899:; in succumbing to the vampire women, Harker assumes the traditionally feminine role of sexual passivity while the vampire women assume the masculinised role of acting. Sexual depravity and aggression were understood by the Victorians as the exclusive domain of Victorian men, while women were expected to submit to their husband's sexual wishes. Harker's desire to submit, and the scene's origin as a dream Stoker had, highlights the divide between societal expectations and lived realities of men who wanted more freedom in their sexual lives. In the British version of the text, Harker hears the three vampire women whispering at his door, and Dracula tells them they can feed on him tomorrow night. In the American version, Dracula insinuates that he will be feeding on Harker that night: "To-night is mine! To-morrow is yours!" Nina Auerbach and
1158:, he highlights that the Count "can disgorge blood from his breasts" in addition to his teeth; that he is attracted to both Jonathan Harker and Mina Murray; appears both racially western and eastern; and how he is an aristocrat able to mingle with homeless vagrants. Stoker drew extensively from folklore in crafting Count Dracula, but many of the Count's physical attributes were typical of Gothic villains during Stoker's lifetime. In particular, his hooked nose, pale complexion, large moustache and thick eyebrows were likely inspired by the villains of Gothic fiction. Likewise, Stoker's selection of Transylvania has roots in the Gothic. Writers of the mode were drawn to Eastern Europe as a setting because travelogues presented it as a land of primitive superstitions.
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923:. Carol A. Senf writes that Stoker was ambivalent about the New Woman phenomenon. Of the novel's five vampires, four are women, and all are aggressive, "wildly erotic", and driven only by their thirst for blood. Mina Harker, meanwhile, serves as the antithesis of the other female characters, and plays a singularly important role in Dracula's defeat. On the other hand, Judith Wasserman argues that the fight to defeat Dracula is really a battle for control over women's bodies. Senf points out that Lucy's sexual awakening, and her reversal of gender-based sexual roles, is what Abraham Van Helsing considers a threat.
3465:, Introduction: The Myth of Dracula's Reception: "firstly, generally positive reviews that include perhaps one, sometimes two negative remarks or reservations, of which I have discerned ten examples; secondly, generally mixed reviews in which scorn and praise are relatively balanced, of which I have found four examples13; and, thirdly, wholly or mostly negative reviews, of which I managed to locate only three examples. What remains are some seventy positive reviews and responses. And, in addition still are thirty-six different laudatory press notices".)
381:, an insane man who eats vermin to absorb their life force. After Dracula learns of the group's plot against him, he uses Renfield to enter the asylum. He secretly attacks Mina three times, drinking her blood each time and forcing Mina to drink his blood on the final visit. She is cursed to become a vampire after her death unless Dracula is killed. As the men find Dracula's properties, they discover many earth boxes within. The vampire hunters open each of the boxes and seal wafers of
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narrative unity as the narrative unfolds. In the novel's first half, each narrator has a strongly characterised narrative voice, with Lucy's showing her verbosity, Seward's businesslike formality, and Harker's excessive politeness. These narrative styles also highlight the power struggle between vampire and his hunters; the increasing prominence of Van
Helsing's broken English as Dracula gathers power represents the entrance of the foreigner into Victorian society.
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559:. Gothic critic and lecturer Marie Mulvey-Roberts writes that vampires were traditionally depicted as "mouldering revenants, who dragged themselves around graveyards", butâlike BĂĄthoryâDracula uses blood to restore his youth. Recent scholarship has questioned whether BĂĄthory's crimes were exaggerated by her political opponents, with others noting that very little is concretely known about her life. A book that Stoker used for research,
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1025:, and a "growing domestic unease" over the morality of imperial colonisation. Manifesting also in other works aside from Stoker's novel, narratives of reverse colonisation indicate a fear of the "civilised" world being invaded by the "primitive". What Dracula does to human bodies is not horrifying simply because he kills them, but because he transforms them into the
845:) with a preface written by Stoker. In the preface, Stoker writes that the events contained within the novel are true, and that "for obvious reasons" he had changed the names of places and people. Although scholars had been aware of the translation's existence since the 1980s because of Stoker's preface, none had thought to translate it back into English.
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895:. The primary sexual threat posed by Count Dracula is, Christopher Craft writes, that he will "seduce, penetrate, drain another male", with Jonathan Harker's excitement about being penetrated by three vampire women serving as a mask and proxy for his homosexual desire. His excitement also inverts standard Victorian
397:, Romania, the hunters split up. Van Helsing and Mina go to Dracula's castle, where the professor destroys the vampire women. Jonathan Harker and Arthur Holmwood follow Dracula's boat on the river, while Quincey Morris and John Seward parallel them on land. After Dracula's box is finally loaded onto a wagon by
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which is on Stoker's list of books that he consulted. But a careful examination of his Notes shows that while he did make a number of jottings (with page references) from this book, nothing is noted from the
Bathory pages. And there is nothing in the novel that can be attributed directly to the short
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has attracted some, albeit limited, scholarly attention. Peter Arnds wrote that the Count's control over the Romani and his abduction of young children evokes real folk superstitions about Romani people stealing children, and that his ability to transform into a wolf is likewise related to xenophobic
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provides a list of
Dracula's associations with antisemitic conceptions of Jewish people: his appearance, wealth, parasitic bloodlust, and "lack of allegiance" to one country. In terms of his appearance, Halberstam notes Dracula's resemblance to other fictional Jews; for example, his long, sharp nails
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has developed around the topic. Sexuality and seduction are two of the novel's most frequently discussed themes, especially as it relates to the corruption of
English womanhood. Modern critical writings about vampirism widely acknowledge its link to sex and sexuality. Bram Stoker himself was possibly
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to between 1895 and 1897. Later scholarship has questioned these sets of dates. In the first extensive study of the notes, Joseph S. Bierman writes that the earliest date within them is 8 March 1890, for an outline of a chapter that "differs from the final version in only a few details". According to
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notes that many of the Count's characteristics have been adopted by artists succeeding Stoker in depicting vampires, turning those fixtures into clichés. Aside from the Count's ability to transform, McGrath specifically highlights his hatred of garlic, sunlight, and crucifixes. William Hughes writes
1475:), a Hungarian silent film which allegedly premiered in 1921, though this release date has been questioned by some scholars. Very little of the film has survived, and David J. Skal notes that the cover artist for the 1926 Hungarian edition of the novel was more influenced by the second adaptation of
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that, when writing her now almost forgotten romances, she shut herself up in absolute seclusion, and fed upon raw beef, in order to give her work the desired atmosphere of gloom, tragedy and terror. If one had no assurance to the contrary, one might well suppose that a similar method and regimen had
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is narrated through a series of documents. The novel's first four chapters are related as the journals of
Jonathan Harker. Scholar David Seed notes that Harker's accounts function as an attempt to translocate the "strange" events of his visit to Dracula's castle into the nineteenth-century tradition
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Dracula as
Quincey stabs him in the heart. Dracula crumbles to dust, freeing Mina from her vampiric curse. Quincey is mortally wounded in the fight against the Romani. He dies from his wounds, at peace with the knowledge that Mina is saved. A note by Jonathan Harker seven years later states that the
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mixed reception stems from a low sample size. Of 91 contemporary reviews, Browning identified 10 as "generally positive"; 4 as "mixed" in their assessment; 3 as "wholly or mostly negative"; and the rest as positive and possessing no negative reservations. Among the positive reviews, Browning writes
2038:, p. 2: "If Stoker knew as much about Vlad as some scholars claim (for example, that he impaled thousands of victims), then why is this information not used in the novel? This is a crucial question, when one considers how much insignificant detail Stoker did incorporate from his many sources."
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to remain inscrutable to the Count, protecting his own identity, which
Dracula threatens to destroy. Harker's journal, for example, embodies the only advantage during his stay at Dracula's castle: that he knows more than the Count thinks he does. The novel's disparate accounts approach a kind of
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was published in London in May 1897 by
Archibald Constable and Company. It cost 6 shillings, and was bound in yellow cloth and titled in red letters. In 2002, Barbara Belford, a biographer, wrote that the novel looked "shabby", perhaps because the title had been changed at a late stage. Although
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in Whitby's public library while holidaying there with his wife and son in 1880. On the name, Stoker wrote: "Dracula means devil. Wallachians were accustomed to give it as a surname to any person who rendered himself conspicuous by courage, cruel actions or cunning". Stoker's initial plans for
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The novel's representation of vampirism has been discussed as symbolising
Victorian anxieties about disease. The theme is discussed with far less frequency than others because it is discussed alongside other topics rather than as the central object of discussion. For example, some connect its
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described the novel as vampire literature's "centrepiece, rendering all other vampires BS or AS". It profoundly shaped the popular understanding of how vampires function, including their strengths, weaknesses, and other characteristics. Bats had been associated with vampires before
365:. Van Helsing places garlic flowers around her room and makes her a necklace of them. Lucy's mother removes the garlic flowers, not knowing they repel vampires. While Seward and Van Helsing are absent, Lucy and her mother are terrified by a wolf and Mrs. Westenra dies of a
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915:. According to Showalter, Lucy represents the "sexual daring" of the New Woman, evidenced by how she wonders why a woman cannot marry three men if they all desire her. Mina, meanwhile, represents the New Woman's "intellectual ambitions", citing her occupation as a
816:, enthused about the novel to Stoker, predicting it would bring him immense financial success. She was wrong; the novel, although reviewed well, did not make Stoker much money and did not cement his critical legacy until after his death. Since its publication,
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criminal. She explains that, at the time of the novel's composition and publication, the "threatening degenerate was commonly identified as the racial Other, the alien intruder who invades the country to disrupt the domestic order and enfeeble the host race".
3441:, Introduction: The Myth of Dracula's Reception: "Rather, while the novel did receive, on the one hand, a few reviews that were mixed, it enjoyed predominantly a critically strong early print life. Dracula was, by all accounts, a critically-acclaimed novel."
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house, but he escapes. They learn that
Dracula is fleeing to his castle in Transylvania with his last box. Mina has a faint psychic connection to Dracula, which Van Helsing exploits via hypnosis to track Dracula's movements. Guided by Mina, they pursue him.
369:; Lucy dies shortly thereafter. After her burial, newspapers report children being stalked in the night by a "bloofer lady" (beautiful lady), and Van Helsing deduces it is Lucy. The four go to her tomb and see that she is a vampire. They stake her heart,
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Stephen Arata describes the novel as a case of "reverse colonisation"; that is, a fear of the non-white invading England and weakening its racial purity. Arata describes the novel's cultural context of mounting anxiety in Britain over the decline of the
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differs significantly from Stoker's novel. Character names were changed, the length was abridged, and it was more overtly sexual than the original. Dutch scholar Hans Corneel de Roos compared the translation favourably to Stoker's, writing that where
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of all kinds were associated with animals, the Romani were victims of persecution in Europe due to a belief that they enjoyed "unclean meat" and lived among animals. Stoker's description of the Slovaks draws heavily from a travel memoir by a British
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shortly before the novel's publication and performed only once, in order to establish his own copyright for such adaptations. Although the manuscript was believed lost, the British Library possesses a copy. It consists of extracts from the novel's
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Adaptations of the novel and its characters have contributed to its enduring popularity. Even within academic discussions, the boundaries between Stoker's novel and the character's adaptation across a range of media have effectively been blurred.
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was not the first piece of literature to depict vampires, but the novel has nonetheless come to dominate both popular and scholarly treatments of vampire fiction. Count Dracula is the first character to come to mind when people discuss vampires.
1399:, coincidentally also published in 1972, concur; Gabriel Ronay says the novel was "recognised by fans and critics alike as a horror writer's stroke of genius", and Anthony Masters mentions the novel's "enormous popular appeal". Since the 1970s,
3322:, Introduction: The Myth of Dracula's Reception: "Dracula's writing was seen by early reviewers and responders to parallel, if not supersede the Gothic horror works of such canonical writers as Mary Shelley, Ann Radcliffe, and Edgar Allan Poe."
3429:, Introduction: The Myth of Dracula's Reception: "That the sample of reviews relied upon by previous studies is scant at best has unfortunately resulted in the common misconception about the novel's early critical reception being 'mixed'".
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Prior to writing the novel, Stoker researched extensively, assembling over 100 pages of notes, including chapter summaries and plot outlines. The notes were sold by Bram Stoker's widow, Florence, in 1913, to a New York book dealer for
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opined that the novel was "praiseworthy" and absorbing, but could not recommend it to those who were not "strong". Stoker's prose was commended as effective in sustaining the novel's horror by many publications. A reviewer for the
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Visual representations of the Count have changed significantly over time. Early treatments of Dracula's appearance were established by theatrical productions in London and New York. Later prominent portrayals of the character by
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1622:(1847) included an image of a bat on its cover illustration. But Stoker deepened the association by making Dracula able to transform into one. That was, in turn, quickly taken up by film studios looking for opportunities to use
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markedly differ from the final novel. Had Stoker completed his original plans, a German professor called Max Windshoeffel "would have confronted Count Wampyr from Styria", and one of the Crew of Light would have been slain by a
2026:, p. 150: "Unfortunately, no correspondence between Vambery and Stoker can be found today. Moreover, a search through all of the professor's published writings fails to reveal any comments on Vlad, Dracula, or vampires."
1051:; Halberstam highlights one particular fear that Jews would spread diseases of the blood, and one journalist's description of Jews as "Yiddish bloodsuckers". In contrast, Mathias Clasen writes parallels between vampirism and
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called the novel a "literary failure"; they elaborated that coupling vampires with frightening imagery, such as insane asylums and "unnatural appetites", made the horror too overt, and that other works in the genre, such as
3453:, Introduction: The Myth of Dracula's Reception: "That the sample of reviews relied upon by previous studies is scant at best has unfortunately resulted in common misconception about the novel's early critical reception "
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Vambery was able to report that 'the Impaler,' who had won this name for obvious reasons, was spoken of for centuries after as the cleverest and the most cunning, as well as the bravest of the sons of the 'land beyond the
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and later its sequels) built upon earlier versions. Chiefly, Dracula's early visual style involved a black-red colour scheme and slicked back hair. Lee's portrayal was overtly sexual, and also popularised fangs on screen.
1188:, Ireland, England, and colonialism. Calvin W. Keogh writes that Harker's voyage into Eastern Europe "bears comparison with the Celtic fringe to the west", highlighting them both as "othered" spaces. Keogh notes that the
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of the text, posit that Stoker thought the line would render the novel unpublishable in 1897 England, and that "the America that produced his hero Walt Whitman would have been more tolerant of men feeding on men".
315:; Dracula rescues Harker, and gives the women a small child bound inside a bag. Harker awakens in bed; soon after, Dracula leaves the castle, abandoning him to the women. Harker escapes and ends up delirious in a
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wrote that he knew "an old lady" who was approached to revise the original manuscript, but that Stoker found her too expensive. Stoker's first biographer, Harry Ludlam, wrote in 1962 that writing commenced on
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Laura Sagolla Croley expands: "Arata fails to see the class implications of Dracula's racial invasion. Social reformers and journalists throughout the century used the language of race to talk about the very
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was positively received by reviewers who pointed to its effective use of horror. In contrast, reviewers who wrote negatively of the novel regarded it as excessively frightening. Comparisons to other works of
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Everyone stays at Dr. Seward's asylum as the men begin to hunt Dracula. Van Helsing finally reveals that vampires can only rest on earth from their homeland. Dracula communicates with Seward's patient,
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suggests that Stoker's failure to comply with United States copyright law contributed to its enduring status, writing that writers and producers did not need to pay a licence fee to use the character.
1013:. Unlike the major's description, Harker's description is overtly imperialistic, labelling the people as "barbarians" and their boats as "primitive", emphasising their perceived cultural inferiority.
1059:. Martin Willis, a researcher focused on the intersection of literature and disease, argues that the novel's characterisation of vampirism makes it both the initial infection and resulting illness.
528:, but an investigation by McNally and Florescu found nothing about "Vlad, Dracula, or vampires" within Våmbéry's published papers, nor in Stoker's notes about his meeting with Våmbéry. Academic and
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write that the novel and its characters have been adapted for film, television, video games and animation over 700 times, with nearly 1000 additional appearances in comic books and on the stage.
357:. After his ship lands there, Dracula stalks Lucy. Mina receives a letter about her missing fiancé's illness, and goes to Budapest to nurse him. Lucy becomes very ill. Seward's old teacher,
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writing. John Seward, Mina Murray and Jonathan Harker all keep a crystalline account of the period as an act of self-preservation; David Seed notes that Harker's narrative is written in
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Stoker's notes illuminate much about earlier iterations of the novel. For instance, they indicate that the novel's vampire was intended to be a Count, even before he was given the name
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1557:, established a new default look for the characterâa Romanian accent and long hair. The assortment of adaptations feature many different dispositions and characteristics of the Count.
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narrates the crew's disappearance until he alone remains, bound to the helm to maintain course. An animal resembling a large dog is seen leaping ashore when the ship runs aground at
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In their annotated version of Stoker's notes, Eighteen-Bisang and Miller dedicated an appendix to what the novel might have looked like had Stoker adhered to his original concept.
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has been the basis for numerous films and plays. Stoker himself wrote the first theatrical adaptation, which was presented at the Lyceum Theatre on 18 May 1897 under the title
435:, Stoker described his own temperament as "secretive to the world", but he nonetheless led a relatively public life. Stoker supplemented his income from the theatre by writing
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was unusually signed only 6 days prior to publication. For the first thousand sales of the novel, Stoker earned no royalties. Following serialisation by American newspapers,
1736:"New Woman" is a term that originated in the 19th century, and is used to describe an emerging class of intellectual women with social and economic control over their lives.
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depiction of disease with race. Jack Halberstam points to one scene in which an English worker says that the repugnant odour of Count Dracula's London home smells like
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is also said to be a "folio novel â which is ... a sibling to the epistolary novel, posed as letters collected and found by the reader or an editor." Alexander Chee,
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Bierman, Stoker always intended to write an epistolary novel, but originally set it in Styria instead of Transylvania; this iteration did not explicitly use the word
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The full text of all contemporary reviews listed in the bibliography's "contemporary critical reviews" can be found, faithfully reproduced, in John Edgar Browning's
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critically of the Count's cultural omnipresence, noting that the character of Dracula has "seriously inhibited" discussions of the undead in Gothic fiction.
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has been the subject of significant academic interest, evidenced by its own peer-reviewed journal and the numerous books and articles discussing the novel.
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Sensation fiction is a genre characterised by the depiction of scandalous eventsâfor example murder, theft, forgery, or adulteryâwithin domestic settings.
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The novel's depiction of women continues to divide critics. Elaine Showalter writes that Lucy Westenra and Mina Harker represent different aspects of the
1262:. Another anonymous writer described Stoker as "the Edgar Allan Poe of the nineties". Other favourable comparisons to other Gothic novelists include the
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1154:. Jerrold E. Hogle notes Gothic fiction's tendency to blur boundaries, pointing to sexual orientation, race, class, and even species. Relating this to
620:. Scholar Alison Milbank observes that as Dracula can transform into a dog, Carmilla can become a cat. According to author Patrick McGrath, "traces of
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had a mixed critical reception upon publication. Carol Margaret Davison, for example, notes an "uneven" response from critics contemporary to Stoker.
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1303:, regarded the novel as simultaneously sensational and domestic. One reviewer praised the "considerable power" of Stoker's prose and describing it as
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Miller presented this article at the second Transylvanian Society of Dracula Symposium, but it has been reproduced elsewhere; for example, in the
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a reference within the text to Våmbéry, an "Arminius, of Buda-Pesh University", who is familiar with the historical Vlad III and is a friend of
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around 1895 or 1896. Following the rediscovery of Stoker's notes in 1972 by Raymond T. McNally and Radu Florescu, the two dated the writing of
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Many of these early reviews were charmed by Stoker's unique treatment of the vampire myth. One called it the best vampire story ever written.
1196:. In this reading, Transylvania functions as a stand-in for Ireland. Several critics have described Count Dracula as an Anglo-Irish landlord.
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There is some evidence that Bram Stoker died as a result of syphilis; Daniel Farson argues that he may have caught the disease while writing
563:, does have some information on BĂĄthory, but Miller writes that he never took notes on anything from the short section devoted to her. In a
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calls the link to Vlad III "tenuous", indicating that Stoker incorporated a large amount of "insignificant detail" from his research, and
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letters sent by him to the American poet Walt Whitman. Stoker began writing the novel one month following the imprisonment of his friend
169:, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist and opens with solicitor
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Leblanc, Benjamin H. (1997). "The Death of Dracula: A Darwinian Approach to the Vampire's Evolution". In Davison, Carol Margaret (ed.).
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Milbank, Alison (1998). "'Powers Old and New': Stoker's Alliances with Anglo-Irish Gothic". In Hughes, William; Smith, Andrew (eds.).
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her, and fill her mouth with garlic. Jonathan Harker and his now-wife Mina have returned, and they join the campaign against Dracula.
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to help the Count purchase a house near London. Ignoring the Count's warning, Harker wanders the castle at night and encounters
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deviates from Gothic tales before it by firmly establishing its timeâthat being the modern era. The novel is an example of the
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influence. According to Milbank, the story was a deleted first chapter from early in the original manuscript, and replicates
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versions of their characters; for example, Count Dracula as the quintessential vampire, and Abraham Van Helsing as an iconic
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Dracula is one of three figures Zanger links to the popular anxiety surrounding Jewish migration to England; the others are
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became regarded as a seminal piece of Gothic fiction. Modern scholars explore the novel within its historical contextâthe
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Skal, David J. (2011). "IntroductionâDracula: Undead and Unseen". In Browning, John Edgar; Picart, Caroline Joan (eds.).
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Anglo-Saxon world cinematic fodder". Across the world, completed new adaptations can be produced as often as every week.
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was mostly written in the 1890s. Stoker produced over a hundred pages of notes for the novel, drawing extensively from
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writes that the perceived "eternal homelessness" of the Jewish people has contributed to discrimination against them.
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stereotyping. Jules Zanger links the novel's portrayal of the vampire to the immigration of Eastern European Jews to
287:, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media.
1501:, Prana. The legal case lasted two or three years, and in May 1924, Prana agreed to destroy all copies of the film.
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has been suggested as a possible influence on Stoker. Bob Curran, a lecturer in Celtic History and Folklore at the
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in 1897 praised its capacity to entertain, but concluded that Stoker erred in including so much horror. Likewise,
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Aside from the historical, Count Dracula also has literary progenitors. Academic Elizabeth Signorotti argues that
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Davison, Carol Margaret (1997). "Blood Brothers: Dracula and Jack the Ripper". In Davison, Carol Margaret (ed.).
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1895:, p. 301: "Most of his novels are sentimental romances in which the hero tries to win the love of a woman."
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edition of Bram Stoker's original notes for the book, Miller and her co-author Robert Eighteen-Bisang say in a
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Hughes, William (2012). "Fictional Vampires in the Nineteenth and Twentieth Century". In Punter, David (ed.).
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Lisa Hopkins reproduces the previous quotation, and confirms Farson's relation to Stoker, in her 2007 book on
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was well received. Reviewers frequently compared the novel to other Gothic writers, and mentions of novelist
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Other critics have concurred with Miller. Mathias Clasen describes her as "a tireless debunker of academic
1184:, and lived there for the first 30 years of his life. As a result, a significant body of writing exists on
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and the Doctors: Bad Blood, Menstrual Taboo and the New Woman". In Hughes, William; Smith, Andrew (eds.).
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purchased the rights to make a film version, it was discovered that Stoker had not fully complied with US
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449:
420:
5554:"The Historical Dracula: The Theme of His Legend in the Western and in the Eastern Literatures of Europe"
1603:
succeeded by drawing together folklore, legend, vampire fiction and the conventions of the Gothic novel.
497:
211:. Some scholars have suggested that the character of Dracula was inspired by historical figures like the
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6387:
5956:"Vampirism and the Degeneration of the Imperial Race: Stoker's Dracula as the Invasive Degenerate Other"
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differs significantly from the novel, but that characters have clear counterparts. Bram Stoker's widow,
1282:
888:
778:
366:
6690:
2137:, pp. 187â188: "The closest we have is that there is a short section on Bathory in Sabine-Gould's
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horrors occurred both in foreign landsâin the far-away Carpathian Mountainsâand at home, in Whitby and
1563:
has been adapted a large number of times across virtually all forms of media. John Edgar Browning and
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England. Between 1881 and 1900, the number of Jews living in England had increased sixfold because of
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Dracula: Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism
1550:
1356:
and literary vampires, conducted a review of the novel's early criticism in 2012 and determined that
1313:
noted that the novel was, at times, unintentionally funny, pointing to Dracula's disdain for garlic.
657:
604:, wrote a biography of the author; in it, he doubts that Stoker was aware of the lesbian elements of
548:
427:
was a recognisable figure: he would greet evening guests, and served as assistant to the stage actor
361:, determines the nature of Lucy's condition, but refuses to disclose it. He diagnoses her with acute
353:. Lucy accepts Holmwood's, but all remain friends. Mina joins Lucy on holiday in Whitby. Lucy begins
308:
220:
5098:"The Rhetoric of Reform in Stoker's "Dracula": Depravity, Decline, and the Fin-de-SiĂšcle "Residuum""
1244:(1859) were especially common because of similarities in structure and style. A review appearing in
1029:. Monika Tomaszewska associates Dracula's status as the racial Other with his characterisation as a
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6844:
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6443:
6144:
4542:
McGrath, Patrick (1997). "Preface: Bram Stoker and his Vampire". In Davison, Carol Margaret (ed.).
1535:
1513:
1349:
1047:, making it a "Jewish smell". Jewish people were frequently described, in Victorian literature, as
1030:
935:
934:, and specifically the Count's migration to Victorian England, is frequently read as emblematic of
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might have originally been intended to be a detective story, with a detective called Cotford and a
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272:
223:, but there is widespread disagreement. Stoker's notes mention neither figure. He found the name
208:
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7353:
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4003:
Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921â2010
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Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921â2010
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Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921â2010
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938:, and a projection of fears about racial pollution. A number of scholars have indicated that
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4158:
Barsanti, Michael (2008). "Foreword". In Eighteen-Bisang, Robert; Miller, Elizabeth (eds.).
3811:
1263:
1189:
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1114:
1073:
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872:
813:
600:(1872), "correcting" its emphasis on female desire. Bram Stoker's great-nephew, broadcaster
591:
505:
216:
166:
5351:"Insiders/Outsiders: Conrad's "The Nigger of the "Narcissus" " and Bram Stoker's "Dracula""
1248:
notes that the novel could almost have been written by Collins, and an anonymous review in
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8771:
8703:
8491:
8371:
7569:
7241:
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6463:
6448:
6328:
4941:"Tasting the Original Apple: Gender and the Struggle for Narrative Authority in "Dracula""
1746:
1531:
1508:
1494:
1304:
1294:
969:
960:
707:
664:, suggests that Stoker may have drawn some inspiration for Dracula from an Irish vampire,
587:
496:, but there is no consensus. In his 1962 biography of Stoker, Harry Ludlam suggested that
440:
350:
170:
5161:"Feminism, Sex Role Exchanges, and Other Subliminal Fantasies in Bram Stoker's "Dracula""
3971:
Stoker, Dacre (2011). "Foreword". In Browning, John Edgar; Picart, Caroline Joan (eds.).
1842:
Some sources say the legal battle lasted only two, while others give the number as three.
6323:
5808:"Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis"
5051:
5027:
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7457:
7321:
7185:
7126:
6625:
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1763:
1623:
1523:
1370:
1235:
1221:
1193:
1181:
1151:
1018:
987:
698:, (equivalent to UKÂŁ208 in 2019). Following that, the notes became the property of
653:
346:
304:
280:
248:
244:
158:
155:
75:
71:
5637:
Rhodes, Gary D. (1 January 2010). "Drakula halĂĄla (1921):The Cinema's First Dracula".
5433:"Vampiric Seduction and Vicissitudes of Masculine Identity in Bram Stoker's "Dracula""
385:
inside them, rendering them useless to Dracula. They attempt to trap the Count in his
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8708:
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7683:
7659:
7635:
7627:
7249:
7038:
6630:
6458:
6438:
5691:
5629:
5482:
Miller, Elizabeth (August 1996). "Filing for Divorce: Vlad Tepes vs. Count Dracula".
5423:
5341:
5018:
1604:
1430:
1259:
1207:
1000:
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555:
has analogues in BĂĄthory's described crimes, such as the use of a cage resembling an
513:
493:
436:
398:
334:
300:
284:
262:
178:
174:
20:
5921:
5474:
1705:, Benjamin H. Leblanc reproduces her arguments in his critical history on the novel.
571:
that there is no evidence she inspired Stoker. In 2000, Miller's book-length study,
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7913:
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7545:
7449:
7385:
6828:
6547:
5605:
4914:
1636:
1576:
1554:
1480:
1452:
1360:
had been "a critically acclaimed novel". Browning writes that the misconception of
1320:
1267:
1172:
became the subject of critical interest into Irish fiction during the early 1990s.
1163:
974:
916:
432:
428:
402:
370:
354:
4069:
Davison, Carol Margaret (1997). "Introduction". In Davison, Carol Margaret (ed.).
6372:
5946:
4816:
4795:
4745:
4724:
4703:
4600:
4522:
4501:
4480:
4219:
3922:
8864:
8632:
8263:
8256:
8172:
6620:
6468:
6453:
6403:
5955:
4221:
Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction
2548:
2546:
2492:
2490:
2488:
1613:
1540:
1426:
1132:
1128:
1022:
946:
896:
881:
724:. For two summers, Stoker and his family stayed in the Kilmarnock Arms Hotel in
556:
424:
362:
342:
338:
162:
53:
8919:
7691:
7529:
6124:
Publisher's Circular and Booksellers' Record of British and Foreign Literature
6113:
5981:
Wasserman, Judith (1977). "Women and Vampires: Dracula as a Victorian Novel".
5930:
5491:
Miller, Elizabeth (2006). "Filing for Divorce: Count Dracula vs. Vlad Tepes".
5449:
5432:
5061:""Kiss Me with those Red Lips": Gender and Inversion in Bram Stoker's Dracula"
4986:
4413:
1048:
877:
725:
579:
scholars, but non-specialists and popular film and television documentaries".
460:
455:
386:
141:
6297:"Celebrating Eiko Ishioka's extraordinary costumes for Bram Stoker's Dracula"
6027:
5905:
5864:
5831:
5790:
5757:
5724:
5683:
5613:
5569:
5523:
5458:
5415:
5374:
5333:
5292:
5259:
5217:
5184:
5113:
5080:
5043:
5010:
4956:
4930:
Caine, Hall (24 April 1912). "Bram Stoker. The story of a great friendship".
4922:
4881:
4786:
4692:
4649:
4563:
4471:
4442:
4179:
4150:
4119:
4090:
4021:
3992:
3963:
3894:
1701:
myths". In response to several lines of query as to the historical origin of
8637:
8222:
7651:
6866:
5650:
5392:"The Critics' Count: Revisions of Dracula and the Postcolonial Irish Gothic"
5277:"The Contribution of F. W. Murnau's "Nosferatu" To the Evolution of Dracula"
4298:
4269:
3815:
1504:
1485:
1455:
with Stoker's own handwriting providing direction and dialogue attribution.
1086:
1044:
920:
912:
665:
661:
564:
481:
470:
296:
276:
212:
5931:"The Slovaks and Gypsies of Bram Stoker's Dracula: Vampires in Human Flesh"
5202:"Alejandra Pizarnik's "La condesa Sangrienta" and the Lure of the Absolute"
4866:"The Occidental Tourist: "Dracula" and the Anxiety of Reverse Colonization"
4766:
4393:
4210:
394:
5675:
5325:
5002:
4672:
4629:
4543:
4451:
4422:
4159:
4130:
4099:
4070:
4001:
3972:
3943:
3874:
3803:
401:
men, the hunters converge and attack it. After routing the Romani, Harker
8186:
7992:
6478:
6360:
5775:"Repossessing the Body: Transgressive Desire in "Carmilla" and "Dracula""
4278:
4249:
3247:
1750:
1580:
1286:, had kept the supernatural far away from the novelists' home countries,
1056:
1005:
979:
754:
729:
613:
596:
485:
378:
316:
6035:
6011:
5872:
5848:
5798:
5774:
5621:
5589:
5577:
5553:
5531:
5507:
5466:
5310:"Gothic Genealogies: Dracula, Bowen's Court, And Anglo-Irish Psychology"
5300:
5276:
5225:
5201:
5121:
5097:
4964:
4940:
4190:
789:
contracts were typically signed at least 6 months ahead of publication,
628:
castle. A short story written by Stoker and published after his death, "
125:
8682:
7297:
7265:
5839:
5807:
5765:
5741:
5732:
5700:
5407:
5382:
5350:
5267:
5243:
5192:
5160:
5088:
5060:
4889:
4865:
1177:
996:
956:
773:
324:
186:
182:
136:
6044:
5913:
5881:
4899:"The Genesis and Dating of 'Dracula' from Bram Stoker's Working Notes"
6243:"The Icelandic Translation of 'Dracula' Is Actually a Different Book"
5659:
5309:
2388:
2386:
1368:
that 36 were unreserved in their praise, including publications like
647:
328:
190:
5823:
5716:
5366:
5176:
5072:
4582:
Dracula Was a Woman: In Search of the Blood Countess of Transylvania
3609:
3607:
3605:
1982:, p. 100: "Bram sought the help of Arminius Vambery in Budapest
1775:
In the novel, Harker specifies that the Slovaks are a type of gypsy.
6337:
6185:
Vanity Fair: A Weekly Show of Political, Social, and Literary Wares
5897:
2564:
575:, was said by academic Noel Chevalier to correct "not only leading
4500:
Lovecraft, H. P. (1965). Derleth, August; Wandrei, Donald (eds.).
3366:
3364:
1503:
1421:
965:
772:
675:
480:
5849:""Bram Stoker's Dracula: Possessed by the Spirit of the Nation?""
5508:"Back to the Basics: Re-Examining Stoker's Sources for "Dracula""
4280:
From Dickens to Dracula: Gothic, Economics, and Victorian Fiction
265:âand discuss its depiction of gender roles, sexuality, and race.
5144:"Radu Florescu dead: Legacy of the Romanian 'Dracula professor'"
1192:
has been both symbolically and historically associated with the
473:
on IrvingâStoker wrote only "to sell" and "had no higher aims".
275:. Many of the book's characters have entered popular culture as
181:. Harker escapes the castle after discovering that Dracula is a
8837:
8729:
8584:
7876:
7608:
6651:
6420:
6376:
5233:
Doniger, Wendy (20 November 1995). "Sympathy for the Vampire".
5028:"Attention, Predation, Counterintuition: Why Dracula Won't Die"
4050:
Dalby, Richard (1986). "Bram Stoker". In Sullivan, Jack (ed.).
3876:
From Demons to Dracula: The Creation of the Modern Vampire Myth
3355:
2552:
2496:
1319:
was widely considered to be frightening. A review appearing in
624:" can be found in the three female vampires residing in Dracula
323:
for England with boxes of earth from his castle. The captain's
227:
in Whitby's public library while on holiday, thinking it meant
8833:
4395:
Beyond Dracula: Bram Stoker's Fiction and Its Cultural Context
4325:
Bierman, Joseph S. (1998). "A Crucial Stage in the Writing of
6365:
6094:
The Bookseller: A Newspaper of British and Foreign Literature
5660:""A Wilde Desire Took Me": the Homoerotic History of Dracula"
4545:
Bram Stoker's Dracula: Sucking through the Century, 1897â1997
4453:
Bram Stoker's Dracula: Sucking through the Century, 1897â1997
4101:
Bram Stoker's Dracula: Sucking through the Century, 1897â1997
4072:
Bram Stoker's Dracula: Sucking through the Century, 1897â1997
4033:
Vampires: A Field Guide to the Creatures That Stalk the Night
3123:
1820:
This footnote provides the page number for the 1994 edition;
547:(1983) suggests another historical figure as an inspiration:
119:
6104:
The Academy: A Weekly Review of Literature, Science, and Art
4987:"Dracula: Sense & Nonsense by Elizabeth Miller (review)"
4424:
Murderesses in German Writing, 1720â1860: Heroines of Horror
1395:
mentions the novel's "immediate success". Other works about
1211:
been adopted by Mr. Bram Stoker while writing his new novel
2710:
2708:
463:, a close friend of Stoker's, wrote an obituary for him in
6173:"Current Literature: Hutchinson & Co's Publications".
3942:
Browning, John Edgar; Picart, Caroline Joan, eds. (2011).
1851:
Some sources say that "all prints were ordered destroyed".
4602:
In Search of Dracula: The History of Dracula and Vampires
4129:
Eighteen-Bisang, Robert; Miller, Elizabeth, eds. (2008).
3691:
3689:
3592:
3590:
3083:
3081:
2509:
2507:
2505:
2046:
2044:
2007:
2005:
1833:
This was necessary under the Stage Licensing Act of 1897.
800:
published an American edition in 1899. In the 1930s when
6134:
Saturday Review of Politics, Literature, Science and Art
3307:
2403:
2401:
2174:
2172:
1903:
1901:
1251:
Saturday Review of Politics, Literature, Science and Art
19:
This article is about the novel. For the character, see
4726:
Sexual Anarchy: Gender and Culture at the Fin de SiĂšcle
4052:
The Penguin Encyclopedia of Horror and the Supernatural
3577:
3575:
3573:
3509:
3507:
2905:
2903:
2647:
2645:
1489:. Critic Wayne E. Hensley writes that the narrative of
1391:
mixed response. Raymond T. McNally and Radu Florescu's
680:
Stoker's handwritten notes about the novel's characters
5244:"Technologies of Monstrosity: Bram Stoker's "Dracula""
3548:
3546:
1384:. Other critical works have rejected the narrative of
540:
asking why he would omit Vlad III's infamous cruelty.
5590:"On Dracula, the West, America, and Other Inventions"
4482:
A Biography of Dracula: The Life Story of Bram Stoker
4192:
The Man Who Wrote Dracula: A Biography of Bram Stoker
2467:
2455:
2443:
2431:
2392:
2365:
2341:
2261:
2259:
2151:
1892:
1280:
reviewer noted that while earlier Gothic works, like
702:, and then disappeared until they were bought by the
492:
Many figures have been suggested as inspirations for
6166:
Of Literature, Science, and Art (Fiction Supplement)
4161:
Bram Stoker's Notes for Dracula: A Facsimile Edition
4132:
Bram Stoker's Notes for Dracula: A Facsimile Edition
854:meandered, the translation was concise and punchy.
247:
were common, including its structural similarity to
9061:
9022:
8995:
Snowbound: The Record of a Theatrical Touring Party
8978:
8871:
8691:
8646:
8595:
8554:
8536:
8483:
8465:
8422:
8232:
8117:
8065:
8030:
8011:
7887:
7828:
7773:
7619:
7137:
6958:
6909:
6855:
6818:
6733:
6662:
6608:
6579:
6546:
6492:
6431:
5882:"A Vampire in the Mirror: The Sexuality of Dracula"
4373:
Bram Stoker: History, Psychoanalysis and the Gothic
4350:
Bram Stoker: History, Psychoanalysis and the Gothic
4331:
Bram Stoker: History, Psychoanalysis and the Gothic
4308:
Bram Stoker: History, Psychoanalysis and the Gothic
3680:
3613:
3331:
1571:deemed Count Draculaâalong with characters such as
1497:, initiated legal action against the studio behind
887:The novel's characters are often said to represent
871:as sexually charged have become so frequent that a
443:, and had published 18 books by his death in 1912.
131:
117:
109:
101:
91:
81:
67:
59:
49:
5396:Cambridge Journal of Postcolonial Literary Inquiry
3904:Alice Freeman Palmer: The Evolution of a New Woman
3414:
3259:
1749:, who was often imagined as a Jewish butcher, and
1176:is set largely in England, but Stoker was born in
1004:beliefs about the Romani as animalistic. Although
173:taking a business trip to stay at the castle of a
9030:The Duties of Clerks of Petty Sessions in Ireland
6069:Review of Politics, Literature, Theology, and Art
5539:Moretti, Franco (1982). "The Dialectic of Fear".
4054:. New York City: Viking Press. pp. 404â406.
4006:. Jefferson, North Carolina: McFarland & Co.
992:(1895), who is depicted as animalistic and thin.
508:, commonly known as Vlad the Impaler. Professors
5129:Curran, Bob (2000). "Was Dracula an Irishman?".
4768:Reading Vampire Gothic through Blood: Bloodlines
4634:. David Punter. Hoboken: Wiley-Blackwell. 2012.
3402:
3394:
3370:
3274:, Introduction: The Myth of Dracula's Reception.
7402:Bara no Konrei ~Mayonaka ni Kawashita Yakusoku~
6045:"A Sympathetic Vibration: Dracula and the Jews"
6012:""The Invisible Giant," 'Dracula', and Disease"
5742:""Dracula": Stoker's Response to the New Woman"
4797:Stage Blood: Vampires of the 19th Century Stage
3804:"Gypsies and Jews as Wolves in Realist Fiction"
3474:
3295:
2675:
2377:
2023:
1204:
876:homosexual; Talia Schaffer points to intensely
447:was Stoker's seventh published book, following
337:'s letter to her best friend, Harker's fiancée
3810:. London: Palgrave Macmillan. pp. 69â96.
3398:
3343:
3283:
3235:
2098:
8849:
6388:
4842:. Penguin Publishing Group. pp. 312â13.
4815:Auerbach, Nina; Skal, David J., eds. (1997).
4329:". In Hughes, William; Smith, Andrew (eds.).
4306:Hughes, William; Smith, Andrew, eds. (1998).
4283:. Cambridge, UK: Cambridge University Press.
3629:
1150:is a common reference text in discussions of
8:
6217:. San Francisco. 9 December 1899. p. 5.
4599:McNally, Raymond T.; Florescu, Radu (1994).
4571:McNally, Raymond T.; Florescu, Radu (1973).
3668:
2687:
1458:The first film to feature Count Dracula was
945:version of the vampire myth participates in
32:
6256:"Bram Stoker's stage adaptation of Dracula"
6204:"A Fantastic Theme Realistically Treated".
6049:English Literature in Transition, 1880â1920
5995:"Why Christopher Lee's Dracula didn't suck"
5935:English Literature in Transition, 1880â1920
3255:
3251:
2957:
1860:Meaning "before Stoker" and "after Stoker".
295:Jonathan Harker, a newly qualified English
9150:Irish novels adapted into television shows
8856:
8842:
8834:
8726:
8592:
8581:
7884:
7873:
7825:
7616:
7605:
6659:
6648:
6543:
6428:
6417:
6395:
6381:
6373:
4239:Hogle, Jerrold E. (2002). "Introduction".
2993:
2981:
2894:
2858:
2846:
2834:
2810:
2600:
2525:
2190:
1258:improved upon the style of Gothic pioneer
319:hospital. Dracula takes a ship called the
38:
31:
7498:The Librarian: Curse of the Judas Chalice
6206:New-York Tribune (Illustrated Supplement)
5448:
4241:The Cambridge Companion to Gothic Fiction
3924:Bram Stoker's Dracula: The Critical Feast
3707:
3644:
3219:
3017:
2726:
2714:
2337:
2163:
2122:
1809:Bram Stoker's Dracula: The Critical Feast
1338:The Strange Case of Dr Jekyll and Mr Hyde
516:popularised the idea in their 1972 book,
504:, supplied Stoker with information about
488:, more commonly known as Vlad the Impaler
341:, describes her marriage proposals from
8404:The Incredible Adventures of Van Helsing
6097:. London. 3 September 1897. p. 816.
4573:Dracula: A Biography of Vlad the Impaler
4427:. New York: Cambridge University Press.
4243:. Cambridge: Cambridge University Press.
3462:
3450:
3438:
3426:
3319:
3271:
2636:
2624:
2325:
757:. Stoker's earliest notes indicate that
520:. Benjamin H. LeBlanc writes that there
9003:Dracula's Guest and Other Weird Stories
8749:Dracula's Guest and Other Weird Stories
8159:Mrs. Deadpool and the Howling Commandos
8152:Captain Britain and MI13: Vampire State
8107:Dracula â L'amour plus fort que la mort
6536:Dracula's Guest and Other Weird Stories
6177:. Adelaide. 22 January 1898. p. 8.
3977:. Jefferson, N.C.: McFarland & Co.
3948:. Jefferson, N.C.: McFarland & Co.
3902:Bordin, Ruth Birgitta Anderson (1993).
3856:Bram Stoker and The Man Who Was Dracula
3755:
3719:
3596:
3564:
3513:
3498:
3223:
3171:
3087:
2588:
2537:
2513:
2479:
2419:
2407:
2313:
2277:
2250:
2238:
2214:
2086:
2050:
2011:
1996:
1955:
1943:
1931:
1907:
1880:
1873:
1762:For further reading on the last point,
1653:
238:Following its publication in May 1897,
9043:Personal Reminiscences of Henry Irving
7394:Dark Prince: The True Story of Dracula
7087:Scooby-Doo! and the Reluctant Werewolf
6249:from the original on 15 December 2019.
5976:from the original on 15 November 2020.
4655:
4164:. Jefferson: McFarland & Co. Pub.
4135:. Jefferson: McFarland & Co. Pub.
3779:
3767:
3743:
3731:
3695:
3656:
3625:
3581:
3537:
3525:
3195:
3147:
3135:
3029:
3005:
2969:
2909:
2882:
2822:
2798:
2786:
2774:
2699:
2576:
2353:
2301:
2289:
2226:
2202:
2178:
2134:
2062:
2035:
1979:
1919:
1352:, a scholar whose research focuses on
919:, her keen mind, and her knowledge of
197:, investigate, hunt and kill Dracula.
6940:Hotel Transylvania 3: Summer Vacation
6723:Abbott and Costello Meet Frankenstein
6126:. London. 7 August 1897. p. 131.
6005:from the original on 11 January 2022.
5165:Frontiers: A Journal of Women Studies
5154:from the original on 12 January 2021.
4897:Bierman, Joseph S. (1 January 1977).
3486:
3207:
3183:
3159:
2945:
2933:
2921:
2870:
2762:
2663:
2651:
2612:
2074:
1967:
1344:Modern critics frequently write that
1180:, which was at that time part of the
551:. McNally argues that the imagery of
7:
7410:Dracula: Pages from a Virgin's Diary
6159:. Glasgow. 10 June 1897. p. 10.
5512:Journal of the Fantastic in the Arts
3552:
3356:Of Literature, Science, and Art 1897
3248:Review of PLTA, "Recent Novels" 1897
3111:
3099:
3072:
3060:
2750:
2738:
2265:
2110:
271:is one of the most famous pieces of
86:Archibald Constable and Company (UK)
8388:Dracula 4: The Shadow of the Dragon
6808:The Legend of the 7 Golden Vampires
6188:. London. 29 June 1897. p. 80.
6168:. London. 12 June 1897. p. 11.
6106:. London. 31 July 1897. p. 98.
5159:Demetrakopoulos, Stephanie (1977).
4254:. Basingstoke: Palgrave Macmillan.
3382:
3046:"When Horror Is the Truth-teller",
1469:
406:Harkers have a son, named Quincey.
9170:Novels adapted into radio programs
8099:Dracula â Entre l'amour et la mort
7434:Van Helsing: The London Assignment
7338:Nocturna: Granddaughter of Dracula
6208:. New York City. 19 November 1899.
6137:. London. 3 July 1897. p. 21.
6086:. London. 30 May 1897. p. 80.
4771:. Houndmills: Palgrave Macmillan.
4524:The Natural History of the Vampire
14:
8513:Perfect Selection: Dracula Battle
8364:Dracula 3: The Path of the Dragon
6948:Hotel Transylvania: Transformania
6148:. London. 3 June 1897. p. 6.
6117:. London. 1 June 1897. p. 3.
5701:"The Narrative Method of Dracula"
4836:Stoker, Dacre; Holt, Ian (2009).
4527:. New York: G. P. Putnam's Sons.
2468:Eighteen-Bisang & Miller 2008
2456:Eighteen-Bisang & Miller 2008
2444:Eighteen-Bisang & Miller 2008
2432:Eighteen-Bisang & Miller 2008
2393:Eighteen-Bisang & Miller 2008
2366:Eighteen-Bisang & Miller 2008
2342:Eighteen-Bisang & Miller 2008
2152:Eighteen-Bisang & Miller 2008
1893:Eighteen-Bisang & Miller 2008
9079:William Thomson (brother-in-law)
8799:
8798:
8782:Bibliography of works on Dracula
8760:Transylvanian Society of Dracula
8755:Count Dracula in popular culture
7985:Young Dracula and Young Monsters
7346:Dracula: Sovereign of the Damned
7055:The Halloween That Almost Wasn't
6768:Dracula Has Risen from the Grave
6349:
6274:Rubery, Matthew (2 March 2011).
6213:"The Insanity of the Horrible".
6075:. London: 150â151. 31 July 1897.
5493:Dictionary of Literary Biography
5437:Victorian Literature and Culture
4398:. New York: Palgrave Macmillan.
3906:. University of Michigan Press.
3808:Lycanthropy in German Literature
1685:Dictionary of Literary Biography
1418:Count Dracula in popular culture
1113:
1102:
959:and antisemitic laws elsewhere.
732:, while he was actively writing
632:", has been seen as evidence of
189:and plagues the seaside town of
9145:Irish novels adapted into plays
9140:Irish novels adapted into films
7370:Sundown: The Vampire in Retreat
6346:, text version of 1897 edition.
6295:Sommerlad, Joe (13 July 2017).
5142:Dearden, Lizzie (20 May 2014).
4974:"How the Vampire Got His Fangs"
4375:. Basingston: Macmillan Press.
4367:Mulvey-Roberts, Marie (1998). "
4352:. Basingston: Macmillan Press.
4333:. Basingston: Macmillan Press.
4310:. Basingston: Macmillan Press.
3839:. Cambridge, MA: Polity Press.
743:. Stoker likely found the name
165:, published on 26 May 1897. An
9160:LGBT-related horror literature
8412:Renfield: Bring Your Own Blood
8380:Vampire Season Monster Defense
7817:Hotel Transylvania: The Series
7747:Hotel Transylvania: The Series
7578:The Last Voyage of the Demeter
6164:"Untitled review of Dracula".
6111:"Untitled review of Dracula".
6091:"Untitled review of Dracula".
5880:Stevenson, John Allen (1988).
5773:Signorotti, Elizabeth (1996).
5606:10.1080/00064246.2005.11413319
5558:Comparative Literature Studies
5096:Croley, Laura Sagolla (1995).
4991:ESC: English Studies in Canada
4972:Cengel, Katya (October 2020).
4858:Journal and newspaper articles
2565:Davison, "Blood Brothers" 1997
1:
8340:Dracula 2: The Last Sanctuary
8145:X-Men: Apocalypse vs. Dracula
7490:Bram Stoker's Dracula's Guest
7474:Bram Stoker's Dracula's Curse
7210:Santo en el tesoro de DrĂĄcula
6254:Buzwell, Greg (14 May 2014).
6182:"Books to Read, and Others".
6061:Contemporary critical reviews
5806:Spencer, Kathleen L. (1992).
5588:; Winks, Christopher (2005).
4674:A New Companion to the Gothic
4631:A New Companion to the Gothic
4506:. Vol. 1. Arkham House.
4277:Houston, Gail Turley (2005).
3921:Browning, John Edgar (2012).
1053:sexually-transmitted diseases
820:has never been out of print.
808:, placing the novel into the
777:1899 first American edition,
419:As the acting manager of the
359:Professor Abraham Van Helsing
283:. The novel, which is in the
257:(1859). In the past century,
8742:Lugosi v. Universal Pictures
7194:Billy the Kid Versus Dracula
6800:The Satanic Rites of Dracula
6193:"Supped Full with Horrors".
5954:Tomaszweska, Monika (2004).
4915:10.1093/notesj/CCXXII.jan.39
4677:. Hoboken: Wiley-Blackwell.
4624:. New York: Parkstone Press.
4605:. Boston: Houghton Mifflin.
4580:McNally, Raymond T. (1983).
4575:. New York: Hawthorne Books.
4251:Bram Stoker: A Literary Life
2553:Davison, 'Introduction' 1997
2497:Davison, 'Introduction' 1997
1824:was first published in 1972.
1669:Although published in 1898,
893:performance of their genders
704:Rosenbach Museum and Library
9165:Novels adapted into ballets
8506:Iubilaeum Anno Dracula 2001
8396:Dracula 5: The Blood Legacy
7095:Dracula: Dead and Loving It
6760:Dracula: Prince of Darkness
6359:public domain audiobook at
6241:Escher, Kat (19 May 2017).
5929:Tchaprazov, Stoyan (2015).
5308:Ingelbien, Raphaël (2003).
5242:Halberstam, Judith (1993).
5059:Craft, Christopher (1984).
4765:Stephanou, Aspasia (2014).
4744:Spooner, Catherine (2006).
4708:. New York: Stein and Day.
3836:Modernity and the Holocaust
3475:McNally & Florescu 1994
2378:McNally & Florescu 1973
2024:McNally & Florescu 1994
1473: The Death of Dracula
573:Dracula: Sense and Nonsense
9231:
8968:The Lair of the White Worm
8083:Dracula: A Chamber Musical
7290:Count Dracula's Great Love
6776:Taste the Blood of Dracula
6367:Journal of Dracula Studies
6080:"A Romance of Vampirism".
5963:Journal of Dracula Studies
5705:Nineteenth-Century Fiction
5586:Retamar, Roberto FernĂĄndez
5506:Miller, Elizabeth (1999).
5431:Kuzmanovic, Dejan (2009).
5355:The Modern Language Review
5275:Hensley, Wayne E. (2002).
4864:Arata, Stephen D. (1990).
4723:Showalter, Elaine (1991).
4620:Miller, Elizabeth (2001).
4548:. Toronto: Dundurn Press.
4456:. Toronto: Dundurn Press.
4195:. London: Michael Joseph.
4104:. Toronto: Dundurn Press.
4075:. Toronto: Dundurn Press.
3873:Beresford, Mathew (2008).
3858:. London: Hachette Books.
3124:Hogle, 'Introduction' 2002
1616:'s existenceâfor example,
1511:as the title character in
1415:
469:, saying thatâbesides his
44:Cover of the first edition
18:
9120:Constable & Co. books
9115:19th-century Irish novels
9074:Thornley Stoker (brother)
8794:
8736:
8725:
8591:
8580:
7883:
7872:
7615:
7604:
7202:Blood of Dracula's Castle
7154:The Return of the Vampire
6658:
6647:
6427:
6416:
6282:. Oxford University Press
6199:. June 1899. p. 261.
6102:"Book Reviews Reviewed".
5552:Nandris, Grigore (1966).
5450:10.1017/S1060150309090263
5390:Keogh, Calvin W. (2014).
5281:Literature/Film Quarterly
5200:Fitts, Alexandra (1998).
4584:. New York: McGraw-Hill.
4521:Masters, Anthony (1972).
4224:. Duke University Press.
3308:Publisher's Circular 1897
1569:Roberto FernĂĄndez Retamar
995:The novel's depiction of
964:are compared to those of
706:in Philadelphia in 1970.
650:instead of Transylvania.
185:, and the Count moves to
37:
16:1897 novel by Bram Stoker
9069:Florence Balcombe (wife)
8936:The Jewel of Seven Stars
7554:Dracula: The Dark Prince
7258:Dracula vs. Frankenstein
7226:Los Monstruos del Terror
7023:Dracula in the Provinces
6083:Lloyd's Weekly Newspaper
5658:Schaffer, Talia (1994).
5052:10.5325/style.46.3-4.378
5026:Clasen, Mathias (2012).
4985:Chevalier, Noel (2002).
4392:Hughes, William (2000).
3854:Belford, Barbra (2002).
3833:Bauman, Zygmunt (1991).
3681:Browning and Picart 2011
3669:Retamar & Winks 2005
3614:Browning and Picart 2011
3332:The Daily Telegraph 1897
2688:Auerbach & Skal 1997
1381:Lloyd's Weekly Newspaper
193:. A small group, led by
25:Dracula (disambiguation)
9200:Transylvania in fiction
8979:Short story collections
8628:Dracula (Marvel Comics)
8545:Love Song for a Vampire
8132:Dracula (Marvel Comics)
7851:Treehouse of Horror XXI
7783:Mystery and Imagination
7063:Fracchia contro Dracula
6686:(1931 Spanish-language)
6678:(1931 English-language)
6227:The Manchester Guardian
6010:Willis, Martin (2007).
5853:Irish University Review
5847:Stewart, Bruce (1999).
5740:Senf, Carol A. (1982).
4794:Stuart, Roxana (1994).
4705:The Truth About Dracula
4702:Ronay, Gabriel (1972).
4189:Farson, Daniel (1975).
3816:10.1057/9781137541635_5
3415:San Francisco Wave 1899
3260:The Glasgow Herald 1897
2139:The Book of Were-Wolves
1565:Caroline Joan S. Picart
1322:The Manchester Guardian
1297:. An Australian paper,
905:Norton Critical Edition
798:Doubleday & McClure
779:Doubleday & McClure
700:Charles Scribner's Sons
561:The Book of Were-Wolves
8960:The Lady of the Shroud
8928:The Mystery of the Sea
8904:The Shoulder of Shasta
8348:Dracula: Crazy Vampire
7937:The Revenge of Dracula
7844:Treehouse of Horror IV
7466:The Batman vs. Dracula
6215:The San Francisco Wave
6043:Zanger, Jules (1991).
5349:Kane, Michael (1997).
4662:: CS1 maint: others (
4479:Ludlam, Harry (1962).
4421:Kord, Susanne (2009).
4248:Hopkins, Lisa (2007).
4218:Glover, David (1996).
2526:Stoker & Holt 2009
1583:âto be a part of the "
1573:Frankenstein's monster
1518:
1448:Dracula, or The Undead
1439:
1341:, had more restraint.
1217:
891:sexuality through the
782:
763:psychical investigator
681:
502:University of Budapest
489:
450:The Shoulder of Shasta
205:Transylvanian folklore
23:. For other uses, see
9210:Novels set in castles
9190:Novels set in Romania
9180:Novels set in Hungary
9175:Novels by Bram Stoker
8447:Bram Stoker's Dracula
8332:Dracula: Resurrection
8315:Bram Stoker's Dracula
8307:Bram Stoker's Dracula
8167:Dracula (Dell Comics)
7506:House of the Wolf Man
7378:Bram Stoker's Dracula
7282:Bram Stoker's Dracula
7274:Scream Blacula Scream
7178:The Return of Dracula
6983:Batman Fights Dracula
6891:Shadow of the Vampire
6875:Nosferatu the Vampyre
6837:Dracula II: Ascension
6752:The Brides of Dracula
6707:House of Frankenstein
6586:Castle of Droch-fhola
6580:Possible inspirations
6280:Oxford Bibliographies
5949:– via ProQuest.
5676:10.1353/elh.1994.0019
5651:10.1386/host.1.1.25/1
5326:10.1353/elh.2004.0005
5003:10.1353/esc.2002.0017
4939:Case, Alison (1993).
3927:. Apocryphile Press.
3802:Arnds, Peter (2015).
3403:New-York Tribune 1899
3395:Land of Sunshine 1899
3371:Vanity Fair (UK) 1897
1546:Bram Stoker's Dracula
1507:
1425:
1416:Further information:
1283:The Castle of Otranto
867:Academic analyses of
776:
679:
586:is a response to the
500:, a professor at the
484:
453:(1895) and preceding
9195:Novels set in Whitby
9185:Novels set in London
9036:A Glimpse of America
8647:Relatives of Dracula
8596:Alternative versions
8201:Batman & Dracula
8091:Dracula, the Musical
7969:The Book of Renfield
7921:The Bloody Red Baron
7586:Dracula: A Love Tale
6991:Mad Mad Mad Monsters
6932:Hotel Transylvania 2
6196:The Land of Sunshine
6142:"Books of the Day".
6016:Studies in the Novel
5699:Seed, David (1985).
4978:Smithsonian Magazine
4031:Curran, Bob (2005).
3879:. London: Reaktion.
3296:Saturday Review 1897
2676:Demetrakopoulos 1977
1822:In Search of Dracula
1673:was written in 1890.
1643:Notes and references
1551:Francis Ford Coppola
1549:(1992), directed by
1393:In Search of Dracula
1123:Colorized stills of
1021:, the rise of other
863:Gender and sexuality
827:was translated into
658:University of Ulster
518:In Search of Dracula
309:Carpathian Mountains
9215:Irish horror novels
9155:Invasion literature
9135:Irish Gothic novels
8586:Original characters
8474:The Fury of Dracula
8138:The Tomb of Dracula
7928:Dracula Cha Cha Cha
7835:Treehouse of Horror
7668:Dracula: The Series
7162:Drakula Ä°stanbul'da
7071:Transylvania 6-5000
6967:Transylvania 6-5000
6883:Nosferatu in Venice
6845:Dracula III: Legacy
6557:Dracula the Un-dead
6444:Abraham Van Helsing
6276:"Sensation Fiction"
6260:The British Library
6145:The Daily Telegraph
6131:"Review: Dracula".
5518:(2 (38)): 187â196.
5237:. pp. 608â612.
4932:The Daily Telegraph
4839:Dracula The Un-Dead
4747:Contemporary Gothic
3399:The Advertiser 1898
3344:The Advertiser 1898
3284:The Bookseller 1897
3236:The Daily Mail 1897
3226:, pp. 239â240.
3210:, pp. 195â196.
2972:, pp. 302â304.
2567:, pp. 147â148.
2528:, pp. 312â313.
2099:Mulvey-Roberts 1998
1612:as a result of the
1376:The Daily Telegraph
1350:John Edgar Browning
1275:The Daily Telegraph
936:invasion literature
884:for homosexuality.
833:Valdimar Ăsmundsson
545:Dracula Was A Woman
526:Abraham Van Helsing
466:The Daily Telegraph
313:three vampire women
195:Abraham Van Helsing
34:
8291:Dracula the Undead
8216:Wolves at the Gate
7953:Dracula the Undead
7047:Love at First Bite
6975:Mad Monster Party?
6924:Hotel Transylvania
6691:Dracula's Daughter
6509:Powers of Darkness
6156:The Glasgow Herald
5408:10.1017/pli.2014.8
4750:. Reaktion Books.
2356:, pp. 99â100.
2142:Bathory sections."
1944:Belford & 2002
1619:Varney the Vampire
1519:
1440:
1332:San Francisco Wave
1241:The Woman in White
1230:Upon publication,
842:Powers of Darkness
783:
765:called Singleton.
682:
543:Raymond McNally's
510:Raymond T. McNally
490:
273:English literature
254:The Woman in White
9130:Epistolary novels
9092:
9091:
9084:Bram Stoker Award
8896:The Watter's Mou'
8880:The Primrose Path
8831:
8830:
8790:
8789:
8721:
8720:
8717:
8716:
8576:
8575:
8572:
8571:
8563:Son of the Dragon
8324:Dracula Unleashed
7868:
7867:
7864:
7863:
7860:
7859:
7792:Buffy vs. Dracula
7600:
7599:
7596:
7595:
7442:The Vulture's Eye
7079:The Monster Squad
6999:Blood for Dracula
6792:Dracula A.D. 1972
6643:
6642:
6639:
6638:
6575:
6574:
6484:Brides of Dracula
6343:Project Gutenberg
6223:"Review: Dracula"
6067:"Recent Novels".
5983:Midwest Quarterly
5746:Victorian Studies
5594:The Black Scholar
5248:Victorian Studies
4903:Notes and Queries
4870:Victorian Studies
4849:978-0-525-95129-2
4828:978-0-393-97012-8
4807:978-0-87972-660-7
4800:. Popular Press.
4757:978-1-86189-301-7
4736:978-0-14-011587-1
4684:978-1-4443-5492-8
4641:978-1-4443-5492-8
4555:978-1-55488-105-5
4492:978-0-572-00217-6
4463:978-1-55488-105-5
4434:978-0-521-51977-9
4405:978-1-349-40967-9
4382:978-1-349-26840-5
4359:978-1-349-26840-5
4340:978-1-349-26840-5
4317:978-1-349-26840-5
4261:978-1-4039-4647-8
4231:978-0-8223-1798-2
4171:978-0-7864-5186-9
4142:978-0-7864-5186-9
4111:978-1-55488-105-5
4082:978-1-55488-105-5
4013:978-0-7864-3365-0
3984:978-0-7864-3365-0
3955:978-0-7864-3365-0
3934:978-1-937002-21-3
3886:978-1-86189-742-8
3846:978-0-745-63809-6
3825:978-1-137-54163-5
3050:, October 2, 2023
2101:, pp. 83â84.
2089:, pp. 46â47.
1528:a 1931 adaptation
1433:in the 1931 film
984:George du Maurier
802:Universal Studios
549:Elizabeth BĂĄthory
431:. In a letter to
383:sacramental bread
221:Elizabeth BĂĄthory
147:
146:
102:Publication place
9222:
9205:Victorian novels
9051:Famous Impostors
8987:Under the Sunset
8888:The Snake's Pass
8858:
8851:
8844:
8835:
8802:
8801:
8727:
8663:Vampire Hunter D
8593:
8582:
8299:Drac's Night Out
8209:Victorian Undead
8194:Sword of Dracula
7896:The Dracula Tape
7885:
7874:
7826:
7617:
7606:
7538:Saint Dracula 3D
7234:Cuadecuc, vampir
7170:Blood of Dracula
7119:Zora the Vampire
6784:Scars of Dracula
6715:House of Dracula
6660:
6649:
6600:Vlad the Impaler
6544:
6429:
6418:
6397:
6390:
6383:
6374:
6353:
6352:
6345:
6311:
6309:
6307:
6291:
6289:
6287:
6270:
6268:
6266:
6250:
6230:
6218:
6209:
6200:
6189:
6178:
6169:
6160:
6149:
6138:
6127:
6118:
6107:
6098:
6087:
6076:
6056:
6039:
6006:
6001:. 13 June 2015.
5990:
5977:
5975:
5960:
5950:
5925:
5876:
5843:
5802:
5769:
5736:
5695:
5654:
5633:
5581:
5548:
5535:
5500:
5487:
5478:
5452:
5427:
5386:
5345:
5320:(4): 1089â1105.
5304:
5271:
5238:
5229:
5206:Letras Femeninas
5196:
5155:
5138:
5125:
5092:
5055:
5038:(3â4): 378â398.
5022:
4981:
4968:
4935:
4926:
4893:
4853:
4832:
4811:
4790:
4761:
4740:
4719:
4696:
4667:
4661:
4653:
4625:
4616:
4595:
4576:
4567:
4538:
4517:
4503:Selected Letters
4496:
4475:
4446:
4417:
4386:
4363:
4344:
4321:
4302:
4273:
4244:
4235:
4214:
4183:
4154:
4123:
4094:
4065:
4046:
4035:. Career Press.
4025:
3996:
3967:
3938:
3917:
3898:
3869:
3850:
3829:
3783:
3777:
3771:
3765:
3759:
3753:
3747:
3741:
3735:
3729:
3723:
3717:
3711:
3705:
3699:
3693:
3684:
3678:
3672:
3666:
3660:
3654:
3648:
3642:
3636:
3623:
3617:
3611:
3600:
3594:
3585:
3579:
3568:
3562:
3556:
3550:
3541:
3535:
3529:
3523:
3517:
3511:
3502:
3496:
3490:
3484:
3478:
3472:
3466:
3460:
3454:
3448:
3442:
3436:
3430:
3424:
3418:
3412:
3406:
3392:
3386:
3380:
3374:
3368:
3359:
3353:
3347:
3341:
3335:
3329:
3323:
3317:
3311:
3305:
3299:
3293:
3287:
3281:
3275:
3269:
3263:
3256:The Academy 1897
3245:
3239:
3233:
3227:
3222:, p. 1089;
3217:
3211:
3205:
3199:
3193:
3187:
3181:
3175:
3169:
3163:
3157:
3151:
3145:
3139:
3133:
3127:
3121:
3115:
3109:
3103:
3097:
3091:
3085:
3076:
3070:
3064:
3058:
3052:
3039:
3033:
3027:
3021:
3015:
3009:
3003:
2997:
2991:
2985:
2979:
2973:
2967:
2961:
2958:Tomaszweska 2004
2955:
2949:
2943:
2937:
2931:
2925:
2919:
2913:
2907:
2898:
2892:
2886:
2880:
2874:
2868:
2862:
2856:
2850:
2844:
2838:
2832:
2826:
2820:
2814:
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2766:
2760:
2754:
2748:
2742:
2736:
2730:
2724:
2718:
2712:
2703:
2697:
2691:
2685:
2679:
2673:
2667:
2661:
2655:
2649:
2640:
2634:
2628:
2622:
2616:
2610:
2604:
2598:
2592:
2586:
2580:
2574:
2568:
2562:
2556:
2550:
2541:
2535:
2529:
2523:
2517:
2511:
2500:
2494:
2483:
2477:
2471:
2465:
2459:
2453:
2447:
2441:
2435:
2429:
2423:
2417:
2411:
2405:
2396:
2390:
2381:
2375:
2369:
2363:
2357:
2351:
2345:
2335:
2329:
2323:
2317:
2311:
2305:
2299:
2293:
2287:
2281:
2275:
2269:
2263:
2254:
2248:
2242:
2236:
2230:
2224:
2218:
2212:
2206:
2200:
2194:
2188:
2182:
2176:
2167:
2161:
2155:
2149:
2143:
2132:
2126:
2120:
2114:
2108:
2102:
2096:
2090:
2084:
2078:
2072:
2066:
2060:
2054:
2048:
2039:
2033:
2027:
2021:
2015:
2009:
2000:
1994:
1988:
1985:
1977:
1971:
1965:
1959:
1953:
1947:
1941:
1935:
1929:
1923:
1917:
1911:
1905:
1896:
1890:
1884:
1878:
1861:
1858:
1852:
1849:
1843:
1840:
1834:
1831:
1825:
1818:
1812:
1805:
1799:
1792:
1786:
1782:
1776:
1773:
1767:
1760:
1754:
1743:
1737:
1734:
1728:
1725:
1719:
1712:
1706:
1695:
1689:
1680:
1674:
1667:
1661:
1658:
1553:and costumed by
1543:'s portrayal in
1474:
1471:
1390:
1366:
1292:
1279:
1226:
1190:Eastern Question
1125:Edward Van Sloan
1117:
1106:
1074:epistolary novel
944:
873:cottage industry
835:under the title
814:Charlotte Stoker
795:
693:
645:
638:
627:
592:Sheridan Le Fanu
534:Elizabeth Miller
441:sensation novels
219:or the Countess
217:Vlad the Impaler
167:epistolary novel
121:
93:Publication date
42:
35:
9230:
9229:
9225:
9224:
9223:
9221:
9220:
9219:
9095:
9094:
9093:
9088:
9057:
9018:
9011:Dracula's Guest
8974:
8867:
8862:
8832:
8827:
8786:
8777:Dracula tourism
8772:Dracula Society
8732:
8713:
8704:Count von Count
8687:
8683:Shiklah Dracula
8642:
8597:
8587:
8568:
8550:
8532:
8479:
8461:
8418:
8372:Dracula: Origin
8228:
8113:
8076:(Czech musical)
8061:
8026:
8007:
8001:Out of the Dark
7909:(1992âpresent)
7879:
7856:
7824:
7769:
7611:
7592:
7354:Dracula's Widow
7242:Vampyros Lesbos
7133:
7031:Dracula and Son
6954:
6913:
6905:
6851:
6814:
6729:
6665:
6654:
6635:
6604:
6571:
6542:
6529:Dracula's Guest
6488:
6469:Dr. John Seward
6464:Arthur Holmwood
6449:Jonathan Harker
6423:
6412:
6401:
6350:
6335:
6329:Standard Ebooks
6319:
6314:
6305:
6303:
6301:The Independent
6294:
6285:
6283:
6273:
6264:
6262:
6253:
6245:. Smithsonian.
6240:
6237:
6221:
6212:
6203:
6192:
6181:
6172:
6163:
6152:
6141:
6130:
6121:
6110:
6101:
6090:
6079:
6066:
6063:
6042:
6009:
5993:
5980:
5973:
5958:
5953:
5928:
5879:
5846:
5824:10.2307/2873424
5805:
5772:
5739:
5717:10.2307/3044836
5698:
5657:
5636:
5584:
5551:
5541:New Left Review
5538:
5505:
5490:
5481:
5430:
5389:
5367:10.2307/3734681
5348:
5307:
5274:
5241:
5232:
5199:
5177:10.2307/3346355
5158:
5148:The Independent
5141:
5131:History Ireland
5128:
5095:
5073:10.2307/2928560
5065:Representations
5058:
5025:
4984:
4971:
4938:
4929:
4896:
4863:
4860:
4850:
4835:
4829:
4821:. W.W. Norton.
4814:
4808:
4793:
4779:
4764:
4758:
4743:
4737:
4722:
4716:
4701:
4685:
4670:
4654:
4642:
4628:
4619:
4613:
4598:
4592:
4579:
4570:
4556:
4541:
4535:
4520:
4514:
4499:
4493:
4485:. W. Foulsham.
4478:
4464:
4449:
4435:
4420:
4406:
4391:
4383:
4366:
4360:
4347:
4341:
4324:
4318:
4305:
4291:
4276:
4262:
4247:
4238:
4232:
4217:
4203:
4188:
4172:
4157:
4143:
4128:
4112:
4097:
4083:
4068:
4062:
4049:
4043:
4030:
4014:
3999:
3985:
3970:
3956:
3941:
3935:
3920:
3914:
3901:
3887:
3872:
3866:
3853:
3847:
3832:
3826:
3801:
3797:
3792:
3787:
3786:
3778:
3774:
3766:
3762:
3754:
3750:
3742:
3738:
3730:
3726:
3718:
3714:
3706:
3702:
3694:
3687:
3679:
3675:
3667:
3663:
3655:
3651:
3643:
3639:
3624:
3620:
3612:
3603:
3595:
3588:
3580:
3571:
3563:
3559:
3551:
3544:
3536:
3532:
3524:
3520:
3512:
3505:
3497:
3493:
3485:
3481:
3473:
3469:
3461:
3457:
3449:
3445:
3437:
3433:
3425:
3421:
3413:
3409:
3397:, p. 261;
3393:
3389:
3381:
3377:
3369:
3362:
3354:
3350:
3342:
3338:
3330:
3326:
3318:
3314:
3306:
3302:
3294:
3290:
3282:
3278:
3270:
3266:
3246:
3242:
3234:
3230:
3218:
3214:
3206:
3202:
3194:
3190:
3182:
3178:
3170:
3166:
3158:
3154:
3146:
3142:
3134:
3130:
3122:
3118:
3110:
3106:
3098:
3094:
3086:
3079:
3071:
3067:
3059:
3055:
3040:
3036:
3028:
3024:
3016:
3012:
3004:
3000:
2994:Halberstam 1993
2992:
2988:
2982:Halberstam 1993
2980:
2976:
2968:
2964:
2956:
2952:
2944:
2940:
2932:
2928:
2920:
2916:
2908:
2901:
2895:Tchaprazov 2015
2893:
2889:
2881:
2877:
2869:
2865:
2857:
2853:
2847:Tchaprazov 2015
2845:
2841:
2835:Halberstam 1993
2833:
2829:
2821:
2817:
2811:Halberstam 1993
2809:
2805:
2797:
2793:
2785:
2781:
2773:
2769:
2761:
2757:
2749:
2745:
2737:
2733:
2725:
2721:
2713:
2706:
2698:
2694:
2686:
2682:
2674:
2670:
2662:
2658:
2650:
2643:
2635:
2631:
2623:
2619:
2611:
2607:
2601:Kuzmanovic 2009
2599:
2595:
2587:
2583:
2575:
2571:
2563:
2559:
2551:
2544:
2536:
2532:
2524:
2520:
2512:
2503:
2495:
2486:
2478:
2474:
2466:
2462:
2454:
2450:
2442:
2438:
2430:
2426:
2418:
2414:
2406:
2399:
2391:
2384:
2376:
2372:
2364:
2360:
2352:
2348:
2340:, p. 255;
2336:
2332:
2324:
2320:
2312:
2308:
2300:
2296:
2288:
2284:
2276:
2272:
2264:
2257:
2249:
2245:
2237:
2233:
2225:
2221:
2213:
2209:
2201:
2197:
2191:Signorotti 1996
2189:
2185:
2177:
2170:
2162:
2158:
2150:
2146:
2133:
2129:
2121:
2117:
2109:
2105:
2097:
2093:
2085:
2081:
2073:
2069:
2061:
2057:
2049:
2042:
2034:
2030:
2022:
2018:
2010:
2003:
1995:
1991:
1983:
1978:
1974:
1966:
1962:
1954:
1950:
1942:
1938:
1930:
1926:
1918:
1914:
1906:
1899:
1891:
1887:
1879:
1875:
1870:
1865:
1864:
1859:
1855:
1850:
1846:
1841:
1837:
1832:
1828:
1819:
1815:
1806:
1802:
1793:
1789:
1783:
1779:
1774:
1770:
1761:
1757:
1747:Jack the Ripper
1744:
1740:
1735:
1731:
1726:
1722:
1713:
1709:
1696:
1692:
1681:
1677:
1668:
1664:
1659:
1655:
1650:
1645:
1628:Patrick McGrath
1624:special effects
1593:
1532:Christopher Lee
1509:Christopher Lee
1472:
1420:
1414:
1409:
1388:
1364:
1305:impressionistic
1295:Hampstead Heath
1290:
1277:
1228:
1219:
1202:
1145:
1144:
1143:
1142:
1120:
1119:
1118:
1109:
1108:
1107:
1096:
1070:
1065:
1055:, specifically
1040:
970:Charles Dickens
961:Jack Halberstam
942:
929:
865:
860:
793:
771:
708:H. P. Lovecraft
691:
687:
674:
672:Textual history
643:
636:
630:Dracula's Guest
625:
588:lesbian vampire
479:
417:
412:
351:Arthur Holmwood
343:Dr. John Seward
293:
171:Jonathan Harker
94:
45:
28:
17:
12:
11:
5:
9228:
9226:
9218:
9217:
9212:
9207:
9202:
9197:
9192:
9187:
9182:
9177:
9172:
9167:
9162:
9157:
9152:
9147:
9142:
9137:
9132:
9127:
9125:Dracula novels
9122:
9117:
9112:
9107:
9097:
9096:
9090:
9089:
9087:
9086:
9081:
9076:
9071:
9065:
9063:
9059:
9058:
9056:
9055:
9047:
9039:
9033:
9026:
9024:
9020:
9019:
9017:
9016:
9015:
9014:
8999:
8991:
8982:
8980:
8976:
8975:
8973:
8972:
8964:
8956:
8948:
8940:
8932:
8924:
8916:
8908:
8900:
8892:
8884:
8875:
8873:
8869:
8868:
8863:
8861:
8860:
8853:
8846:
8838:
8829:
8828:
8826:
8825:
8813:
8795:
8792:
8791:
8788:
8787:
8785:
8784:
8779:
8774:
8769:
8762:
8757:
8752:
8745:
8737:
8734:
8733:
8730:
8723:
8722:
8719:
8718:
8715:
8714:
8712:
8711:
8706:
8701:
8695:
8693:
8689:
8688:
8686:
8685:
8680:
8678:Lilith Dracula
8675:
8670:
8665:
8660:
8650:
8648:
8644:
8643:
8641:
8640:
8635:
8630:
8625:
8616:
8611:
8601:
8599:
8589:
8588:
8585:
8578:
8577:
8574:
8573:
8570:
8569:
8567:
8566:
8558:
8556:
8552:
8551:
8549:
8548:
8540:
8538:
8534:
8533:
8531:
8530:
8523:
8516:
8509:
8502:
8495:
8487:
8485:
8481:
8480:
8478:
8477:
8469:
8467:
8466:Tabletop games
8463:
8462:
8460:
8459:
8451:
8443:
8435:
8426:
8424:
8420:
8419:
8417:
8416:
8408:
8400:
8392:
8384:
8376:
8368:
8360:
8352:
8344:
8336:
8328:
8320:
8311:
8303:
8295:
8287:
8279:
8278:
8277:
8272:
8261:
8253:
8245:
8236:
8234:
8230:
8229:
8227:
8226:
8219:
8212:
8205:
8197:
8190:
8183:
8180:Dracula Lives!
8176:
8169:
8164:
8163:
8162:
8155:
8148:
8141:
8129:
8121:
8119:
8115:
8114:
8112:
8111:
8103:
8095:
8087:
8079:
8069:
8067:
8063:
8062:
8060:
8059:
8051:
8043:
8034:
8032:
8028:
8027:
8025:
8024:
8015:
8013:
8009:
8008:
8006:
8005:
7997:
7989:
7981:
7973:
7965:
7957:
7949:
7945:Little Dracula
7941:
7933:
7932:
7931:
7924:
7917:
7901:
7891:
7889:
7881:
7880:
7877:
7870:
7869:
7866:
7865:
7862:
7861:
7858:
7857:
7855:
7854:
7847:
7839:
7837:
7823:
7822:
7813:
7808:Penny Dreadful
7804:
7795:
7788:
7777:
7775:
7771:
7770:
7768:
7767:
7759:
7751:
7743:
7735:
7727:
7723:Penny Dreadful
7719:
7711:
7710:
7709:
7696:
7688:
7680:
7676:Little Dracula
7672:
7664:
7656:
7648:
7640:
7632:
7623:
7621:
7613:
7612:
7609:
7602:
7601:
7598:
7597:
7594:
7593:
7591:
7590:
7582:
7574:
7566:
7562:Dracula Untold
7558:
7550:
7542:
7534:
7526:
7522:Dracula Reborn
7518:
7510:
7502:
7494:
7486:
7478:
7470:
7462:
7458:Blade: Trinity
7454:
7446:
7438:
7430:
7422:
7414:
7406:
7398:
7390:
7382:
7374:
7366:
7358:
7350:
7342:
7334:
7326:
7322:Doctor Dracula
7318:
7310:
7302:
7294:
7286:
7278:
7270:
7262:
7254:
7246:
7238:
7230:
7222:
7214:
7206:
7198:
7190:
7186:Batman Dracula
7182:
7174:
7166:
7158:
7150:
7146:Drakula halĂĄla
7141:
7139:
7135:
7134:
7132:
7131:
7127:Monster Family
7123:
7115:
7107:
7099:
7091:
7083:
7075:
7067:
7059:
7051:
7043:
7035:
7027:
7019:
7015:Son of Dracula
7011:
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6995:
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6699:Son of Dracula
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6626:Poenari Castle
6623:
6618:
6616:Castle Dracula
6612:
6610:
6606:
6605:
6603:
6602:
6597:
6595:Vlad CÄlugÄrul
6592:
6590:Vlad II Dracul
6587:
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6474:Quincey Morris
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6399:
6392:
6385:
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6371:
6370:
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6333:
6331:
6318:
6317:External links
6315:
6313:
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6292:
6271:
6251:
6236:
6233:
6232:
6231:
6219:
6210:
6201:
6190:
6179:
6175:The Advertiser
6170:
6161:
6150:
6139:
6128:
6119:
6114:The Daily Mail
6108:
6099:
6088:
6077:
6062:
6059:
6058:
6057:
6040:
6022:(3): 301â325.
6007:
5991:
5978:
5951:
5926:
5898:10.2307/462430
5892:(2): 139â149.
5877:
5859:(2): 238â255.
5844:
5818:(1): 197â225.
5803:
5785:(4): 607â632.
5770:
5737:
5696:
5670:(2): 381â425.
5655:
5639:Horror Studies
5634:
5582:
5564:(4): 367â396.
5549:
5536:
5503:
5502:
5501:
5484:The Borgo Post
5479:
5443:(2): 411â425.
5428:
5402:(2): 189â206.
5387:
5346:
5305:
5272:
5254:(3): 333â352.
5239:
5230:
5212:(1/2): 23â35.
5197:
5171:(3): 104â113.
5156:
5139:
5126:
5093:
5067:(8): 107â133.
5056:
5023:
4997:(4): 749â751.
4982:
4969:
4951:(3): 223â243.
4936:
4927:
4909:(jan): 39â41.
4894:
4876:(4): 621â645.
4859:
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4012:
3997:
3983:
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3939:
3933:
3918:
3912:
3899:
3885:
3870:
3864:
3851:
3845:
3830:
3824:
3798:
3796:
3793:
3791:
3788:
3785:
3784:
3782:, p. 198.
3772:
3770:, p. 197.
3760:
3748:
3746:, p. 157.
3736:
3734:, p. 152.
3724:
3722:, p. 608.
3712:
3710:, p. 139.
3708:Beresford 2008
3700:
3698:, p. 147.
3685:
3673:
3661:
3659:, p. 378.
3649:
3645:Sommerlad 2017
3637:
3618:
3601:
3586:
3569:
3557:
3542:
3530:
3528:, p. 193.
3518:
3503:
3501:, p. 208.
3491:
3479:
3477:, p. 162.
3467:
3455:
3443:
3431:
3419:
3407:
3387:
3375:
3360:
3348:
3336:
3324:
3312:
3310:, p. 131.
3300:
3288:
3286:, p. 816.
3276:
3264:
3258:, p. 98;
3254:, p. 80;
3240:
3228:
3220:Ingelbien 2003
3212:
3200:
3188:
3186:, p. 194.
3176:
3174:, p. 219.
3164:
3162:, p. 621.
3152:
3150:, p. 137.
3140:
3138:, p. 150.
3128:
3116:
3104:
3102:, p. 226.
3092:
3077:
3065:
3053:
3034:
3032:, p. 302.
3022:
3020:, p. 148.
3018:Stevenson 1988
3010:
3008:, p. 389.
2998:
2996:, p. 350.
2986:
2984:, p. 341.
2974:
2962:
2950:
2948:, p. 630.
2938:
2936:, p. 623.
2926:
2924:, p. 622.
2914:
2899:
2897:, p. 525.
2887:
2885:, p. 107.
2875:
2863:
2861:, p. 527.
2859:Tchaprazov2015
2851:
2849:, p. 524.
2839:
2837:, p. 338.
2827:
2825:, p. 337.
2815:
2813:, p. 337.
2803:
2791:
2779:
2767:
2755:
2743:
2731:
2729:, p. 405.
2727:Wasserman 1977
2719:
2717:, p. 180.
2715:Showalter 1991
2704:
2692:
2680:
2678:, p. 106.
2668:
2666:, p. 109.
2656:
2654:, p. 110.
2641:
2639:, p. 381.
2629:
2627:, p. 382.
2617:
2615:, p. 107.
2605:
2603:, p. 411.
2593:
2591:, p. 197.
2581:
2569:
2557:
2542:
2540:, p. 274.
2530:
2518:
2516:, p. 272.
2501:
2484:
2482:, p. 241.
2472:
2470:, p. 320.
2460:
2458:, p. 318.
2448:
2446:, p. 245.
2436:
2424:
2422:, p. 255.
2412:
2397:
2382:
2380:, p. 160.
2370:
2358:
2346:
2338:Lovecraft 1965
2330:
2318:
2316:, p. 152.
2306:
2294:
2282:
2270:
2255:
2243:
2231:
2229:, p. 144.
2219:
2207:
2195:
2193:, p. 607.
2183:
2181:, p. 379.
2168:
2166:, p. 749.
2164:Chevalier 2002
2156:
2154:, p. 131.
2144:
2127:
2123:Stephanou 2014
2115:
2103:
2091:
2079:
2067:
2055:
2053:, p. 362.
2040:
2028:
2016:
2014:, p. 360.
2001:
1989:
1972:
1960:
1958:, p. 277.
1948:
1946:, p. 363.
1936:
1924:
1912:
1910:, p. 269.
1897:
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1764:Zygmunt Bauman
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1465:Drakula halĂĄla
1460:KĂĄroly Lajthay
1413:
1410:
1408:
1405:
1371:The Daily Mail
1300:The Advertiser
1264:Brontë sisters
1246:The Bookseller
1236:Wilkie Collins
1222:The Daily Mail
1208:Mrs. Radcliffe
1206:It is said of
1203:
1201:
1198:
1194:Irish question
1182:British Empire
1152:Gothic fiction
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847:Makt Myrkranna
837:Makt Myrkranna
770:
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654:Irish folklore
523:
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421:Lyceum Theatre
416:
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347:Quincey Morris
292:
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281:vampire hunter
249:Wilkie Collins
245:Gothic fiction
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8766:Dracula Daily
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8673:Janus Dracula
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7961:The Historian
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7799:Young Dracula
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7700:Young Dracula
7697:
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7685:
7684:Monster Force
7681:
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7673:
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7662:
7661:
7660:Count Duckula
7657:
7654:
7653:
7649:
7646:
7645:
7641:
7638:
7637:
7636:Draculas ring
7633:
7630:
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7628:Monster Squad
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7603:
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7514:Young Dracula
7511:
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7314:Count Dracula
7311:
7308:
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7306:Dracula's Dog
7303:
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7260:
7259:
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7251:
7250:Hrabe Drakula
7247:
7244:
7243:
7239:
7236:
7235:
7231:
7228:
7227:
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7220:
7219:
7218:Count Dracula
7215:
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7052:
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7039:Dracula Sucks
7036:
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6949:
6945:
6942:
6941:
6937:
6934:
6933:
6929:
6926:
6925:
6921:
6920:
6918:
6916:
6915:
6914:Transylvania
6908:
6901:
6900:
6896:
6893:
6892:
6888:
6885:
6884:
6880:
6877:
6876:
6872:
6869:
6868:
6864:
6863:
6861:
6858:
6854:
6847:
6846:
6842:
6839:
6838:
6834:
6831:
6830:
6826:
6825:
6823:
6821:
6817:
6810:
6809:
6805:
6802:
6801:
6797:
6794:
6793:
6789:
6786:
6785:
6781:
6778:
6777:
6773:
6770:
6769:
6765:
6762:
6761:
6757:
6754:
6753:
6749:
6746:
6745:
6741:
6740:
6738:
6736:
6735:Hammer Horror
6732:
6725:
6724:
6720:
6717:
6716:
6712:
6709:
6708:
6704:
6701:
6700:
6696:
6693:
6692:
6688:
6685:
6684:
6680:
6677:
6676:
6672:
6671:
6669:
6667:
6661:
6657:
6650:
6646:
6632:
6631:Corvin Castle
6629:
6627:
6624:
6622:
6619:
6617:
6614:
6613:
6611:
6607:
6601:
6598:
6596:
6593:
6591:
6588:
6585:
6584:
6582:
6578:
6567:
6566:
6562:
6559:
6558:
6554:
6553:
6551:
6549:
6545:
6538:
6537:
6533:
6530:
6526:
6522:
6519:
6517:
6514:
6513:
6511:
6510:
6506:
6503:
6502:
6498:
6497:
6495:
6491:
6485:
6482:
6480:
6477:
6475:
6472:
6470:
6467:
6465:
6462:
6460:
6459:Lucy Westenra
6457:
6455:
6452:
6450:
6447:
6445:
6442:
6440:
6439:Count Dracula
6437:
6436:
6434:
6430:
6426:
6419:
6415:
6411:
6410:
6405:
6398:
6393:
6391:
6386:
6384:
6379:
6378:
6375:
6369:
6368:
6364:
6362:
6358:
6357:
6348:
6344:
6340:
6339:
6334:
6332:
6330:
6326:
6325:
6321:
6320:
6316:
6302:
6298:
6293:
6281:
6277:
6272:
6261:
6257:
6252:
6248:
6244:
6239:
6238:
6234:
6228:
6224:
6220:
6216:
6211:
6207:
6202:
6198:
6197:
6191:
6187:
6186:
6180:
6176:
6171:
6167:
6162:
6158:
6157:
6151:
6147:
6146:
6140:
6136:
6135:
6129:
6125:
6120:
6116:
6115:
6109:
6105:
6100:
6096:
6095:
6089:
6085:
6084:
6078:
6074:
6070:
6065:
6064:
6060:
6054:
6050:
6046:
6041:
6037:
6033:
6029:
6025:
6021:
6017:
6013:
6008:
6004:
6000:
5999:The Telegraph
5996:
5992:
5988:
5984:
5979:
5972:
5968:
5964:
5957:
5952:
5948:
5944:
5940:
5936:
5932:
5927:
5923:
5919:
5915:
5911:
5907:
5903:
5899:
5895:
5891:
5887:
5883:
5878:
5874:
5870:
5866:
5862:
5858:
5854:
5850:
5845:
5841:
5837:
5833:
5829:
5825:
5821:
5817:
5813:
5809:
5804:
5800:
5796:
5792:
5788:
5784:
5780:
5776:
5771:
5767:
5763:
5759:
5755:
5751:
5747:
5743:
5738:
5734:
5730:
5726:
5722:
5718:
5714:
5710:
5706:
5702:
5697:
5693:
5689:
5685:
5681:
5677:
5673:
5669:
5665:
5661:
5656:
5652:
5648:
5644:
5640:
5635:
5631:
5627:
5623:
5619:
5615:
5611:
5607:
5603:
5599:
5595:
5591:
5587:
5583:
5579:
5575:
5571:
5567:
5563:
5559:
5555:
5550:
5546:
5542:
5537:
5533:
5529:
5525:
5521:
5517:
5513:
5509:
5504:
5498:
5494:
5489:
5488:
5485:
5480:
5476:
5472:
5468:
5464:
5460:
5456:
5451:
5446:
5442:
5438:
5434:
5429:
5425:
5421:
5417:
5413:
5409:
5405:
5401:
5397:
5393:
5388:
5384:
5380:
5376:
5372:
5368:
5364:
5360:
5356:
5352:
5347:
5343:
5339:
5335:
5331:
5327:
5323:
5319:
5315:
5311:
5306:
5302:
5298:
5294:
5290:
5286:
5282:
5278:
5273:
5269:
5265:
5261:
5257:
5253:
5249:
5245:
5240:
5236:
5231:
5227:
5223:
5219:
5215:
5211:
5207:
5203:
5198:
5194:
5190:
5186:
5182:
5178:
5174:
5170:
5166:
5162:
5157:
5153:
5149:
5145:
5140:
5136:
5132:
5127:
5123:
5119:
5115:
5111:
5108:(1): 85â108.
5107:
5103:
5099:
5094:
5090:
5086:
5082:
5078:
5074:
5070:
5066:
5062:
5057:
5053:
5049:
5045:
5041:
5037:
5033:
5029:
5024:
5020:
5016:
5012:
5008:
5004:
5000:
4996:
4992:
4988:
4983:
4979:
4975:
4970:
4966:
4962:
4958:
4954:
4950:
4946:
4942:
4937:
4934:. p. 16.
4933:
4928:
4924:
4920:
4916:
4912:
4908:
4904:
4900:
4895:
4891:
4887:
4883:
4879:
4875:
4871:
4867:
4862:
4861:
4857:
4851:
4845:
4841:
4840:
4834:
4830:
4824:
4820:
4819:
4813:
4809:
4803:
4799:
4798:
4792:
4788:
4784:
4780:
4778:9781137349224
4774:
4770:
4769:
4763:
4759:
4753:
4749:
4748:
4742:
4738:
4732:
4728:
4727:
4721:
4717:
4715:9780812815245
4711:
4707:
4706:
4700:
4694:
4690:
4686:
4680:
4676:
4675:
4669:
4668:
4665:
4659:
4651:
4647:
4643:
4637:
4633:
4632:
4627:
4623:
4618:
4614:
4612:9780395657836
4608:
4604:
4603:
4597:
4593:
4591:9780070456716
4587:
4583:
4578:
4574:
4569:
4565:
4561:
4557:
4551:
4547:
4546:
4540:
4536:
4534:9780399109317
4530:
4526:
4525:
4519:
4515:
4513:9780870540349
4509:
4505:
4504:
4498:
4494:
4488:
4484:
4483:
4477:
4473:
4469:
4465:
4459:
4455:
4454:
4448:
4444:
4440:
4436:
4430:
4426:
4425:
4419:
4415:
4411:
4407:
4401:
4397:
4396:
4390:
4384:
4378:
4374:
4370:
4365:
4361:
4355:
4351:
4346:
4342:
4336:
4332:
4328:
4323:
4322:
4319:
4313:
4309:
4304:
4300:
4296:
4292:
4290:0-511-12624-7
4286:
4282:
4281:
4275:
4271:
4267:
4263:
4257:
4253:
4252:
4246:
4242:
4237:
4233:
4227:
4223:
4222:
4216:
4212:
4208:
4204:
4202:0-7181-1098-6
4198:
4194:
4193:
4187:
4181:
4177:
4173:
4167:
4163:
4162:
4156:
4155:
4152:
4148:
4144:
4138:
4134:
4133:
4127:
4121:
4117:
4113:
4107:
4103:
4102:
4096:
4095:
4092:
4088:
4084:
4078:
4074:
4073:
4067:
4063:
4061:9780670809028
4057:
4053:
4048:
4044:
4042:1-56414-807-6
4038:
4034:
4029:
4023:
4019:
4015:
4009:
4005:
4004:
3998:
3994:
3990:
3986:
3980:
3976:
3975:
3969:
3968:
3965:
3961:
3957:
3951:
3947:
3946:
3940:
3936:
3930:
3926:
3925:
3919:
3915:
3913:9780472103928
3909:
3905:
3900:
3896:
3892:
3888:
3882:
3878:
3877:
3871:
3867:
3865:0-306-81098-0
3861:
3857:
3852:
3848:
3842:
3838:
3837:
3831:
3827:
3821:
3817:
3813:
3809:
3805:
3800:
3799:
3794:
3789:
3781:
3776:
3773:
3769:
3764:
3761:
3758:, p. 45.
3757:
3752:
3749:
3745:
3740:
3737:
3733:
3728:
3725:
3721:
3716:
3713:
3709:
3704:
3701:
3697:
3692:
3690:
3686:
3682:
3677:
3674:
3671:, p. 22.
3670:
3665:
3662:
3658:
3653:
3650:
3646:
3641:
3638:
3634:
3632:
3631:The Telegraph
3627:
3622:
3619:
3615:
3610:
3608:
3606:
3602:
3599:, p. 63.
3598:
3593:
3591:
3587:
3583:
3578:
3576:
3574:
3570:
3567:, p. 61.
3566:
3561:
3558:
3555:, p. 11.
3554:
3549:
3547:
3543:
3540:, p. 29.
3539:
3534:
3531:
3527:
3522:
3519:
3515:
3510:
3508:
3504:
3500:
3495:
3492:
3489:, p. 53.
3488:
3483:
3480:
3476:
3471:
3468:
3464:
3463:Browning 2012
3459:
3456:
3452:
3451:Browning 2012
3447:
3444:
3440:
3439:Browning 2012
3435:
3432:
3428:
3427:Browning 2012
3423:
3420:
3416:
3411:
3408:
3405:, p. 13.
3404:
3401:, p. 8;
3400:
3396:
3391:
3388:
3384:
3379:
3376:
3373:, p. 80.
3372:
3367:
3365:
3361:
3358:, p. 11.
3357:
3352:
3349:
3345:
3340:
3337:
3333:
3328:
3325:
3321:
3320:Browning 2012
3316:
3313:
3309:
3304:
3301:
3298:, p. 21.
3297:
3292:
3289:
3285:
3280:
3277:
3273:
3272:Browning 2012
3268:
3265:
3262:, p. 10.
3261:
3257:
3253:
3249:
3244:
3241:
3237:
3232:
3229:
3225:
3221:
3216:
3213:
3209:
3204:
3201:
3198:, p. 26.
3197:
3192:
3189:
3185:
3180:
3177:
3173:
3168:
3165:
3161:
3156:
3153:
3149:
3144:
3141:
3137:
3132:
3129:
3126:, p. 12.
3125:
3120:
3117:
3114:, p. 70.
3113:
3108:
3105:
3101:
3096:
3093:
3090:, p. 77.
3089:
3084:
3082:
3078:
3075:, p. 65.
3074:
3069:
3066:
3063:, p. 64.
3062:
3057:
3054:
3051:
3049:
3043:
3038:
3035:
3031:
3026:
3023:
3019:
3014:
3011:
3007:
3002:
2999:
2995:
2990:
2987:
2983:
2978:
2975:
2971:
2966:
2963:
2959:
2954:
2951:
2947:
2942:
2939:
2935:
2930:
2927:
2923:
2918:
2915:
2912:, p. 89.
2911:
2906:
2904:
2900:
2896:
2891:
2888:
2884:
2879:
2876:
2873:, p. 95.
2872:
2867:
2864:
2860:
2855:
2852:
2848:
2843:
2840:
2836:
2831:
2828:
2824:
2819:
2816:
2812:
2807:
2804:
2801:, p. 34.
2800:
2795:
2792:
2789:, p. 41.
2788:
2783:
2780:
2777:, p. 33.
2776:
2771:
2768:
2765:, p. 89.
2764:
2759:
2756:
2752:
2747:
2744:
2741:, p. 44.
2740:
2735:
2732:
2728:
2723:
2720:
2716:
2711:
2709:
2705:
2701:
2696:
2693:
2690:, p. 52.
2689:
2684:
2681:
2677:
2672:
2669:
2665:
2660:
2657:
2653:
2648:
2646:
2642:
2638:
2637:Schaffer 1994
2633:
2630:
2626:
2625:Schaffer 1994
2621:
2618:
2614:
2609:
2606:
2602:
2597:
2594:
2590:
2585:
2582:
2578:
2573:
2570:
2566:
2561:
2558:
2555:, p. 21.
2554:
2549:
2547:
2543:
2539:
2534:
2531:
2527:
2522:
2519:
2515:
2510:
2508:
2506:
2502:
2499:, p. 19.
2498:
2493:
2491:
2489:
2485:
2481:
2476:
2473:
2469:
2464:
2461:
2457:
2452:
2449:
2445:
2440:
2437:
2434:, p. 15.
2433:
2428:
2425:
2421:
2416:
2413:
2410:, p. 40.
2409:
2404:
2402:
2398:
2394:
2389:
2387:
2383:
2379:
2374:
2371:
2367:
2362:
2359:
2355:
2350:
2347:
2343:
2339:
2334:
2331:
2327:
2326:Barsanti 2008
2322:
2319:
2315:
2310:
2307:
2303:
2298:
2295:
2292:, p. 64.
2291:
2286:
2283:
2280:, p. 14.
2279:
2274:
2271:
2268:, p. 34.
2267:
2262:
2260:
2256:
2253:, p. 43.
2252:
2247:
2244:
2241:, p. 15.
2240:
2235:
2232:
2228:
2223:
2220:
2216:
2211:
2208:
2205:, p. 22.
2204:
2199:
2196:
2192:
2187:
2184:
2180:
2175:
2173:
2169:
2165:
2160:
2157:
2153:
2148:
2145:
2140:
2136:
2131:
2128:
2125:, p. 90.
2124:
2119:
2116:
2113:, p. 60.
2112:
2107:
2104:
2100:
2095:
2092:
2088:
2083:
2080:
2077:, p. 34.
2076:
2071:
2068:
2064:
2059:
2056:
2052:
2047:
2045:
2041:
2037:
2032:
2029:
2025:
2020:
2017:
2013:
2008:
2006:
2002:
1998:
1993:
1990:
1981:
1976:
1973:
1970:, p. 16.
1969:
1964:
1961:
1957:
1952:
1949:
1945:
1940:
1937:
1933:
1928:
1925:
1921:
1916:
1913:
1909:
1904:
1902:
1898:
1894:
1889:
1886:
1882:
1877:
1874:
1867:
1857:
1854:
1848:
1845:
1839:
1836:
1830:
1827:
1823:
1817:
1814:
1810:
1804:
1801:
1797:
1791:
1788:
1781:
1778:
1772:
1769:
1765:
1759:
1756:
1752:
1748:
1742:
1739:
1733:
1730:
1724:
1721:
1717:
1711:
1708:
1704:
1700:
1694:
1691:
1687:
1686:
1679:
1676:
1672:
1666:
1663:
1657:
1654:
1647:
1642:
1640:
1638:
1632:
1629:
1625:
1621:
1620:
1615:
1611:
1606:
1605:Wendy Doniger
1602:
1597:
1590:
1588:
1586:
1582:
1578:
1574:
1570:
1566:
1562:
1558:
1556:
1552:
1548:
1547:
1542:
1537:
1536:the 1958 film
1533:
1529:
1525:
1516:
1515:
1510:
1506:
1502:
1500:
1496:
1492:
1488:
1487:
1482:
1478:
1467:
1466:
1461:
1456:
1454:
1449:
1445:
1442:The story of
1438:
1437:
1432:
1431:Count Dracula
1428:
1424:
1419:
1411:
1406:
1404:
1402:
1398:
1394:
1387:
1383:
1382:
1377:
1373:
1372:
1363:
1359:
1355:
1351:
1347:
1342:
1340:
1339:
1333:
1328:
1324:
1323:
1318:
1314:
1312:
1311:
1306:
1302:
1301:
1296:
1289:
1285:
1284:
1276:
1271:
1269:
1265:
1261:
1260:Ann Radcliffe
1257:
1253:
1252:
1247:
1243:
1242:
1237:
1233:
1227:
1225:, 1 June 1897
1224:
1223:
1216:
1214:
1209:
1199:
1197:
1195:
1191:
1187:
1183:
1179:
1175:
1171:
1167:
1165:
1161:
1157:
1153:
1149:
1140:
1139:
1134:
1130:
1126:
1116:
1105:
1093:
1091:
1088:
1084:
1079:
1075:
1067:
1062:
1060:
1058:
1054:
1050:
1046:
1037:
1035:
1032:
1028:
1024:
1020:
1014:
1012:
1007:
1002:
1001:Romani people
998:
993:
991:
990:
985:
981:
977:
976:
971:
967:
962:
958:
954:
953:
952:fin de siĂšcle
948:
941:
937:
933:
926:
924:
922:
918:
914:
909:
906:
902:
901:David J. Skal
898:
894:
890:
889:transgressive
885:
883:
879:
874:
870:
862:
857:
855:
853:
848:
844:
843:
838:
834:
830:
826:
821:
819:
815:
811:
810:public domain
807:
806:copyright law
803:
799:
792:
787:
780:
775:
768:
766:
764:
760:
756:
751:
746:
742:
737:
735:
731:
727:
723:
718:
714:
709:
705:
701:
697:
684:
678:
671:
669:
667:
663:
659:
655:
651:
649:
642:
635:
631:
623:
619:
615:
611:
607:
603:
602:Daniel Farson
599:
598:
593:
589:
585:
580:
578:
574:
570:
566:
562:
558:
554:
550:
546:
541:
539:
535:
531:
527:
521:
519:
515:
514:Radu Florescu
511:
507:
506:Vlad DrÄculea
503:
499:
498:Ărmin VĂĄmbĂ©ry
495:
494:Count Dracula
487:
483:
476:
474:
472:
468:
467:
462:
458:
457:
452:
451:
446:
442:
438:
434:
430:
426:
422:
414:
409:
407:
404:
400:
396:
391:
388:
384:
380:
374:
372:
368:
364:
360:
356:
352:
348:
344:
340:
336:
335:Lucy Westenra
332:
330:
326:
322:
318:
314:
310:
306:
302:
301:Count Dracula
298:
290:
288:
286:
285:public domain
282:
278:
274:
270:
266:
264:
263:Victorian era
260:
256:
255:
250:
246:
241:
236:
234:
230:
226:
222:
218:
214:
210:
206:
202:
198:
196:
192:
188:
184:
180:
179:Count Dracula
176:
175:Transylvanian
172:
168:
164:
160:
157:
153:
152:
143:
139:
138:
134:
130:
127:
124:
122:
116:
112:
108:
104:
100:
96:
90:
87:
84:
80:
77:
73:
70:
66:
62:
58:
55:
52:
48:
41:
36:
30:
26:
22:
21:Count Dracula
9049:
9041:
9035:
9029:
9001:
8993:
8985:
8966:
8958:
8952:Lady Athlyne
8950:
8942:
8934:
8926:
8918:
8911:
8910:
8902:
8894:
8886:
8878:
8820:
8816:
8808:
8804:
8764:
8747:
8740:
8655:
8620:
8606:
8561:
8555:Audio dramas
8525:
8520:Transylvania
8518:
8511:
8504:
8499:Dracula 2000
8497:
8490:
8472:
8455:Monster Bash
8453:
8445:
8437:
8429:
8410:
8402:
8394:
8386:
8378:
8370:
8362:
8354:
8346:
8338:
8330:
8322:
8314:
8305:
8302:(unreleased)
8297:
8289:
8281:
8271:1986âpresent
8264:
8255:
8247:
8239:
8221:
8214:
8207:
8200:
8192:
8185:
8178:
8171:
8157:
8150:
8143:
8136:
8124:
8105:
8097:
8089:
8081:
8073:
8053:
8045:
8037:
8018:
7999:
7991:
7983:
7975:
7967:
7959:
7951:
7943:
7935:
7926:
7919:
7914:Anno Dracula
7912:
7905:Anno Dracula
7904:
7895:
7831:The Simpsons
7829:
7816:
7807:
7798:
7782:
7761:
7753:
7745:
7737:
7729:
7721:
7713:
7703:(2006â2014)
7698:
7690:
7682:
7674:
7666:
7658:
7650:
7644:Cliffhangers
7642:
7634:
7626:
7584:
7576:
7568:
7560:
7552:
7546:Dracula 2012
7544:
7536:
7528:
7520:
7512:
7504:
7496:
7488:
7480:
7472:
7464:
7456:
7450:Dracula 3000
7448:
7440:
7432:
7424:
7416:
7408:
7400:
7392:
7384:
7376:
7368:
7360:
7352:
7344:
7336:
7328:
7320:
7312:
7304:
7296:
7288:
7280:
7272:
7264:
7256:
7248:
7240:
7232:
7224:
7216:
7208:
7200:
7192:
7184:
7176:
7168:
7160:
7152:
7144:
7125:
7117:
7111:Monster Mash
7109:
7103:Monster Mash
7101:
7093:
7085:
7077:
7069:
7061:
7053:
7045:
7037:
7029:
7021:
7013:
7005:
6997:
6989:
6981:
6973:
6965:
6946:
6938:
6930:
6922:
6910:
6897:
6889:
6881:
6873:
6865:
6856:
6843:
6835:
6829:Dracula 2000
6827:
6820:Dracula 2000
6819:
6806:
6798:
6790:
6782:
6774:
6766:
6758:
6750:
6742:
6721:
6713:
6705:
6697:
6689:
6681:
6673:
6563:
6555:
6548:Dacre Stoker
6534:
6507:
6500:
6499:
6493:Publications
6408:
6407:
6366:
6355:
6336:
6322:
6304:. Retrieved
6300:
6284:. Retrieved
6279:
6263:. Retrieved
6259:
6226:
6214:
6205:
6194:
6183:
6174:
6165:
6154:
6143:
6132:
6123:
6122:"Untitled".
6112:
6103:
6092:
6081:
6072:
6068:
6052:
6048:
6019:
6015:
5998:
5986:
5982:
5966:
5962:
5938:
5934:
5889:
5885:
5856:
5852:
5815:
5811:
5782:
5778:
5752:(1): 33â49.
5749:
5745:
5711:(1): 61â75.
5708:
5704:
5667:
5663:
5645:(1): 25â47.
5642:
5638:
5600:(3): 22â29.
5597:
5593:
5561:
5557:
5544:
5540:
5515:
5511:
5496:
5492:
5483:
5440:
5436:
5399:
5395:
5358:
5354:
5317:
5313:
5287:(1): 59â64.
5284:
5280:
5251:
5247:
5234:
5209:
5205:
5168:
5164:
5147:
5134:
5130:
5105:
5101:
5064:
5035:
5031:
4994:
4990:
4977:
4948:
4944:
4931:
4906:
4902:
4873:
4869:
4838:
4817:
4796:
4767:
4746:
4725:
4704:
4673:
4630:
4621:
4601:
4581:
4572:
4544:
4523:
4502:
4481:
4452:
4423:
4394:
4372:
4368:
4349:
4330:
4326:
4307:
4279:
4250:
4240:
4220:
4191:
4160:
4131:
4100:
4071:
4051:
4032:
4002:
3973:
3944:
3923:
3903:
3875:
3855:
3834:
3807:
3790:Bibliography
3775:
3763:
3756:McGrath 1997
3751:
3739:
3727:
3720:Doniger 1995
3715:
3703:
3683:, p. 7.
3676:
3664:
3652:
3640:
3630:
3621:
3616:, p. 4.
3597:Hensley 2002
3584:, p. 2.
3565:Hensley 2002
3560:
3533:
3521:
3514:Buzwell 2014
3499:Masters 1972
3494:
3482:
3470:
3458:
3446:
3434:
3422:
3417:, p. 5.
3410:
3390:
3378:
3351:
3346:, p. 8.
3339:
3327:
3315:
3303:
3291:
3279:
3267:
3252:Lloyd's 1897
3243:
3238:, p. 3.
3231:
3224:Stewart 1999
3215:
3203:
3191:
3179:
3172:Spencer 1992
3167:
3155:
3143:
3131:
3119:
3107:
3095:
3088:Moretti 1982
3068:
3056:
3047:
3041:
3037:
3025:
3013:
3001:
2989:
2977:
2965:
2960:, p. 3.
2953:
2941:
2929:
2917:
2890:
2878:
2866:
2854:
2842:
2830:
2818:
2806:
2794:
2782:
2770:
2758:
2753:, p. 8.
2746:
2734:
2722:
2702:, p. 2.
2695:
2683:
2671:
2659:
2632:
2620:
2608:
2596:
2589:Spencer 1992
2584:
2572:
2560:
2538:Belford 2002
2533:
2521:
2514:Belford 2002
2480:Belford 2002
2475:
2463:
2451:
2439:
2427:
2420:Belford 2002
2415:
2408:Bierman 1977
2395:, p. 4.
2373:
2368:, p. 3.
2361:
2349:
2344:, p. 4.
2333:
2328:, p. 1.
2321:
2314:Bierman 1998
2309:
2297:
2285:
2278:Milbank 1998
2273:
2251:McGrath 1997
2246:
2239:Milbank 1998
2234:
2222:
2217:, p. 6.
2215:Hopkins 2007
2210:
2198:
2186:
2159:
2147:
2138:
2130:
2118:
2106:
2094:
2087:McNally 1983
2082:
2070:
2058:
2051:Leblanc 1997
2031:
2019:
2012:Leblanc 1997
1997:Dearden 2014
1992:
1975:
1963:
1956:Belford 2002
1951:
1939:
1934:, p. 1.
1932:Hopkins 2007
1927:
1915:
1908:Belford 2002
1888:
1883:, p. 4.
1881:Hopkins 2007
1876:
1856:
1847:
1838:
1829:
1821:
1816:
1808:
1803:
1795:
1790:
1780:
1771:
1758:
1741:
1732:
1723:
1715:
1710:
1702:
1698:
1693:
1683:
1678:
1670:
1665:
1656:
1637:Dacre Stoker
1633:
1617:
1609:
1600:
1595:
1594:
1577:Mickey Mouse
1560:
1559:
1555:Eiko Ishioka
1544:
1534:(firstly in
1520:
1512:
1498:
1490:
1484:
1481:F. W. Murnau
1476:
1463:
1457:
1453:galley proof
1447:
1443:
1441:
1434:
1400:
1396:
1392:
1385:
1379:
1375:
1369:
1361:
1357:
1353:
1345:
1343:
1336:
1331:
1326:
1321:
1316:
1315:
1308:
1298:
1287:
1281:
1274:
1272:
1268:Mary Shelley
1255:
1249:
1245:
1239:
1231:
1229:
1220:
1218:
1212:
1205:
1185:
1173:
1169:
1168:
1164:Urban Gothic
1159:
1155:
1147:
1146:
1136:
1131:confronting
1077:
1071:
1041:
1027:racial Other
1023:world powers
1015:
994:
988:
978:(1838), and
975:Oliver Twist
973:
950:
939:
931:
930:
917:schoolmaster
910:
897:gender roles
886:
868:
866:
858:Major themes
851:
846:
840:
836:
824:
822:
817:
790:
785:
784:
758:
749:
744:
740:
738:
733:
721:
716:
712:
688:
652:
640:
633:
621:
617:
612:is a direct
609:
605:
595:
583:
581:
576:
572:
560:
552:
544:
542:
538:rhetorically
529:
517:
491:
464:
454:
448:
444:
433:Walt Whitman
429:Henry Irving
418:
392:
375:
367:heart attack
355:sleepwalking
333:
320:
294:
268:
267:
258:
253:
239:
237:
228:
224:
200:
199:
150:
149:
148:
135:
29:
9110:1897 novels
9023:Non-fiction
8865:Bram Stoker
8821:derivatives
8656:Castlevania
8633:Count Orlok
8621:Castlevania
8527:Van Helsing
8356:Van Helsing
8265:Castlevania
8257:Ghost Manor
8233:Video games
8173:Don Dracula
7900:(1975â2002)
7898:and sequels
7878:Other media
7821:(2017â2020)
7812:(2014â2016)
7803:(2006â2014)
7781:"Dracula" (
7755:Castlevania
7750:(2017â2020)
7739:Van Helsing
7734:(2014â2017)
7726:(2014â2016)
7718:(2013â2014)
7695:(2011â2012)
7679:(1991â1999)
7671:(1990â1991)
7663:(1988â1993)
7426:Van Helsing
6621:Bran Castle
6454:Mina Harker
6404:Bram Stoker
6153:"Dracula".
5941:: 523â535.
5361:(1): 1â21.
4729:. Penguin.
3780:Hughes 2012
3768:Hughes 2012
3744:Miller 2001
3732:Miller 2001
3696:Miller 2001
3657:Clasen 2012
3626:Cengel 2020
3582:Stoker 2011
3538:Rhodes 2010
3526:Stuart 1994
3196:Glover 1996
3148:Miller 2001
3136:Miller 2001
3030:Willis 2007
3006:Clasen 2012
2970:Willis 2007
2910:Croley 1995
2883:Croley 1995
2823:Bauman 1991
2799:Zanger 1991
2787:Zanger 1991
2775:Zanger 1991
2700:Bordin 1993
2577:Escher 2017
2354:Ludlam 1962
2302:Curran 2000
2290:Curran 2005
2227:Farson 1975
2203:Farson 1975
2179:Clasen 2012
2135:Miller 1999
2063:Miller 2006
2036:Miller 1996
1980:Ludlam 1962
1920:Rubery 2011
1614:vampire bat
1541:Gary Oldman
1524:BĂ©la Lugosi
1427:Bela Lugosi
1412:Adaptations
1327:Vanity Fair
1310:Vanity Fair
1254:wrote that
1133:Bela Lugosi
1129:Van Helsing
947:antisemitic
882:Oscar Wilde
769:Publication
685:Composition
646:setting of
557:iron maiden
425:Bram Stoker
423:in London,
403:decapitates
339:Mina Murray
163:Bram Stoker
97:26 May 1897
54:Bram Stoker
9099:Categories
8920:Miss Betty
8598:of Dracula
8317:(handheld)
7707:characters
7692:Ace Kilroy
7610:Television
7530:Dracula 3D
7362:To Die For
6432:Characters
6286:17 January
5947:1684297393
5499:: 212â217.
5235:The Nation
4414:1004391205
3487:Ronay 1972
3208:Keogh 2014
3184:Keogh 2014
3160:Arata 1990
2946:Arata 1990
2934:Arata 1990
2922:Arata 1990
2871:Arnds 2015
2763:Arnds 2015
2664:Craft 1984
2652:Craft 1984
2613:Craft 1984
2075:Fitts 1998
1968:Caine 1912
1868:References
1671:Miss Betty
1166:subgenre.
1083:travelogue
1031:degenerate
878:homoerotic
781:, New York
726:Cruden Bay
477:Influences
461:Hall Caine
456:Miss Betty
410:Background
387:Piccadilly
363:blood-loss
305:his castle
277:archetypal
213:Wallachian
177:nobleman,
142:Wikisource
8654:Alucard (
8638:Soma Cruz
8619:Dracula (
8605:Alucard (
8241:The Count
8223:Purgatori
8126:Crossover
7977:Bloodline
7758:(2017â21)
7742:(2016â21)
7652:Drak Pack
6899:Nosferatu
6867:Nosferatu
6857:Nosferatu
6664:Universal
6516:Icelandic
6028:0039-3827
5906:0030-8129
5865:0021-1427
5832:0013-8304
5791:0011-1589
5779:Criticism
5758:0042-5222
5725:0029-0564
5692:161888586
5684:1080-6547
5630:147429554
5614:0006-4246
5570:0010-4132
5524:0897-0521
5459:1060-1503
5424:193067115
5416:2052-2614
5375:0026-7937
5342:162335122
5334:1080-6547
5293:0090-4260
5260:0042-5222
5218:0277-4356
5185:0160-9009
5114:0011-1589
5102:Criticism
5081:0734-6018
5044:0039-4238
5019:166341977
5011:1913-4835
4957:1063-3685
4945:Narrative
4923:0029-3970
4882:0042-5222
4787:873725229
4693:773567111
4658:cite book
4650:773567111
4564:244770292
4472:244770292
4443:297147082
4180:335291872
4151:335291872
4120:244770292
4091:244770292
4022:664519546
3993:664519546
3964:664519546
3895:647920291
3553:Skal 2011
3112:Seed 1985
3100:Case 1993
3073:Seed 1985
3061:Seed 1985
2751:Kane 1997
2739:Senf 1982
2266:Senf 1982
2111:Kord 2009
1987:forest.'"
1591:Influence
1585:hegemonic
1499:Nosferatu
1491:Nosferatu
1486:Nosferatu
1200:Reception
1087:shorthand
1068:Narrative
1049:parasites
1045:Jerusalem
921:shorthand
913:New Woman
903:, in the
829:Icelandic
823:In 1901,
666:Abhartach
662:Coleraine
565:facsimile
471:biography
299:, visits
297:solicitor
161:novel by
82:Publisher
8817:Category
8805:Category
8607:Hellsing
8187:Hellsing
8066:Musicals
7993:Fangland
7853:" (2010)
7846:" (1993)
7819:episodes
7810:episodes
7801:episodes
7794:" (2000)
7774:Episodes
7570:Renfield
6959:Parodies
6531:" (1914)
6479:Renfield
6422:Universe
6361:LibriVox
6247:Archived
6235:Websites
6036:29533817
6003:Archived
5971:Archived
5943:ProQuest
5922:54868687
5873:25484813
5799:23118160
5622:41069152
5578:40245833
5547:: 67â85.
5532:43308384
5475:54921027
5467:40347238
5301:43797068
5226:23021659
5152:Archived
5122:23116578
4965:20107013
4299:61394818
4270:70335483
3383:TMG 1897
3048:Guernica
1751:Svengali
1688:in 2006.
1581:Superman
1495:Florence
1057:syphilis
1006:vagrants
980:Svengali
755:werewolf
730:Scotland
641:Carmilla
634:Carmilla
622:Carmilla
618:Carmilla
614:allusion
606:Carmilla
597:Carmilla
569:footnote
532:scholar
486:Vlad III
459:(1898).
379:Renfield
317:Budapest
233:Romanian
60:Language
33:Dracula
9105:Dracula
9062:Related
9006:(1914)
8944:The Man
8912:Dracula
8809:Dracula
8731:Related
8492:Dracula
8431:Dracula
8423:Pinball
8283:Dracula
8275:Dracula
8249:Dracula
8203:trilogy
8074:Dracula
8055:Dracula
8047:Dracula
8039:Dracula
8020:Dracula
7763:Dracula
7715:Dracula
7482:Dracula
7418:Dracula
7330:Dracula
7298:Deafula
7266:Blacula
7007:Vampira
6744:Dracula
6683:Dracula
6675:Dracula
6609:Castles
6521:Swedish
6512:(1899)
6501:Dracula
6409:Dracula
6356:Dracula
6338:Dracula
6324:Dracula
6306:13 July
6265:13 June
6229:. 1897.
5840:2873424
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3042:Dracula
1811:(2012).
1796:Dracula
1716:Dracula
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1610:Dracula
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1174:Dracula
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1148:Dracula
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940:Dracula
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825:Dracula
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791:Dracula
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750:Dracula
745:Dracula
741:Dracula
734:Dracula
722:vampire
717:Dracula
713:Dracula
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577:Dracula
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8086:(1997)
8078:(1995)
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6951:(2022)
6943:(2018)
6935:(2015)
6927:(2012)
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