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Exile One

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25: 343:. In 1970, Henderson moved to Guadeloupe to become the lead singer of "Les Vikings" of Guadeloupe, a group that toured the French Departments of Guiana, Martinique, St. Martin and Metropolitan France. He wrote and recorded a song titled “Love” with the Vikings which became a huge hit across the Caribbean and particularly in Suriname and later the Netherlands. 401:, and credits as producer and performer of more than 30 long-playing recording projects. Publications references include: The Pop Music of a Continent (African All Stars) by Chris Stapleton and Chris May; Zouk: World Music in the West Indies by Jocelyne Guilbault (University Chicago Press); and World Music/The Rough Guide by The Penguin Group. 675:: "Simon Broughton, Kim Burton and Exile One's lead singer, Gordon Henderson, went on to found a highly original cadence band, the Vikings of Guadeloupe. The Vikings' style was very much a precursor of Kassav, whose own co-founder, Pierre Eduard Decimus, was a member of the group. Onto the lilt of cadence was forged a crash of ...". 245:' co-founder Pierre-Eduard Decimus was a member. At some point he felt that he should start his own group and asked a former school friend Fitzroy Williams to recruit a few Dominicans to complete those he had already selected. The group was named Exile One. During the early 1970s, they initiated a fusion of cadence and calypso " 366:
while Gordon Henderson’s Exile One visited every Caribbean country on a regular basis to perform. Record licenses existed in Jamaica, Barbados, Colombia, and Japan among other places. The group became a household name in several African countries and the islands of the Indian Ocean.
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Henderson has received numerous awards at home and abroad, among them the AFRICAR MUSIC AWARDS in the Ivory Coast, the Golden Drum, the National Meritorious award, Lime Lifetime Achievement, the DFC lifetime achievement (twice), and the CIAO award Washington, among others.
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A Brazilian version of a Gordon Henderson's composition "Jamais voir ça" sold more than 2.5 million copies, recorded by Carlos Santos with the title "Quero Voce". In addition Henderson has been the recipient of numerous gold records for sales of over 100,000 in France.
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In 1975, Exile One became the first Creole act to sign a major recording contract with the French label Barclay, today a part of Universal. Exile One would go on to sell gold records. Gordon Henderson went on to produce other artists including,
375:, a fellow Dominican who is known as the Creole lady of song. He also took time off to study the French language and researched Creole culture. In forty years, Gordon Henderson and Exile One has worked with scores of different musicians. 241:") decided that the French Overseas Department of Guadeloupe had everything he needed to begin a career in Creole music. From there, lead singer Gordon Henderson went on to found a kadans fusion band, the Vikings of Guadeloupe – of which 326:
Gordon Henderson musical career began with short stints with various teenage bands performing at talent shows and dances around the Island. In the late 1960s he formed his own quartet called Voltage Four, patterned on American group
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In the 1980s he got involved in creating Tropic FM in Paris, France, a radio station now known as Media Tropical targeting the Caribbean Diaspora in France. He produced and hosted a TV show called
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that was broadcast on selected PBS stations in the US and the RFO-SAT network. Henderson spearheaded the creation of an annual international music event in Dominica, The
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in Roseau, where he joined the "glee club" and participated in talent shows, activities which encouraged the pursuit of a career in music.
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Gordon Henderson is the leader and founder of the famous musical group Exile One and the one who coined the name
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in the 1980s. Exile One was the first kadans band to sign a production contract with a major label called
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with Creole in a manner that Haitians as well as Jamaicans could identify. Cadence-lypso revolutionized
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defined by Henderson as “a synthesis of Caribbean rhythmic patterns...” The music combined Haitian
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musical group founded by Gordon Henderson in the 1970s with musicians invited over from
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kadans band Exile One led by Gordon Henderson introduced the newly arrived
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in the 1970s. They were inspirational for Kassav and the emergence of
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to their music that other young cadence or compas bands from
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Among his other achievements he is author of a book titled
726: 180: 176: 166: 144: 130: 123: 553: 488:Bloomsbury Encyclopedia Popular Music of the World 386:, featuring the best performers of Creole music. 291:were two influential figures in the promotion of 217:. The band was influential in the development of 685:Horn, David; Shepherd, John (24 April 2014). 585:Caribbean and Latin America (24 April 2014). 518:Caribbean and Latin America (24 April 2014). 8: 448: 446: 444: 350:. The group became known for having created 319:and received his secondary education at the 560:. The University of Chicago press. p.  335:, and mainly toured the French Islands of 120: 109:Learn how and when to remove this message 573:cadence lypso cadence rampa and calypso. 673:World Music: The Rough Guide - Volume 2 486:. In David Horn; John Shepherd (eds.). 440: 45:Please improve this article by adding 416:Fitzroy Williams - Organ, synthesizer 7: 556:Zouk: World Music in the West Indies 413:Gordon Henderson - Lead vocal, organ 409:The original members of Exile One. 315:, Dominica, grew up in the town of 588:Introduction of digital technology 237:father of soul" and "Godfather of 14: 727:Official Website - SITE OFF LINE 482:Gregory Rabess (24 April 2014). 428:Kremlin Fingal - Trumpet, chorus 422:Julie Mourillon - Guitar, chorus 23: 16:Caribbean cadence musical group 284:and toured Africa and Europe. 1: 425:Vivian Wallace - Bass, chorus 311:Gordon Henderson was born in 47:secondary or tertiary sources 688:Exile One and Cadence-lypso 552:Jocelyne Guilbault (1993). 521:Exile One and Cadence-lypso 456:Cadence Lypso and the organ 384:World Creole Music Festival 765: 431:Pierre Labor - Sax, chorus 419:Oliver Cruickshank - Drums 749:Dominica musical groups 722:Official Facebook Page 34:relies excessively on 463:on December 20, 2014 329:Booker T and the MGs 653:National Geographic 380:Feel the World Beat 172:Early 1970s–present 732:2009-04-02 at the 321:St. Mary's Academy 651:. Reprinted from 213:, to be based in 200: 199: 119: 118: 111: 93: 756: 710: 709: 707: 705: 682: 676: 670: 664: 663: 661: 659: 640: 634: 633: 631: 629: 616: 610: 609: 607: 605: 582: 576: 575: 570: 568: 559: 549: 543: 542: 540: 538: 515: 509: 508: 506: 504: 479: 473: 472: 470: 468: 459:. Archived from 450: 307:Gordon Henderson 231:Gordon Henderson 191:Fitzroy Williams 184:Gordon Henderson 169: 121: 114: 107: 103: 100: 94: 92: 51: 27: 19: 764: 763: 759: 758: 757: 755: 754: 753: 739: 738: 734:Wayback Machine 718: 713: 703: 701: 699: 684: 683: 679: 671: 667: 657: 655: 642: 641: 637: 627: 625: 618: 617: 613: 603: 601: 599: 584: 583: 579: 566: 564: 551: 550: 546: 536: 534: 532: 517: 516: 512: 502: 500: 498: 490:. Vol. 9. 484:"Cadence-lypso" 481: 480: 476: 466: 464: 452: 451: 442: 438: 407: 364:Caribbean music 309: 301:Barclay Records 227: 219:Caribbean music 195:Julie Mourillon 193: 189: 185: 167: 159: 155: 151: 126: 115: 104: 98: 95: 52: 50: 44: 40:primary sources 28: 17: 12: 11: 5: 762: 760: 752: 751: 741: 740: 737: 736: 724: 717: 716:External links 714: 712: 711: 697: 677: 665: 643:Neva Wartell. 635: 622:JulieMourillon 611: 597: 577: 544: 530: 510: 496: 474: 439: 437: 434: 433: 432: 429: 426: 423: 420: 417: 414: 406: 403: 358:and the Anglo- 308: 305: 287:Exile One and 226: 223: 198: 197: 187:Vivian Wallace 182: 178: 177: 174: 173: 170: 164: 163: 146: 142: 141: 132: 128: 127: 124: 117: 116: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 761: 750: 747: 746: 744: 735: 731: 728: 725: 723: 720: 719: 715: 700: 698:9781441132253 694: 690: 689: 681: 678: 674: 669: 666: 654: 650: 649:The Dominican 646: 639: 636: 624: 623: 615: 612: 600: 598:9781441132253 594: 590: 589: 581: 578: 574: 563: 558: 557: 548: 545: 533: 531:9781441132253 527: 523: 522: 514: 511: 499: 497:9781441132253 493: 489: 485: 478: 475: 462: 458: 457: 449: 447: 445: 441: 435: 430: 427: 424: 421: 418: 415: 412: 411: 410: 404: 402: 400: 395: 391: 387: 385: 381: 376: 374: 368: 365: 361: 360:calypso music 357: 353: 352:Cadence-lypso 349: 348:Cadence-lypso 344: 342: 338: 334: 330: 324: 322: 318: 314: 306: 304: 302: 298: 294: 293:cadence-lypso 290: 285: 283: 279: 275: 271: 267: 263: 259: 254: 252: 248: 247:Cadence-lypso 244: 240: 239:Cadence-lypso 236: 232: 224: 222: 220: 216: 212: 208: 204: 196: 192: 188: 183: 179: 175: 171: 165: 162: 158: 154: 153:Cadence-lypso 150: 147: 143: 140: 136: 133: 129: 122: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 42: 41: 37: 32:This article 30: 26: 21: 20: 702:. 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"Exile One"
news
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scholar
JSTOR
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Dominica
West Indies
Kadans
Cadence-lypso
Zouk
World music
Vivian Wallace
Fitzroy Williams
Julie Mourillon
cadence
Dominica
Guadeloupe
Caribbean music
Creole
Cadence-lypso
Kassav
Cadence-lypso
soca music
horn section

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