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Europahaus

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36: 329: 385: 411:, but was not a complete write-off. Although the northernmost section containing the ballroom was subsequently demolished, the remainder was renovated, and spent the next few decades occupied by various offices. The postwar restoration converted the roof-garden facility into a more enclosed 12th storey, as well as altering other details of the structure, and did not recreate the famous illuminated signage. 152: 349:
The main tower-block contained 11 storeys with ground-level storefronts and offices above; with a roof "garden" facility making for a 12th floor. As it was much higher than any of the surrounding buildings at the time, rooftop patrons enjoyed excellent views of the city. Service structures and illuminated signage rose above this level. A lower northern section contained a large
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Building work then ground to a halt amid controversy over that prominent central section (Europahaus "proper"). A steel-framed construction, it was one of the first high-rise office blocks to be completed in Berlin. The design had to be revised several times, and then in 1929 Richard Bielenberg died,
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style, somewhat daring for its time. It possessed a 280 m (920 ft) long facade along Stresemannstraße, yet it was actually planned not as one monolithic building, but a group of individual but linked structures, of which the name Europahaus really applied only to the tall central section.
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architecture of the post-war redevelopment. The first section to be completed, in 1926, was the lower southernmost part. This had its own name – Deutschlandhaus (House of Germany), and contained a shopping arcade and a theatre, the latter also doubling up as a cinema where some of
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Also containing restaurants, bars and a palm garden (added in 1935), the completed building underwent a number of alterations and extensions in rapid succession, and the theatre had three different names in just a few years: opened as the
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in the rear and also the Askanischer Platz area. The competition was won by the architects Richard Bielenberg (1871-1929) and Josef Moser (1872-1963), who in 1906/07 had been responsible for the new construction of
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in 1935. The exterior was adorned by a large number of illuminated advertising signs, of which two in particular made it a major landmark on the Berlin skyline, day and night: one advertising
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In 1924 a design competition was held for what was hailed as the largest new business premises in Berlin, occupying a key site south of
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railway terminus across Askanischer Platz. It was one of the first modern high-rise office buildings to be constructed in the city.
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has become home to several German government agencies and other office concerns. The top four floors houses the Berlin seat of the
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government authorities, who had the neon signs removed and occupied it with numerous affiliated organisations, particularly the
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insurance company, who also had office-space in the building when it first opened, and the other advertising Odol
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his place on the project being taken by Otto Firle (1889-1966), who is probably best remembered for designing the
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Finally, between Summer 1998 and Summer 2000 the building underwent a thorough restoration, and after the
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Europahaus in 1936, showing the tall central section with Allianz and Odol signs, sandwiched between
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After much argument, Europahaus was finally completed in 1931, an ultra-modern building in the
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This article is about the office building in Berlin. For the office building in Leipzig, see
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The neighbouring Deutschlandhaus until 1999 housed several regional associations of the
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in 1930. The design included a general reorganisation of the gardens of the
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Federal Ministry of Economic Cooperation and Development - Berlin office
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on nearby Potsdamer Platz, but with a structure very different from the
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district on Stresemannstraße, facing the remains of the former
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After 1933 the central office block was taken over by the
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Federal Ministry of Economic Cooperation and Development
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Europahaus (Leipzig)


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Berlin
Germany
Kreuzberg
Anhalter Bahnhof
Potsdamer Platz
Königgrätzer
Stresemannstraße
Prinz-Albrecht-Palais
Hotel Fürstenhof
Expressionist
Marlene Dietrich
Lufthansa

New Objectivity
ballroom

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