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that were aimed at a primarily female audience. Kubaschewski felt she understood the tastes of the average German housewife, and during the 1950s and early 1960s her judgement proved to be astute.
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The company was set-up by
Kubaschewski, a cinema-owner, who had noted that re-releases of Nazi-era films, particularly those made by
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Later Gloria lost its prominence in the mid-1960s as audiences began to change, with the rise of new genres such as the series of
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in the 1920s. During the 1930s an
Austrian production company also called itself Gloria.
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westerns that attracted a younger, male audience that other companies such as
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Her initial films re-used many of the stars of Nazi-era cinema such as
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This article about a film production company or film distributor is a
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catered for. The company experimented with sex comedies such as
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were easily outgrossing foreign film imports and post-war
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notability guidelines for companies and organizations
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373:also appeared. Many of the company's films were
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767:Mass media companies established in 1949
316:company. It was established in 1949 by
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762:Film production companies of Germany
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361:but newer stars such as
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448:. Berghahn Books, 2005.
525:Nazi Germany 1933–1945
422:Bergfelder, p. 74–75.
209:improve this article
757:German film studios
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359:Kristina Söderbaum
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224:"Gloria Film"
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355:Marika Rokk
344:Divina Film
306:Gloria Film
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18:Divina-Film
746:Categories
604:Box office
410:References
398:Constantin
379:melodramas
375:Heimatfilm
322:silent era
235:newspapers
133:newspapers
107:redirected
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627:Composers
594:Films A–Z
541:1945–1949
403:Angelique
265:July 2019
97:that are
56:talk page
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163:May 2019
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256:JSTOR
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396:and
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