in 431:Various projections and how they are produced 294: 8: 809: 807: 728:This visual ambiguity has been exploited in 660:Along the River During the Qingming Festival 1293: 1074: 1060: 1052: 817:Advanced graphics programming using openGL 301: 287: 36: 894:Jul/Aug 2000. Vol 20 (4), pp. 7–11. 892:Computer Graphics and Applications, IEEE 866: 864: 790:. Cornell University Press. p. 22. 975:IEEE Computer Graphics and Applications 940: 938: 936: 934: 886: 884: 882: 755: 581: 547:embraced it". De Stijl architects like 44: 1001:"A Chinese Perspective for Cyberspace" 847:. Technical Publications. p. 29. 814:McReynolds, Tom; David Blythe (2005). 971:"Axonometry: A Matter of Perspective" 946:A Chinese perspective for cyberspace? 7: 1015:Cambridge Philosophical Transactions 766:. McGraw–Hill Professional, 2002. 657:Detail of the original version of 25: 924:Charles Edmund Moorhouse (1974). 32:isometric graphics in video games 764:Technical Graphics Communication 762:Gary R. Bertoline et al. (2002) 695: 683: 650: 628: 608: 596: 584: 52: 420:Comparison of several types of 27:Type of orthographic projection 1048:, no. 1 (1981), pp. 41–58 1: 1098:Biological data visualization 744:law of conservation of energy 638:Romance of the Three Kingdoms 233:Projection (linear algebra) 1970: 1138:Mathematical visualization 907:. University of Michigan. 871:Krikke, Jan (2018-01-02). 672: 551:used axonometry for their 29: 1133:Information visualization 1118:Educational visualization 903:Barclay G. Jones (1986). 820:. Elsevier. p. 502. 641:, China, c. 15th century 498:Axonometry originated in 1309:Charles-René de Fourcroy 1158:Scientific visualization 1085:of technical information 969:Krikke, J. (July 2000). 784:Maynard, Patric (2005). 474:compass and straightedge 713:As with other types of 358:orthographic projection 336:and some 3D projections 318:orthographic projection 314:Axonometric projection 100:Curvilinear perspective 76:Orthographic projection 1729:Christopher R. Johnson 1281:Technical illustration 1168:Software visualization 723:perspective projection 719:architectural drawings 440: 432: 424: 402:perspective projection 337: 334:Axonometric projection 95:Perspective projection 1954:Graphical projections 1623:Lawrence J. Rosenblum 1436:Edward Walter Maunder 1360:Charles Joseph Minard 1178:User interface design 1153:Product visualization 841:Godse, A. P. (1984). 553:architectural designs 438: 430: 419: 356:, including not only 331: 203:Computer-aided design 140:Exploded view drawing 1903:Scientific modelling 1878:Information graphics 1618:Clifford A. Pickover 1568:William S. Cleveland 1476:Henry Norris Russell 1461:Howard G. Funkhouser 1405:Florence Nightingale 1370:Francis Amasa Walker 1266:Statistical graphics 1188:Volume visualization 1163:Social visualization 537:modernist architects 517:Cambridge University 488:trimetric projection 466:isometric projection 455:trimetric projection 446:isometric projection 422:graphical projection 362:multiview projection 208:Descriptive geometry 81:Isometric projection 46:Graphical projection 1883:Information science 1846:in computer science 1638:Sheelagh Carpendale 1573:George G. Robertson 1410:Karl Wilhelm Pohlke 1345:André-Michel Guerry 1221:Graph of a function 1216:Engineering drawing 944:J. Krikke (1996). " 715:parallel projection 617:Bank of China Tower 577:engineering drawing 481:dimetric projection 451:dimetric projection 354:parallel projection 268:Video game graphics 243:Projective geometry 213:Engineering drawing 105:Reverse perspective 71:Parallel projection 40:Part of a series on 18:Dimetric projection 1923:Volume cartography 1687:Early 21st century 1583:Catherine Plaisant 1578:Bruce H. McCormick 1532:Mary Eleanor Spear 1522:Arthur H. Robinson 1456:Arthur Lyon Bowley 1429:Early 20th century 1276:Technical drawings 1148:Molecular graphics 1123:Flow visualization 1113:Data visualization 951:2009-06-01 at the 504:linear perspective 441: 433: 425: 366:oblique projection 338: 332:Classification of 88:Oblique projection 1941: 1940: 1918:Visual perception 1868:Graphic organizer 1841:Computer graphics 1812: 1811: 1794:Martin Wattenberg 1769:Hanspeter Pfister 1724:Martin Krzywinski 1648:Jock D. Mackinlay 1628:Thomas A. DeFanti 1551:Late 20th century 1471:Ejnar Hertzsprung 1173:Technical drawing 987:10.1109/38.851742 959:, 9, Summer 1996. 844:Computer graphics 675:Impossible object 549:Theo van Doesburg 311: 310: 253:Technical drawing 198:Computer graphics 16:(Redirected from 1961: 1928:Volume rendering 1913:Visual analytics 1908:Spatial analysis 1888:Misleading graph 1739:David McCandless 1714:Gordon Kindlmann 1678:Alfred Inselberg 1673:Leland Wilkinson 1608:Michael Friendly 1542:Howard T. Fisher 1505:Mid 20th century 1446:W. E. B. Du Bois 1350:William Playfair 1340:Adolphe Quetelet 1314:Joseph Priestley 1297:Pre-19th century 1294: 1261:Skeletal formula 1128:Geovisualization 1103:Chemical imaging 1076: 1069: 1062: 1053: 1033: 1018: 1011: 1005: 1004: 997: 991: 990: 966: 960: 942: 929: 922: 916: 901: 895: 888: 877: 876: 868: 859: 858: 838: 832: 831: 811: 802: 801: 781: 775: 760: 699: 687: 654: 632: 612: 600: 588: 573:visual computing 346:Pohlke's theorem 335: 303: 296: 289: 238:Projection plane 228:Plans (drawings) 56: 37: 21: 1969: 1968: 1964: 1963: 1962: 1960: 1959: 1958: 1944: 1943: 1942: 1937: 1933:Information art 1873:Imaging science 1818: 1808: 1789:Fernanda Viégas 1784:Moritz Stefaner 1709:Jessica Hullman 1682: 1653:Alan MacEachren 1603:Ben Shneiderman 1546: 1500: 1424: 1323: 1285: 1198: 1192: 1143:Medical imaging 1086: 1080: 1041: 1039:Further reading 1036: 1026: 1022: 1021: 1012: 1008: 999: 998: 994: 968: 967: 963: 953:Wayback Machine 943: 932: 923: 919: 902: 898: 889: 880: 870: 869: 862: 855: 840: 839: 835: 828: 813: 812: 805: 798: 783: 782: 778: 761: 757: 752: 711: 710: 709: 708: 707: 700: 692: 691: 688: 677: 671: 664: 655: 646: 633: 624: 613: 604: 601: 592: 589: 515:(1759–1837) of 496: 414: 378:auxiliary views 333: 326: 307: 278: 277: 273:Viewing frustum 263:Vanishing point 178: 170: 169: 160:Worm's-eye view 135:Cutaway drawing 125:Bird's-eye view 120: 112: 111: 66: 35: 28: 23: 22: 15: 12: 11: 5: 1967: 1965: 1957: 1956: 1946: 1945: 1939: 1938: 1936: 1935: 1930: 1925: 1920: 1915: 1910: 1905: 1900: 1898:Patent drawing 1895: 1890: 1885: 1880: 1875: 1870: 1865: 1863:Graphic design 1860: 1855: 1850: 1849: 1848: 1838: 1833: 1828: 1822: 1820: 1814: 1813: 1810: 1809: 1807: 1806: 1804:Hadley Wickham 1801: 1796: 1791: 1786: 1781: 1776: 1771: 1766: 1761: 1759:Tamara Munzner 1756: 1751: 1746: 1741: 1736: 1731: 1726: 1721: 1716: 1711: 1706: 1701: 1696: 1690: 1688: 1684: 1683: 1681: 1680: 1675: 1670: 1665: 1660: 1658:David Goodsell 1655: 1650: 1645: 1643:Cynthia Brewer 1640: 1635: 1630: 1625: 1620: 1615: 1610: 1605: 1600: 1595: 1590: 1585: 1580: 1575: 1570: 1565: 1560: 1554: 1552: 1548: 1547: 1545: 1544: 1539: 1537:Edgar Anderson 1534: 1529: 1524: 1519: 1514: 1512:Jacques Bertin 1508: 1506: 1502: 1501: 1499: 1498: 1493: 1488: 1483: 1478: 1473: 1468: 1466:John B. Peddle 1463: 1458: 1453: 1448: 1443: 1438: 1432: 1430: 1426: 1425: 1423: 1422: 1420:Francis Galton 1417: 1415:Toussaint Loua 1412: 1407: 1402: 1397: 1395:Georg von Mayr 1392: 1387: 1385:Matthew Sankey 1382: 1377: 1372: 1367: 1362: 1357: 1352: 1347: 1342: 1337: 1331: 1329: 1325: 1324: 1322: 1321: 1316: 1311: 1306: 1300: 1298: 1291: 1287: 1286: 1284: 1283: 1278: 1273: 1268: 1263: 1258: 1253: 1251:Sankey diagram 1248: 1243: 1238: 1233: 1228: 1223: 1218: 1213: 1208: 1202: 1200: 1194: 1193: 1191: 1190: 1185: 1183:Visual culture 1180: 1175: 1170: 1165: 1160: 1155: 1150: 1145: 1140: 1135: 1130: 1125: 1120: 1115: 1110: 1105: 1100: 1094: 1092: 1088: 1087: 1081: 1079: 1078: 1071: 1064: 1056: 1050: 1049: 1040: 1037: 1035: 1034: 1023: 1020: 1019: 1006: 992: 961: 930: 917: 915:. p. 243. 896: 878: 860: 853: 833: 826: 803: 796: 776: 774:, p. 330. 754: 753: 751: 748: 704:Penrose stairs 701: 694: 693: 689: 682: 681: 680: 679: 678: 670: 667: 666: 665: 656: 649: 647: 634: 627: 625: 614: 607: 605: 602: 595: 593: 590: 583: 513:William Farish 495: 492: 413: 410: 406:foreshortening 325: 322: 309: 308: 306: 305: 298: 291: 283: 280: 279: 276: 275: 270: 265: 260: 255: 250: 245: 240: 235: 230: 225: 220: 218:Map projection 215: 210: 205: 200: 195: 190: 185: 179: 176: 175: 172: 171: 168: 167: 162: 157: 152: 147: 142: 137: 132: 127: 121: 118: 117: 114: 113: 110: 109: 108: 107: 102: 92: 91: 90: 85: 84: 83: 67: 62: 61: 58: 57: 49: 48: 42: 41: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1966: 1955: 1952: 1951: 1949: 1934: 1931: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1858:Graph drawing 1856: 1854: 1851: 1847: 1844: 1843: 1842: 1839: 1837: 1834: 1832: 1829: 1827: 1824: 1823: 1821: 1815: 1805: 1802: 1800: 1797: 1795: 1792: 1790: 1787: 1785: 1782: 1780: 1779:Claudio Silva 1777: 1775: 1772: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1747: 1745: 1744:Mauro Martino 1742: 1740: 1737: 1735: 1732: 1730: 1727: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1707: 1705: 1702: 1700: 1697: 1695: 1692: 1691: 1689: 1685: 1679: 1676: 1674: 1671: 1669: 1668:Michael Maltz 1666: 1664: 1661: 1659: 1656: 1654: 1651: 1649: 1646: 1644: 1641: 1639: 1636: 1634: 1633:George Furnas 1631: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1613:Howard Wainer 1611: 1609: 1606: 1604: 1601: 1599: 1596: 1594: 1591: 1589: 1586: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1555: 1553: 1549: 1543: 1540: 1538: 1535: 1533: 1530: 1528: 1525: 1523: 1520: 1518: 1517:Rudolf Modley 1515: 1513: 1510: 1509: 1507: 1503: 1497: 1494: 1492: 1489: 1487: 1484: 1482: 1481:Max O. Lorenz 1479: 1477: 1474: 1472: 1469: 1467: 1464: 1462: 1459: 1457: 1454: 1452: 1449: 1447: 1444: 1442: 1439: 1437: 1434: 1433: 1431: 1427: 1421: 1418: 1416: 1413: 1411: 1408: 1406: 1403: 1401: 1398: 1396: 1393: 1391: 1390:Charles Booth 1388: 1386: 1383: 1381: 1378: 1376: 1373: 1371: 1368: 1366: 1365:Luigi Perozzo 1363: 1361: 1358: 1356: 1355:August Kekulé 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1336: 1335:Charles Dupin 1333: 1332: 1330: 1326: 1320: 1319:Gaspard Monge 1317: 1315: 1312: 1310: 1307: 1305: 1304:Edmond Halley 1302: 1301: 1299: 1295: 1292: 1288: 1282: 1279: 1277: 1274: 1272: 1269: 1267: 1264: 1262: 1259: 1257: 1254: 1252: 1249: 1247: 1244: 1242: 1239: 1237: 1234: 1232: 1229: 1227: 1224: 1222: 1219: 1217: 1214: 1212: 1209: 1207: 1204: 1203: 1201: 1195: 1189: 1186: 1184: 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1164: 1161: 1159: 1156: 1154: 1151: 1149: 1146: 1144: 1141: 1139: 1136: 1134: 1131: 1129: 1126: 1124: 1121: 1119: 1116: 1114: 1111: 1109: 1108:Crime mapping 1106: 1104: 1101: 1099: 1096: 1095: 1093: 1089: 1084: 1083:Visualization 1077: 1072: 1070: 1065: 1063: 1058: 1057: 1054: 1047: 1043: 1042: 1038: 1031: 1030: 1025: 1024: 1016: 1010: 1007: 1002: 996: 993: 988: 984: 980: 976: 972: 965: 962: 958: 954: 950: 947: 941: 939: 937: 935: 931: 927: 921: 918: 914: 913:0-409-90035-4 910: 906: 900: 897: 893: 887: 885: 883: 879: 874: 867: 865: 861: 856: 854:81-8431-558-9 850: 846: 845: 837: 834: 829: 827:1-55860-659-9 823: 819: 818: 810: 808: 804: 799: 797:0-8014-7280-6 793: 789: 788: 780: 777: 773: 772:0-07-365598-8 769: 765: 759: 756: 749: 747: 745: 741: 740: 735: 731: 726: 724: 720: 716: 705: 698: 686: 676: 668: 662: 661: 653: 648: 644: 640: 639: 631: 626: 622: 618: 611: 606: 599: 594: 587: 582: 580: 578: 574: 570: 566: 560: 558: 554: 550: 546: 542: 538: 534: 530: 524: 520: 518: 514: 510: 505: 502:. Unlike the 501: 493: 491: 489: 484: 482: 477: 475: 471: 470:foreshortened 467: 462: 460: 456: 452: 448: 447: 437: 429: 423: 418: 411: 409: 407: 403: 399: 395: 389: 385: 383: 382:primary views 379: 375: 371: 367: 363: 359: 355: 351: 347: 343: 330: 323: 321: 319: 316:is a type of 315: 304: 299: 297: 292: 290: 285: 284: 282: 281: 274: 271: 269: 266: 264: 261: 259: 256: 254: 251: 249: 246: 244: 241: 239: 236: 234: 231: 229: 226: 224: 223:Picture plane 221: 219: 216: 214: 211: 209: 206: 204: 201: 199: 196: 194: 191: 189: 186: 184: 183:3D projection 181: 180: 174: 173: 166: 163: 161: 158: 156: 153: 151: 148: 146: 143: 141: 138: 136: 133: 131: 130:Cross section 128: 126: 123: 122: 116: 115: 106: 103: 101: 98: 97: 96: 93: 89: 86: 82: 79: 78: 77: 74: 73: 72: 69: 68: 65: 60: 59: 55: 51: 50: 47: 43: 39: 38: 33: 19: 1893:Neuroimaging 1853:CPK coloring 1836:Color coding 1774:Hans Rosling 1754:Miriah Meyer 1719:Aaron Koblin 1704:Jeffrey Heer 1598:Edward Tufte 1593:Pat Hanrahan 1563:Nigel Holmes 1441:Otto Neurath 1380:Oliver Byrne 1328:19th century 1045: 1028: 1014: 1009: 995: 978: 974: 964: 956: 925: 920: 904: 899: 891: 843: 836: 816: 786: 779: 763: 758: 737: 734:M. C. Escher 727: 712: 658: 636: 561: 525: 523:and depth". 521: 497: 487: 485: 480: 478: 465: 463: 454: 450: 444: 442: 394:human vision 390: 386: 381: 377: 373: 369: 364:), but also 349: 344:is based on 339: 313: 312: 188:Anamorphosis 145:Fisheye lens 1826:Cartography 1764:Ade Olufeko 1734:Manuel Lima 1663:Kwan-Liu Ma 1588:Stuart Card 1558:Borden Dent 1496:Erwin Raisz 1451:Henry Gantt 1017:. 1 (1822). 981:(4): 7–11. 730:optical art 669:Limitations 412:Three types 398:photography 258:True length 248:Stereoscopy 1749:John Maeda 1527:John Tukey 1491:Harry Beck 1486:Fritz Kahn 1236:Photograph 750:References 673:See also: 559:in 1923". 459:orthogonal 342:axonometry 193:Axonometry 150:Multiviews 1831:Chartjunk 1799:Bang Wong 1694:Polo Chau 1400:John Snow 1375:John Venn 1256:Schematic 1241:Pictogram 739:Waterfall 621:Hong Kong 539:from the 165:Zoom lens 1948:Category 1817:Related 1226:Ideogram 1046:Daidalos 949:Archived 545:De Stijl 531:and the 509:isometry 352:type of 324:Overview 155:Panorama 1699:Ben Fry 1211:Diagram 955:". 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Index

Dimetric projection
isometric graphics in video games
Graphical projection

Planar
Parallel projection
Orthographic projection
Isometric projection
Oblique projection
Perspective projection
Curvilinear perspective
Reverse perspective
Bird's-eye view
Cross section
Cutaway drawing
Exploded view drawing
Fisheye lens
Multiviews
Panorama
Worm's-eye view
Zoom lens
3D projection
Anamorphosis
Axonometry
Computer graphics
Computer-aided design
Descriptive geometry
Engineering drawing
Map projection
Picture plane

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