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Orchestra, as well as in more technical and extended writings. His aesthetic regards works of music as organic wholes, and he stresses the importance of understanding how musical principles manifest themselves in different ways within the context of a given piece. He was fond of using figurative comparisons to illustrate his ideas, as in this quotation from the
461:. The latter is the celebrated recording in which, on the first side after the first movement exposition, Tovey calls out, "Return to the beginning of the record; second time..." and then resumes playing, so that the listener can take the repeat or omit it, at her/his discretion. The Columbia recording of
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Weisse also funded the publication of Tovey's early chamber works between 1906 and 1913, including the two String
Quartets, Opp. 23 and 24 (both composed in 1909) and his fourth and final Piano Trio in D major, Op. 27 of 1910. But the most significant new work after the Piano Concerto was another
273:
R.S.A., on 22 April 1916. They did not have any biological children, but in May 1919 they decided to adopt an infant son, whom they named John
Wellcome Tovey. Following a tumultuous relationship, in part strained by Cameron's mental health issues, the couple divorced in July 1922. She died a few
277:
Clara
Wallace and Tovey married on 29 December 1925. She became Lady Tovey upon his knighthood in 1935. They appear to have had a supportive marriage, often travelling together for Tovey's domestic and international engagements. They remained together until his death in 1940. Lady Tovey died in
391:
that can be deduced from the internal evidence of the music itself has influenced subsequent writers on music. In his essays, Tovey developed a theory of tonal structure and its relation to classical forms that he applied in his descriptions of pieces in his famous programme notes for the Reid
312:
His patron Sophie Weisse helped fund his concert appearances, and also financed the publication of his epic, but not overtly virtuosic Piano
Concerto in A major, Op. 15 in 1903 (though significantly it was published in Germany, not in Britain). The Concerto, with its particularly expressive
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and dedicated "to Sir Hubert Parry as the first work of a grateful pupil". There were other chamber works during this period, most of them including a piano part for Tovey to play himself: from 1900 he energetically promoted them through a series of regular chamber music performances. Early
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full-scale orchestral piece. The
Symphony in D, Op.32, commissioned by Busch after the success of the Piano Concerto performance in Aachen, was written under great time pressure in 1913 and first performed in Aachen under Busch on 11 December 1913. A London performance (by the
374:
described it as "a work of considerable power and beauty", but the subsequent London performances, on 11 and 12 November 1935, were ill-prepared and the press notices were negative. Famously, in reviewing a later Queen's Hall performance and broadcast on 17 November 1937
347:) followed on 31 May 1915. However, further performances were few. Tovey made small revisions in 1923. It was revived in Edinburgh and broadcast by the BBC on 25 February 1937 with the composer conducting the Reid Orchestra. A modern recording was not issued until 2006.
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We do not expect a return to the home tonic to be associated with a theme we have never heard before, any more than we expect on returning from our holiday to find our house completely redecorated and refurnished and inhabited by total strangers.
58:, but since the 1990s his compositions (relatively small in number but substantial in musical content) have been recorded and performed with increasing frequency. The recordings have mostly been well received by reviewers.
78:. She was impressed by his musical gifts evident at an early age and took it upon herself to nurture him. Through her network of associates he was introduced to composers, performers and music critics. These included
362:. It took over ten years for Tovey to complete it, and then it had to wait a further decade before its premiere in 1929. There was very little else after that apart from the Cello Concerto, Op. 40, begun in 1933 for
195:, Tovey composed and performed less often later in life; but the few major pieces he did complete are on a large scale, such as his Symphony of 1913 and the Cello Concerto completed in 1935 for his longtime friend
274:
years later. On the divorce from his first wife, Tovey's son John was placed under the guardianship of Weisse and Clara
Georgina Wallace, who had also been a pupil of Weisse and known to Tovey since boyhood.
296:, but they did find more favour on the continent. His official opus 1, the four movement Piano Trio in B minor was already composed on a large scale. It was completed in 1895 during Tovey's first term at
257:. His archive, including scores, letters, handwritten programme notes and annotations in the scores of others, is housed in the Special Collections Unit of the University of Edinburgh library. In 2009
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158:; there he founded the Reid Orchestra. For their concerts he wrote a series of programme notes, many of which were eventually collected into the books for which he is now best known, the
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From the start, the
Teutonic heavy seriousness and traditional craftsmanship of Tovey's first concert works in the early 1900s felt somewhat old-fashioned amidst the early stages of the
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The relation between
Beethoven's freest variations and his theme is of the same order of microscopical accuracy and profundity as the relation of a bat's wing to a human hand.
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From 1914 his academic career took precedence over composition, although his sense of isolation from more modernist trends may also have contributed to the silence. The
199:. Performing also became problematic. In illustrated radio talks recorded in his last few years, his playing is severely affected by a problem with one of his hands.
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Sir Donald F. Tovey, editor, Forty-Eight
Preludes and Fugues, JS Bach, 1924, published by (British) Associated Board of the Royal Schools of Music
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as well as in London. His large scale Piano
Concerto (with Tovey as soloist) made its debut at Queen's Hall in November 1903 under the baton of
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based on his Reid Orchestra programme notes, were first published at this time, in six volumes between 1935 and 1939. They were edited by
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judged him "a composer with serious aims and a very high standard", although the quartet "was written in a somewhat sombre vein".
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As he devoted more and more time to the Reid Orchestra, to writing essays and commentaries and producing performing editions of
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in London on 8 November 1900, and the Piano Quartet in E minor, Op. 12, played at the same hall on 21 November 1901.
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has nothing of pastiche about it, and in fact has often been recorded as the final piece of the set. His influential
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471:(1934–1935) has Tovey's conjectural completion of the work, played by Tovey on the piano, on the last 78 side.
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minor adagio movement, was first performed on 4 November 1903 by the Queen's Hall Orchestra, conducted by Sir
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Essays in Musical Analysis; Vol. 1, Symphonies and other Orchestral Works; Vol. 2, Concertos and Choral Works
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successes, receiving positive press notices, included the Piano Quintet in C, Op. 6, first performed at
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731:'Donald Francis TOVEY (1875–1940) Aria and Variations in B flat major for string quartet, Op.11'
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Tovey made several editions of other composers' music, including a 1931 completion of Bach's
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Symphony in D, Op. 32 (1913): Reid Orchestra, cond. Donald F. Tovey, rec. 25 February 1937.
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created a simple catalogue of the archival material available from the University on-line.
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549:. Complete Cello Sonatas, Alice Neary, cello, Kate Gould, cello, Gretel Dowdeswell, piano
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commented that "the first movement...seemed to last as long as my first term at school".
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435:) on 6 and 11 June, and 4 September 1928, playing Tovey's conjectural completion of
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74:, and his wife, Mary Fison. As a child Tovey was privately educated exclusively by
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44:, writer on music, composer, conductor and pianist. He had been best known for his
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Biographical Index of Former Fellows of the Royal Society of Edinburgh 1783–2002
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Portrait of Donald Tovey by Philip Alexius De Laszlo, University of Edinburgh
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214:, in two volumes (Vol. 1, March 1924; Vol. 2, June 1924), with fingerings by
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Portrait of Donald Tovey by William Rothenstein, National Portrait Gallery
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Tovey married his first wife, Margaret "Grettie" Cameron, the daughter of
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208:(The Art of Fugue). His edition of the 48 Preludes and Fugues of Bach's
143:, writing many of the articles on music of the 18th and 19th centuries.
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Music in Their Time: The Memoirs and Letters of Dora and Hubert Foss
253:, who greatly admired Tovey's edition of Bach. He died in 1940 in
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A Companion to Beethoven's Pianoforte Sonatas (Complete Analyses)
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Tovey Symphony in D, Op 32; (The) Bride of Dionysus: Prelude
558:, Op. 25, Alice Neary (cello) and Gretel Dowdeswell (piano)
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Donald Francis Tovey and his Symphony Orchestra (1916–1940)
636:. London, The Associated Board of The R.A.M. and The R.C.M.
323:, with Tovey himself as the soloist. (Tovey also performed
36:(17 July 1875 – 10 July 1940) was a British
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Recordings of Tovey performing on piano were made for the
70:, the son of Duncan Crookes Tovey, an assistant master at
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Donald Francis Tovey : a biography based on letters
358:, was begun in 1907, using a text written by his friend
412:, dictated in 1936 but published posthumously in 1944:
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During this period he also contributed heavily to the
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Donald Francis Tovey : a portrait of a great man
366:, and first performed by him on 22 November 1934 in
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1669:Presidents of the Independent Society of Musicians
1065:The Romantic Piano Concerto, Mackenzie & Tovey
1021:Donald Francis Tovey, A Biography Based on Letters
449:'s Sonata No. 2 in A Major BWV1015 (1st mvt), and
477:– Prelude and vocal extracts from the full opera
595:, op. 29 for solo violin, Rupert Marshall-Luck
90:for composition. In 1898, Tovey graduated from
1243:(Oxford University Press, London 1944), p. 29.
220:Associated Board of the Royal Schools of Music
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902:. The Royal Society of Edinburgh. July 2006.
651:20 May 1936. Oxford, At the Clarendon Press.
249:in 1935, reportedly on the recommendation of
8:
1306:Rob Barnett (MusicWeb) on the Cello Concerto
1038:Donald Francis Tovey: Chamber Music Volume 1
586:, op.29 for solo violin, London Piano Trio.
783:The Oxford Dictionary of National Biography
387:Tovey's belief that classical music has an
278:September 1944 at Hedenham Lodge, Norfolk.
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1311:Dave Lewis (AllMusic) on the Symphony in D
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582:Piano Trio, op. 27, Piano Quartet, op.12,
164:. In 1917, he was elected a Fellow of the
129:, and Tovey played it again in 1906 under
1261:International Music Score Library Project
1117:, Guild GMCD 7346, MusicWeb International
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537:. Piano Trios op.1, op.8, Piano Quintet,
1659:Academics of the University of Edinburgh
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354:, an ambitious music drama based on the
146:In 1914, he began to teach music at the
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541:, London Piano Trio, Ormesby Ensemble,
105:Also in Weisse's network was violinist
674:Essays in Musical Analysis, Vols. I-VI
556:Elegiac Variations for cello and piano
779:Tovey, Sir Donald Francis (1875–1940)
113:in a 1905 performance of the Brahms'
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1282:Sir Donald Francis Tovey (1875–1940)
1080:Mozart: Piano Concertos No 20 and 21
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288:List of compositions by Donald Tovey
1594:20th-century British male musicians
1574:19th-century British male musicians
1139:Issued by Symposuim Records in 2005
759:. London: Oxford University Press.
457:, Op. 96 (complete) with violinist
1530:Edinburgh University Music Society
1150:Walker, Ernest. Sir Donald Tovey,
846:Phillips, Reuben (1 August 2022).
14:
1154:Issue 699, 19 February 1937, p 12
1115:Donald Tovey, String Quartet in G
1609:English male classical composers
1579:20th-century classical composers
1564:19th-century classical composers
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1128:Piano Trio, Op.27 score at IMSLP
535:Chamber Music Volumes 1, 2 and 3
329:Piano Concerto in C major, K.503
16:British musicologist (1875–1940)
1589:20th-century Scottish musicians
1239:, with an editorial preface by
1100:Sir Donald Tovey: Symphony in D
570:BBC Scottish Symphony Orchestra
487:Cello Concerto, Op. 40 (1935).
383:Tovey as a theorist of tonality
1584:20th-century English composers
1569:19th-century British composers
1215:No 1114, December 1935, p 1131
1009:. Kirkcudbright: Borgue Books.
641:Normality and Freedom in Music
619:Orchestra, cond. George Vass.
539:Variations on a Theme by Gluck
1:
1649:Musicians awarded knighthoods
1644:Composers awarded knighthoods
1289:Men and Music: Donald F Tovey
1179:, in Grove Music Online, 2001
639:Sir Donald F. Tovey (1936) –
632:Donald Francis Tovey (1931).
564:Piano Concerto in A, Op. 15:
455:10th Violin Sonata in G major
50:and his editions of works by
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1639:British male opera composers
1634:Scottish writers about music
1624:Scottish classical composers
601:String Quartet in G, op.23,
429:National Gramophonic Society
1604:English classical composers
1257:Free scores by Donald Tovey
1225:Available on Symposium 1115
938:Donald Tovey > Biography
691:. Oxford University Press.
294:English Musical Renaissance
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1599:English Romantic composers
1067:, Hyperion CDA67023 (1998)
676:. Oxford University Press.
605:, op.11, Tippett Quartet,
597:EM Records EMRCD079 (2023)
520:Cello Sonata in F, Op. 4,
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228:Essays in Musical Analysis
166:Royal Society of Edinburgh
161:Essays in Musical Analysis
47:Essays in Musical Analysis
1102:, Toccata TOCC0033 (2006)
1040:, Toccata TOCC0068 (2008)
408:Similarly in his book on
398:Brahms' Handel Variations
345:London Symphony Orchestra
211:The Well-Tempered Clavier
86:and (from the age of 14)
1629:Scottish opera composers
1284:website (Peter R. Shore)
942:British Music Collection
34:Sir Donald Francis Tovey
1619:English music theorists
1098:Shore, Peter. Notes to
1063:Purser, John. Notes to
1053:, 22 November 1901, p 8
1036:Shore, Peter. Notes to
848:"Handling Tovey's Bach"
809:(1170): 351–352. 1940.
755:Grierson, Mary (1952).
735:Music Web International
400:, Op. 24, Tovey 1922):
236:Oxford University Press
182:Edmund Taylor Whittaker
156:Reid Professor of Music
148:University of Edinburgh
140:Encyclopædia Britannica
1005:Firth, George (2006).
958:"Lloyd, Stephen (ed.)
799:"Donald Francis Tovey"
687:Tovey, Donald (1989).
672:Tovey, Donald (1935).
493:BBC Symphony Orchestra
479:Dutton Epoch CDLX 7241
419:
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1614:English musicologists
1291:, by Dr Erik Chisholm
627:Selected publications
475:The Bride of Dionysus
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174:Cargill Gilston Knott
168:. His proposers were
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1348:Reid School of Music
994:Edge Hill University
1664:Writers about music
1502:Alexander Mackenzie
1175:Tilmouth, Michael.
987:Richard Witts >
719:Gramophone magazine
711:Achenbach, Andrew.
603:Aria and Variations
530:Marco Polo 8.223637
469:Roth String Quartet
170:Ralph Allan Sampson
1271:Works by or about
1203:, 17 November 1935
1191:, 24 November 1934
968:on 14 October 2019
865:10.1093/ml/gcab116
649:Sheldonian Theatre
578:Hyperion CDA 67023
205:Die Kunst der Fuge
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1483:St Cecilia's Hall
1478:Reid Concert Hall
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1177:Tovey, Sir Donald
1165:Toccata catalogue
852:Music and Letters
803:The Musical Times
647:Delivered in The
621:Toccata TOCC 0033
560:Toccata TOCC 0038
516:Toccata TOCC 0038
483:Toccata TOCC 0033
481:; also: Prelude.
352:Bride of Dionysus
96:Oxford University
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1507:Donald Runnicles
1451:Michael Tilmouth
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224:The Art of Fugue
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1487:Alison House
1410:Donald Tovey
1409:
1386:Henry Bishop
1380:John Thomson
1288:
1273:Donald Tovey
1236:
1235:D.F. Tovey,
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1201:The Observer
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970:. Retrieved
966:the original
959:
933:
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914:the original
895:
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877:. Retrieved
855:
851:
826:. Retrieved
806:
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551:Toccata 0497
543:Toccata 0068
538:
534:
522:Rebecca Rust
497:Adrian Boult
489:Pablo Casals
474:
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386:
371:
364:Pablo Casals
356:Greek legend
351:
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282:Compositions
276:
271:Hugh Cameron
268:
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197:Pablo Casals
186:
159:
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139:
135:
131:Hans Richter
104:
88:Hubert Parry
72:Eton College
65:
45:
42:musicologist
33:
32:
1559:1940 deaths
1554:1875 births
1521:Associated
1459:(2006–2017)
1457:Simon Frith
1453:(1970–1987)
1430:(1989–2012)
1424:(1970–1988)
1418:(1941–1970)
1412:(1914–1940)
1406:(1891–1914)
1400:(1865–1891)
1394:(1845–1865)
1388:(1841–1843)
1382:(1838–1839)
1152:Radio Times
923:19 December
617:Malmö Opera
526:David Apter
513:George Vass
505:Alice Neary
491:, soloist,
433:NGS-114-117
337:Fritz Busch
232:Hubert Foss
84:James Higgs
28: 1938
1548:Categories
1471:Facilities
1277:Wikisource
1113:Review of
972:2 November
422:Recordings
368:Usher Hall
321:Henry Wood
286:See also:
218:, for the
178:John Horne
1523:Ensembles
1237:Beethoven
1189:The Times
1051:The Times
874:0027-4224
815:0027-4666
568:, piano;
528:(piano),
507:, Cello,
467:with the
451:Beethoven
410:Beethoven
389:aesthetic
372:The Times
307:The Times
255:Edinburgh
193:Beethoven
56:Beethoven
1442:of Music
1371:of Music
615:; also:
572:, cond.
511:, cond.
503:; also:
495:, cond.
316:♯
247:George V
245:by King
243:knighted
180:and Sir
1263:(IMSLP)
1259:at the
962:(2019)"
879:22 July
828:22 July
765:2129936
298:Balliol
241:He was
234:of the
23:Tovey,
1358:Chairs
906:
872:
823:922539
821:
813:
785:, 2004
763:
695:
394:Essays
333:Aachen
325:Mozart
265:Family
123:Vienna
119:Berlin
917:(PDF)
900:(PDF)
819:JSTOR
659:Notes
138:1911
974:2019
925:2018
904:ISBN
881:2023
870:ISSN
830:2023
811:ISSN
761:OCLC
693:ISBN
643:The
547:0226
447:Bach
437:Bach
396:(on
191:and
189:Bach
121:and
100:Bach
62:Life
54:and
52:Bach
1275:at
860:doi
856:103
781:in
453:'s
439:'s
327:'s
238:.
154:as
133:.
94:at
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1088:^
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854:.
850:.
838:^
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807:81
805:.
801:.
790:^
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717:.
576:,
545:,
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184:.
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883:.
862::
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767:.
701:.
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313:F
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