Knowledge (XXG)

Discrimination in dance

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Danny's Cabaret was discriminated against by race to black dancers. As well as limiting their shifts, Danny attempted to get all the black dancers to work at another club called the Black Diamond. It was illegal for the dancers to work at the Diamond because they did not have the permits. The diamond also had less favorable conditions like less security, and worse pay. When the dancers advocated for their right to work at Danny's under equal opportunities and conditions, Danny's fined them and sent them home.
42: 204:“Pancaking” ballet materials has led to an increase in cost for ballerinas of color. They have to purchase not only the base materials but also a skin colored paint to pack on to their clothes to achieve the skin tone look. This economic discrimination discourages dancers of color from investing in the dance style as they have to spend more money and time to achieve to what lighter skinned dancers is the bare minimum. In 2017, 196:
encouraged ballerinas of color to wear the light pink tights to make their legs lighter and blend in with the group. Furthermore, ballerinas of color have had to “pancake” their shoes, tights and leotards to match their skin tones. The Dance Theater of Harlem has historically encouraged a variety of races and colors within their company as a diverse line is the image they are looking for. Dancer
188: 61:. Wilkinson auditioned at Swoboda's School of Dance multiple times, but was never picked in auditions. One of her fellow dancers told her, “Raven, they can’t afford to take you because of your race.” Nevertheless, eventually Raven was accepted into the school and began her journey to be the first famous black ballerina. While travelling with the 160:; in the 1980s, they wanted women to be extremely thin. More recently, ballet companies have wanted ballerinas to have athletic, muscular bodies like Misty Copeland. Some ballet directors believe that most dancers of color have “unsuitable features”, such as curvy bodies with larger breasts and buttocks, 200:
performed for the company and pushed for the idea of different skin colored tights as her legs were a completely different color than her arms. Stevenson and the theater debuted their flesh-toned tights in 1974 on their European tour. Today, companies are still debating the idea of flesh-toned tights
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Similarly, in March 2017, a very similar situation occurred again in which Danny's was limiting shifts, advertisement campaigns, and opportunities to black dancers due to their race. They once again were fined, given a supervisor and put up warnings of their business habits. Once again, in May 2019,
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her skin a lighter color to fit in with the rest of the company. She has relied on her mentor and longtime friend, Raven Wilkinson, to highlight the injustices of ballet and was moved by how Wilkinson overcame her struggles as one of very few, black dancers to dance with a major touring troupe. Both
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Within ballet, similar leotards, tights and shoes are worn to maintain the desired uniform image. Historically, tights and shoes have been light pink to match the desired light skin tone. Retail companies did not sell other colors for dancers with different colored legs or feet, so ballet companies
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Ballet is an art form in which balance, unity and perfection are valued above creativity and uniqueness. This idea of a cohesive and unison line of dancers has led to discrimination within the ballet community. Similar heights and leg lengths have historically been important to dance companies, and
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in ballet. In collaboration with her manager Gilda Squire, she wrote, “She and I have a shared goal to bring ballet to more people and diversify it. That’s been my goal from day one, and it has never wavered.” Copeland's primary goal is to educate and inspire young people about the racism that has
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but Danny's did not respond well and consequently limited their hours even more, fining them, and demanding they quit. Danny's was found liable of discrimination and had to change their ways by way of a supervisor and implementing posters for two years which warns customers of their history of
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in the entertainment district of Jackson, Mississippi, was sued for discriminating against their Black dancers by limiting their hours and requiring them to compete for the “black shift”. White dancers were offered ample shifts while the black dancers had to compete for one which limited their
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as some directors believe diversity in tights is okay when there is lots of diversity, but when there is only one or two dancers of color, companies believe they should continue to use the pink tights to not “break the line."
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dancers were told to pancake their skin to appear lighter than they were, revealing an unsettling lack of advancement towards accepting dancers of color within the last 70 years.
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Misty Copeland is highly regarded as one of the most influential and powerful dancers of the modern age. Copeland was the first black ballerina to be a principal dancer with the
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to look paler and even told to tell people that she was Mexican and not Black, which were all racist attempts at concealing her skin color from the dance world. Wilkinson saw
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Alvin Ailey founded Alvin Ailey American Dance Theater, enriched the modern dance heritage and preserved the uniqueness of African America cultural experience
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dancing on television and knew she had to mentor her. Copeland commented on Wilkinson, “We speak the same very rare language: that of a black
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He later founded the urban nutcracker which incorporates black artist music along with hip hop and tap, not otherwise associated with ballet
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Raven Wilkinson became the first African American women to receive contract to dance full-time with Ballet Russe de Monte Carlo of NYC
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to depict people of color, instead of casting people of color, in order to keep the symmetry and similar lines within the dance.
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and features to create a cohesive look. For example, in the 1950s, ballet companies wanted women with long arms and legs like
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refers to unequal treatment of performance artists based on white dominant culturally desired symmetry and unified lines.
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been embedded ballet since it was invented. As a modern-day black dancer, she still remembers being told to
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this ideal is being spread to race as well. Companies desire dancers who all have the same
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Arthur Mitchell was the first black principal dancer in the history of NYC ballet
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had interrupted her performances to protest against the famous Black ballerina.
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Black dancer Janet Collins made metropolitan opera debut in the opera Aida.
430:"Dancer Misty Copeland on racism in ballet and her mentor Raven Wilkinson" 187: 670:"Significant EEOC Race/Color Cases(Covering Private and Federal Sectors)" 262:
Ballet blended with Harlem dance techniques composed of 20 black dancers.
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Ballet Nègre founded, one of the first black ballet companies in the US
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income. One of the dancers filed a complaint against Danny's with the
520:"The History of the Ballet Body: From Anna Pavlova to Misty Copeland" 53:, Raven Wilkinson was the first African-American woman to break the 125:
Copeland is more than a ballerina, as she has used her platform to
101: 40: 722:"Boston Ballet - Celebrating Black Dance History - Boston Ballet" 156:, they wanted women with long necks and small heads, like 67:
discrimination in the southern states of the United States
635:"Is Classical Ballet Ready to Embrace Flesh-Tone Tights?" 498:"Shining the Spotlight on Racism in Dance - INKspire" 380:"Remembering Raven Wilkinson, Trailblazing Ballerina" 259:American Negro Ballet gives its debut performance. 118:in August 2007. Eventually, she was promoted to 316:and became principal dancer within three years. 8: 550:"Too Fat? Too Thin? Too Tall? Too Short?" 239:Important moments in black dance history 186: 16:Unequal treatment of performance artists 716: 714: 712: 710: 708: 706: 366: 228:Equal Employment Opportunity Commission 152:; in the 1960s, under the influence of 821:Anti-black racism in the United States 171:Some ballet companies continue to use 65:in the 1950s, Wilkinson faced extreme 664: 662: 660: 658: 656: 654: 628: 626: 624: 7: 571: 569: 543: 541: 539: 492: 490: 488: 486: 484: 482: 374: 372: 370: 633:Howard, Theresa Ruth (2020-10-29). 14: 816:Discrimination based on skin tone 771:"The First American Negro Ballet" 518:Wagoner, Mackenzie (2015-10-21). 221:In June 2013, Danny's Cabaret, a 434:The Atlanta Journal-Constitution 548:Magazine, Pointe (2011-02-27). 217:EEOC v. Danny's Restaurant, LLC 216: 57:in balled in 1955 and become a 231:discrimination based on race. 49:Widely known as the mentor of 1: 26:Trailblazing black ballerinas 694:"EEOC v. Danny's Restaurant" 576:Kourlas, Gia (2021-03-03). 837: 811:Criticism of organizations 769:storyteller (2023-04-23). 603:Byrne, Emma (2019-02-06). 139:Racist practices in ballet 95: 76:Wilkinson was told to put 34: 806:Employment discrimination 183:Leotards and pointe shoes 578:"What Is a Ballet Body?" 428:Renault, Gillian Anne. 409:American Ballet Theatre 112:American Ballet Theatre 20:Discrimination in dance 192: 127:speak out about racism 107: 46: 355:Black women in ballet 312:Tony Williams joined 190: 105: 44: 801:Ballet controversies 726:www.bostonballet.org 699:. 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Index

Raven Wilkinson

Misty Copeland
racial barrier
principal dancer
Ballet Russe
discrimination in the southern states of the United States
Ku Klux Klan
powder on her face
Misty Copeland
classical ballet
Misty Copeland

American Ballet Theatre
soloist
principal dancer
speak out about racism
pancake
body shape
Galina Ulanova
George Balanchine
Suzanne Farrell
flat feet
hair textures
blackface
yellowface

Llanchie Stevenon
Gaynor Minden
strip club

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