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was another effort into creating a typeface that leads the eye in a forward direction, this time realised by sturdy serifs that point to the left at the top, and to the right at the base of the characters.
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element into the typeface; he gave the terminals of the stems and extenders an asymmetric rounding. He thought that this treatment also had a practical function, similar to that of
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Balance and Legato consist both from curved forms – none of the lines are straight – which can be seen as a tribute to his teacher Jan
Vermeulen, whose adage
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had no place in the era of new technologies. However, he was not interested in the typefaces characteristic of the
International Typographic Style,
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especially caught his eye. This typeface has two unusual features that
Bloemsma also incorporated into his own typeface called
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in the
Netherlands. During this time, Bloemsma became fascinated by 'Swiss typography' (which is also referred to as the
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almost contradict the outside curves, resulting in more interesting and lively letterforms.
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top-heavy letterforms; leading the eye forward along the line of text.
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version of the typeface was finished and published as part of the
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was a guideline for
Bloemsma throughout his type design career.
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internationally and 'functionalist' in The
Netherlands).
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425:. In effect, Bloemsma made the shapes of the
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247:. Unsourced material may be challenged and
151:Learn how and when to remove these messages
334:to several different type foundries, like
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306:typeface. According to Bloemsma himself,
285:Learn how and when to remove this message
267:Learn how and when to remove this message
201:Learn how and when to remove this message
365:library (FSI FontShop International) as
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349:In 1986 he digitized the typeface with
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547:Dutch typographers and type designers
481:Netherlands Institute for Art History
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245:adding citations to reliable sources
67:; 1958 – 22 April 2005) was a Dutch
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173:tone or style may not reflect the
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132:This section has multiple issues.
94:Evert Bloemsma was born in 1958.
444:Bloemsma died on 22 April 2005.
434:‘a straight line is a dead line’
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183:guide to writing better articles
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140:or discuss these issues on the
107:International Typographic Style
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495:Opvattingen over typografie
302:Bloemsma first developed a
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64:[ˈeːvərdˈblumsmaː]
484:. Retrieved 2 April 2022.
377:For his second typeface,
513:Middendorp, Jan (2004).
90:Early life and education
557:Dutch graphic designers
177:used on Knowledge (XXG)
384:Finally, he allowed a
181:See Knowledge (XXG)'s
99:Academy for Fine Arts
49:Academy for Fine Arts
400:His third typeface,
241:improve this section
60:Dutch pronunciation:
417:His last typeface,
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69:photographer
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39:(2005-04-22)
567:2005 deaths
562:1958 births
541:Categories
516:Dutch Type
455:Dutch Type
448:References
367:FF Balance
359:PostScript
304:sans serif
298:FF Balance
257:April 2022
191:April 2022
137:improve it
113:Typography
81:art school
419:FF Legato
413:FF Legato
406:FF Avance
402:FF Avance
396:FF Avance
316:Helvetica
228:does not
143:talk page
46:Education
427:counters
379:FF Cocon
373:FF Cocon
363:FontFont
351:Ikarus M
344:Monotype
340:Linotype
336:Berthold
322:, whose
84:educator
355:Hamburg
332:Balance
328:Balance
312:Univers
249:removed
234:sources
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308:serifs
103:Arnhem
79:, and
440:Death
521:ISBN
342:and
314:and
232:any
230:cite
34:Died
29:1958
26:Born
243:by
101:in
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