Dracula - Knowledge (XXG)

899:; in succumbing to the vampire women, Harker assumes the traditionally feminine role of sexual passivity while the vampire women assume the masculinised role of acting. Sexual depravity and aggression were understood by the Victorians as the exclusive domain of Victorian men, while women were expected to submit to their husband's sexual wishes. Harker's desire to submit, and the scene's origin as a dream Stoker had, highlights the divide between societal expectations and lived realities of men who wanted more freedom in their sexual lives. In the British version of the text, Harker hears the three vampire women whispering at his door, and Dracula tells them they can feed on him tomorrow night. In the American version, Dracula insinuates that he will be feeding on Harker that night: "To-night is mine! To-morrow is yours!" Nina Auerbach and 1158:, he highlights that the Count "can disgorge blood from his breasts" in addition to his teeth; that he is attracted to both Jonathan Harker and Mina Murray; appears both racially western and eastern; and how he is an aristocrat able to mingle with homeless vagrants. Stoker drew extensively from folklore in crafting Count Dracula, but many of the Count's physical attributes were typical of Gothic villains during Stoker's lifetime. In particular, his hooked nose, pale complexion, large moustache and thick eyebrows were likely inspired by the villains of Gothic fiction. Likewise, Stoker's selection of Transylvania has roots in the Gothic. Writers of the mode were drawn to Eastern Europe as a setting because travelogues presented it as a land of primitive superstitions. 1423: 923:. Carol A. Senf writes that Stoker was ambivalent about the New Woman phenomenon. Of the novel's five vampires, four are women, and all are aggressive, "wildly erotic", and driven only by their thirst for blood. Mina Harker, meanwhile, serves as the antithesis of the other female characters, and plays a singularly important role in Dracula's defeat. On the other hand, Judith Wasserman argues that the fight to defeat Dracula is really a battle for control over women's bodies. Senf points out that Lucy's sexual awakening, and her reversal of gender-based sexual roles, is what Abraham Van Helsing considers a threat. 3465:, Introduction: The Myth of Dracula's Reception: "firstly, generally positive reviews that include perhaps one, sometimes two negative remarks or reservations, of which I have discerned ten examples; secondly, generally mixed reviews in which scorn and praise are relatively balanced, of which I have found four examples13; and, thirdly, wholly or mostly negative reviews, of which I managed to locate only three examples. What remains are some seventy positive reviews and responses. And, in addition still are thirty-six different laudatory press notices".) 381:, an insane man who eats vermin to absorb their life force. After Dracula learns of the group's plot against him, he uses Renfield to enter the asylum. He secretly attacks Mina three times, drinking her blood each time and forcing Mina to drink his blood on the final visit. She is cursed to become a vampire after her death unless Dracula is killed. As the men find Dracula's properties, they discover many earth boxes within. The vampire hunters open each of the boxes and seal wafers of 40: 1104: 1090:

narrative unity as the narrative unfolds. In the novel's first half, each narrator has a strongly characterised narrative voice, with Lucy's showing her verbosity, Seward's businesslike formality, and Harker's excessive politeness. These narrative styles also highlight the power struggle between vampire and his hunters; the increasing prominence of Van Helsing's broken English as Dracula gathers power represents the entrance of the foreigner into Victorian society.

677: 1115: 559:. Gothic critic and lecturer Marie Mulvey-Roberts writes that vampires were traditionally depicted as "mouldering revenants, who dragged themselves around graveyards", but—like Báthory—Dracula uses blood to restore his youth. Recent scholarship has questioned whether Báthory's crimes were exaggerated by her political opponents, with others noting that very little is concretely known about her life. A book that Stoker used for research, 8800: 6351: 1505: 482: 1025:, and a "growing domestic unease" over the morality of imperial colonisation. Manifesting also in other works aside from Stoker's novel, narratives of reverse colonisation indicate a fear of the "civilised" world being invaded by the "primitive". What Dracula does to human bodies is not horrifying simply because he kills them, but because he transforms them into the 845:) with a preface written by Stoker. In the preface, Stoker writes that the events contained within the novel are true, and that "for obvious reasons" he had changed the names of places and people. Although scholars had been aware of the translation's existence since the 1980s because of Stoker's preface, none had thought to translate it back into English. 774: 895:. The primary sexual threat posed by Count Dracula is, Christopher Craft writes, that he will "seduce, penetrate, drain another male", with Jonathan Harker's excitement about being penetrated by three vampire women serving as a mask and proxy for his homosexual desire. His excitement also inverts standard Victorian 397:, Romania, the hunters split up. Van Helsing and Mina go to Dracula's castle, where the professor destroys the vampire women. Jonathan Harker and Arthur Holmwood follow Dracula's boat on the river, while Quincey Morris and John Seward parallel them on land. After Dracula's box is finally loaded onto a wagon by 2141:

which is on Stoker's list of books that he consulted. But a careful examination of his Notes shows that while he did make a number of jottings (with page references) from this book, nothing is noted from the Bathory pages. And there is nothing in the novel that can be attributed directly to the short

1003:

has attracted some, albeit limited, scholarly attention. Peter Arnds wrote that the Count's control over the Romani and his abduction of young children evokes real folk superstitions about Romani people stealing children, and that his ability to transform into a wolf is likewise related to xenophobic

963:

provides a list of Dracula's associations with antisemitic conceptions of Jewish people: his appearance, wealth, parasitic bloodlust, and "lack of allegiance" to one country. In terms of his appearance, Halberstam notes Dracula's resemblance to other fictional Jews; for example, his long, sharp nails

875:

has developed around the topic. Sexuality and seduction are two of the novel's most frequently discussed themes, especially as it relates to the corruption of English womanhood. Modern critical writings about vampirism widely acknowledge its link to sex and sexuality. Bram Stoker himself was possibly

719:

to between 1895 and 1897. Later scholarship has questioned these sets of dates. In the first extensive study of the notes, Joseph S. Bierman writes that the earliest date within them is 8 March 1890, for an outline of a chapter that "differs from the final version in only a few details". According to

1630:

notes that many of the Count's characteristics have been adopted by artists succeeding Stoker in depicting vampires, turning those fixtures into clichés. Aside from the Count's ability to transform, McGrath specifically highlights his hatred of garlic, sunlight, and crucifixes. William Hughes writes

1475:), a Hungarian silent film which allegedly premiered in 1921, though this release date has been questioned by some scholars. Very little of the film has survived, and David J. Skal notes that the cover artist for the 1926 Hungarian edition of the novel was more influenced by the second adaptation of 1210:

that, when writing her now almost forgotten romances, she shut herself up in absolute seclusion, and fed upon raw beef, in order to give her work the desired atmosphere of gloom, tragedy and terror. If one had no assurance to the contrary, one might well suppose that a similar method and regimen had

1080:

is narrated through a series of documents. The novel's first four chapters are related as the journals of Jonathan Harker. Scholar David Seed notes that Harker's accounts function as an attempt to translocate the "strange" events of his visit to Dracula's castle into the nineteenth-century tradition

405:

Dracula as Quincey stabs him in the heart. Dracula crumbles to dust, freeing Mina from her vampiric curse. Quincey is mortally wounded in the fight against the Romani. He dies from his wounds, at peace with the knowledge that Mina is saved. A note by Jonathan Harker seven years later states that the

1367:

mixed reception stems from a low sample size. Of 91 contemporary reviews, Browning identified 10 as "generally positive"; 4 as "mixed" in their assessment; 3 as "wholly or mostly negative"; and the rest as positive and possessing no negative reservations. Among the positive reviews, Browning writes

2038:, p. 2: "If Stoker knew as much about Vlad as some scholars claim (for example, that he impaled thousands of victims), then why is this information not used in the novel? This is a crucial question, when one considers how much insignificant detail Stoker did incorporate from his many sources." 1089:

to remain inscrutable to the Count, protecting his own identity, which Dracula threatens to destroy. Harker's journal, for example, embodies the only advantage during his stay at Dracula's castle: that he knows more than the Count thinks he does. The novel's disparate accounts approach a kind of

788:

was published in London in May 1897 by Archibald Constable and Company. It cost 6 shillings, and was bound in yellow cloth and titled in red letters. In 2002, Barbara Belford, a biographer, wrote that the novel looked "shabby", perhaps because the title had been changed at a late stage. Although

747:

in Whitby's public library while holidaying there with his wife and son in 1880. On the name, Stoker wrote: "Dracula means devil. Wallachians were accustomed to give it as a surname to any person who rendered himself conspicuous by courage, cruel actions or cunning". Stoker's initial plans for

1042:

The novel's representation of vampirism has been discussed as symbolising Victorian anxieties about disease. The theme is discussed with far less frequency than others because it is discussed alongside other topics rather than as the central object of discussion. For example, some connect its

1607:

described the novel as vampire literature's "centrepiece, rendering all other vampires BS or AS". It profoundly shaped the popular understanding of how vampires function, including their strengths, weaknesses, and other characteristics. Bats had been associated with vampires before

365:. Van Helsing places garlic flowers around her room and makes her a necklace of them. Lucy's mother removes the garlic flowers, not knowing they repel vampires. While Seward and Van Helsing are absent, Lucy and her mother are terrified by a wolf and Mrs. Westenra dies of a 6354: 915:. According to Showalter, Lucy represents the "sexual daring" of the New Woman, evidenced by how she wonders why a woman cannot marry three men if they all desire her. Mina, meanwhile, represents the New Woman's "intellectual ambitions", citing her occupation as a 816:, enthused about the novel to Stoker, predicting it would bring him immense financial success. She was wrong; the novel, although reviewed well, did not make Stoker much money and did not cement his critical legacy until after his death. Since its publication, 1033:

criminal. She explains that, at the time of the novel's composition and publication, the "threatening degenerate was commonly identified as the racial Other, the alien intruder who invades the country to disrupt the domestic order and enfeeble the host race".

3441:, Introduction: The Myth of Dracula's Reception: "Rather, while the novel did receive, on the one hand, a few reviews that were mixed, it enjoyed predominantly a critically strong early print life. Dracula was, by all accounts, a critically-acclaimed novel." 389:

house, but he escapes. They learn that Dracula is fleeing to his castle in Transylvania with his last box. Mina has a faint psychic connection to Dracula, which Van Helsing exploits via hypnosis to track Dracula's movements. Guided by Mina, they pursue him.

369:; Lucy dies shortly thereafter. After her burial, newspapers report children being stalked in the night by a "bloofer lady" (beautiful lady), and Van Helsing deduces it is Lucy. The four go to her tomb and see that she is a vampire. They stake her heart, 1016:

Stephen Arata describes the novel as a case of "reverse colonisation"; that is, a fear of the non-white invading England and weakening its racial purity. Arata describes the novel's cultural context of mounting anxiety in Britain over the decline of the

849:

differs significantly from Stoker's novel. Character names were changed, the length was abridged, and it was more overtly sexual than the original. Dutch scholar Hans Corneel de Roos compared the translation favourably to Stoker's, writing that where

1008:

of all kinds were associated with animals, the Romani were victims of persecution in Europe due to a belief that they enjoyed "unclean meat" and lived among animals. Stoker's description of the Slovaks draws heavily from a travel memoir by a British

1450:

shortly before the novel's publication and performed only once, in order to establish his own copyright for such adaptations. Although the manuscript was believed lost, the British Library possesses a copy. It consists of extracts from the novel's

1634:

Adaptations of the novel and its characters have contributed to its enduring popularity. Even within academic discussions, the boundaries between Stoker's novel and the character's adaptation across a range of media have effectively been blurred.

1598:

was not the first piece of literature to depict vampires, but the novel has nonetheless come to dominate both popular and scholarly treatments of vampire fiction. Count Dracula is the first character to come to mind when people discuss vampires.

1399:, coincidentally also published in 1972, concur; Gabriel Ronay says the novel was "recognised by fans and critics alike as a horror writer's stroke of genius", and Anthony Masters mentions the novel's "enormous popular appeal". Since the 1970s, 3322:, Introduction: The Myth of Dracula's Reception: "Dracula's writing was seen by early reviewers and responders to parallel, if not supersede the Gothic horror works of such canonical writers as Mary Shelley, Ann Radcliffe, and Edgar Allan Poe." 3429:, Introduction: The Myth of Dracula's Reception: "That the sample of reviews relied upon by previous studies is scant at best has unfortunately resulted in the common misconception about the novel's early critical reception being 'mixed'". 5391: 689:

Prior to writing the novel, Stoker researched extensively, assembling over 100 pages of notes, including chapter summaries and plot outlines. The notes were sold by Bram Stoker's widow, Florence, in 1913, to a New York book dealer for

1329:

opined that the novel was "praiseworthy" and absorbing, but could not recommend it to those who were not "strong". Stoker's prose was commended as effective in sustaining the novel's horror by many publications. A reviewer for the

1521:

Visual representations of the Count have changed significantly over time. Early treatments of Dracula's appearance were established by theatrical productions in London and New York. Later prominent portrayals of the character by

6296: 1622:(1847) included an image of a bat on its cover illustration. But Stoker deepened the association by making Dracula able to transform into one. That was, in turn, quickly taken up by film studios looking for opportunities to use 752:

markedly differ from the final novel. Had Stoker completed his original plans, a German professor called Max Windshoeffel "would have confronted Count Wampyr from Styria", and one of the Crew of Light would have been slain by a

2026:, p. 150: "Unfortunately, no correspondence between Vambery and Stoker can be found today. Moreover, a search through all of the professor's published writings fails to reveal any comments on Vlad, Dracula, or vampires." 1051:; Halberstam highlights one particular fear that Jews would spread diseases of the blood, and one journalist's description of Jews as "Yiddish bloodsuckers". In contrast, Mathias Clasen writes parallels between vampirism and 1334:

called the novel a "literary failure"; they elaborated that coupling vampires with frightening imagery, such as insane asylums and "unnatural appetites", made the horror too overt, and that other works in the genre, such as

3453:, Introduction: The Myth of Dracula's Reception: "That the sample of reviews relied upon by previous studies is scant at best has unfortunately resulted in common misconception about the novel's early critical reception " 1986:

Vambery was able to report that 'the Impaler,' who had won this name for obvious reasons, was spoken of for centuries after as the cleverest and the most cunning, as well as the bravest of the sons of the 'land beyond the

1538:

and later its sequels) built upon earlier versions. Chiefly, Dracula's early visual style involved a black-red colour scheme and slicked back hair. Lee's portrayal was overtly sexual, and also popularised fangs on screen.

1188:, Ireland, England, and colonialism. Calvin W. Keogh writes that Harker's voyage into Eastern Europe "bears comparison with the Celtic fringe to the west", highlighting them both as "othered" spaces. Keogh notes that the 907:

of the text, posit that Stoker thought the line would render the novel unpublishable in 1897 England, and that "the America that produced his hero Walt Whitman would have been more tolerant of men feeding on men".

315:; Dracula rescues Harker, and gives the women a small child bound inside a bag. Harker awakens in bed; soon after, Dracula leaves the castle, abandoning him to the women. Harker escapes and ends up delirious in a 710:

wrote that he knew "an old lady" who was approached to revise the original manuscript, but that Stoker found her too expensive. Stoker's first biographer, Harry Ludlam, wrote in 1962 that writing commenced on

1784:

Laura Sagolla Croley expands: "Arata fails to see the class implications of Dracula's racial invasion. Social reformers and journalists throughout the century used the language of race to talk about the very

242:

was positively received by reviewers who pointed to its effective use of horror. In contrast, reviewers who wrote negatively of the novel regarded it as excessively frightening. Comparisons to other works of

376:

Everyone stays at Dr. Seward's asylum as the men begin to hunt Dracula. Van Helsing finally reveals that vampires can only rest on earth from their homeland. Dracula communicates with Seward's patient,

1639:

suggests that Stoker's failure to comply with United States copyright law contributed to its enduring status, writing that writers and producers did not need to pay a licence fee to use the character.

1013:. Unlike the major's description, Harker's description is overtly imperialistic, labelling the people as "barbarians" and their boats as "primitive", emphasising their perceived cultural inferiority. 1059:. Martin Willis, a researcher focused on the intersection of literature and disease, argues that the novel's characterisation of vampirism makes it both the initial infection and resulting illness. 528:, but an investigation by McNally and Florescu found nothing about "Vlad, Dracula, or vampires" within Vámbéry's published papers, nor in Stoker's notes about his meeting with Vámbéry. Academic and 5151: 1567:

write that the novel and its characters have been adapted for film, television, video games and animation over 700 times, with nearly 1000 additional appearances in comic books and on the stage.

357:. After his ship lands there, Dracula stalks Lucy. Mina receives a letter about her missing fiancé's illness, and goes to Budapest to nurse him. Lucy becomes very ill. Seward's old teacher, 1085:

writing. John Seward, Mina Murray and Jonathan Harker all keep a crystalline account of the period as an act of self-preservation; David Seed notes that Harker's narrative is written in

1250: 739:

Stoker's notes illuminate much about earlier iterations of the novel. For instance, they indicate that the novel's vampire was intended to be a Count, even before he was given the name

6246: 1557:, established a new default look for the character—a Romanian accent and long hair. The assortment of adaptations feature many different dispositions and characteristics of the Count. 327:

narrates the crew's disappearance until he alone remains, bound to the helm to maintain course. An animal resembling a large dog is seen leaping ashore when the ship runs aground at

1727:

In their annotated version of Stoker's notes, Eighteen-Bisang and Miller dedicated an appendix to what the novel might have looked like had Stoker adhered to his original concept.

1446:

has been the basis for numerous films and plays. Stoker himself wrote the first theatrical adaptation, which was presented at the Lyceum Theatre on 18 May 1897 under the title

435:, Stoker described his own temperament as "secretive to the world", but he nonetheless led a relatively public life. Stoker supplemented his income from the theatre by writing 9149: 8994: 796:

was unusually signed only 6 days prior to publication. For the first thousand sales of the novel, Stoker earned no royalties. Following serialisation by American newspapers,

1736:"New Woman" is a term that originated in the 19th century, and is used to describe an emerging class of intellectual women with social and economic control over their lives. 1043:

depiction of disease with race. Jack Halberstam points to one scene in which an English worker says that the repugnant odour of Count Dracula's London home smells like

3044:

is also said to be a "folio novel — which is ... a sibling to the epistolary novel, posed as letters collected and found by the reader or an editor." Alexander Chee,

720:

Bierman, Stoker always intended to write an epistolary novel, but originally set it in Styria instead of Transylvania; this iteration did not explicitly use the word

1807:

The full text of all contemporary reviews listed in the bibliography's "contemporary critical reviews" can be found, faithfully reproduced, in John Edgar Browning's

7815: 7401: 8106: 8313: 6002: 5143: 1631:

critically of the Count's cultural omnipresence, noting that the character of Dracula has "seriously inhibited" discussions of the undead in Gothic fiction.

1403:

has been the subject of significant academic interest, evidenced by its own peer-reviewed journal and the numerous books and articles discussing the novel.

9169: 1422: 1660:

Sensation fiction is a genre characterised by the depiction of scandalous events—for example murder, theft, forgery, or adultery—within domestic settings.

911:

The novel's depiction of women continues to divide critics. Elaine Showalter writes that Lucy Westenra and Mina Harker represent different aspects of the

1262:. Another anonymous writer described Stoker as "the Edgar Allan Poe of the nineties". Other favourable comparisons to other Gothic novelists include the 9002: 8748: 6535: 8098: 1154:. Jerrold E. Hogle notes Gothic fiction's tendency to blur boundaries, pointing to sexual orientation, race, class, and even species. Relating this to 620:. Scholar Alison Milbank observes that as Dracula can transform into a dog, Carmilla can become a cat. According to author Patrick McGrath, "traces of 7497: 1348:

had a mixed critical reception upon publication. Carol Margaret Davison, for example, notes an "uneven" response from critics contemporary to Stoker.

1337: 1303:, regarded the novel as simultaneously sensational and domestic. One reviewer praised the "considerable power" of Stoker's prose and describing it as 9144: 9139: 8403: 9159: 8158: 1682:

Miller presented this article at the second Transylvanian Society of Dracula Symposium, but it has been reproduced elsewhere; for example, in the

7409: 6222: 524:

a reference within the text to Vámbéry, an "Arminius, of Buda-Pesh University", who is familiar with the historical Vlad III and is a friend of

9042: 7393: 7086: 715:

around 1895 or 1896. Following the rediscovery of Stoker's notes in 1972 by Raymond T. McNally and Radu Florescu, the two dated the writing of

1273:

Many of these early reviews were charmed by Stoker's unique treatment of the vampire myth. One called it the best vampire story ever written.

1196:. In this reading, Transylvania functions as a stand-in for Ireland. Several critics have described Count Dracula as an Anglo-Irish landlord. 8855: 8306: 6939: 6722: 6242: 4847: 4826: 4805: 4755: 4734: 4682: 4639: 4553: 4490: 4461: 4432: 4403: 4380: 4357: 4338: 4315: 4259: 4229: 4169: 4140: 4109: 4080: 4011: 3982: 3953: 3932: 3884: 3844: 3823: 1794:

There is some evidence that Bram Stoker died as a result of syphilis; Daniel Farson argues that he may have caught the disease while writing

563:, does have some information on Báthory, but Miller writes that he never took notes on anything from the short section devoted to her. In a 9164: 6682: 6674: 1527: 1435: 1307:. They were less fond of the parts set in England, finding the vampire suited better to tales set far away from home. The British magazine 1137: 7377: 7281: 1545: 536:

calls the link to Vlad III "tenuous", indicating that Stoker incorporated a large amount of "insignificant detail" from his research, and

880:

letters sent by him to the American poet Walt Whitman. Stoker began writing the novel one month following the imprisonment of his friend

169:, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist and opens with solicitor 8387: 7489: 7473: 7054: 6807: 4450:

Leblanc, Benjamin H. (1997). "The Death of Dracula: A Darwinian Approach to the Vampire's Evolution". In Davison, Carol Margaret (ed.).

9114: 8446: 7433: 7337: 6133: 4348:

Milbank, Alison (1998). "'Powers Old and New': Stoker's Alliances with Anglo-Irish Gothic". In Hughes, William; Smith, Andrew (eds.).

809: 805: 373:

her, and fill her mouth with garlic. Jonathan Harker and his now-wife Mina have returned, and they join the campaign against Dracula.

8512: 8363: 7780: 6947: 6394: 4776: 4713: 4610: 4589: 4532: 4511: 4288: 4200: 4059: 4040: 3911: 3863: 9119: 501: 6275: 9199: 8879: 8781: 8759: 8754: 7984: 7894: 7706: 7209: 6767: 1684: 1417: 311:

to help the Count purchase a house near London. Ignoring the Count's warning, Harker wanders the castle at night and encounters

8815: 8562: 8519: 8290: 7806: 7369: 7070: 6966: 6663: 6255: 1162:

deviates from Gothic tales before it by firmly establishing its time—that being the modern era. The novel is an example of the

639:

influence. According to Milbank, the story was a deleted first chapter from early in the original manuscript, and replicates

9209: 9189: 9179: 9174: 8411: 8379: 7797: 7746: 7577: 6184: 1309: 279:

versions of their characters; for example, Count Dracula as the quintessential vampire, and Abraham Van Helsing as an iconic

1745:

Dracula is one of three figures Zanger links to the popular anxiety surrounding Jewish migration to England; the others are

812:. The novelist was required to purchase the copyright and register two copies, but he registered only one. Stoker's mother, 5970: 9194: 9184: 8339: 8144: 8000: 7289: 1052: 892: 261:

became regarded as a seminal piece of Gothic fiction. Modern scholars explore the novel within its historical context—the

4000:

Skal, David J. (2011). "Introduction—Dracula: Undead and Unseen". In Browning, John Edgar; Picart, Caroline Joan (eds.).

1587:

Anglo-Saxon world cinematic fodder". Across the world, completed new adaptations can be produced as often as every week.

9214: 9154: 9134: 8741: 8667: 7201: 7193: 6799: 6734: 6706: 6515: 5994: 5585: 1568: 841: 703: 203:

was mostly written in the 1890s. Stoker produced over a hundred pages of notes for the novel, drawing extensively from

8505: 8395: 7094: 6759: 6520: 3835: 533: 8199: 6082: 1766:

writes that the perceived "eternal homelessness" of the Jewish people has contributed to discrimination against them.

1380: 949:

stereotyping. Jules Zanger links the novel's portrayal of the vampire to the immigration of Eastern European Jews to

287:, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media. 1501:, Prana. The legal case lasted two or three years, and in May 1924, Prana agreed to destroy all copies of the film. 9129: 8967: 8082: 7952: 7722: 7014: 6775: 6698: 4663: 1627: 1240: 699: 656:

has been suggested as a possible influence on Stoker. Bob Curran, a lecturer in Celtic History and Folklore at the

252: 1325:

in 1897 praised its capacity to entertain, but concluded that Stoker erred in including so much horror. Likewise,

582:

Aside from the historical, Count Dracula also has literary progenitors. Academic Elizabeth Signorotti argues that

9204: 9078: 8848: 8613: 8498: 8282: 8248: 7313: 7217: 7153: 6923: 4098:

Davison, Carol Margaret (1997). "Blood Brothers: Dracula and Jack the Ripper". In Davison, Carol Margaret (ed.).

1572: 1299: 7161: 1895:, p. 301: "Most of his novels are sentimental romances in which the hero tries to win the love of a woman." 8935: 8526: 8355: 8151: 8125: 7762: 7714: 7643: 7553: 7257: 7225: 7110: 7102: 7022: 4973: 567:

edition of Bram Stoker's original notes for the book, Miller and her co-author Robert Eighteen-Bisang say in a

24: 4671:

Hughes, William (2012). "Fictional Vampires in the Nineteenth and Twentieth Century". In Punter, David (ed.).

1714:

Lisa Hopkins reproduces the previous quotation, and confirms Farson's relation to Stoker, in her 2007 book on

1234:

was well received. Reviewers frequently compared the novel to other Gothic writers, and mentions of novelist

9124: 8895: 8627: 8544: 8131: 8072: 7850: 7754: 7738: 7062: 1564: 904: 695: 608:, but nonetheless notes that it influenced him profoundly. Farson writes that an inscription upon a tomb in 85: 1697:

Other critics have concurred with Miller. Mathias Clasen describes her as "a tireless debunker of academic

1184:, and lived there for the first 30 years of his life. As a result, a significant body of writing exists on 8959: 8943: 8927: 8903: 8677: 8454: 8347: 8240: 7976: 7936: 7843: 7465: 7361: 4371:

and the Doctors: Bad Blood, Menstrual Taboo and the New Woman". In Hughes, William; Smith, Andrew (eds.).

1010: 832: 804:

purchased the rights to make a film version, it was discovered that Stoker had not fully complied with US

797: 762: 449: 420: 5554:"The Historical Dracula: The Theme of His Legend in the Western and in the Eastern Literatures of Europe" 1603:

succeeded by drawing together folklore, legend, vampire fiction and the conventions of the Gothic novel.

497: 211:. Some scholars have suggested that the character of Dracula was inspired by historical figures like the 8672: 8653: 8618: 8331: 8274: 8166: 8019: 7505: 7273: 7177: 6982: 6898: 6890: 6874: 6836: 6751: 6387: 5956:"Vampirism and the Degeneration of the Imperial Race: Stoker's Dracula as the Invasive Degenerate Other" 5942: 1493:

differs significantly from the novel, but that characters have clear counterparts. Bram Stoker's widow,

1282: 888: 778: 366: 6690: 2137:, pp. 187–188: "The closest we have is that there is a short section on Bathory in Sabine-Gould's 1293:

horrors occurred both in foreign lands—in the far-away Carpathian Mountains—and at home, in Whitby and

1563:

has been adapted a large number of times across virtually all forms of media. John Edgar Browning and

955:

England. Between 1881 and 1900, the number of Jews living in England had increased sixfold because of

39: 9109: 8841: 8090: 7968: 7920: 7585: 7513: 7441: 7417: 6990: 6931: 6594: 6195: 4818:

Dracula: Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism

1550: 1356:

and literary vampires, conducted a review of the novel's early criticism in 2012 and determined that

1313:

noted that the novel was, at times, unintentionally funny, pointing to Dracula's disdain for garlic.

657: 604:, wrote a biography of the author; in it, he doubts that Stoker was aware of the lesbian elements of 548: 427:

was a recognisable figure: he would greet evening guests, and served as assistant to the stage actor

361:, determines the nature of Lucy's condition, but refuses to disclose it. He diagnoses her with acute 353:. Lucy accepts Holmwood's, but all remain friends. Mina joins Lucy on holiday in Whitby. Lucy begins 308: 220: 5098:"The Rhetoric of Reform in Stoker's "Dracula": Depravity, Decline, and the Fin-de-Siècle "Residuum"" 1244:(1859) were especially common because of similarities in structure and style. A review appearing in 1029:. Monika Tomaszewska associates Dracula's status as the racial Other with his characterisation as a 8887: 8473: 8298: 8137: 8054: 8046: 8038: 7927: 7903: 7834: 7667: 7481: 7345: 7329: 7006: 6974: 6844: 6743: 6556: 6443: 6144: 4542:

McGrath, Patrick (1997). "Preface: Bram Stoker and his Vampire". In Davison, Carol Margaret (ed.).

1535: 1513: 1349: 1047:, making it a "Jewish smell". Jewish people were frequently described, in Victorian literature, as 1030: 935: 934:, and specifically the Count's migration to Victorian England, is frequently read as emblematic of 761:

might have originally been intended to be a detective story, with a detective called Cotford and a

537: 525: 465: 358: 204: 194: 1103: 8604: 8215: 7730: 7425: 7046: 6911: 6508: 6155: 6031: 5917: 5909: 5868: 5835: 5794: 5761: 5728: 5687: 5625: 5617: 5573: 5527: 5470: 5462: 5419: 5378: 5337: 5296: 5263: 5221: 5188: 5117: 5084: 5047: 5014: 4960: 4885: 4657: 1618: 1026: 828: 801: 509: 272: 223:, but there is widespread disagreement. Stoker's notes mention neither figure. He found the name 208: 9010: 7353: 6528: 4003:

Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921–2010

3974:

Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921–2010

3945:

Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921–2010

1464: 676: 629: 3045: 9083: 9068: 8698: 8430: 8323: 7791: 7145: 7078: 6998: 6882: 6791: 6483: 6342: 6023: 5901: 5860: 5827: 5786: 5753: 5720: 5679: 5609: 5565: 5519: 5454: 5411: 5370: 5329: 5288: 5255: 5213: 5180: 5109: 5076: 5039: 5006: 4952: 4918: 4877: 4843: 4837: 4822: 4801: 4782: 4772: 4751: 4730: 4709: 4688: 4678: 4645: 4635: 4606: 4585: 4559: 4549: 4528: 4507: 4486: 4467: 4457: 4438: 4428: 4409: 4399: 4376: 4353: 4334: 4311: 4294: 4284: 4265: 4255: 4225: 4206: 4196: 4175: 4165: 4146: 4136: 4115: 4105: 4086: 4076: 4055: 4036: 4017: 4007: 3988: 3978: 3959: 3949: 3928: 3907: 3890: 3880: 3859: 3840: 3819: 1584: 1459: 1082: 983: 568: 382: 312: 232: 118: 938:, and a projection of fears about racial pollution. A number of scholars have indicated that 9104: 9050: 8986: 8803: 8662: 8208: 8193: 7537: 7305: 7233: 7169: 7118: 6783: 6714: 6599: 6380: 5893: 5819: 5712: 5671: 5646: 5601: 5444: 5403: 5362: 5321: 5172: 5068: 4998: 4910: 4898: 4158:

Barsanti, Michael (2008). "Foreword". In Eighteen-Bisang, Robert; Miller, Elizabeth (eds.).

3811: 1263: 1189: 1124: 1114: 1073: 951: 872: 813: 600:(1872), "correcting" its emphasis on female desire. Bram Stoker's great-nephew, broadcaster 591: 505: 216: 166: 5351:"Insiders/Outsiders: Conrad's "The Nigger of the "Narcissus" " and Bram Stoker's "Dracula"" 1248:

notes that the novel could almost have been written by Collins, and an anonymous review in

9073: 8776: 8771: 8703: 8491: 8371: 7569: 7241: 7030: 6463: 6448: 6328: 4941:"Tasting the Original Apple: Gender and the Struggle for Narrative Authority in "Dracula"" 1746: 1531: 1508: 1494: 1304: 1294: 969: 960: 707: 664:, suggests that Stoker may have drawn some inspiration for Dracula from an Irish vampire, 587: 496:, but there is no consensus. In his 1962 biography of Stoker, Harry Ludlam suggested that 440: 350: 170: 5161:"Feminism, Sex Role Exchanges, and Other Subliminal Fantasies in Bram Stoker's "Dracula"" 3971:

Stoker, Dacre (2011). "Foreword". In Browning, John Edgar; Picart, Caroline Joan (eds.).

1842:

Some sources say the legal battle lasted only two, while others give the number as three.

6323: 5808:"Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis" 5051: 5027: 8438: 8179: 7944: 7675: 7561: 7521: 7457: 7321: 7185: 7126: 6625: 6615: 6589: 6564: 6473: 6093: 1763: 1623: 1523: 1370: 1235: 1221: 1193: 1181: 1151: 1018: 987: 698:, (equivalent to UK£208 in 2019). Following that, the notes became the property of 653: 346: 304: 280: 248: 244: 158: 155: 75: 71: 5637:

Rhodes, Gary D. (1 January 2010). "Drakula halála (1921):The Cinema's First Dracula".

5433:"Vampiric Seduction and Vicissitudes of Masculine Identity in Bram Stoker's "Dracula"" 385:

inside them, rendering them useless to Dracula. They attempt to trap the Count in his

9098: 8765: 8708: 7960: 7699: 7683: 7659: 7635: 7627: 7249: 7038: 6630: 6458: 6438: 5691: 5629: 5482:

Miller, Elizabeth (August 1996). "Filing for Divorce: Vlad Tepes vs. Count Dracula".

5423: 5341: 5018: 1604: 1430: 1259: 1207: 1000: 900: 601: 555:

has analogues in Báthory's described crimes, such as the use of a cage resembling an

513: 493: 436: 398: 334: 300: 284: 262: 178: 174: 20: 5921: 5474: 1705:, Benjamin H. Leblanc reproduces her arguments in his critical history on the novel. 571:

that there is no evidence she inspired Stoker. In 2000, Miller's book-length study,

8951: 7913: 7830: 7545: 7449: 7385: 6828: 6547: 5605: 4914: 1636: 1576: 1554: 1480: 1452: 1360:

had been "a critically acclaimed novel". Browning writes that the misconception of

1320: 1267: 1172:

became the subject of critical interest into Irish fiction during the early 1990s.

1163: 974: 916: 432: 428: 402: 370: 354: 4069:

Davison, Carol Margaret (1997). "Introduction". In Davison, Carol Margaret (ed.).

6372: 5946: 4816: 4795: 4745: 4724: 4703: 4600: 4522: 4501: 4480: 4219: 3922: 8864: 8632: 8263: 8256: 8172: 6620: 6468: 6453: 6403: 5955: 4221:

Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction

2548: 2546: 2492: 2490: 2488: 1613: 1540: 1426: 1132: 1128: 1022: 946: 896: 881: 724:. For two summers, Stoker and his family stayed in the Kilmarnock Arms Hotel in 556: 424: 362: 342: 338: 162: 53: 8919: 7691: 7529: 6124:

Publisher's Circular and Booksellers' Record of British and Foreign Literature

6113: 5981:

Wasserman, Judith (1977). "Women and Vampires: Dracula as a Victorian Novel".

5930: 5491:

Miller, Elizabeth (2006). "Filing for Divorce: Count Dracula vs. Vlad Tepes".

5449: 5432: 5061:""Kiss Me with those Red Lips": Gender and Inversion in Bram Stoker's Dracula" 4986: 4413: 1048: 877: 725: 579:

scholars, but non-specialists and popular film and television documentaries".

460: 455: 386: 141: 6297:"Celebrating Eiko Ishioka's extraordinary costumes for Bram Stoker's Dracula" 6027: 5905: 5864: 5831: 5790: 5757: 5724: 5683: 5613: 5569: 5523: 5458: 5415: 5374: 5333: 5292: 5259: 5217: 5184: 5113: 5080: 5043: 5010: 4956: 4930:

Caine, Hall (24 April 1912). "Bram Stoker. The story of a great friendship".

4922: 4881: 4786: 4692: 4649: 4563: 4471: 4442: 4179: 4150: 4119: 4090: 4021: 3992: 3963: 3894: 1701:

myths". In response to several lines of query as to the historical origin of

8637: 8222: 7651: 6866: 5650: 5392:"The Critics' Count: Revisions of Dracula and the Postcolonial Irish Gothic" 5277:"The Contribution of F. W. Murnau's "Nosferatu" To the Evolution of Dracula" 4298: 4269: 3815: 1504: 1485: 1455:

with Stoker's own handwriting providing direction and dialogue attribution.

1086: 1044: 920: 912: 665: 661: 564: 481: 470: 296: 276: 212: 5931:"The Slovaks and Gypsies of Bram Stoker's Dracula: Vampires in Human Flesh" 5202:"Alejandra Pizarnik's "La condesa Sangrienta" and the Lure of the Absolute" 4866:"The Occidental Tourist: "Dracula" and the Anxiety of Reverse Colonization" 4766: 4393: 4210: 394: 5675: 5325: 5002: 4672: 4629: 4543: 4451: 4422: 4159: 4130: 4099: 4070: 4001: 3972: 3943: 3874: 3803: 401:

men, the hunters converge and attack it. After routing the Romani, Harker

8186: 7992: 6478: 6360: 5775:"Repossessing the Body: Transgressive Desire in "Carmilla" and "Dracula"" 4278: 4249: 3247: 1750: 1580: 1286:, had kept the supernatural far away from the novelists' home countries, 1056: 1005: 979: 754: 729: 613: 596: 485: 378: 316: 6035: 6011: 5872: 5848: 5798: 5774: 5621: 5589: 5577: 5553: 5531: 5507: 5466: 5310:"Gothic Genealogies: Dracula, Bowen's Court, And Anglo-Irish Psychology" 5300: 5276: 5225: 5201: 5121: 5097: 4964: 4940: 4190: 789:

contracts were typically signed at least 6 months ahead of publication,

628:

castle. A short story written by Stoker and published after his death, "

125: 8682: 7297: 7265: 5839: 5807: 5765: 5741: 5732: 5700: 5407: 5382: 5350: 5267: 5243: 5192: 5160: 5088: 5060: 4889: 4865: 1177: 996: 956: 773: 324: 186: 182: 136: 6044: 5913: 5881: 4899:"The Genesis and Dating of 'Dracula' from Bram Stoker's Working Notes" 6243:"The Icelandic Translation of 'Dracula' Is Actually a Different Book" 5659: 5309: 2388: 2386: 1368:

that 36 were unreserved in their praise, including publications like

647: 328: 190: 5823: 5716: 5366: 5176: 5072: 4582:

Dracula Was a Woman: In Search of the Blood Countess of Transylvania

3609: 3607: 3605: 1982:, p. 100: "Bram sought the help of Arminius Vambery in Budapest 1775:

In the novel, Harker specifies that the Slovaks are a type of gypsy.

6337: 6185:

Vanity Fair: A Weekly Show of Political, Social, and Literary Wares

5897: 2564: 575:, was said by academic Noel Chevalier to correct "not only leading 4500:

Lovecraft, H. P. (1965). Derleth, August; Wandrei, Donald (eds.).

3366: 3364: 1503: 1421: 965: 772: 675: 480: 5849:""Bram Stoker's Dracula: Possessed by the Spirit of the Nation?"" 5508:"Back to the Basics: Re-Examining Stoker's Sources for "Dracula"" 4280:

From Dickens to Dracula: Gothic, Economics, and Victorian Fiction

265:—and discuss its depiction of gender roles, sexuality, and race. 5144:"Radu Florescu dead: Legacy of the Romanian 'Dracula professor'" 1192:

has been both symbolically and historically associated with the

473:

on Irving—Stoker wrote only "to sell" and "had no higher aims".

275:. Many of the book's characters have entered popular culture as 181:. Harker escapes the castle after discovering that Dracula is a 8837: 8729: 8584: 7876: 7608: 6651: 6420: 6376: 5233:

Doniger, Wendy (20 November 1995). "Sympathy for the Vampire".

5028:"Attention, Predation, Counterintuition: Why Dracula Won't Die" 4050:

Dalby, Richard (1986). "Bram Stoker". In Sullivan, Jack (ed.).

3876:

From Demons to Dracula: The Creation of the Modern Vampire Myth

3355: 2552: 2496: 1319:

was widely considered to be frightening. A review appearing in

624:" can be found in the three female vampires residing in Dracula 323:

for England with boxes of earth from his castle. The captain's

227:

in Whitby's public library while on holiday, thinking it meant

8833: 4395:

Beyond Dracula: Bram Stoker's Fiction and Its Cultural Context

4325:

Bierman, Joseph S. (1998). "A Crucial Stage in the Writing of

6365: 6094:

The Bookseller: A Newspaper of British and Foreign Literature

5660:""A Wilde Desire Took Me": the Homoerotic History of Dracula" 4545:

Bram Stoker's Dracula: Sucking through the Century, 1897–1997

4453:

Bram Stoker's Dracula: Sucking through the Century, 1897–1997

4101:

Bram Stoker's Dracula: Sucking through the Century, 1897–1997

4072:

Bram Stoker's Dracula: Sucking through the Century, 1897–1997

4033:

Vampires: A Field Guide to the Creatures That Stalk the Night

3123: 1820:

This footnote provides the page number for the 1994 edition;

547:(1983) suggests another historical figure as an inspiration: 119: 6104:

The Academy: A Weekly Review of Literature, Science, and Art

4987:"Dracula: Sense & Nonsense by Elizabeth Miller (review)" 4424:

Murderesses in German Writing, 1720–1860: Heroines of Horror

1395:

mentions the novel's "immediate success". Other works about

1211:

been adopted by Mr. Bram Stoker while writing his new novel

2710: 2708: 463:, a close friend of Stoker's, wrote an obituary for him in 6173:"Current Literature: Hutchinson & Co's Publications". 3942:

Browning, John Edgar; Picart, Caroline Joan, eds. (2011).

1851:

Some sources say that "all prints were ordered destroyed".

4602:

In Search of Dracula: The History of Dracula and Vampires

4129:

Eighteen-Bisang, Robert; Miller, Elizabeth, eds. (2008).

3691: 3689: 3592: 3590: 3083: 3081: 2509: 2507: 2505: 2046: 2044: 2007: 2005: 1833:

This was necessary under the Stage Licensing Act of 1897.

800:

published an American edition in 1899. In the 1930s when

6134:

Saturday Review of Politics, Literature, Science and Art

3307: 2403: 2401: 2174: 2172: 1903: 1901: 1251:

Saturday Review of Politics, Literature, Science and Art

19:

This article is about the novel. For the character, see

4726:

Sexual Anarchy: Gender and Culture at the Fin de Siècle

4052:

The Penguin Encyclopedia of Horror and the Supernatural

3577: 3575: 3573: 3509: 3507: 2905: 2903: 2647: 2645: 1489:. Critic Wayne E. Hensley writes that the narrative of 1391:

mixed response. Raymond T. McNally and Radu Florescu's

680:

Stoker's handwritten notes about the novel's characters

5244:"Technologies of Monstrosity: Bram Stoker's "Dracula"" 3548: 3546: 1384:. Other critical works have rejected the narrative of 540:

asking why he would omit Vlad III's infamous cruelty.

5590:"On Dracula, the West, America, and Other Inventions" 4482:

A Biography of Dracula: The Life Story of Bram Stoker

4192:

The Man Who Wrote Dracula: A Biography of Bram Stoker

2467: 2455: 2443: 2431: 2392: 2365: 2341: 2261: 2259: 2151: 1892: 1280:

reviewer noted that while earlier Gothic works, like

702:, and then disappeared until they were bought by the 492:

Many figures have been suggested as inspirations for

6166:

Of Literature, Science, and Art (Fiction Supplement)

4161:

Bram Stoker's Notes for Dracula: A Facsimile Edition

4132:

Bram Stoker's Notes for Dracula: A Facsimile Edition

854:meandered, the translation was concise and punchy. 247:

were common, including its structural similarity to

9061: 9022: 8995:

Snowbound: The Record of a Theatrical Touring Party

8978: 8871: 8691: 8646: 8595: 8554: 8536: 8483: 8465: 8422: 8232: 8117: 8065: 8030: 8011: 7887: 7828: 7773: 7619: 7137: 6958: 6909: 6855: 6818: 6733: 6662: 6608: 6579: 6546: 6492: 6431: 5882:"A Vampire in the Mirror: The Sexuality of Dracula" 4373:

Bram Stoker: History, Psychoanalysis and the Gothic

4350:

Bram Stoker: History, Psychoanalysis and the Gothic

4331:

Bram Stoker: History, Psychoanalysis and the Gothic

4308:

Bram Stoker: History, Psychoanalysis and the Gothic

3680: 3613: 3331: 1571:deemed Count Dracula—along with characters such as 1497:, initiated legal action against the studio behind 887:The novel's characters are often said to represent 871:as sexually charged have become so frequent that a 443:, and had published 18 books by his death in 1912. 131: 117: 109: 101: 91: 81: 67: 59: 49: 5396:Cambridge Journal of Postcolonial Literary Inquiry 3904:Alice Freeman Palmer: The Evolution of a New Woman 3414: 3259: 1749:, who was often imagined as a Jewish butcher, and 1176:is set largely in England, but Stoker was born in 1004:beliefs about the Romani as animalistic. Although 173:taking a business trip to stay at the castle of a 9030:The Duties of Clerks of Petty Sessions in Ireland 6069:Review of Politics, Literature, Theology, and Art 5539:Moretti, Franco (1982). "The Dialectic of Fear". 4054:. New York City: Viking Press. pp. 404–406. 4006:. Jefferson, North Carolina: McFarland & Co. 992:(1895), who is depicted as animalistic and thin. 508:, commonly known as Vlad the Impaler. Professors 5129:Curran, Bob (2000). "Was Dracula an Irishman?". 4768:Reading Vampire Gothic through Blood: Bloodlines 4634:. David Punter. Hoboken: Wiley-Blackwell. 2012. 3402: 3394: 3370: 3274:, Introduction: The Myth of Dracula's Reception. 7402:Bara no Konrei ~Mayonaka ni Kawashita Yakusoku~ 6045:"A Sympathetic Vibration: Dracula and the Jews" 6012:""The Invisible Giant," 'Dracula', and Disease" 5742:""Dracula": Stoker's Response to the New Woman" 4797:Stage Blood: Vampires of the 19th Century Stage 3804:"Gypsies and Jews as Wolves in Realist Fiction" 3474: 3295: 2675: 2377: 2023: 1204: 876:homosexual; Talia Schaffer points to intensely 447:was Stoker's seventh published book, following 337:'s letter to her best friend, Harker's fiancée 3810:. London: Palgrave Macmillan. pp. 69–96. 3398: 3343: 3283: 3235: 2098: 8849: 6388: 4842:. Penguin Publishing Group. pp. 312–13. 4815:Auerbach, Nina; Skal, David J., eds. (1997). 4329:". In Hughes, William; Smith, Andrew (eds.). 4306:Hughes, William; Smith, Andrew, eds. (1998). 4283:. Cambridge, UK: Cambridge University Press. 3629: 1150:is a common reference text in discussions of 8: 6217:. San Francisco. 9 December 1899. p. 5. 4599:McNally, Raymond T.; Florescu, Radu (1994). 4571:McNally, Raymond T.; Florescu, Radu (1973). 3668: 2687: 1458:The first film to feature Count Dracula was 945:version of the vampire myth participates in 32: 6256:"Bram Stoker's stage adaptation of Dracula" 6204:"A Fantastic Theme Realistically Treated". 6049:English Literature in Transition, 1880–1920 5995:"Why Christopher Lee's Dracula didn't suck" 5935:English Literature in Transition, 1880–1920 3255: 3251: 2957: 1860:Meaning "before Stoker" and "after Stoker". 295:Jonathan Harker, a newly qualified English 9150:Irish novels adapted into television shows 8856: 8842: 8834: 8726: 8592: 8581: 7884: 7873: 7825: 7616: 7605: 6659: 6648: 6543: 6428: 6417: 6395: 6381: 6373: 4239:Hogle, Jerrold E. (2002). "Introduction". 2993: 2981: 2894: 2858: 2846: 2834: 2810: 2600: 2525: 2190: 1258:improved upon the style of Gothic pioneer 319:hospital. Dracula takes a ship called the 38: 31: 7498:The Librarian: Curse of the Judas Chalice 6206:New-York Tribune (Illustrated Supplement) 5448: 4241:The Cambridge Companion to Gothic Fiction 3924:Bram Stoker's Dracula: The Critical Feast 3707: 3644: 3219: 3017: 2726: 2714: 2337: 2163: 2122: 1809:Bram Stoker's Dracula: The Critical Feast 1338:The Strange Case of Dr Jekyll and Mr Hyde 516:popularised the idea in their 1972 book, 504:, supplied Stoker with information about 488:, more commonly known as Vlad the Impaler 341:, describes her marriage proposals from 8404:The Incredible Adventures of Van Helsing 6097:. London. 3 September 1897. p. 816. 4573:Dracula: A Biography of Vlad the Impaler 4427:. New York: Cambridge University Press. 4243:. Cambridge: Cambridge University Press. 3462: 3450: 3438: 3426: 3319: 3271: 2636: 2624: 2325: 757:. Stoker's earliest notes indicate that 520:. Benjamin H. LeBlanc writes that there 9003:Dracula's Guest and Other Weird Stories 8749:Dracula's Guest and Other Weird Stories 8159:Mrs. Deadpool and the Howling Commandos 8152:Captain Britain and MI13: Vampire State 8107:Dracula – L'amour plus fort que la mort 6536:Dracula's Guest and Other Weird Stories 6177:. Adelaide. 22 January 1898. p. 8. 3977:. Jefferson, N.C.: McFarland & Co. 3948:. Jefferson, N.C.: McFarland & Co. 3902:Bordin, Ruth Birgitta Anderson (1993). 3856:Bram Stoker and The Man Who Was Dracula 3755: 3719: 3596: 3564: 3513: 3498: 3223: 3171: 3087: 2588: 2537: 2513: 2479: 2419: 2407: 2313: 2277: 2250: 2238: 2214: 2086: 2050: 2011: 1996: 1955: 1943: 1931: 1907: 1880: 1873: 1762:For further reading on the last point, 1653: 238:Following its publication in May 1897, 9043:Personal Reminiscences of Henry Irving 7394:Dark Prince: The True Story of Dracula 7087:Scooby-Doo! and the Reluctant Werewolf 6249:from the original on 15 December 2019. 5976:from the original on 15 November 2020. 4655: 4164:. Jefferson: McFarland & Co. Pub. 4135:. Jefferson: McFarland & Co. Pub. 3779: 3767: 3743: 3731: 3695: 3656: 3625: 3581: 3537: 3525: 3195: 3147: 3135: 3029: 3005: 2969: 2909: 2882: 2822: 2798: 2786: 2774: 2699: 2576: 2353: 2301: 2289: 2226: 2202: 2178: 2134: 2062: 2035: 1979: 1919: 1352:, a scholar whose research focuses on 919:, her keen mind, and her knowledge of 197:, investigate, hunt and kill Dracula. 6940:Hotel Transylvania 3: Summer Vacation 6723:Abbott and Costello Meet Frankenstein 6126:. London. 7 August 1897. p. 131. 6005:from the original on 11 January 2022. 5165:Frontiers: A Journal of Women Studies 5154:from the original on 12 January 2021. 4897:Bierman, Joseph S. (1 January 1977). 3486: 3207: 3183: 3159: 2945: 2933: 2921: 2870: 2762: 2663: 2651: 2612: 2074: 1967: 1344:Modern critics frequently write that 1180:, which was at that time part of the 551:. McNally argues that the imagery of 7: 7410:Dracula: Pages from a Virgin's Diary 6159:. Glasgow. 10 June 1897. p. 10. 5512:Journal of the Fantastic in the Arts 3552: 3356:Of Literature, Science, and Art 1897 3248:Review of PLTA, "Recent Novels" 1897 3111: 3099: 3072: 3060: 2750: 2738: 2265: 2110: 271:is one of the most famous pieces of 86:Archibald Constable and Company (UK) 8388:Dracula 4: The Shadow of the Dragon 6808:The Legend of the 7 Golden Vampires 6188:. London. 29 June 1897. p. 80. 6168:. London. 12 June 1897. p. 11. 6106:. London. 31 July 1897. p. 98. 5159:Demetrakopoulos, Stephanie (1977). 4254:. Basingstoke: Palgrave Macmillan. 3382: 3046:"When Horror Is the Truth-teller", 1469: 406:Harkers have a son, named Quincey. 9170:Novels adapted into radio programs 8099:Dracula – Entre l'amour et la mort 7434:Van Helsing: The London Assignment 7338:Nocturna: Granddaughter of Dracula 6208:. New York City. 19 November 1899. 6137:. London. 3 July 1897. p. 21. 6086:. London. 30 May 1897. p. 80. 4771:. Houndmills: Palgrave Macmillan. 4524:The Natural History of the Vampire 14: 8513:Perfect Selection: Dracula Battle 8364:Dracula 3: The Path of the Dragon 6948:Hotel Transylvania: Transformania 6148:. London. 3 June 1897. p. 6. 6117:. London. 1 June 1897. p. 3. 5701:"The Narrative Method of Dracula" 4836:Stoker, Dacre; Holt, Ian (2009). 4527:. New York: G. P. Putnam's Sons. 2468:Eighteen-Bisang & Miller 2008 2456:Eighteen-Bisang & Miller 2008 2444:Eighteen-Bisang & Miller 2008 2432:Eighteen-Bisang & Miller 2008 2393:Eighteen-Bisang & Miller 2008 2366:Eighteen-Bisang & Miller 2008 2342:Eighteen-Bisang & Miller 2008 2152:Eighteen-Bisang & Miller 2008 1893:Eighteen-Bisang & Miller 2008 9079:William Thomson (brother-in-law) 8799: 8798: 8782:Bibliography of works on Dracula 8760:Transylvanian Society of Dracula 8755:Count Dracula in popular culture 7985:Young Dracula and Young Monsters 7346:Dracula: Sovereign of the Damned 7055:The Halloween That Almost Wasn't 6768:Dracula Has Risen from the Grave 6349: 6274:Rubery, Matthew (2 March 2011). 6213:"The Insanity of the Horrible". 6075:. London: 150–151. 31 July 1897. 5493:Dictionary of Literary Biography 5437:Victorian Literature and Culture 4398:. New York: Palgrave Macmillan. 3906:. University of Michigan Press. 3808:Lycanthropy in German Literature 1685:Dictionary of Literary Biography 1418:Count Dracula in popular culture 1113: 1102: 959:and antisemitic laws elsewhere. 732:, while he was actively writing 632:", has been seen as evidence of 189:and plagues the seaside town of 9145:Irish novels adapted into plays 9140:Irish novels adapted into films 7370:Sundown: The Vampire in Retreat 6346:, text version of 1897 edition. 6295:Sommerlad, Joe (13 July 2017). 5142:Dearden, Lizzie (20 May 2014). 4974:"How the Vampire Got His Fangs" 4375:. Basingston: Macmillan Press. 4367:Mulvey-Roberts, Marie (1998). " 4352:. Basingston: Macmillan Press. 4333:. Basingston: Macmillan Press. 4310:. Basingston: Macmillan Press. 3839:. Cambridge, MA: Polity Press. 743:. Stoker likely found the name 165:, published on 26 May 1897. An 9160:LGBT-related horror literature 8412:Renfield: Bring Your Own Blood 8380:Vampire Season Monster Defense 7817:Hotel Transylvania: The Series 7747:Hotel Transylvania: The Series 7578:The Last Voyage of the Demeter 6164:"Untitled review of Dracula". 6111:"Untitled review of Dracula". 6091:"Untitled review of Dracula". 5880:Stevenson, John Allen (1988). 5773:Signorotti, Elizabeth (1996). 5606:10.1080/00064246.2005.11413319 5558:Comparative Literature Studies 5096:Croley, Laura Sagolla (1995). 4991:ESC: English Studies in Canada 4972:Cengel, Katya (October 2020). 4858:Journal and newspaper articles 2565:Davison, "Blood Brothers" 1997 1: 8340:Dracula 2: The Last Sanctuary 8145:X-Men: Apocalypse vs. Dracula 7490:Bram Stoker's Dracula's Guest 7474:Bram Stoker's Dracula's Curse 7210:Santo en el tesoro de Drácula 6254:Buzwell, Greg (14 May 2014). 6182:"Books to Read, and Others". 6061:Contemporary critical reviews 5806:Spencer, Kathleen L. (1992). 5588:; Winks, Christopher (2005). 4674:A New Companion to the Gothic 4631:A New Companion to the Gothic 4506:. Vol. 1. Arkham House. 4277:Houston, Gail Turley (2005). 3921:Browning, John Edgar (2012). 1053:sexually-transmitted diseases 820:has never been out of print. 808:, placing the novel into the 777:1899 first American edition, 419:As the acting manager of the 359:Professor Abraham Van Helsing 283:. The novel, which is in the 257:(1859). In the past century, 8742:Lugosi v. Universal Pictures 7194:Billy the Kid Versus Dracula 6800:The Satanic Rites of Dracula 6193:"Supped Full with Horrors". 5954:Tomaszweska, Monika (2004). 4915:10.1093/notesj/CCXXII.jan.39 4677:. Hoboken: Wiley-Blackwell. 4624:. New York: Parkstone Press. 4605:. Boston: Houghton Mifflin. 4580:McNally, Raymond T. (1983). 4575:. New York: Hawthorne Books. 4251:Bram Stoker: A Literary Life 2553:Davison, 'Introduction' 1997 2497:Davison, 'Introduction' 1997 1824:was first published in 1972. 1669:Although published in 1898, 893:performance of their genders 704:Rosenbach Museum and Library 9165:Novels adapted into ballets 8506:Iubilaeum Anno Dracula 2001 8396:Dracula 5: The Blood Legacy 7095:Dracula: Dead and Loving It 6760:Dracula: Prince of Darkness 6359:public domain audiobook at 6241:Escher, Kat (19 May 2017). 5929:Tchaprazov, Stoyan (2015). 5308:Ingelbien, Raphaël (2003). 5242:Halberstam, Judith (1993). 5059:Craft, Christopher (1984). 4765:Stephanou, Aspasia (2014). 4744:Spooner, Catherine (2006). 4708:. New York: Stein and Day. 3836:Modernity and the Holocaust 3475:McNally & Florescu 1994 2378:McNally & Florescu 1973 2024:McNally & Florescu 1994 1473: The Death of Dracula 573:Dracula: Sense and Nonsense 9231: 8968:The Lair of the White Worm 8083:Dracula: A Chamber Musical 7290:Count Dracula's Great Love 6776:Taste the Blood of Dracula 6367:Journal of Dracula Studies 6080:"A Romance of Vampirism". 5963:Journal of Dracula Studies 5705:Nineteenth-Century Fiction 5586:Retamar, Roberto Fernández 5506:Miller, Elizabeth (1999). 5431:Kuzmanovic, Dejan (2009). 5355:The Modern Language Review 5275:Hensley, Wayne E. (2002). 4864:Arata, Stephen D. (1990). 4723:Showalter, Elaine (1991). 4620:Miller, Elizabeth (2001). 4548:. Toronto: Dundurn Press. 4456:. Toronto: Dundurn Press. 4195:. London: Michael Joseph. 4104:. Toronto: Dundurn Press. 4075:. Toronto: Dundurn Press. 3873:Beresford, Mathew (2008). 3858:. London: Hachette Books. 3124:Hogle, 'Introduction' 2002 1616:'s existence—for example, 1511:as the title character in 1415: 469:, saying that—besides his 44:Cover of the first edition 18: 9120:Constable & Co. books 9115:19th-century Irish novels 9074:Thornley Stoker (brother) 8794: 8736: 8725: 8591: 8580: 7883: 7872: 7615: 7604: 7202:Blood of Dracula's Castle 7154:The Return of the Vampire 6658: 6647: 6427: 6416: 6282:. Oxford University Press 6199:. June 1899. p. 261. 6102:"Book Reviews Reviewed". 5552:Nandris, Grigore (1966). 5450:10.1017/S1060150309090263 5390:Keogh, Calvin W. (2014). 5281:Literature/Film Quarterly 5200:Fitts, Alexandra (1998). 4584:. New York: McGraw-Hill. 4521:Masters, Anthony (1972). 4224:. Duke University Press. 3308:Publisher's Circular 1897 1569:Roberto Fernández Retamar 995:The novel's depiction of 964:are compared to those of 706:in Philadelphia in 1970. 650:instead of Transylvania. 185:, and the Count moves to 37: 16:1897 novel by Bram Stoker 9069:Florence Balcombe (wife) 8936:The Jewel of Seven Stars 7554:Dracula: The Dark Prince 7258:Dracula vs. Frankenstein 7226:Los Monstruos del Terror 7023:Dracula in the Provinces 6083:Lloyd's Weekly Newspaper 5658:Schaffer, Talia (1994). 5052:10.5325/style.46.3-4.378 5026:Clasen, Mathias (2012). 4985:Chevalier, Noel (2002). 4392:Hughes, William (2000). 3854:Belford, Barbra (2002). 3833:Bauman, Zygmunt (1991). 3681:Browning and Picart 2011 3669:Retamar & Winks 2005 3614:Browning and Picart 2011 3332:The Daily Telegraph 1897 2688:Auerbach & Skal 1997 1381:Lloyd's Weekly Newspaper 193:. A small group, led by 25:Dracula (disambiguation) 9200:Transylvania in fiction 8979:Short story collections 8628:Dracula (Marvel Comics) 8545:Love Song for a Vampire 8132:Dracula (Marvel Comics) 7851:Treehouse of Horror XXI 7783:Mystery and Imagination 7063:Fracchia contro Dracula 6686:(1931 Spanish-language) 6678:(1931 English-language) 6227:The Manchester Guardian 6010:Willis, Martin (2007). 5853:Irish University Review 5847:Stewart, Bruce (1999). 5740:Senf, Carol A. (1982). 4794:Stuart, Roxana (1994). 4705:The Truth About Dracula 4702:Ronay, Gabriel (1972). 4189:Farson, Daniel (1975). 3816:10.1057/9781137541635_5 3415:San Francisco Wave 1899 3260:The Glasgow Herald 1897 2139:The Book of Were-Wolves 1565:Caroline Joan S. Picart 1322:The Manchester Guardian 1297:. An Australian paper, 905:Norton Critical Edition 798:Doubleday & McClure 779:Doubleday & McClure 700:Charles Scribner's Sons 561:The Book of Were-Wolves 8960:The Lady of the Shroud 8928:The Mystery of the Sea 8904:The Shoulder of Shasta 8348:Dracula: Crazy Vampire 7937:The Revenge of Dracula 7844:Treehouse of Horror IV 7466:The Batman vs. Dracula 6215:The San Francisco Wave 6043:Zanger, Jules (1991). 5349:Kane, Michael (1997). 4662:: CS1 maint: others ( 4479:Ludlam, Harry (1962). 4421:Kord, Susanne (2009). 4248:Hopkins, Lisa (2007). 4218:Glover, David (1996). 2526:Stoker & Holt 2009 1583:—to be a part of the " 1573:Frankenstein's monster 1518: 1448:Dracula, or The Undead 1439: 1341:, had more restraint. 1217: 891:sexuality through the 782: 763:psychical investigator 681: 502:University of Budapest 489: 450:The Shoulder of Shasta 205:Transylvanian folklore 23:. For other uses, see 9210:Novels set in castles 9190:Novels set in Romania 9180:Novels set in Hungary 9175:Novels by Bram Stoker 8447:Bram Stoker's Dracula 8332:Dracula: Resurrection 8315:Bram Stoker's Dracula 8307:Bram Stoker's Dracula 8167:Dracula (Dell Comics) 7506:House of the Wolf Man 7378:Bram Stoker's Dracula 7282:Bram Stoker's Dracula 7274:Scream Blacula Scream 7178:The Return of Dracula 6983:Batman Fights Dracula 6891:Shadow of the Vampire 6875:Nosferatu the Vampyre 6837:Dracula II: Ascension 6752:The Brides of Dracula 6707:House of Frankenstein 6586:Castle of Droch-fhola 6580:Possible inspirations 6280:Oxford Bibliographies 5949:– via ProQuest. 5676:10.1353/elh.1994.0019 5651:10.1386/host.1.1.25/1 5326:10.1353/elh.2004.0005 5003:10.1353/esc.2002.0017 4939:Case, Alison (1993). 3927:. Apocryphile Press. 3802:Arnds, Peter (2015). 3403:New-York Tribune 1899 3395:Land of Sunshine 1899 3371:Vanity Fair (UK) 1897 1546:Bram Stoker's Dracula 1507: 1425: 1416:Further information: 1283:The Castle of Otranto 867:Academic analyses of 776: 679: 586:is a response to the 500:, a professor at the 484: 453:(1895) and preceding 9195:Novels set in Whitby 9185:Novels set in London 9036:A Glimpse of America 8647:Relatives of Dracula 8596:Alternative versions 8201:Batman & Dracula 8091:Dracula, the Musical 7969:The Book of Renfield 7921:The Bloody Red Baron 7586:Dracula: A Love Tale 6991:Mad Mad Mad Monsters 6932:Hotel Transylvania 2 6196:The Land of Sunshine 6142:"Books of the Day". 6016:Studies in the Novel 5699:Seed, David (1985). 4978:Smithsonian Magazine 4031:Curran, Bob (2005). 3879:. London: Reaktion. 3296:Saturday Review 1897 2676:Demetrakopoulos 1977 1822:In Search of Dracula 1673:was written in 1890. 1643:Notes and references 1551:Francis Ford Coppola 1549:(1992), directed by 1393:In Search of Dracula 1123:Colorized stills of 1021:, the rise of other 863:Gender and sexuality 827:was translated into 658:University of Ulster 518:In Search of Dracula 309:Carpathian Mountains 9215:Irish horror novels 9155:Invasion literature 9135:Irish Gothic novels 8586:Original characters 8474:The Fury of Dracula 8138:The Tomb of Dracula 7928:Dracula Cha Cha Cha 7835:Treehouse of Horror 7668:Dracula: The Series 7162:Drakula İstanbul'da 7071:Transylvania 6-5000 6967:Transylvania 6-5000 6883:Nosferatu in Venice 6845:Dracula III: Legacy 6557:Dracula the Un-dead 6444:Abraham Van Helsing 6276:"Sensation Fiction" 6260:The British Library 6145:The Daily Telegraph 6131:"Review: Dracula". 5518:(2 (38)): 187–196. 5237:. pp. 608–612. 4932:The Daily Telegraph 4839:Dracula The Un-Dead 4747:Contemporary Gothic 3399:The Advertiser 1898 3344:The Advertiser 1898 3284:The Bookseller 1897 3236:The Daily Mail 1897 3226:, pp. 239–240. 3210:, pp. 195–196. 2972:, pp. 302–304. 2567:, pp. 147–148. 2528:, pp. 312–313. 2099:Mulvey-Roberts 1998 1612:as a result of the 1376:The Daily Telegraph 1350:John Edgar Browning 1275:The Daily Telegraph 936:invasion literature 884:for homosexuality. 833:Valdimar Ásmundsson 545:Dracula Was A Woman 526:Abraham Van Helsing 466:The Daily Telegraph 313:three vampire women 195:Abraham Van Helsing 34: 8291:Dracula the Undead 8216:Wolves at the Gate 7953:Dracula the Undead 7047:Love at First Bite 6975:Mad Monster Party? 6924:Hotel Transylvania 6691:Dracula's Daughter 6509:Powers of Darkness 6156:The Glasgow Herald 5408:10.1017/pli.2014.8 4750:. Reaktion Books. 2356:, pp. 99–100. 2142:Bathory sections." 1944:Belford & 2002 1619:Varney the Vampire 1519: 1440: 1332:San Francisco Wave 1241:The Woman in White 1230:Upon publication, 842:Powers of Darkness 783: 765:called Singleton. 682: 543:Raymond McNally's 510:Raymond T. McNally 490: 273:English literature 254:The Woman in White 9130:Epistolary novels 9092: 9091: 9084:Bram Stoker Award 8896:The Watter's Mou' 8880:The Primrose Path 8831: 8830: 8790: 8789: 8721: 8720: 8717: 8716: 8576: 8575: 8572: 8571: 8563:Son of the Dragon 8324:Dracula Unleashed 7868: 7867: 7864: 7863: 7860: 7859: 7792:Buffy vs. Dracula 7600: 7599: 7596: 7595: 7442:The Vulture's Eye 7079:The Monster Squad 6999:Blood for Dracula 6792:Dracula A.D. 1972 6643: 6642: 6639: 6638: 6575: 6574: 6484:Brides of Dracula 6343:Project Gutenberg 6223:"Review: Dracula" 6067:"Recent Novels". 5983:Midwest Quarterly 5746:Victorian Studies 5594:The Black Scholar 5248:Victorian Studies 4903:Notes and Queries 4870:Victorian Studies 4849:978-0-525-95129-2 4828:978-0-393-97012-8 4807:978-0-87972-660-7 4800:. Popular Press. 4757:978-1-86189-301-7 4736:978-0-14-011587-1 4684:978-1-4443-5492-8 4641:978-1-4443-5492-8 4555:978-1-55488-105-5 4492:978-0-572-00217-6 4463:978-1-55488-105-5 4434:978-0-521-51977-9 4405:978-1-349-40967-9 4382:978-1-349-26840-5 4359:978-1-349-26840-5 4340:978-1-349-26840-5 4317:978-1-349-26840-5 4261:978-1-4039-4647-8 4231:978-0-8223-1798-2 4171:978-0-7864-5186-9 4142:978-0-7864-5186-9 4111:978-1-55488-105-5 4082:978-1-55488-105-5 4013:978-0-7864-3365-0 3984:978-0-7864-3365-0 3955:978-0-7864-3365-0 3934:978-1-937002-21-3 3886:978-1-86189-742-8 3846:978-0-745-63809-6 3825:978-1-137-54163-5 3050:, October 2, 2023 2101:, pp. 83–84. 2089:, pp. 46–47. 1528:a 1931 adaptation 1433:in the 1931 film 984:George du Maurier 802:Universal Studios 549:Elizabeth Báthory 431:. In a letter to 383:sacramental bread 221:Elizabeth Báthory 147: 146: 102:Publication place 9222: 9205:Victorian novels 9051:Famous Impostors 8987:Under the Sunset 8888:The Snake's Pass 8858: 8851: 8844: 8835: 8802: 8801: 8727: 8663:Vampire Hunter D 8593: 8582: 8299:Drac's Night Out 8209:Victorian Undead 8194:Sword of Dracula 7896:The Dracula Tape 7885: 7874: 7826: 7617: 7606: 7538:Saint Dracula 3D 7234:Cuadecuc, vampir 7170:Blood of Dracula 7119:Zora the Vampire 6784:Scars of Dracula 6715:House of Dracula 6660: 6649: 6600:Vlad the Impaler 6544: 6429: 6418: 6397: 6390: 6383: 6374: 6353: 6352: 6345: 6311: 6309: 6307: 6291: 6289: 6287: 6270: 6268: 6266: 6250: 6230: 6218: 6209: 6200: 6189: 6178: 6169: 6160: 6149: 6138: 6127: 6118: 6107: 6098: 6087: 6076: 6056: 6039: 6006: 6001:. 13 June 2015. 5990: 5977: 5975: 5960: 5950: 5925: 5876: 5843: 5802: 5769: 5736: 5695: 5654: 5633: 5581: 5548: 5535: 5500: 5487: 5478: 5452: 5427: 5386: 5345: 5320:(4): 1089–1105. 5304: 5271: 5238: 5229: 5206:Letras Femeninas 5196: 5155: 5138: 5125: 5092: 5055: 5038:(3–4): 378–398. 5022: 4981: 4968: 4935: 4926: 4893: 4853: 4832: 4811: 4790: 4761: 4740: 4719: 4696: 4667: 4661: 4653: 4625: 4616: 4595: 4576: 4567: 4538: 4517: 4503:Selected Letters 4496: 4475: 4446: 4417: 4386: 4363: 4344: 4321: 4302: 4273: 4244: 4235: 4214: 4183: 4154: 4123: 4094: 4065: 4046: 4035:. Career Press. 4025: 3996: 3967: 3938: 3917: 3898: 3869: 3850: 3829: 3783: 3777: 3771: 3765: 3759: 3753: 3747: 3741: 3735: 3729: 3723: 3717: 3711: 3705: 3699: 3693: 3684: 3678: 3672: 3666: 3660: 3654: 3648: 3642: 3636: 3623: 3617: 3611: 3600: 3594: 3585: 3579: 3568: 3562: 3556: 3550: 3541: 3535: 3529: 3523: 3517: 3511: 3502: 3496: 3490: 3484: 3478: 3472: 3466: 3460: 3454: 3448: 3442: 3436: 3430: 3424: 3418: 3412: 3406: 3392: 3386: 3380: 3374: 3368: 3359: 3353: 3347: 3341: 3335: 3329: 3323: 3317: 3311: 3305: 3299: 3293: 3287: 3281: 3275: 3269: 3263: 3256:The Academy 1897 3245: 3239: 3233: 3227: 3222:, p. 1089; 3217: 3211: 3205: 3199: 3193: 3187: 3181: 3175: 3169: 3163: 3157: 3151: 3145: 3139: 3133: 3127: 3121: 3115: 3109: 3103: 3097: 3091: 3085: 3076: 3070: 3064: 3058: 3052: 3039: 3033: 3027: 3021: 3015: 3009: 3003: 2997: 2991: 2985: 2979: 2973: 2967: 2961: 2958:Tomaszweska 2004 2955: 2949: 2943: 2937: 2931: 2925: 2919: 2913: 2907: 2898: 2892: 2886: 2880: 2874: 2868: 2862: 2856: 2850: 2844: 2838: 2832: 2826: 2820: 2814: 2808: 2802: 2796: 2790: 2784: 2778: 2772: 2766: 2760: 2754: 2748: 2742: 2736: 2730: 2724: 2718: 2712: 2703: 2697: 2691: 2685: 2679: 2673: 2667: 2661: 2655: 2649: 2640: 2634: 2628: 2622: 2616: 2610: 2604: 2598: 2592: 2586: 2580: 2574: 2568: 2562: 2556: 2550: 2541: 2535: 2529: 2523: 2517: 2511: 2500: 2494: 2483: 2477: 2471: 2465: 2459: 2453: 2447: 2441: 2435: 2429: 2423: 2417: 2411: 2405: 2396: 2390: 2381: 2375: 2369: 2363: 2357: 2351: 2345: 2335: 2329: 2323: 2317: 2311: 2305: 2299: 2293: 2287: 2281: 2275: 2269: 2263: 2254: 2248: 2242: 2236: 2230: 2224: 2218: 2212: 2206: 2200: 2194: 2188: 2182: 2176: 2167: 2161: 2155: 2149: 2143: 2132: 2126: 2120: 2114: 2108: 2102: 2096: 2090: 2084: 2078: 2072: 2066: 2060: 2054: 2048: 2039: 2033: 2027: 2021: 2015: 2009: 2000: 1994: 1988: 1985: 1977: 1971: 1965: 1959: 1953: 1947: 1941: 1935: 1929: 1923: 1917: 1911: 1905: 1896: 1890: 1884: 1878: 1861: 1858: 1852: 1849: 1843: 1840: 1834: 1831: 1825: 1818: 1812: 1805: 1799: 1792: 1786: 1782: 1776: 1773: 1767: 1760: 1754: 1743: 1737: 1734: 1728: 1725: 1719: 1712: 1706: 1695: 1689: 1680: 1674: 1667: 1661: 1658: 1553:and costumed by 1543:'s portrayal in 1474: 1471: 1390: 1366: 1292: 1279: 1226: 1190:Eastern Question 1125:Edward Van Sloan 1117: 1106: 1074:epistolary novel 944: 873:cottage industry 835:under the title 814:Charlotte Stoker 795: 693: 645: 638: 627: 592:Sheridan Le Fanu 534:Elizabeth Miller 441:sensation novels 219:or the Countess 217:Vlad the Impaler 167:epistolary novel 121: 93:Publication date 42: 35: 9230: 9229: 9225: 9224: 9223: 9221: 9220: 9219: 9095: 9094: 9093: 9088: 9057: 9018: 9011:Dracula's Guest 8974: 8867: 8862: 8832: 8827: 8786: 8777:Dracula tourism 8772:Dracula Society 8732: 8713: 8704:Count von Count 8687: 8683:Shiklah Dracula 8642: 8597: 8587: 8568: 8550: 8532: 8479: 8461: 8418: 8372:Dracula: Origin 8228: 8113: 8076:(Czech musical) 8061: 8026: 8007: 8001:Out of the Dark 7909:(1992–present) 7879: 7856: 7824: 7769: 7611: 7592: 7354:Dracula's Widow 7242:Vampyros Lesbos 7133: 7031:Dracula and Son 6954: 6913: 6905: 6851: 6814: 6729: 6665: 6654: 6635: 6604: 6571: 6542: 6529:Dracula's Guest 6488: 6469:Dr. John Seward 6464:Arthur Holmwood 6449:Jonathan Harker 6423: 6412: 6401: 6350: 6335: 6329:Standard Ebooks 6319: 6314: 6305: 6303: 6301:The Independent 6294: 6285: 6283: 6273: 6264: 6262: 6253: 6245:. Smithsonian. 6240: 6237: 6221: 6212: 6203: 6192: 6181: 6172: 6163: 6152: 6141: 6130: 6121: 6110: 6101: 6090: 6079: 6066: 6063: 6042: 6009: 5993: 5980: 5973: 5958: 5953: 5928: 5879: 5846: 5824:10.2307/2873424 5805: 5772: 5739: 5717:10.2307/3044836 5698: 5657: 5636: 5584: 5551: 5541:New Left Review 5538: 5505: 5490: 5481: 5430: 5389: 5367:10.2307/3734681 5348: 5307: 5274: 5241: 5232: 5199: 5177:10.2307/3346355 5158: 5148:The Independent 5141: 5131:History Ireland 5128: 5095: 5073:10.2307/2928560 5065:Representations 5058: 5025: 4984: 4971: 4938: 4929: 4896: 4863: 4860: 4850: 4835: 4829: 4821:. W.W. Norton. 4814: 4808: 4793: 4779: 4764: 4758: 4743: 4737: 4722: 4716: 4701: 4685: 4670: 4654: 4642: 4628: 4619: 4613: 4598: 4592: 4579: 4570: 4556: 4541: 4535: 4520: 4514: 4499: 4493: 4485:. W. Foulsham. 4478: 4464: 4449: 4435: 4420: 4406: 4391: 4383: 4366: 4360: 4347: 4341: 4324: 4318: 4305: 4291: 4276: 4262: 4247: 4238: 4232: 4217: 4203: 4188: 4172: 4157: 4143: 4128: 4112: 4097: 4083: 4068: 4062: 4049: 4043: 4030: 4014: 3999: 3985: 3970: 3956: 3941: 3935: 3920: 3914: 3901: 3887: 3872: 3866: 3853: 3847: 3832: 3826: 3801: 3797: 3792: 3787: 3786: 3778: 3774: 3766: 3762: 3754: 3750: 3742: 3738: 3730: 3726: 3718: 3714: 3706: 3702: 3694: 3687: 3679: 3675: 3667: 3663: 3655: 3651: 3643: 3639: 3624: 3620: 3612: 3603: 3595: 3588: 3580: 3571: 3563: 3559: 3551: 3544: 3536: 3532: 3524: 3520: 3512: 3505: 3497: 3493: 3485: 3481: 3473: 3469: 3461: 3457: 3449: 3445: 3437: 3433: 3425: 3421: 3413: 3409: 3397:, p. 261; 3393: 3389: 3381: 3377: 3369: 3362: 3354: 3350: 3342: 3338: 3330: 3326: 3318: 3314: 3306: 3302: 3294: 3290: 3282: 3278: 3270: 3266: 3246: 3242: 3234: 3230: 3218: 3214: 3206: 3202: 3194: 3190: 3182: 3178: 3170: 3166: 3158: 3154: 3146: 3142: 3134: 3130: 3122: 3118: 3110: 3106: 3098: 3094: 3086: 3079: 3071: 3067: 3059: 3055: 3040: 3036: 3028: 3024: 3016: 3012: 3004: 3000: 2994:Halberstam 1993 2992: 2988: 2982:Halberstam 1993 2980: 2976: 2968: 2964: 2956: 2952: 2944: 2940: 2932: 2928: 2920: 2916: 2908: 2901: 2895:Tchaprazov 2015 2893: 2889: 2881: 2877: 2869: 2865: 2857: 2853: 2847:Tchaprazov 2015 2845: 2841: 2835:Halberstam 1993 2833: 2829: 2821: 2817: 2811:Halberstam 1993 2809: 2805: 2797: 2793: 2785: 2781: 2773: 2769: 2761: 2757: 2749: 2745: 2737: 2733: 2725: 2721: 2713: 2706: 2698: 2694: 2686: 2682: 2674: 2670: 2662: 2658: 2650: 2643: 2635: 2631: 2623: 2619: 2611: 2607: 2601:Kuzmanovic 2009 2599: 2595: 2587: 2583: 2575: 2571: 2563: 2559: 2551: 2544: 2536: 2532: 2524: 2520: 2512: 2503: 2495: 2486: 2478: 2474: 2466: 2462: 2454: 2450: 2442: 2438: 2430: 2426: 2418: 2414: 2406: 2399: 2391: 2384: 2376: 2372: 2364: 2360: 2352: 2348: 2340:, p. 255; 2336: 2332: 2324: 2320: 2312: 2308: 2300: 2296: 2288: 2284: 2276: 2272: 2264: 2257: 2249: 2245: 2237: 2233: 2225: 2221: 2213: 2209: 2201: 2197: 2191:Signorotti 1996 2189: 2185: 2177: 2170: 2162: 2158: 2150: 2146: 2133: 2129: 2121: 2117: 2109: 2105: 2097: 2093: 2085: 2081: 2073: 2069: 2061: 2057: 2049: 2042: 2034: 2030: 2022: 2018: 2010: 2003: 1995: 1991: 1983: 1978: 1974: 1966: 1962: 1954: 1950: 1942: 1938: 1930: 1926: 1918: 1914: 1906: 1899: 1891: 1887: 1879: 1875: 1870: 1865: 1864: 1859: 1855: 1850: 1846: 1841: 1837: 1832: 1828: 1819: 1815: 1806: 1802: 1793: 1789: 1783: 1779: 1774: 1770: 1761: 1757: 1747:Jack the Ripper 1744: 1740: 1735: 1731: 1726: 1722: 1713: 1709: 1696: 1692: 1681: 1677: 1668: 1664: 1659: 1655: 1650: 1645: 1628:Patrick McGrath 1624:special effects 1593: 1532:Christopher Lee 1509:Christopher Lee 1472: 1420: 1414: 1409: 1388: 1364: 1305:impressionistic 1295:Hampstead Heath 1290: 1277: 1228: 1219: 1202: 1145: 1144: 1143: 1142: 1120: 1119: 1118: 1109: 1108: 1107: 1096: 1070: 1065: 1055:, specifically 1040: 970:Charles Dickens 961:Jack Halberstam 942: 929: 865: 860: 793: 771: 708:H. P. Lovecraft 691: 687: 674: 672:Textual history 643: 636: 630:Dracula's Guest 625: 588:lesbian vampire 479: 417: 412: 351:Arthur Holmwood 343:Dr. John Seward 293: 171:Jonathan Harker 94: 45: 28: 17: 12: 11: 5: 9228: 9226: 9218: 9217: 9212: 9207: 9202: 9197: 9192: 9187: 9182: 9177: 9172: 9167: 9162: 9157: 9152: 9147: 9142: 9137: 9132: 9127: 9125:Dracula novels 9122: 9117: 9112: 9107: 9097: 9096: 9090: 9089: 9087: 9086: 9081: 9076: 9071: 9065: 9063: 9059: 9058: 9056: 9055: 9047: 9039: 9033: 9026: 9024: 9020: 9019: 9017: 9016: 9015: 9014: 8999: 8991: 8982: 8980: 8976: 8975: 8973: 8972: 8964: 8956: 8948: 8940: 8932: 8924: 8916: 8908: 8900: 8892: 8884: 8875: 8873: 8869: 8868: 8863: 8861: 8860: 8853: 8846: 8838: 8829: 8828: 8826: 8825: 8813: 8795: 8792: 8791: 8788: 8787: 8785: 8784: 8779: 8774: 8769: 8762: 8757: 8752: 8745: 8737: 8734: 8733: 8730: 8723: 8722: 8719: 8718: 8715: 8714: 8712: 8711: 8706: 8701: 8695: 8693: 8689: 8688: 8686: 8685: 8680: 8678:Lilith Dracula 8675: 8670: 8665: 8660: 8650: 8648: 8644: 8643: 8641: 8640: 8635: 8630: 8625: 8616: 8611: 8601: 8599: 8589: 8588: 8585: 8578: 8577: 8574: 8573: 8570: 8569: 8567: 8566: 8558: 8556: 8552: 8551: 8549: 8548: 8540: 8538: 8534: 8533: 8531: 8530: 8523: 8516: 8509: 8502: 8495: 8487: 8485: 8481: 8480: 8478: 8477: 8469: 8467: 8466:Tabletop games 8463: 8462: 8460: 8459: 8451: 8443: 8435: 8426: 8424: 8420: 8419: 8417: 8416: 8408: 8400: 8392: 8384: 8376: 8368: 8360: 8352: 8344: 8336: 8328: 8320: 8311: 8303: 8295: 8287: 8279: 8278: 8277: 8272: 8261: 8253: 8245: 8236: 8234: 8230: 8229: 8227: 8226: 8219: 8212: 8205: 8197: 8190: 8183: 8180:Dracula Lives! 8176: 8169: 8164: 8163: 8162: 8155: 8148: 8141: 8129: 8121: 8119: 8115: 8114: 8112: 8111: 8103: 8095: 8087: 8079: 8069: 8067: 8063: 8062: 8060: 8059: 8051: 8043: 8034: 8032: 8028: 8027: 8025: 8024: 8015: 8013: 8009: 8008: 8006: 8005: 7997: 7989: 7981: 7973: 7965: 7957: 7949: 7945:Little Dracula 7941: 7933: 7932: 7931: 7924: 7917: 7901: 7891: 7889: 7881: 7880: 7877: 7870: 7869: 7866: 7865: 7862: 7861: 7858: 7857: 7855: 7854: 7847: 7839: 7837: 7823: 7822: 7813: 7808:Penny Dreadful 7804: 7795: 7788: 7777: 7775: 7771: 7770: 7768: 7767: 7759: 7751: 7743: 7735: 7727: 7723:Penny Dreadful 7719: 7711: 7710: 7709: 7696: 7688: 7680: 7676:Little Dracula 7672: 7664: 7656: 7648: 7640: 7632: 7623: 7621: 7613: 7612: 7609: 7602: 7601: 7598: 7597: 7594: 7593: 7591: 7590: 7582: 7574: 7566: 7562:Dracula Untold 7558: 7550: 7542: 7534: 7526: 7522:Dracula Reborn 7518: 7510: 7502: 7494: 7486: 7478: 7470: 7462: 7458:Blade: Trinity 7454: 7446: 7438: 7430: 7422: 7414: 7406: 7398: 7390: 7382: 7374: 7366: 7358: 7350: 7342: 7334: 7326: 7322:Doctor Dracula 7318: 7310: 7302: 7294: 7286: 7278: 7270: 7262: 7254: 7246: 7238: 7230: 7222: 7214: 7206: 7198: 7190: 7186:Batman Dracula 7182: 7174: 7166: 7158: 7150: 7146:Drakula halála 7141: 7139: 7135: 7134: 7132: 7131: 7127:Monster Family 7123: 7115: 7107: 7099: 7091: 7083: 7075: 7067: 7059: 7051: 7043: 7035: 7027: 7019: 7015:Son of Dracula 7011: 7003: 6995: 6987: 6979: 6971: 6962: 6960: 6956: 6955: 6953: 6952: 6944: 6936: 6928: 6919: 6917: 6907: 6906: 6904: 6903: 6895: 6887: 6879: 6871: 6862: 6860: 6853: 6852: 6850: 6849: 6841: 6833: 6824: 6822: 6816: 6815: 6813: 6812: 6804: 6796: 6788: 6780: 6772: 6764: 6756: 6748: 6739: 6737: 6731: 6730: 6728: 6727: 6719: 6711: 6703: 6699:Son of Dracula 6695: 6687: 6679: 6670: 6668: 6656: 6655: 6652: 6645: 6644: 6641: 6640: 6637: 6636: 6634: 6633: 6628: 6626:Poenari Castle 6623: 6618: 6616:Castle Dracula 6612: 6610: 6606: 6605: 6603: 6602: 6597: 6595:Vlad Călugărul 6592: 6590:Vlad II Dracul 6587: 6583: 6581: 6577: 6576: 6573: 6572: 6570: 6569: 6561: 6552: 6550: 6541: 6540: 6532: 6525: 6524: 6523: 6518: 6505: 6496: 6494: 6490: 6489: 6487: 6486: 6481: 6476: 6474:Quincey Morris 6471: 6466: 6461: 6456: 6451: 6446: 6441: 6435: 6433: 6425: 6424: 6421: 6414: 6413: 6402: 6400: 6399: 6392: 6385: 6377: 6371: 6370: 6363: 6347: 6333: 6331: 6318: 6317:External links 6315: 6313: 6312: 6292: 6271: 6251: 6236: 6233: 6232: 6231: 6219: 6210: 6201: 6190: 6179: 6175:The Advertiser 6170: 6161: 6150: 6139: 6128: 6119: 6114:The Daily Mail 6108: 6099: 6088: 6077: 6062: 6059: 6058: 6057: 6040: 6022:(3): 301–325. 6007: 5991: 5978: 5951: 5926: 5898:10.2307/462430 5892:(2): 139–149. 5877: 5859:(2): 238–255. 5844: 5818:(1): 197–225. 5803: 5785:(4): 607–632. 5770: 5737: 5696: 5670:(2): 381–425. 5655: 5639:Horror Studies 5634: 5582: 5564:(4): 367–396. 5549: 5536: 5503: 5502: 5501: 5484:The Borgo Post 5479: 5443:(2): 411–425. 5428: 5402:(2): 189–206. 5387: 5346: 5305: 5272: 5254:(3): 333–352. 5239: 5230: 5212:(1/2): 23–35. 5197: 5171:(3): 104–113. 5156: 5139: 5126: 5093: 5067:(8): 107–133. 5056: 5023: 4997:(4): 749–751. 4982: 4969: 4951:(3): 223–243. 4936: 4927: 4909:(jan): 39–41. 4894: 4876:(4): 621–645. 4859: 4856: 4855: 4854: 4848: 4833: 4827: 4812: 4806: 4791: 4777: 4762: 4756: 4741: 4735: 4720: 4714: 4699: 4698: 4697: 4683: 4640: 4626: 4617: 4611: 4596: 4590: 4577: 4568: 4554: 4539: 4533: 4518: 4512: 4497: 4491: 4476: 4462: 4447: 4433: 4418: 4404: 4389: 4388: 4387: 4381: 4364: 4358: 4345: 4339: 4316: 4303: 4289: 4274: 4260: 4245: 4236: 4230: 4215: 4201: 4186: 4185: 4184: 4170: 4141: 4126: 4125: 4124: 4110: 4081: 4066: 4060: 4047: 4041: 4028: 4027: 4026: 4012: 3997: 3983: 3954: 3939: 3933: 3918: 3912: 3899: 3885: 3870: 3864: 3851: 3845: 3830: 3824: 3798: 3796: 3793: 3791: 3788: 3785: 3784: 3782:, p. 198. 3772: 3770:, p. 197. 3760: 3748: 3746:, p. 157. 3736: 3734:, p. 152. 3724: 3722:, p. 608. 3712: 3710:, p. 139. 3708:Beresford 2008 3700: 3698:, p. 147. 3685: 3673: 3661: 3659:, p. 378. 3649: 3645:Sommerlad 2017 3637: 3618: 3601: 3586: 3569: 3557: 3542: 3530: 3528:, p. 193. 3518: 3503: 3501:, p. 208. 3491: 3479: 3477:, p. 162. 3467: 3455: 3443: 3431: 3419: 3407: 3387: 3375: 3360: 3348: 3336: 3324: 3312: 3310:, p. 131. 3300: 3288: 3286:, p. 816. 3276: 3264: 3258:, p. 98; 3254:, p. 80; 3240: 3228: 3220:Ingelbien 2003 3212: 3200: 3188: 3186:, p. 194. 3176: 3174:, p. 219. 3164: 3162:, p. 621. 3152: 3150:, p. 137. 3140: 3138:, p. 150. 3128: 3116: 3104: 3102:, p. 226. 3092: 3077: 3065: 3053: 3034: 3032:, p. 302. 3022: 3020:, p. 148. 3018:Stevenson 1988 3010: 3008:, p. 389. 2998: 2996:, p. 350. 2986: 2984:, p. 341. 2974: 2962: 2950: 2948:, p. 630. 2938: 2936:, p. 623. 2926: 2924:, p. 622. 2914: 2899: 2897:, p. 525. 2887: 2885:, p. 107. 2875: 2863: 2861:, p. 527. 2859:Tchaprazov2015 2851: 2849:, p. 524. 2839: 2837:, p. 338. 2827: 2825:, p. 337. 2815: 2813:, p. 337. 2803: 2791: 2779: 2767: 2755: 2743: 2731: 2729:, p. 405. 2727:Wasserman 1977 2719: 2717:, p. 180. 2715:Showalter 1991 2704: 2692: 2680: 2678:, p. 106. 2668: 2666:, p. 109. 2656: 2654:, p. 110. 2641: 2639:, p. 381. 2629: 2627:, p. 382. 2617: 2615:, p. 107. 2605: 2603:, p. 411. 2593: 2591:, p. 197. 2581: 2569: 2557: 2542: 2540:, p. 274. 2530: 2518: 2516:, p. 272. 2501: 2484: 2482:, p. 241. 2472: 2470:, p. 320. 2460: 2458:, p. 318. 2448: 2446:, p. 245. 2436: 2424: 2422:, p. 255. 2412: 2397: 2382: 2380:, p. 160. 2370: 2358: 2346: 2338:Lovecraft 1965 2330: 2318: 2316:, p. 152. 2306: 2294: 2282: 2270: 2255: 2243: 2231: 2229:, p. 144. 2219: 2207: 2195: 2193:, p. 607. 2183: 2181:, p. 379. 2168: 2166:, p. 749. 2164:Chevalier 2002 2156: 2154:, p. 131. 2144: 2127: 2123:Stephanou 2014 2115: 2103: 2091: 2079: 2067: 2055: 2053:, p. 362. 2040: 2028: 2016: 2014:, p. 360. 2001: 1989: 1972: 1960: 1958:, p. 277. 1948: 1946:, p. 363. 1936: 1924: 1912: 1910:, p. 269. 1897: 1885: 1872: 1871: 1869: 1866: 1863: 1862: 1853: 1844: 1835: 1826: 1813: 1800: 1787: 1777: 1768: 1764:Zygmunt Bauman 1755: 1738: 1729: 1720: 1707: 1690: 1675: 1662: 1652: 1651: 1649: 1646: 1644: 1641: 1592: 1589: 1465:Drakula halála 1460:Károly Lajthay 1413: 1410: 1408: 1405: 1371:The Daily Mail 1300:The Advertiser 1264:Brontë sisters 1246:The Bookseller 1236:Wilkie Collins 1222:The Daily Mail 1208:Mrs. Radcliffe 1206:It is said of 1203: 1201: 1198: 1194:Irish question 1182:British Empire 1152:Gothic fiction 1122: 1121: 1112: 1111: 1110: 1101: 1100: 1099: 1098: 1097: 1095: 1092: 1069: 1066: 1064: 1061: 1039: 1036: 1019:British Empire 928: 925: 864: 861: 859: 856: 847:Makt Myrkranna 837:Makt Myrkranna 770: 767: 686: 683: 673: 670: 654:Irish folklore 523: 478: 475: 421:Lyceum Theatre 416: 413: 411: 408: 347:Quincey Morris 292: 289: 281:vampire hunter 249:Wilkie Collins 245:Gothic fiction 145: 144: 133: 129: 128: 123: 115: 114: 111: 107: 106: 105:United Kingdom 103: 99: 98: 95: 92: 89: 88: 83: 79: 78: 69: 65: 64: 61: 57: 56: 51: 47: 46: 43: 15: 13: 10: 9: 6: 4: 3: 2: 9227: 9216: 9213: 9211: 9208: 9206: 9203: 9201: 9198: 9196: 9193: 9191: 9188: 9186: 9183: 9181: 9178: 9176: 9173: 9171: 9168: 9166: 9163: 9161: 9158: 9156: 9153: 9151: 9148: 9146: 9143: 9141: 9138: 9136: 9133: 9131: 9128: 9126: 9123: 9121: 9118: 9116: 9113: 9111: 9108: 9106: 9103: 9102: 9100: 9085: 9082: 9080: 9077: 9075: 9072: 9070: 9067: 9066: 9064: 9060: 9053: 9052: 9048: 9045: 9044: 9040: 9037: 9034: 9031: 9028: 9027: 9025: 9021: 9012: 9008: 9007: 9005: 9004: 9000: 8997: 8996: 8992: 8989: 8988: 8984: 8983: 8981: 8977: 8970: 8969: 8965: 8962: 8961: 8957: 8954: 8953: 8949: 8946: 8945: 8941: 8938: 8937: 8933: 8930: 8929: 8925: 8922: 8921: 8917: 8914: 8913: 8909: 8906: 8905: 8901: 8898: 8897: 8893: 8890: 8889: 8885: 8882: 8881: 8877: 8876: 8874: 8870: 8866: 8859: 8854: 8852: 8847: 8845: 8840: 8839: 8836: 8824: 8822: 8818: 8814: 8812: 8810: 8806: 8797: 8796: 8793: 8783: 8780: 8778: 8775: 8773: 8770: 8768: 8767: 8766:Dracula Daily 8763: 8761: 8758: 8756: 8753: 8751: 8750: 8746: 8744: 8743: 8739: 8738: 8735: 8728: 8724: 8710: 8709:Simon Belmont 8707: 8705: 8702: 8700: 8697: 8696: 8694: 8690: 8684: 8681: 8679: 8676: 8674: 8673:Janus Dracula 8671: 8669: 8666: 8664: 8661: 8659: 8657: 8652: 8651: 8649: 8645: 8639: 8636: 8634: 8631: 8629: 8626: 8624: 8622: 8617: 8615: 8614:Count Alucard 8612: 8610: 8608: 8603: 8602: 8600: 8594: 8590: 8583: 8579: 8565: 8564: 8560: 8559: 8557: 8553: 8546: 8542: 8541: 8539: 8535: 8529: 8528: 8524: 8522: 8521: 8517: 8515: 8514: 8510: 8508: 8507: 8503: 8501: 8500: 8496: 8494: 8493: 8489: 8488: 8486: 8482: 8476: 8475: 8471: 8470: 8468: 8464: 8457: 8456: 8452: 8449: 8448: 8444: 8441: 8440: 8436: 8433: 8432: 8428: 8427: 8425: 8421: 8414: 8413: 8409: 8406: 8405: 8401: 8398: 8397: 8393: 8390: 8389: 8385: 8382: 8381: 8377: 8374: 8373: 8369: 8366: 8365: 8361: 8358: 8357: 8353: 8350: 8349: 8345: 8342: 8341: 8337: 8334: 8333: 8329: 8326: 8325: 8321: 8318: 8316: 8312: 8309: 8308: 8304: 8301: 8300: 8296: 8293: 8292: 8288: 8285: 8284: 8280: 8276: 8273: 8270: 8269: 8268: 8266: 8262: 8259: 8258: 8254: 8251: 8250: 8246: 8243: 8242: 8238: 8237: 8235: 8231: 8225: 8224: 8220: 8218: 8217: 8213: 8211: 8210: 8206: 8204: 8202: 8198: 8196: 8195: 8191: 8189: 8188: 8184: 8182: 8181: 8177: 8175: 8174: 8170: 8168: 8165: 8161: 8160: 8156: 8154: 8153: 8149: 8147: 8146: 8142: 8140: 8139: 8135: 8134: 8133: 8130: 8128: 8127: 8123: 8122: 8120: 8116: 8109: 8108: 8104: 8101: 8100: 8096: 8093: 8092: 8088: 8085: 8084: 8080: 8077: 8075: 8071: 8070: 8068: 8064: 8057: 8056: 8052: 8049: 8048: 8044: 8041: 8040: 8036: 8035: 8033: 8029: 8022: 8021: 8017: 8016: 8014: 8010: 8003: 8002: 7998: 7995: 7994: 7990: 7987: 7986: 7982: 7979: 7978: 7974: 7971: 7970: 7966: 7963: 7962: 7961:The Historian 7958: 7955: 7954: 7950: 7947: 7946: 7942: 7939: 7938: 7934: 7930: 7929: 7925: 7923: 7922: 7918: 7916: 7915: 7911: 7910: 7908: 7906: 7902: 7899: 7897: 7893: 7892: 7890: 7886: 7882: 7875: 7871: 7852: 7848: 7845: 7841: 7840: 7838: 7836: 7833: 7832: 7827: 7820: 7818: 7814: 7811: 7809: 7805: 7802: 7800: 7799:Young Dracula 7796: 7793: 7789: 7786: 7784: 7779: 7778: 7776: 7772: 7765: 7764: 7760: 7757: 7756: 7752: 7749: 7748: 7744: 7741: 7740: 7736: 7733: 7732: 7728: 7725: 7724: 7720: 7717: 7716: 7712: 7708: 7705: 7704: 7702: 7701: 7700:Young Dracula 7697: 7694: 7693: 7689: 7686: 7685: 7684:Monster Force 7681: 7678: 7677: 7673: 7670: 7669: 7665: 7662: 7661: 7660:Count Duckula 7657: 7654: 7653: 7649: 7646: 7645: 7641: 7638: 7637: 7636:Draculas ring 7633: 7630: 7629: 7628:Monster Squad 7625: 7624: 7622: 7618: 7614: 7607: 7603: 7588: 7587: 7583: 7580: 7579: 7575: 7572: 7571: 7567: 7564: 7563: 7559: 7556: 7555: 7551: 7548: 7547: 7543: 7540: 7539: 7535: 7532: 7531: 7527: 7524: 7523: 7519: 7516: 7515: 7514:Young Dracula 7511: 7508: 7507: 7503: 7500: 7499: 7495: 7492: 7491: 7487: 7484: 7483: 7479: 7476: 7475: 7471: 7468: 7467: 7463: 7460: 7459: 7455: 7452: 7451: 7447: 7444: 7443: 7439: 7436: 7435: 7431: 7428: 7427: 7423: 7420: 7419: 7415: 7412: 7411: 7407: 7404: 7403: 7399: 7396: 7395: 7391: 7388: 7387: 7383: 7380: 7379: 7375: 7372: 7371: 7367: 7364: 7363: 7359: 7356: 7355: 7351: 7348: 7347: 7343: 7340: 7339: 7335: 7332: 7331: 7327: 7324: 7323: 7319: 7316: 7315: 7314:Count Dracula 7311: 7308: 7307: 7306:Dracula's Dog 7303: 7300: 7299: 7295: 7292: 7291: 7287: 7284: 7283: 7279: 7276: 7275: 7271: 7268: 7267: 7263: 7260: 7259: 7255: 7252: 7251: 7250:Hrabe Drakula 7247: 7244: 7243: 7239: 7236: 7235: 7231: 7228: 7227: 7223: 7220: 7219: 7218:Count Dracula 7215: 7212: 7211: 7207: 7204: 7203: 7199: 7196: 7195: 7191: 7188: 7187: 7183: 7180: 7179: 7175: 7172: 7171: 7167: 7164: 7163: 7159: 7156: 7155: 7151: 7148: 7147: 7143: 7142: 7140: 7136: 7129: 7128: 7124: 7121: 7120: 7116: 7113: 7112: 7108: 7105: 7104: 7100: 7097: 7096: 7092: 7089: 7088: 7084: 7081: 7080: 7076: 7073: 7072: 7068: 7065: 7064: 7060: 7057: 7056: 7052: 7049: 7048: 7044: 7041: 7040: 7039:Dracula Sucks 7036: 7033: 7032: 7028: 7025: 7024: 7020: 7017: 7016: 7012: 7009: 7008: 7004: 7001: 7000: 6996: 6993: 6992: 6988: 6985: 6984: 6980: 6977: 6976: 6972: 6969: 6968: 6964: 6963: 6961: 6957: 6950: 6949: 6945: 6942: 6941: 6937: 6934: 6933: 6929: 6926: 6925: 6921: 6920: 6918: 6916: 6915: 6914:Transylvania 6908: 6901: 6900: 6896: 6893: 6892: 6888: 6885: 6884: 6880: 6877: 6876: 6872: 6869: 6868: 6864: 6863: 6861: 6858: 6854: 6847: 6846: 6842: 6839: 6838: 6834: 6831: 6830: 6826: 6825: 6823: 6821: 6817: 6810: 6809: 6805: 6802: 6801: 6797: 6794: 6793: 6789: 6786: 6785: 6781: 6778: 6777: 6773: 6770: 6769: 6765: 6762: 6761: 6757: 6754: 6753: 6749: 6746: 6745: 6741: 6740: 6738: 6736: 6735:Hammer Horror 6732: 6725: 6724: 6720: 6717: 6716: 6712: 6709: 6708: 6704: 6701: 6700: 6696: 6693: 6692: 6688: 6685: 6684: 6680: 6677: 6676: 6672: 6671: 6669: 6667: 6661: 6657: 6650: 6646: 6632: 6631:Corvin Castle 6629: 6627: 6624: 6622: 6619: 6617: 6614: 6613: 6611: 6607: 6601: 6598: 6596: 6593: 6591: 6588: 6585: 6584: 6582: 6578: 6567: 6566: 6562: 6559: 6558: 6554: 6553: 6551: 6549: 6545: 6538: 6537: 6533: 6530: 6526: 6522: 6519: 6517: 6514: 6513: 6511: 6510: 6506: 6503: 6502: 6498: 6497: 6495: 6491: 6485: 6482: 6480: 6477: 6475: 6472: 6470: 6467: 6465: 6462: 6460: 6459:Lucy Westenra 6457: 6455: 6452: 6450: 6447: 6445: 6442: 6440: 6439:Count Dracula 6437: 6436: 6434: 6430: 6426: 6419: 6415: 6411: 6410: 6405: 6398: 6393: 6391: 6386: 6384: 6379: 6378: 6375: 6369: 6368: 6364: 6362: 6358: 6357: 6348: 6344: 6340: 6339: 6334: 6332: 6330: 6326: 6325: 6321: 6320: 6316: 6302: 6298: 6293: 6281: 6277: 6272: 6261: 6257: 6252: 6248: 6244: 6239: 6238: 6234: 6228: 6224: 6220: 6216: 6211: 6207: 6202: 6198: 6197: 6191: 6187: 6186: 6180: 6176: 6171: 6167: 6162: 6158: 6157: 6151: 6147: 6146: 6140: 6136: 6135: 6129: 6125: 6120: 6116: 6115: 6109: 6105: 6100: 6096: 6095: 6089: 6085: 6084: 6078: 6074: 6070: 6065: 6064: 6060: 6054: 6050: 6046: 6041: 6037: 6033: 6029: 6025: 6021: 6017: 6013: 6008: 6004: 6000: 5999:The Telegraph 5996: 5992: 5988: 5984: 5979: 5972: 5968: 5964: 5957: 5952: 5948: 5944: 5940: 5936: 5932: 5927: 5923: 5919: 5915: 5911: 5907: 5903: 5899: 5895: 5891: 5887: 5883: 5878: 5874: 5870: 5866: 5862: 5858: 5854: 5850: 5845: 5841: 5837: 5833: 5829: 5825: 5821: 5817: 5813: 5809: 5804: 5800: 5796: 5792: 5788: 5784: 5780: 5776: 5771: 5767: 5763: 5759: 5755: 5751: 5747: 5743: 5738: 5734: 5730: 5726: 5722: 5718: 5714: 5710: 5706: 5702: 5697: 5693: 5689: 5685: 5681: 5677: 5673: 5669: 5665: 5661: 5656: 5652: 5648: 5644: 5640: 5635: 5631: 5627: 5623: 5619: 5615: 5611: 5607: 5603: 5599: 5595: 5591: 5587: 5583: 5579: 5575: 5571: 5567: 5563: 5559: 5555: 5550: 5546: 5542: 5537: 5533: 5529: 5525: 5521: 5517: 5513: 5509: 5504: 5498: 5494: 5489: 5488: 5485: 5480: 5476: 5472: 5468: 5464: 5460: 5456: 5451: 5446: 5442: 5438: 5434: 5429: 5425: 5421: 5417: 5413: 5409: 5405: 5401: 5397: 5393: 5388: 5384: 5380: 5376: 5372: 5368: 5364: 5360: 5356: 5352: 5347: 5343: 5339: 5335: 5331: 5327: 5323: 5319: 5315: 5311: 5306: 5302: 5298: 5294: 5290: 5286: 5282: 5278: 5273: 5269: 5265: 5261: 5257: 5253: 5249: 5245: 5240: 5236: 5231: 5227: 5223: 5219: 5215: 5211: 5207: 5203: 5198: 5194: 5190: 5186: 5182: 5178: 5174: 5170: 5166: 5162: 5157: 5153: 5149: 5145: 5140: 5136: 5132: 5127: 5123: 5119: 5115: 5111: 5108:(1): 85–108. 5107: 5103: 5099: 5094: 5090: 5086: 5082: 5078: 5074: 5070: 5066: 5062: 5057: 5053: 5049: 5045: 5041: 5037: 5033: 5029: 5024: 5020: 5016: 5012: 5008: 5004: 5000: 4996: 4992: 4988: 4983: 4979: 4975: 4970: 4966: 4962: 4958: 4954: 4950: 4946: 4942: 4937: 4934:. p. 16. 4933: 4928: 4924: 4920: 4916: 4912: 4908: 4904: 4900: 4895: 4891: 4887: 4883: 4879: 4875: 4871: 4867: 4862: 4861: 4857: 4851: 4845: 4841: 4840: 4834: 4830: 4824: 4820: 4819: 4813: 4809: 4803: 4799: 4798: 4792: 4788: 4784: 4780: 4778:9781137349224 4774: 4770: 4769: 4763: 4759: 4753: 4749: 4748: 4742: 4738: 4732: 4728: 4727: 4721: 4717: 4715:9780812815245 4711: 4707: 4706: 4700: 4694: 4690: 4686: 4680: 4676: 4675: 4669: 4668: 4665: 4659: 4651: 4647: 4643: 4637: 4633: 4632: 4627: 4623: 4618: 4614: 4612:9780395657836 4608: 4604: 4603: 4597: 4593: 4591:9780070456716 4587: 4583: 4578: 4574: 4569: 4565: 4561: 4557: 4551: 4547: 4546: 4540: 4536: 4534:9780399109317 4530: 4526: 4525: 4519: 4515: 4513:9780870540349 4509: 4505: 4504: 4498: 4494: 4488: 4484: 4483: 4477: 4473: 4469: 4465: 4459: 4455: 4454: 4448: 4444: 4440: 4436: 4430: 4426: 4425: 4419: 4415: 4411: 4407: 4401: 4397: 4396: 4390: 4384: 4378: 4374: 4370: 4365: 4361: 4355: 4351: 4346: 4342: 4336: 4332: 4328: 4323: 4322: 4319: 4313: 4309: 4304: 4300: 4296: 4292: 4290:0-511-12624-7 4286: 4282: 4281: 4275: 4271: 4267: 4263: 4257: 4253: 4252: 4246: 4242: 4237: 4233: 4227: 4223: 4222: 4216: 4212: 4208: 4204: 4202:0-7181-1098-6 4198: 4194: 4193: 4187: 4181: 4177: 4173: 4167: 4163: 4162: 4156: 4155: 4152: 4148: 4144: 4138: 4134: 4133: 4127: 4121: 4117: 4113: 4107: 4103: 4102: 4096: 4095: 4092: 4088: 4084: 4078: 4074: 4073: 4067: 4063: 4061:9780670809028 4057: 4053: 4048: 4044: 4042:1-56414-807-6 4038: 4034: 4029: 4023: 4019: 4015: 4009: 4005: 4004: 3998: 3994: 3990: 3986: 3980: 3976: 3975: 3969: 3968: 3965: 3961: 3957: 3951: 3947: 3946: 3940: 3936: 3930: 3926: 3925: 3919: 3915: 3913:9780472103928 3909: 3905: 3900: 3896: 3892: 3888: 3882: 3878: 3877: 3871: 3867: 3865:0-306-81098-0 3861: 3857: 3852: 3848: 3842: 3838: 3837: 3831: 3827: 3821: 3817: 3813: 3809: 3805: 3800: 3799: 3794: 3789: 3781: 3776: 3773: 3769: 3764: 3761: 3758:, p. 45. 3757: 3752: 3749: 3745: 3740: 3737: 3733: 3728: 3725: 3721: 3716: 3713: 3709: 3704: 3701: 3697: 3692: 3690: 3686: 3682: 3677: 3674: 3671:, p. 22. 3670: 3665: 3662: 3658: 3653: 3650: 3646: 3641: 3638: 3634: 3632: 3631:The Telegraph 3627: 3622: 3619: 3615: 3610: 3608: 3606: 3602: 3599:, p. 63. 3598: 3593: 3591: 3587: 3583: 3578: 3576: 3574: 3570: 3567:, p. 61. 3566: 3561: 3558: 3555:, p. 11. 3554: 3549: 3547: 3543: 3540:, p. 29. 3539: 3534: 3531: 3527: 3522: 3519: 3515: 3510: 3508: 3504: 3500: 3495: 3492: 3489:, p. 53. 3488: 3483: 3480: 3476: 3471: 3468: 3464: 3463:Browning 2012 3459: 3456: 3452: 3451:Browning 2012 3447: 3444: 3440: 3439:Browning 2012 3435: 3432: 3428: 3427:Browning 2012 3423: 3420: 3416: 3411: 3408: 3405:, p. 13. 3404: 3401:, p. 8; 3400: 3396: 3391: 3388: 3384: 3379: 3376: 3373:, p. 80. 3372: 3367: 3365: 3361: 3358:, p. 11. 3357: 3352: 3349: 3345: 3340: 3337: 3333: 3328: 3325: 3321: 3320:Browning 2012 3316: 3313: 3309: 3304: 3301: 3298:, p. 21. 3297: 3292: 3289: 3285: 3280: 3277: 3273: 3272:Browning 2012 3268: 3265: 3262:, p. 10. 3261: 3257: 3253: 3249: 3244: 3241: 3237: 3232: 3229: 3225: 3221: 3216: 3213: 3209: 3204: 3201: 3198:, p. 26. 3197: 3192: 3189: 3185: 3180: 3177: 3173: 3168: 3165: 3161: 3156: 3153: 3149: 3144: 3141: 3137: 3132: 3129: 3126:, p. 12. 3125: 3120: 3117: 3114:, p. 70. 3113: 3108: 3105: 3101: 3096: 3093: 3090:, p. 77. 3089: 3084: 3082: 3078: 3075:, p. 65. 3074: 3069: 3066: 3063:, p. 64. 3062: 3057: 3054: 3051: 3049: 3043: 3038: 3035: 3031: 3026: 3023: 3019: 3014: 3011: 3007: 3002: 2999: 2995: 2990: 2987: 2983: 2978: 2975: 2971: 2966: 2963: 2959: 2954: 2951: 2947: 2942: 2939: 2935: 2930: 2927: 2923: 2918: 2915: 2912:, p. 89. 2911: 2906: 2904: 2900: 2896: 2891: 2888: 2884: 2879: 2876: 2873:, p. 95. 2872: 2867: 2864: 2860: 2855: 2852: 2848: 2843: 2840: 2836: 2831: 2828: 2824: 2819: 2816: 2812: 2807: 2804: 2801:, p. 34. 2800: 2795: 2792: 2789:, p. 41. 2788: 2783: 2780: 2777:, p. 33. 2776: 2771: 2768: 2765:, p. 89. 2764: 2759: 2756: 2752: 2747: 2744: 2741:, p. 44. 2740: 2735: 2732: 2728: 2723: 2720: 2716: 2711: 2709: 2705: 2701: 2696: 2693: 2690:, p. 52. 2689: 2684: 2681: 2677: 2672: 2669: 2665: 2660: 2657: 2653: 2648: 2646: 2642: 2638: 2637:Schaffer 1994 2633: 2630: 2626: 2625:Schaffer 1994 2621: 2618: 2614: 2609: 2606: 2602: 2597: 2594: 2590: 2585: 2582: 2578: 2573: 2570: 2566: 2561: 2558: 2555:, p. 21. 2554: 2549: 2547: 2543: 2539: 2534: 2531: 2527: 2522: 2519: 2515: 2510: 2508: 2506: 2502: 2499:, p. 19. 2498: 2493: 2491: 2489: 2485: 2481: 2476: 2473: 2469: 2464: 2461: 2457: 2452: 2449: 2445: 2440: 2437: 2434:, p. 15. 2433: 2428: 2425: 2421: 2416: 2413: 2410:, p. 40. 2409: 2404: 2402: 2398: 2394: 2389: 2387: 2383: 2379: 2374: 2371: 2367: 2362: 2359: 2355: 2350: 2347: 2343: 2339: 2334: 2331: 2327: 2326:Barsanti 2008 2322: 2319: 2315: 2310: 2307: 2303: 2298: 2295: 2292:, p. 64. 2291: 2286: 2283: 2280:, p. 14. 2279: 2274: 2271: 2268:, p. 34. 2267: 2262: 2260: 2256: 2253:, p. 43. 2252: 2247: 2244: 2241:, p. 15. 2240: 2235: 2232: 2228: 2223: 2220: 2216: 2211: 2208: 2205:, p. 22. 2204: 2199: 2196: 2192: 2187: 2184: 2180: 2175: 2173: 2169: 2165: 2160: 2157: 2153: 2148: 2145: 2140: 2136: 2131: 2128: 2125:, p. 90. 2124: 2119: 2116: 2113:, p. 60. 2112: 2107: 2104: 2100: 2095: 2092: 2088: 2083: 2080: 2077:, p. 34. 2076: 2071: 2068: 2064: 2059: 2056: 2052: 2047: 2045: 2041: 2037: 2032: 2029: 2025: 2020: 2017: 2013: 2008: 2006: 2002: 1998: 1993: 1990: 1981: 1976: 1973: 1970:, p. 16. 1969: 1964: 1961: 1957: 1952: 1949: 1945: 1940: 1937: 1933: 1928: 1925: 1921: 1916: 1913: 1909: 1904: 1902: 1898: 1894: 1889: 1886: 1882: 1877: 1874: 1867: 1857: 1854: 1848: 1845: 1839: 1836: 1830: 1827: 1823: 1817: 1814: 1810: 1804: 1801: 1797: 1791: 1788: 1781: 1778: 1772: 1769: 1765: 1759: 1756: 1752: 1748: 1742: 1739: 1733: 1730: 1724: 1721: 1717: 1711: 1708: 1704: 1700: 1694: 1691: 1687: 1686: 1679: 1676: 1672: 1666: 1663: 1657: 1654: 1647: 1642: 1640: 1638: 1632: 1629: 1625: 1621: 1620: 1615: 1611: 1606: 1605:Wendy Doniger 1602: 1597: 1590: 1588: 1586: 1582: 1578: 1574: 1570: 1566: 1562: 1558: 1556: 1552: 1548: 1547: 1542: 1537: 1536:the 1958 film 1533: 1529: 1525: 1516: 1515: 1510: 1506: 1502: 1500: 1496: 1492: 1488: 1487: 1482: 1478: 1467: 1466: 1461: 1456: 1454: 1449: 1445: 1442:The story of 1438: 1437: 1432: 1431:Count Dracula 1428: 1424: 1419: 1411: 1406: 1404: 1402: 1398: 1394: 1387: 1383: 1382: 1377: 1373: 1372: 1363: 1359: 1355: 1351: 1347: 1342: 1340: 1339: 1333: 1328: 1324: 1323: 1318: 1314: 1312: 1311: 1306: 1302: 1301: 1296: 1289: 1285: 1284: 1276: 1271: 1269: 1265: 1261: 1260:Ann Radcliffe 1257: 1253: 1252: 1247: 1243: 1242: 1237: 1233: 1227: 1225:, 1 June 1897 1224: 1223: 1216: 1214: 1209: 1199: 1197: 1195: 1191: 1187: 1183: 1179: 1175: 1171: 1167: 1165: 1161: 1157: 1153: 1149: 1140: 1139: 1134: 1130: 1126: 1116: 1105: 1093: 1091: 1088: 1084: 1079: 1075: 1067: 1062: 1060: 1058: 1054: 1050: 1046: 1037: 1035: 1032: 1028: 1024: 1020: 1014: 1012: 1007: 1002: 1001:Romani people 998: 993: 991: 990: 985: 981: 977: 976: 971: 967: 962: 958: 954: 953: 952:fin de siècle 948: 941: 937: 933: 926: 924: 922: 918: 914: 909: 906: 902: 901:David J. Skal 898: 894: 890: 889:transgressive 885: 883: 879: 874: 870: 862: 857: 855: 853: 848: 844: 843: 838: 834: 830: 826: 821: 819: 815: 811: 810:public domain 807: 806:copyright law 803: 799: 792: 787: 780: 775: 768: 766: 764: 760: 756: 751: 746: 742: 737: 735: 731: 727: 723: 718: 714: 709: 705: 701: 697: 684: 678: 671: 669: 667: 663: 659: 655: 651: 649: 642: 635: 631: 623: 619: 615: 611: 607: 603: 602:Daniel Farson 599: 598: 593: 589: 585: 580: 578: 574: 570: 566: 562: 558: 554: 550: 546: 541: 539: 535: 531: 527: 521: 519: 515: 514:Radu Florescu 511: 507: 506:Vlad Drăculea 503: 499: 498:Ármin Vámbéry 495: 494:Count Dracula 487: 483: 476: 474: 472: 468: 467: 462: 458: 457: 452: 451: 446: 442: 438: 434: 430: 426: 422: 414: 409: 407: 404: 400: 396: 391: 388: 384: 380: 374: 372: 368: 364: 360: 356: 352: 348: 344: 340: 336: 335:Lucy Westenra 332: 330: 326: 322: 318: 314: 310: 306: 302: 301:Count Dracula 298: 290: 288: 286: 285:public domain 282: 278: 274: 270: 266: 264: 263:Victorian era 260: 256: 255: 250: 246: 241: 236: 234: 230: 226: 222: 218: 214: 210: 206: 202: 198: 196: 192: 188: 184: 180: 179:Count Dracula 176: 175:Transylvanian 172: 168: 164: 160: 157: 153: 152: 143: 139: 138: 134: 130: 127: 124: 122: 116: 112: 108: 104: 100: 96: 90: 87: 84: 80: 77: 73: 70: 66: 62: 58: 55: 52: 48: 41: 36: 30: 26: 22: 21:Count Dracula 9049: 9041: 9035: 9029: 9001: 8993: 8985: 8966: 8958: 8952:Lady Athlyne 8950: 8942: 8934: 8926: 8918: 8911: 8910: 8902: 8894: 8886: 8878: 8820: 8816: 8808: 8804: 8764: 8747: 8740: 8655: 8620: 8606: 8561: 8555:Audio dramas 8525: 8520:Transylvania 8518: 8511: 8504: 8499:Dracula 2000 8497: 8490: 8472: 8455:Monster Bash 8453: 8445: 8437: 8429: 8410: 8402: 8394: 8386: 8378: 8370: 8362: 8354: 8346: 8338: 8330: 8322: 8314: 8305: 8302:(unreleased) 8297: 8289: 8281: 8271:1986–present 8264: 8255: 8247: 8239: 8221: 8214: 8207: 8200: 8192: 8185: 8178: 8171: 8157: 8150: 8143: 8136: 8124: 8105: 8097: 8089: 8081: 8073: 8053: 8045: 8037: 8018: 7999: 7991: 7983: 7975: 7967: 7959: 7951: 7943: 7935: 7926: 7919: 7914:Anno Dracula 7912: 7905:Anno Dracula 7904: 7895: 7831:The Simpsons 7829: 7816: 7807: 7798: 7782: 7761: 7753: 7745: 7737: 7729: 7721: 7713: 7703:(2006–2014) 7698: 7690: 7682: 7674: 7666: 7658: 7650: 7644:Cliffhangers 7642: 7634: 7626: 7584: 7576: 7568: 7560: 7552: 7546:Dracula 2012 7544: 7536: 7528: 7520: 7512: 7504: 7496: 7488: 7480: 7472: 7464: 7456: 7450:Dracula 3000 7448: 7440: 7432: 7424: 7416: 7408: 7400: 7392: 7384: 7376: 7368: 7360: 7352: 7344: 7336: 7328: 7320: 7312: 7304: 7296: 7288: 7280: 7272: 7264: 7256: 7248: 7240: 7232: 7224: 7216: 7208: 7200: 7192: 7184: 7176: 7168: 7160: 7152: 7144: 7125: 7117: 7111:Monster Mash 7109: 7103:Monster Mash 7101: 7093: 7085: 7077: 7069: 7061: 7053: 7045: 7037: 7029: 7021: 7013: 7005: 6997: 6989: 6981: 6973: 6965: 6946: 6938: 6930: 6922: 6910: 6897: 6889: 6881: 6873: 6865: 6856: 6843: 6835: 6829:Dracula 2000 6827: 6820:Dracula 2000 6819: 6806: 6798: 6790: 6782: 6774: 6766: 6758: 6750: 6742: 6721: 6713: 6705: 6697: 6689: 6681: 6673: 6563: 6555: 6548:Dacre Stoker 6534: 6507: 6500: 6499: 6493:Publications 6408: 6407: 6366: 6355: 6336: 6322: 6304:. Retrieved 6300: 6284:. Retrieved 6279: 6263:. Retrieved 6259: 6226: 6214: 6205: 6194: 6183: 6174: 6165: 6154: 6143: 6132: 6123: 6122:"Untitled". 6112: 6103: 6092: 6081: 6072: 6068: 6052: 6048: 6019: 6015: 5998: 5986: 5982: 5966: 5962: 5938: 5934: 5889: 5885: 5856: 5852: 5815: 5811: 5782: 5778: 5752:(1): 33–49. 5749: 5745: 5711:(1): 61–75. 5708: 5704: 5667: 5663: 5645:(1): 25–47. 5642: 5638: 5600:(3): 22–29. 5597: 5593: 5561: 5557: 5544: 5540: 5515: 5511: 5496: 5492: 5483: 5440: 5436: 5399: 5395: 5358: 5354: 5317: 5313: 5287:(1): 59–64. 5284: 5280: 5251: 5247: 5234: 5209: 5205: 5168: 5164: 5147: 5134: 5130: 5105: 5101: 5064: 5035: 5031: 4994: 4990: 4977: 4948: 4944: 4931: 4906: 4902: 4873: 4869: 4838: 4817: 4796: 4767: 4746: 4725: 4704: 4673: 4630: 4621: 4601: 4581: 4572: 4544: 4523: 4502: 4481: 4452: 4423: 4394: 4372: 4368: 4349: 4330: 4326: 4307: 4279: 4250: 4240: 4220: 4191: 4160: 4131: 4100: 4071: 4051: 4032: 4002: 3973: 3944: 3923: 3903: 3875: 3855: 3834: 3807: 3790:Bibliography 3775: 3763: 3756:McGrath 1997 3751: 3739: 3727: 3720:Doniger 1995 3715: 3703: 3683:, p. 7. 3676: 3664: 3652: 3640: 3630: 3621: 3616:, p. 4. 3597:Hensley 2002 3584:, p. 2. 3565:Hensley 2002 3560: 3533: 3521: 3514:Buzwell 2014 3499:Masters 1972 3494: 3482: 3470: 3458: 3446: 3434: 3422: 3417:, p. 5. 3410: 3390: 3378: 3351: 3346:, p. 8. 3339: 3327: 3315: 3303: 3291: 3279: 3267: 3252:Lloyd's 1897 3243: 3238:, p. 3. 3231: 3224:Stewart 1999 3215: 3203: 3191: 3179: 3172:Spencer 1992 3167: 3155: 3143: 3131: 3119: 3107: 3095: 3088:Moretti 1982 3068: 3056: 3047: 3041: 3037: 3025: 3013: 3001: 2989: 2977: 2965: 2960:, p. 3. 2953: 2941: 2929: 2917: 2890: 2878: 2866: 2854: 2842: 2830: 2818: 2806: 2794: 2782: 2770: 2758: 2753:, p. 8. 2746: 2734: 2722: 2702:, p. 2. 2695: 2683: 2671: 2659: 2632: 2620: 2608: 2596: 2589:Spencer 1992 2584: 2572: 2560: 2538:Belford 2002 2533: 2521: 2514:Belford 2002 2480:Belford 2002 2475: 2463: 2451: 2439: 2427: 2420:Belford 2002 2415: 2408:Bierman 1977 2395:, p. 4. 2373: 2368:, p. 3. 2361: 2349: 2344:, p. 4. 2333: 2328:, p. 1. 2321: 2314:Bierman 1998 2309: 2297: 2285: 2278:Milbank 1998 2273: 2251:McGrath 1997 2246: 2239:Milbank 1998 2234: 2222: 2217:, p. 6. 2215:Hopkins 2007 2210: 2198: 2186: 2159: 2147: 2138: 2130: 2118: 2106: 2094: 2087:McNally 1983 2082: 2070: 2058: 2051:Leblanc 1997 2031: 2019: 2012:Leblanc 1997 1997:Dearden 2014 1992: 1975: 1963: 1956:Belford 2002 1951: 1939: 1934:, p. 1. 1932:Hopkins 2007 1927: 1915: 1908:Belford 2002 1888: 1883:, p. 4. 1881:Hopkins 2007 1876: 1856: 1847: 1838: 1829: 1821: 1816: 1808: 1803: 1795: 1790: 1780: 1771: 1758: 1741: 1732: 1723: 1715: 1710: 1702: 1698: 1693: 1683: 1678: 1670: 1665: 1656: 1637:Dacre Stoker 1633: 1617: 1609: 1600: 1595: 1594: 1577:Mickey Mouse 1560: 1559: 1555:Eiko Ishioka 1544: 1534:(firstly in 1520: 1512: 1498: 1490: 1484: 1481:F. W. Murnau 1476: 1463: 1457: 1453:galley proof 1447: 1443: 1441: 1434: 1400: 1396: 1392: 1385: 1379: 1375: 1369: 1361: 1357: 1353: 1345: 1343: 1336: 1331: 1326: 1321: 1316: 1315: 1308: 1298: 1287: 1281: 1274: 1272: 1268:Mary Shelley 1255: 1249: 1245: 1239: 1231: 1229: 1220: 1218: 1212: 1205: 1185: 1173: 1169: 1168: 1164:Urban Gothic 1159: 1155: 1147: 1146: 1136: 1131:confronting 1077: 1071: 1041: 1027:racial Other 1023:world powers 1015: 994: 988: 978:(1838), and 975:Oliver Twist 973: 950: 939: 931: 930: 917:schoolmaster 910: 897:gender roles 886: 868: 866: 858:Major themes 851: 846: 840: 836: 824: 822: 817: 790: 785: 784: 758: 749: 744: 740: 738: 733: 721: 716: 712: 688: 652: 640: 633: 621: 617: 612:is a direct 609: 605: 595: 583: 581: 576: 572: 560: 552: 544: 542: 538:rhetorically 529: 517: 491: 464: 454: 448: 444: 433:Walt Whitman 429:Henry Irving 418: 392: 375: 367:heart attack 355:sleepwalking 333: 320: 294: 268: 267: 258: 253: 239: 237: 228: 224: 200: 199: 150: 149: 148: 135: 29: 9110:1897 novels 9023:Non-fiction 8865:Bram Stoker 8821:derivatives 8656:Castlevania 8633:Count Orlok 8621:Castlevania 8527:Van Helsing 8356:Van Helsing 8265:Castlevania 8257:Ghost Manor 8233:Video games 8173:Don Dracula 7900:(1975–2002) 7898:and sequels 7878:Other media 7821:(2017–2020) 7812:(2014–2016) 7803:(2006–2014) 7781:"Dracula" ( 7755:Castlevania 7750:(2017–2020) 7739:Van Helsing 7734:(2014–2017) 7726:(2014–2016) 7718:(2013–2014) 7695:(2011–2012) 7679:(1991–1999) 7671:(1990–1991) 7663:(1988–1993) 7426:Van Helsing 6621:Bran Castle 6454:Mina Harker 6404:Bram Stoker 6153:"Dracula". 5941:: 523–535. 5361:(1): 1–21. 4729:. Penguin. 3780:Hughes 2012 3768:Hughes 2012 3744:Miller 2001 3732:Miller 2001 3696:Miller 2001 3657:Clasen 2012 3626:Cengel 2020 3582:Stoker 2011 3538:Rhodes 2010 3526:Stuart 1994 3196:Glover 1996 3148:Miller 2001 3136:Miller 2001 3030:Willis 2007 3006:Clasen 2012 2970:Willis 2007 2910:Croley 1995 2883:Croley 1995 2823:Bauman 1991 2799:Zanger 1991 2787:Zanger 1991 2775:Zanger 1991 2700:Bordin 1993 2577:Escher 2017 2354:Ludlam 1962 2302:Curran 2000 2290:Curran 2005 2227:Farson 1975 2203:Farson 1975 2179:Clasen 2012 2135:Miller 1999 2063:Miller 2006 2036:Miller 1996 1980:Ludlam 1962 1920:Rubery 2011 1614:vampire bat 1541:Gary Oldman 1524:Béla Lugosi 1427:Bela Lugosi 1412:Adaptations 1327:Vanity Fair 1310:Vanity Fair 1254:wrote that 1133:Bela Lugosi 1129:Van Helsing 947:antisemitic 882:Oscar Wilde 769:Publication 685:Composition 646:setting of 557:iron maiden 425:Bram Stoker 423:in London, 403:decapitates 339:Mina Murray 163:Bram Stoker 97:26 May 1897 54:Bram Stoker 9099:Categories 8920:Miss Betty 8598:of Dracula 8317:(handheld) 7707:characters 7692:Ace Kilroy 7610:Television 7530:Dracula 3D 7362:To Die For 6432:Characters 6286:17 January 5947:1684297393 5499:: 212–217. 5235:The Nation 4414:1004391205 3487:Ronay 1972 3208:Keogh 2014 3184:Keogh 2014 3160:Arata 1990 2946:Arata 1990 2934:Arata 1990 2922:Arata 1990 2871:Arnds 2015 2763:Arnds 2015 2664:Craft 1984 2652:Craft 1984 2613:Craft 1984 2075:Fitts 1998 1968:Caine 1912 1868:References 1671:Miss Betty 1166:subgenre. 1083:travelogue 1031:degenerate 878:homoerotic 781:, New York 726:Cruden Bay 477:Influences 461:Hall Caine 456:Miss Betty 410:Background 387:Piccadilly 363:blood-loss 305:his castle 277:archetypal 213:Wallachian 177:nobleman, 142:Wikisource 8654:Alucard ( 8638:Soma Cruz 8619:Dracula ( 8605:Alucard ( 8241:The Count 8223:Purgatori 8126:Crossover 7977:Bloodline 7758:(2017–21) 7742:(2016–21) 7652:Drak Pack 6899:Nosferatu 6867:Nosferatu 6857:Nosferatu 6664:Universal 6516:Icelandic 6028:0039-3827 5906:0030-8129 5865:0021-1427 5832:0013-8304 5791:0011-1589 5779:Criticism 5758:0042-5222 5725:0029-0564 5692:161888586 5684:1080-6547 5630:147429554 5614:0006-4246 5570:0010-4132 5524:0897-0521 5459:1060-1503 5424:193067115 5416:2052-2614 5375:0026-7937 5342:162335122 5334:1080-6547 5293:0090-4260 5260:0042-5222 5218:0277-4356 5185:0160-9009 5114:0011-1589 5102:Criticism 5081:0734-6018 5044:0039-4238 5019:166341977 5011:1913-4835 4957:1063-3685 4945:Narrative 4923:0029-3970 4882:0042-5222 4787:873725229 4693:773567111 4658:cite book 4650:773567111 4564:244770292 4472:244770292 4443:297147082 4180:335291872 4151:335291872 4120:244770292 4091:244770292 4022:664519546 3993:664519546 3964:664519546 3895:647920291 3553:Skal 2011 3112:Seed 1985 3100:Case 1993 3073:Seed 1985 3061:Seed 1985 2751:Kane 1997 2739:Senf 1982 2266:Senf 1982 2111:Kord 2009 1987:forest.'" 1591:Influence 1585:hegemonic 1499:Nosferatu 1491:Nosferatu 1486:Nosferatu 1200:Reception 1087:shorthand 1068:Narrative 1049:parasites 1045:Jerusalem 921:shorthand 913:New Woman 903:, in the 829:Icelandic 823:In 1901, 666:Abhartach 662:Coleraine 565:facsimile 471:biography 299:, visits 297:solicitor 161:novel by 82:Publisher 8817:Category 8805:Category 8607:Hellsing 8187:Hellsing 8066:Musicals 7993:Fangland 7853:" (2010) 7846:" (1993) 7819:episodes 7810:episodes 7801:episodes 7794:" (2000) 7774:Episodes 7570:Renfield 6959:Parodies 6531:" (1914) 6479:Renfield 6422:Universe 6361:LibriVox 6247:Archived 6235:Websites 6036:29533817 6003:Archived 5971:Archived 5943:ProQuest 5922:54868687 5873:25484813 5799:23118160 5622:41069152 5578:40245833 5547:: 67–85. 5532:43308384 5475:54921027 5467:40347238 5301:43797068 5226:23021659 5152:Archived 5122:23116578 4965:20107013 4299:61394818 4270:70335483 3383:TMG 1897 3048:Guernica 1751:Svengali 1688:in 2006. 1581:Superman 1495:Florence 1057:syphilis 1006:vagrants 980:Svengali 755:werewolf 730:Scotland 641:Carmilla 634:Carmilla 622:Carmilla 618:Carmilla 614:allusion 606:Carmilla 597:Carmilla 569:footnote 532:scholar 486:Vlad III 459:(1898). 379:Renfield 317:Budapest 233:Romanian 60:Language 33:Dracula 9105:Dracula 9062:Related 9006:(1914) 8944:The Man 8912:Dracula 8809:Dracula 8731:Related 8492:Dracula 8431:Dracula 8423:Pinball 8283:Dracula 8275:Dracula 8249:Dracula 8203:trilogy 8074:Dracula 8055:Dracula 8047:Dracula 8039:Dracula 8020:Dracula 7763:Dracula 7715:Dracula 7482:Dracula 7418:Dracula 7330:Dracula 7298:Deafula 7266:Blacula 7007:Vampira 6744:Dracula 6683:Dracula 6675:Dracula 6609:Castles 6521:Swedish 6512:(1899) 6501:Dracula 6409:Dracula 6356:Dracula 6338:Dracula 6324:Dracula 6306:13 July 6265:13 June 6229:. 1897. 5840:2873424 5766:3827492 5733:3044836 5383:3734681 5268:3828327 5193:3346355 5089:2928560 4890:3827794 4622:Dracula 4369:Dracula 4327:Dracula 4211:1989574 3042:Dracula 1811:(2012). 1796:Dracula 1716:Dracula 1703:Dracula 1699:Dracula 1610:Dracula 1601:Dracula 1596:Dracula 1561:Dracula 1514:Dracula 1477:Dracula 1470:transl. 1444:Dracula 1436:Dracula 1401:Dracula 1397:Dracula 1386:Dracula 1362:Dracula 1358:Dracula 1354:Dracula 1346:Dracula 1317:Dracula 1288:Dracula 1256:Dracula 1232:Dracula 1213:Dracula 1186:Dracula 1178:Ireland 1174:Dracula 1170:Dracula 1160:Dracula 1156:Dracula 1148:Dracula 1138:Dracula 1078:Dracula 1038:Disease 997:Slovaks 957:pogroms 940:Dracula 932:Dracula 869:Dracula 852:Dracula 825:Dracula 818:Dracula 791:Dracula 786:Dracula 759:Dracula 750:Dracula 745:Dracula 741:Dracula 734:Dracula 722:vampire 717:Dracula 713:Dracula 610:Dracula 584:Dracula 577:Dracula 553:Dracula 530:Dracula 445:Dracula 437:romance 321:Demeter 307:in the 269:Dracula 259:Dracula 240:Dracula 225:Dracula 215:prince 209:history 201:Dracula 187:England 183:vampire 151:Dracula 137:Dracula 126:1447002 63:English 9054:(1910) 9046:(1906) 9038:(1886) 9032:(1879) 8998:(1908) 8990:(1881) 8971:(1911) 8963:(1909) 8955:(1908) 8947:(1905) 8939:(1903) 8931:(1902) 8923:(1898) 8915:(1897) 8907:(1895) 8899:(1895) 8891:(1890) 8883:(1875) 8872:Novels 8484:Albums 8458:(1998) 8450:(1993) 8442:(1988) 8434:(1979) 8415:(2023) 8407:(2013) 8399:(2013) 8391:(2013) 8383:(2012) 8375:(2008) 8367:(2008) 8359:(2004) 8351:(2001) 8343:(2000) 8335:(2000) 8327:(1993) 8319:(1993) 8310:(1993) 8294:(1991) 8286:(1986) 8267:series 8260:(1983) 8252:(1983) 8244:(1979) 8118:Comics 8110:(2011) 8102:(2006) 8094:(2004) 8086:(1997) 8078:(1995) 8058:(1996) 8050:(1995) 8042:(1924) 8023:(1938) 8004:(2010) 7996:(2007) 7988:(2006) 7980:(2005) 7972:(2005) 7964:(2005) 7956:(1997) 7948:(1986) 7940:(1978) 7907:series 7888:Novels 7787:(1968) 7766:(2020) 7731:Decker 7687:(1994) 7655:(1980) 7647:(1979) 7639:(1978) 7631:(1976) 7620:Series 7581:(2023) 7573:(2023) 7565:(2014) 7557:(2013) 7549:(2013) 7541:(2012) 7533:(2012) 7525:(2012) 7517:(2011) 7509:(2009) 7501:(2008) 7493:(2008) 7485:(2006) 7477:(2006) 7469:(2005) 7461:(2004) 7453:(2004) 7445:(2004) 7437:(2004) 7429:(2004) 7421:(2002) 7413:(2002) 7405:(2001) 7397:(2000) 7389:(1994) 7381:(1992) 7373:(1989) 7365:(1989) 7357:(1988) 7349:(1980) 7341:(1979) 7333:(1979) 7325:(1978) 7317:(1977) 7309:(1977) 7301:(1975) 7293:(1974) 7285:(1974) 7277:(1973) 7269:(1972) 7261:(1971) 7253:(1971) 7245:(1971) 7237:(1971) 7229:(1970) 7221:(1970) 7213:(1969) 7205:(1969) 7197:(1966) 7189:(1964) 7181:(1958) 7173:(1957) 7165:(1953) 7157:(1943) 7149:(1923) 7130:(2017) 7122:(2000) 7114:(2000) 7106:(1995) 7098:(1995) 7090:(1988) 7082:(1987) 7074:(1985) 7066:(1985) 7058:(1979) 7050:(1979) 7042:(1979) 7034:(1976) 7026:(1975) 7018:(1974) 7010:(1974) 7002:(1974) 6994:(1972) 6986:(1967) 6978:(1967) 6970:(1963) 6951:(2022) 6943:(2018) 6935:(2015) 6927:(2012) 6912:Hotel 6902:(2024) 6894:(2000) 6886:(1988) 6878:(1979) 6870:(1922) 6848:(2005) 6840:(2003) 6832:(2000) 6811:(1974) 6803:(1973) 6795:(1972) 6787:(1970) 6779:(1970) 6771:(1968) 6763:(1966) 6755:(1960) 6747:(1958) 6726:(1948) 6718:(1945) 6710:(1944) 6702:(1943) 6694:(1936) 6666:series 6568:(2018) 6565:Dracul 6560:(2009) 6539:(1914) 6504:(1897) 6034: 6026: 5945: 5920: 5914:462430 5912: 5904: 5871: 5863: 5838: 5830: 5797: 5789: 5764: 5756: 5731: 5723: 5690: 5682: 5628: 5620: 5612: 5576: 5568: 5530: 5522: 5473: 5465: 5457: 5422: 5414: 5381: 5373: 5340: 5332: 5299: 5291: 5266: 5258: 5224: 5216: 5191: 5183: 5120: 5112: 5087: 5079: 5050: 5042: 5017: 5009: 4963: 4955: 4921: 4907:CCXXII 4888: 4880: 4846: 4825: 4804: 4785: 4775: 4754: 4733: 4712: 4691: 4681: 4648: 4638: 4609: 4588: 4562: 4552: 4531: 4510: 4489: 4470: 4460: 4441: 4431: 4412: 4402: 4379: 4356: 4337: 4314: 4297: 4287: 4268: 4258: 4228: 4209: 4199: 4178: 4168: 4149: 4139: 4118: 4108: 4089: 4079: 4058: 4039: 4020: 4010: 3991: 3981: 3962: 3952: 3931: 3910: 3893: 3883: 3862: 3843: 3822: 1984: 1785:poor". 1530:) and 1517:(1958) 1407:Legacy 1389:'s 1378:, and 1365:'s 1291:'s 1278:'s 1141:(1931) 1072:As an 989:Trilby 943:'s 794:'s 692: 648:Styria 644:'s 637:'s 626:'s 415:Author 399:Romani 395:Galatz 371:behead 349:, and 329:Whitby 191:Whitby 159:horror 156:gothic 76:Gothic 72:Horror 50:Author 8699:Blade 8692:Other 8537:Songs 8031:Plays 8012:Radio 7589:(TBA) 7386:Nadja 7138:Other 6859:films 6653:Films 6032:JSTOR 5974:(PDF) 5959:(PDF) 5918:S2CID 5910:JSTOR 5869:JSTOR 5836:JSTOR 5795:JSTOR 5762:JSTOR 5729:JSTOR 5688:S2CID 5626:S2CID 5618:JSTOR 5574:JSTOR 5528:JSTOR 5471:S2CID 5463:JSTOR 5420:S2CID 5379:JSTOR 5338:S2CID 5297:JSTOR 5264:JSTOR 5222:JSTOR 5189:JSTOR 5118:JSTOR 5085:JSTOR 5048:JSTOR 5032:Style 5015:S2CID 4961:JSTOR 4886:JSTOR 3795:Books 1648:Notes 1094:Genre 1063:Style 1011:major 966:Fagin 229:devil 154:is a 110:Pages 68:Genre 8439:Taxi 6308:2021 6288:2021 6267:2021 6024:ISSN 5902:ISSN 5886:PMLA 5861:ISSN 5828:ISSN 5787:ISSN 5754:ISSN 5721:ISSN 5680:ISSN 5610:ISSN 5566:ISSN 5520:ISSN 5486:: 2. 5455:ISSN 5412:ISSN 5371:ISSN 5330:ISSN 5289:ISSN 5256:ISSN 5214:ISSN 5181:ISSN 5137:(2). 5110:ISSN 5077:ISSN 5040:ISSN 5007:ISSN 4953:ISSN 4919:ISSN 4878:ISSN 4844:ISBN 4823:ISBN 4802:ISBN 4783:OCLC 4773:ISBN 4752:ISBN 4731:ISBN 4710:ISBN 4689:OCLC 4679:ISBN 4664:link 4646:OCLC 4636:ISBN 4607:ISBN 4586:ISBN 4560:OCLC 4550:ISBN 4529:ISBN 4508:ISBN 4487:ISBN 4468:OCLC 4458:ISBN 4439:OCLC 4429:ISBN 4410:OCLC 4400:ISBN 4377:ISBN 4354:ISBN 4335:ISBN 4312:ISBN 4295:OCLC 4285:ISBN 4266:OCLC 4256:ISBN 4226:ISBN 4207:OCLC 4197:ISBN 4176:OCLC 4166:ISBN 4147:OCLC 4137:ISBN 4116:OCLC 4106:ISBN 4087:OCLC 4077:ISBN 4056:ISBN 4037:ISBN 4018:OCLC 4008:ISBN 3989:OCLC 3979:ISBN 3960:OCLC 3950:ISBN 3929:ISBN 3908:ISBN 3891:OCLC 3881:ISBN 3860:ISBN 3841:ISBN 3820:ISBN 3633:2015 1579:and 1526:(in 1266:and 1238:and 999:and 927:Race 512:and 439:and 291:Plot 207:and 132:Text 120:OCLC 8668:Eva 6406:'s 6341:at 6327:at 5894:doi 5890:103 5820:doi 5812:ELH 5713:doi 5672:doi 5664:ELH 5647:doi 5602:doi 5497:394 5445:doi 5404:doi 5363:doi 5322:doi 5314:ELH 5173:doi 5069:doi 4999:doi 4911:doi 3812:doi 1483:'s 1462:'s 1429:as 1135:in 1127:as 1081:of 986:'s 982:of 972:'s 968:in 831:by 690:£2. 616:to 594:'s 590:of 393:In 325:log 303:at 231:in 140:at 113:418 9101:: 6299:. 6278:. 6258:. 6225:. 6073:79 6071:. 6053:34 6051:. 6047:. 6030:. 6020:39 6018:. 6014:. 5997:. 5987:18 5985:. 5969:. 5965:. 5961:. 5939:58 5937:. 5933:. 5916:. 5908:. 5900:. 5888:. 5884:. 5867:. 5857:29 5855:. 5851:. 5834:. 5826:. 5816:59 5814:. 5810:. 5793:. 5783:38 5781:. 5777:. 5760:. 5750:26 5748:. 5744:. 5727:. 5719:. 5709:40 5707:. 5703:. 5686:. 5678:. 5668:61 5666:. 5662:. 5641:. 5624:. 5616:. 5608:. 5598:35 5596:. 5592:. 5572:. 5560:. 5556:. 5545:13 5543:. 5526:. 5516:10 5514:. 5510:. 5495:. 5469:. 5461:. 5453:. 5441:37 5439:. 5435:. 5418:. 5410:. 5398:. 5394:. 5377:. 5369:. 5359:92 5357:. 5353:. 5336:. 5328:. 5318:70 5316:. 5312:. 5295:. 5285:30 5283:. 5279:. 5262:. 5252:36 5250:. 5246:. 5220:. 5210:24 5208:. 5204:. 5187:. 5179:. 5167:. 5163:. 5150:. 5146:. 5133:. 5116:. 5106:37 5104:. 5100:. 5083:. 5075:. 5063:. 5046:. 5036:46 5034:. 5030:. 5013:. 5005:. 4995:28 4993:. 4989:. 4976:. 4959:. 4947:. 4943:. 4917:. 4905:. 4901:. 4884:. 4874:33 4872:. 4868:. 4781:. 4687:. 4660:}} 4656:{{ 4644:. 4558:. 4466:. 4437:. 4408:. 4293:. 4264:. 4205:. 4174:. 4145:. 4114:. 4085:. 4016:. 3987:. 3958:. 3889:. 3818:. 3806:. 3688:^ 3628:; 3604:^ 3589:^ 3572:^ 3545:^ 3506:^ 3363:^ 3250:; 3080:^ 2902:^ 2707:^ 2644:^ 2545:^ 2504:^ 2487:^ 2400:^ 2385:^ 2258:^ 2171:^ 2043:^ 2004:^ 1900:^ 1626:. 1575:, 1479:, 1374:, 1270:. 1215:. 1076:, 736:. 728:, 668:. 660:, 522:is 345:, 331:. 251:' 235:. 74:, 9013:" 9009:" 8857:e 8850:t 8843:v 8823:) 8819:( 8811:) 8807:( 8658:) 8623:) 8609:) 8547:" 8543:" 7849:" 7842:" 7790:" 7785:) 6527:" 6396:e 6389:t 6382:v 6310:. 6290:. 6269:. 6055:. 6038:. 5989:. 5967:6 5924:. 5896:: 5875:. 5842:. 5822:: 5801:. 5768:. 5735:. 5715:: 5694:. 5674:: 5653:. 5649:: 5643:1 5632:. 5604:: 5580:. 5562:3 5534:. 5477:. 5447:: 5426:. 5406:: 5400:1 5385:. 5365:: 5344:. 5324:: 5303:. 5270:. 5228:. 5195:. 5175:: 5169:2 5135:8 5124:. 5091:. 5071:: 5054:. 5021:. 5001:: 4980:. 4967:. 4949:1 4925:. 4913:: 4892:. 4852:. 4831:. 4810:. 4789:. 4760:. 4739:. 4718:. 4695:. 4666:) 4652:. 4615:. 4594:. 4566:. 4537:. 4516:. 4495:. 4474:. 4445:. 4416:. 4385:. 4362:. 4343:. 4320:. 4301:. 4272:. 4234:. 4213:. 4182:. 4153:. 4122:. 4093:. 4064:. 4045:. 4024:. 3995:. 3966:. 3937:. 3916:. 3897:. 3868:. 3849:. 3828:. 3814:: 3647:. 3635:. 3516:. 3385:. 3334:. 2579:. 2304:. 2065:. 1999:. 1922:. 1798:. 1753:. 1718:. 1468:( 839:( 696:s 694:2 27:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index