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meet. Without the money he had killed for and without the woman he wanted, Walter decides to keep her quiet by murdering her as well, but she forestalls him and shoots him in the chest. Hospitalized, he confesses the plot to Barton Keyes, the company's claims manager, who arranges for him to escape justice by taking a steamship for Mexico. Also on the ship is
Phyllis and, when the two meet, they decide to end it all by jumping off the stern into shark infested waters.
379:, and he and Wilder completed the screenplay. The scenario and story remained “as close as possible to the original story” but gave centrality to the relationship between Neff and Keyes. Literary critic Paul Skenazy observes that “Wilder and Chandler shift the focus from the lovers’ passion to the cost of that passion, and from Neff’s relationship with Phylis to the conflict of loyalties brought on by Phylis.” The script was approved by Joseph Breen.
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369:, and Wilder instantly acquired the rights for $ 15,000. Cain was chagrined that the piece, valued at 25,000 in 1935, was still discounted by the waning censorship risks imposed by the Hays Office. Initially, Wilder enlisted Cain to help write the film script. His dialogue, which was pitched to his literary forms, did not translate well to film. Wilder hired
257:
salesman he had consulted when researching details for The
Postman Always Rings Twice in 1933. They assured him that “the big crime mysteries in this country are locked up in insurance company files.” With a story and a dramatic element in mind, Cain informed his agent Edith Haggard that he would model the style of the serial on
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had gratuitously altered the word “TUCK” in a routine advertisement for ladies underwear to form a vulgar four-letter word. The ad was published in the next edition. When Krock confronted the guilty employee, he responded: “Mr. Krock, you do nothing your whole life but watch for something like that
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2) Cain was familiar with aspects of the insurance business, having sold insurance in
Washington D. C. at the age of twenty-two He obtained additional insights into how fraud was committed from his father who worked for an insurance company. Cain was impressed by comments from an auto insurance
218:
do away with her husband for the insurance money. Killing him at night, they place the body on railroad tracks to look as if he had fallen from the observation platform of a train. Huff's company are suspicious and delay payment, keeping
Phyllis and Walter under surveillance so that they dare not
211:
Walter Huff, a bachelor insurance agent, falls for the married
Phyllis Nirdlinger, who consults him about accident insurance for her unsuspecting husband. In spite of his instinctual decency, and intrigued by the challenge of committing the perfect murder, Walter is seduced into helping the
409:
The way you found tragedy in his shallow, commonplace, smart-cracking skull will remain with me for a long time and, indeed, reinforce an aesthetic viewpoint that many quarrel with; for if I have any gift, it is to take such people and show that they can suffer as profoundly as anybody
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book and, as a murder story, have the novelty that the insurance who solves it never relies on any clues at all, in fact never even gets a clue. His weapons are the big human factors that people always overlook when they try to pull something
27:
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432:. Fred MacMurray and Barbara Stanwyck reprised their roles in the first broadcast on March 5, 1945. Stanwyck appeared again on the February 16, 1950 version, this time opposite
475:. This credits for this version state that it is based on the original novel by James M. Cain as well as the screenplay for the 1944 film by Billy Wilder and Raymond Chandler.
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happening…and then you catch yourself watching for chances to do it…” Cain was fascinated with the dramatic possibilities implicit in this reckless and self-destructive act.
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examined the work for film adaption, they emphatically rejected it. Cain considered rewriting the serial, but
Haggard had succeeded in selling
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237:. Anticipating work as a screenplay writer in Hollywood, Cain decided to write a serial to help pay for the expensive property. The plot for
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Madden, 1970 p. 29: Cain worked selling “accident insurance, or trying to” in
Washington D. C. while he was studying for a career in opera.
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Hoopes, 1982 p. 332-333: “By 1943 it was a lot more difficult to shock
Hollywood and Hays Office than it had been in 1935.” And p. 347-348
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it is a very creepy sensation to see a character imagined by yourself step in front of your eyes exactly as you imagined her.
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showed no interest, Geller took manuscripts to several
Hollywood studios, generating tremendous enthusiasm. When the
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which was perpetrated by his wife and her lover. Cain attended the trial while working as a journalist in New York.
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emphatically condemned the depictions of murder and adultery, killing any
Hollywood interest in the novel.
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in 1936 as an eight part serial, and later republished as one of "three long short tales" in the collection
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Hoopes, 1982 p. 334-335: “To everyone’s relief - and some surprise - the script passed the Hays Office.”
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Hoopes,1982 p. 37: “His frustrating job with the insurance company contributed to Double Indemnity...”
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A stage adaptation by David Pichette and R. Hamilton Wright, directed by Kurt Beattie, opened at
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was “the first significant film created from a Cain book, and it remains the best.”
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provided by Cain’s agent James Geller. When Haggard’s effort to sell the serial to
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Madden,1970 p. 50: “the title was suggested by James Geller, Cain’s agent.”
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studios requested the Hays Office evaluate the piece for film adaptation.
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brought the work to the attention of Austro-Hungarian writer-director
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Cain was deeply gratified at the critical and commercial success of
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In the autumn of 1934, shortly after the release of his first novel
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Works originally published in Liberty (general interest magazine)
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in Seattle on October 27, 2011. The same production moved to the
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of the same name in 1944, adapted for the screen by the novelist
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The novel was completed in late summer 1935 with the title
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Hoopes, 1982 p. 267: Finished “late summer” of that year.
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magazine for $ 5000, and it was published in early 1936.
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It will be told almost in exactly the same style as my
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as well as the lead performances. Cain wrote to actor
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1325:The Baby in the Icebox and Other Short Fiction
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560:Double Indemnity Universal Legacy Series DVD
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241:was derived from two independent sources:
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445:produced another radio adaptation with
612:Skenazy, 1989 p. 34: “...two sources…”
545:Critical Survey of American Literature
453:and the October 30, 1950 broadcast of
1733:Novels first published in serial form
31:Cover of the first separate edition (
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1333:Career in C Major and Other Fiction
469:remade in 1973 as a television film
405:who plays Walter Huff Cain wrote:
1738:American novels adapted into films
539:Swanson, Roy Arthur (2016-12-01).
336:magazine was preparing to release
244:1) An incident shared with him by
187:The novel served as the basis for
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491:and opened on January 18, 2012.
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172:The novel is based on the 1927
1660:The Postman Always Rings Twice
1652:The Postman Always Rings Twice
1627:The Postman Always Rings Twice
1360:The Postman Always Rings Twice
1038:The Postman Always Rings Twice
797:ACT Theatre production history
737:"The Screen Guild Theater Log"
393:who plays Phyllis Nirdlinger
230:The Postman Always Rings Twice
1:
516:. 24 May 1943. Archived from
459:with MacMurray and Stanwyck.
259:The Postman Always Rings Twic
156:. It was first published in
351:With the 1943 inclusion of
282:failed, and book publisher
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1468:The Bridge of San Luis Rey
508:"Books: Dingy Storyteller"
489:San Jose Repertory Theatre
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250:Louisville Courier-Journal
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1201:Love's Lovely Counterfeit
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1511:Wife, Husband and Friend
1436:Uncredited contributions
1227:The Taking of Montfaucon
806:. Retrieved 18 May 2014.
421:The Screen Guild Theater
1718:Novels by James M. Cain
780:"Lux Radio Theatre Log"
706:Skenazy, 1989 p.142-143
688:Hoopes, 1982 p. 331-332
670:Hoopes, 1982 p. 268-269
603:Hoopes, 1982 p. 257-258
594:Hoopes, 1982 p. 117-118
558:"Shadows of Suspense".
174:murder of Albert Snyder
1234:The Baby in the Icebox
784:www.audio-classics.com
766:www.audio-classics.com
762:"The Ford Theater Log"
634:Skenazy, 1989 p. 34-35
547:: 8 – via Ebsco.
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199:, as well as numerous
78:Psychological thriller
16:Novel by James M. Cain
1723:American crime novels
1269:The Girl in the Storm
1174:The Cocktail Waitress
439:On October 15, 1948,
321:with a screenplay by
1708:1943 American novels
1607:Girl in the Cadillac
1460:The Shanghai Gesture
1110:The Root of His Evil
679:Skenazy, 1989 p. 141
203:in different forms.
1713:Novels about murder
1636:Le Dernier Tournant
1535:Money and the Woman
1527:When Tomorrow Comes
1276:Money and the Woman
1134:The Magician's Wife
939:Phyllis Dietrichson
726:Hoopes, 1982 p. 347
717:Hoopes, 1982 p. 347
643:Hoopes, 1982 p. 267
632:Hoopes, 1982 p. 258
585:Hoopes, 1982 p. 258
576:Skenazy, 1989 p. 12
223:Publication history
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1417:Stand Up and Fight
1352:Crashing the Gates
1248:The Birthday Party
1166:The Enchanted Isle
897:Apology for Murder
802:2014-06-28 at the
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1559:Everybody Does It
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564:Universal Studios
456:Lux Radio Theater
340:by installments,
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106:Publication place
20:Double Indemnity
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1591:Double Indemnity
1567:Slightly Scarlet
1543:Double Indemnity
1519:The Last Turning
1503:She Made Her Bed
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385:Double Indemnity
371:Raymond Chandler
353:Double Indemnity
338:Double Indemnity
327:Double Indemnity
323:Raymond Chandler
313:Double Indemnity
292:Double Indemnity
276:Double Indemnity
239:Double Indemnity
195:and directed by
193:Raymond Chandler
135:Double Indemnity
88:Publication date
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541:"JAMES M. CAIN"
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1078:The Butterfly
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1023:James M. Cain
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743:on 2010-09-17
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1491:Adaptations
1397:Screenplays
1293:Collections
955:Ruth Snyder
881:Adaptations
485:ACT Theatre
430:radio drama
302:Adaptations
288:Hays Office
180:borough of
140:crime novel
1697:Categories
1668:Szenvedély
1644:Ossessione
1262:Coal Black
1255:Brush Fire
1158:Cloud Nine
932:Characters
747:2010-02-13
495:References
147:journalist
138:is a 1943
33:Avon Books
1599:Butterfly
1583:Interlude
1220:Pastorale
913:Body Heat
471:starring
401:To actor
307:1944 film
125:Paperback
1676:Jerichow
1575:Serenade
1389:" (1933)
1387:Paradise
1317:Cain X 3
1278:" (1940)
1271:" (1940)
1264:" (1937)
1257:" (1936)
1250:" (1936)
1243:" (1936)
1241:Dead Man
1236:" (1932)
1229:" (1929)
1222:" (1927)
1185:Novellas
1094:The Moth
1046:Serenade
981:Category
800:Archived
189:the film
161:magazine
151:novelist
149:-turned-
144:American
121:Hardback
51:Language
1409:Algiers
1118:Galatea
948:Related
566:. 2006.
524:18 July
334:Liberty
296:Liberty
280:Redbook
267:Postman
201:remakes
176:of the
159:Liberty
119:Print (
55:English
1679:(2008)
1671:(1998)
1663:(1981)
1655:(1946)
1647:(1942)
1639:(1939)
1618:(2011)
1610:(1995)
1602:(1982)
1586:(1957)
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1554:(1945)
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1538:(1940)
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1455:(1935)
1447:(1932)
1428:(1944)
1420:(1939)
1412:(1938)
1379:Essays
1371:(1937)
1363:(1936)
1355:(1926)
1336:(1986)
1328:(1981)
1320:(1969)
1312:(1943)
1304:(1930)
1204:(1942)
1196:(1940)
1177:(2012)
1169:(1985)
1161:(1984)
1153:(1976)
1145:(1975)
1137:(1965)
1129:(1962)
1126:Mignon
1121:(1951)
1113:(1951)
1105:(1950)
1097:(1948)
1089:(1947)
1081:(1947)
1073:(1946)
1065:(1943)
1057:(1941)
1049:(1938)
1041:(1934)
1030:Novels
964:(1993)
924:(2003)
916:(1981)
908:(1973)
900:(1945)
892:(1944)
873:(1943)
865:(1936)
854:Novels
270:smart…
182:Queens
123:&
41:Author
1344:Plays
428:as a
415:Radio
410:else…
342:M-G-M
68:Crime
61:Genre
1368:7-11
921:Jism
526:2011
513:Time
449:and
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