705:'Retrofit 23: Towards Deep Retrofitting of Homes at Scale', curated for the Building Centre, London (2023) presented the case for full-scale transition in the UK towards deep retrofit as a top priority for achieving net zero, to enable citizens to reap the social, economic and environment benefits. In 2001 Bullivant curated 'Space Invaders', an exhibition demonstrating the vitality of a new wave of British innovators in UK architecture, curated with Pedro Gadanho, which opened at Experimentadesign, the Lisbon design festival, a project for the British Council which toured globally for 3 years. "‘Architecture as a creative profession has been revolutionised by an increasing engagement with local and urban global culture and its tactics are more and more those that work in the visual arts, graphic design, advertising and art direction", she said at the launch.
770:, on participatory placemaking, co-authored with Thomas Ermacora (Routledge, 2015) "champions a broad, diversified, holistic approach to urban design which simultaneously commits to social responsibility and local engagement. The needs and ambitions of communities and stakeholder groups are the focal point of Ermacora and Bullivant’s vision and, stepping outside the studio and workshop, Recoded City also shares inventive ways in which urban realm projects have attracted and encouraged social activities and participation, or have collaborated with community activists".
738:, on adaptive planning, which won Book of the Year, Urban Design Group Awards in 2014 (Routledge, 2012; 2edition, 2021)."Set against the wider horizon appearing in the wake of the global economic crisis, this book presents a thoroughly researched argument for a reclaimed approach to masterplanning. A lively, discursive introduction charts how masterplans can no longer be singular, top-down prescriptions but must offer a collective vision and operate as a framework that can be adapted over time", wrote Juliet Bidgood in her review for Urban Design.
744:(guest editor, AD/Wiley, 2017) is "a thought-provoking manifesto on the potential of digital technologies through essays on the practices of the minimum viable Utopia, digital neighbourhoods and the image of a data city. While it would have been tempting to marvel at the bright, shiny future, this is however a manifesto grounded in practicality with plenty of real-world examples amid all the future-gazing. Essential reading for those up for the challenge of exploiting data to reshape our environment", wrote Richard McPartland.
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University (PhD by Prior Output, Adaptive
Planning). In 2010 Bullivant was elected an Honorary Fellow of the Royal Institute of British Architects for her services to sustainable architectural culture. She is a chair of the Lambeth Design Review Panel (2019-), a member of Enfield Council's Design Review Panel an Expert - Specialist (Design Council) and a Trustee, Temple Bar London, the educational trust.
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Programmes at the Royal Academy of Arts, and curator/director of a number of touring art and design exhibitions for bodies including DAI, established by writer, advisor and event producer John Thackara, which took her to Japan to deliver projects at AXIS Center, Tokyo and Hankyu department store, Oaska, and the Royal College of Art. She regularly gives
792:(Merrell, 2012) which, according to Tony Minichiello, in his review for Domus, "provides plenty of evidence that the most progressive architecture is produces in periods of economic and political crisis". "They have been brought up to admire the great masters of modernism, but as Lucy Bullivant shows in
708:
Her exhibition, 'The near and the far, fixed and in flux', was the UK pavilion at the 1996 Milan
Triennale, supported by the Foreign and Commonwealth Office of the UK government, and she co-curated with Vitra Design Museum the exhibition Kid size: the material world of childhood, a major exploration
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Bullivant has evaluated architecture, urban design and planning schemes for over 25 years through her extensive work as a judge of international competitions including AJ Architecture Awards, ArchMarathon and LEAF; as an author of building studies for
Architects’ Journal and Architecture Today, and
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Bullivant was born in St
Pancras, London, to architect parents, Dargan and Patricia Bullivant. She trained at the Architectural Association and UCL, and was educated at Leeds University (BA Hons, History of Art and English), the Royal College of Art (MARCA, Cultural History) and London Metropolitan
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Over the last 25 years
Bullivant has collaborated with organisations and firms in the cultural industries, further education and local government, on culture-led regeneration projects involving participatory placemaking and social value assessments. Her early roles include Heinz Curator of
759:(V&A Contemporary, 2006); 4dsocial: Interactive Design Environments (guest editor, AD/Wiley, 2007), and 4dspace: Interactive Architecture (AD/Wiley, 2005) and accompanying conferences at Tate Modern, the Institute of Contemporary Arts and the Architectural Associations, London.
809:, "is the number of non-British architects included, with UK residency given equal status to that of nationality. Thus we find a Spaniard and an Iranian running Foreign Office Architects; David Adjaye, a Tanzania-born Ghanian, albeit Londoner by adoption, and many more".
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features for
Architectural Review, Volume, Archis, Icon, Domus, The Plan, a+u, Architectural Record and Indesign, The Guardian and The Financial Times. She has advocated for alternative housebuilding models in her lectures and in published interviews.
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magazine. "They realise that the world has changed. They cannot expect lavish budgets, or vast sites, or a free hand to erect lasting monuments to extra-large egos". "What is exemplary in
Bullivant's book", wrote Murray Fraser in his review of
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globally. Her photograph, Rainbow balloon entrance display, was selected for the
Historic England Archive as part of the Picturing Lockdown Collection created during April and May 2020 in response to the Covid-19 pandemic.
650:
Hon FRIBA is a curatorial director, place strategist and author based in London, noted for her focus over the last 25 years on the adaptive capacities of cities explored through iterative multidisciplinary design.
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of this topic in and beyond the
Western world, which toured for 8 years globally, and described as "a blockbuster of this genre" by Abigail A. Van Slyck in her review for the Winterthur Portfolio.
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689:, a project about community identity with fashion industry workers and students for the Shenzhen Biennale of Urbanism/Architecture, 2016. During lockdown she co-created
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