Knowledge (XXG)

Exi (subculture)

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117:, it became common practice for music promoters in north Western Germany, a number of whom were British themselves, to book British acts. However, some parts of Hamburg were off limits to soldiers and airmen and they never seem to have had the influence, which one might have expected, in the post-war development of 212:, here and there, can be everything and such comparisons may well have been dismissed by Exis (or Rockers), at the time. There are also similarities to jazz musicians and some of their fans but the Exis did not listen exclusively to rock and roll, that unruly mix of 92:
Aside from the utterly transformed political and cultural atmosphere in Germany after the war, the biggest difference between the two movements was that, where the Swing Kids wholeheartedly embraced American culture (right down to
153:
or conservative quality (and, given the middle-class background of most of them, this was probably unavoidable), many sought to distance themselves from the blue-jeaned, check-shirted excesses of President
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for the nation's youth. Thus, they were bound to be more attractive to those adolescents, who were trying to stand out from the rest of society, than the "respectable" performers, whom parents admired.
141:, originally just outside the city boundary, was where people were allowed to "do their own thing", in various ways (but primarily when it came to religion), as far back as the eighteenth century. 109:
One of the factors, which had strengthened the link between British musical acts and the Hamburg clubs, was the presence of large numbers of British servicemen (see
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member. Before the establishment of the Federal Republic of Germany (i.e. West Germany) in 1949, the British forces had actually governed their sector.
208:, the vast majority of whom had not been anywhere near Hamburg, was not vastly different from some of the Exis but to obsessive teenagers, an extra 137:
became internationally famous. In addition, "Hamburgers" have always had some sense of being different from other Germans and the area around the
300: 121:. This was partly because of the changing political and legal position. After 1955, they were "guests" on the territory of an ally and 81:
of the 1930s. Both movements were heavily influenced by the prevailing popular culture and music of the United States, whether 1930s
252: 133:
In any case, the St. Pauli district was a place for sailors to relax and artisans to experiment with new ideas, long before the
305: 310: 285: 77:, in the period 1960–1962, regarded themselves as "Exis". In some ways, the Exis were the spiritual successors of the 110: 290: 37: 244: 20: 155: 213: 201: 192:, were, in the eyes of most middle-aged Americans of the 1950s, young rebels, rather than suitable 267: 101:), Exis generally wanted to show that they could think for themselves, as many young people do. 248: 295: 217: 170: 114: 54: 138: 158:'s America, by projecting a somewhat darker and more introspective image. Sartre's black 50: 279: 189: 86: 205: 58: 46: 238: 98: 74: 193: 185: 166: 134: 78: 177:
as consisting of black clothes and very long scarves trailing to the floor.
163: 159: 118: 94: 174: 70: 42: 209: 150: 240:"We are the Mods": A Transnational History of a Youth Subculture 181: 122: 82: 169:
were the most obvious symbols. In an interview with NPR,
113:), in the north-west of Germany. In the aftermath of the 149:
While the fashion choices of some Exis had a slightly
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movement, and were influenced by its chief proponents
129:St Pauli, a haven for those who are different 8: 105:Post-war ties between Britain and Hamburg 85:, in the case of the Swing Kids or 1950s 229: 237:Feldman, Christine Jacqueline (2009). 36: 7: 49:. The Exis took their name from the 200:The dress of British and American 14: 41:) were a 1950s youth movement in 145:Influences on fashions and image 268:"Photographer Astrid Kirchherr" 16:1950s youth movement in Hamburg 1: 301:Counterculture of the 1950s 173:described the Exi style in 89:, in the case of the Exis. 327: 18: 111:British Army of the Rhine 306:History of the Beatles 180:However some American 184:of the time, such as 21:Exis (disambiguation) 311:German youth culture 156:Dwight D. Eisenhower 19:For other uses, see 214:country and western 69:Quite a few of the 286:Culture in Hamburg 247:. p. 68-69. 38:[ˈɛksiːs] 318: 270: 265: 259: 258: 234: 218:rhythm and blues 171:Astrid Kirchherr 115:Second World War 55:Jean-Paul Sartre 40: 35: 326: 325: 321: 320: 319: 317: 316: 315: 291:Existentialists 276: 275: 274: 273: 266: 262: 255: 236: 235: 231: 226: 147: 139:Grosse Freiheit 131: 107: 67: 33: 24: 17: 12: 11: 5: 324: 322: 314: 313: 308: 303: 298: 293: 288: 278: 277: 272: 271: 260: 253: 228: 227: 225: 222: 146: 143: 130: 127: 106: 103: 66: 63: 51:existentialist 15: 13: 10: 9: 6: 4: 3: 2: 323: 312: 309: 307: 304: 302: 299: 297: 294: 292: 289: 287: 284: 283: 281: 269: 264: 261: 256: 254:9781433103698 250: 246: 242: 241: 233: 230: 223: 221: 219: 215: 211: 207: 203: 198: 195: 191: 190:Marlon Brando 187: 183: 178: 176: 172: 168: 165: 162:sweaters and 161: 157: 152: 144: 142: 140: 136: 128: 126: 124: 120: 116: 112: 104: 102: 100: 96: 90: 88: 87:rock and roll 84: 80: 76: 72: 64: 62: 60: 56: 52: 48: 44: 39: 31: 26: 22: 263: 239: 232: 199: 179: 148: 132: 108: 91: 68: 59:Albert Camus 47:West Germany 29: 27: 25: 194:role models 99:bobby socks 75:the Beatles 280:Categories 245:Peter Lang 224:References 186:James Dean 167:cigarettes 135:Reeperbahn 95:zoot suits 79:Swing Kids 164:Gauloises 160:polo-neck 119:St. Pauli 65:Parallels 73:fans of 296:Fashion 202:rockers 175:Hamburg 71:Hamburg 43:Hamburg 34:German: 251:  206:bikers 151:preppy 182:icons 249:ISBN 216:and 204:and 188:and 123:NATO 97:and 83:jazz 57:and 30:Exis 28:The 210:zip 282:: 243:. 220:. 61:. 45:, 257:. 32:( 23:.

Index

Exis (disambiguation)
[ˈɛksiːs]
Hamburg
West Germany
existentialist
Jean-Paul Sartre
Albert Camus
Hamburg
the Beatles
Swing Kids
jazz
rock and roll
zoot suits
bobby socks
British Army of the Rhine
Second World War
St. Pauli
NATO
Reeperbahn
Grosse Freiheit
preppy
Dwight D. Eisenhower
polo-neck
Gauloises
cigarettes
Astrid Kirchherr
Hamburg
icons
James Dean
Marlon Brando

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