Knowledge (XXG)

Eating the Dinosaur

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discussed Klosterman's "pixelated intelligence and vivid prose," concluding, "Mr. Klosterman's relentlessly thoughtful prose makes a case that our arts and entertainment are more suffused with meaning than ever before. Even as he's fretting over the direction of the culture, his writing stands as an
153: 182: 609: 624: 115: 360:: a retrospective of the unique style, particular appeal to American audiences, and lasting relevancy of Swedish pop music group, 604: 411: 614: 629: 476: 575: 506: 619: 173: 65: 26: 544: 458: 563: 529: 263: 255: 579: 510: 442: 481: 177: 584: 350: 122: 110: 294: 169: 37: 243: 187: 55: 235: 598: 464: 423: 346: 279: 267: 259: 419: 342: 315: 311: 239: 215: 186:, the book is a collection of previously unpublished essays concerning an array of 140: 427: 372: 299: 231: 191: 290: 219: 94: 325:: an exploration of the automobile's place in the American cultural psyche 129: 588: 438: 214:: an examination of the journalistic interview employing interviews with 387: 467:, critic Samantha Nelson wrote that Klosterman's work had "matured". 415: 376: 407: 154:
I Wear the Black Hat: Grappling with Villains (Real and Imagined)
361: 278:: an exposition about the career and legacy of basketball star 486: 123: 545:
Samantha Nelson, "Chuck Klosterman: Eating The Dinosaur,"
333:: a series of "best responses" to controversial questions 398:: an examination of pop music's aesthetic legitimacy 275:
What We Talk About When We Talk About Ralph Sampson
148: 135: 121: 109: 101: 89: 81: 71: 61: 51: 43: 33: 530:Michael MacCambridge, "Drenched in Pop Culture," 507:"Eating the Dinosaur - Book Summary & Video" 8: 383:It Will Shock You How Much It Never Happened 19: 18: 190:topics. The book cover was designed by 498: 180:. In the mold of Klosterman's earlier 414:in media and the works and psyches of 322:Going Nowhere and Getting There Never 7: 456:was positively received by critics. 293:in real life and in media, such as 14: 25: 585:"Eating the Dinosaur": Football 1: 264:Sundance Film Festival winner 218:, documentary filmmaker, and 168:is the sixth book written by 16:2009 book by Chuck Klosterman 477:Social effects of television 463:eloquent defense of it." At 211:Something Instead of Nothing 258:with a particular focus on 230:: a comparison of two men: 183:Sex, Drugs, and Cocoa Puffs 646: 610:American non-fiction books 426:, and American politician 368:"Ha ha," he said. "Ha ha." 625:Works by Chuck Klosterman 390:'s advertising strategies 222:, radio producer and host 24: 307:The Passion of the Garth 286:Through a Glass, Blindly 565:The Wall Street Journal 532:The Wall Street Journal 459:The Wall Street Journal 205:consists of 13 essays: 605:2009 non-fiction books 395:All The Kids Are Right 256:time travel in fiction 615:Popular culture books 314:' alter ego project, 251:Tomorrow Rarely Knows 172:, first published by 630:Essays about culture 580:Simon & Schuster 511:Simon & Schuster 20:Eating the Dinosaur 576:Eating the Dinosaur 569:Eating the Dinosaur 454:Eating the Dinosaur 443:Unabomber manifesto 422:, German filmmaker 330:"The Best Response" 203:Eating the Dinosaur 165:Eating the Dinosaur 21: 549:, 29 October 2009. 534:, 24 October 2009. 482:Postmodernist film 386:: a discussion of 289:: a discussion of 620:Essay collections 406:: an analysis of 371:: a criticism of 351:American football 254:: an analysis of 161: 160: 82:Publication place 637: 551: 542: 536: 527: 521: 520: 518: 517: 503: 341:: a piece about 310:: a critique of 295:Alfred Hitchcock 170:Chuck Klosterman 149:Followed by 136:Preceded by 125: 77:October 20, 2009 73:Publication date 38:Chuck Klosterman 29: 22: 645: 644: 640: 639: 638: 636: 635: 634: 595: 594: 560: 555: 554: 543: 539: 528: 524: 515: 513: 505: 504: 500: 495: 473: 451: 357:ABBA 1, World 0 244:Branch Davidian 238:front man, and 200: 90:Media type 74: 17: 12: 11: 5: 643: 641: 633: 632: 627: 622: 617: 612: 607: 597: 596: 593: 592: 582: 573: 559: 558:External links 556: 553: 552: 537: 522: 497: 496: 494: 491: 490: 489: 484: 479: 472: 469: 450: 447: 446: 445: 430: 399: 391: 379: 364: 353: 334: 326: 318: 303: 297:'s 1954 film, 282: 271: 247: 223: 199: 196: 159: 158: 150: 146: 145: 137: 133: 132: 127: 119: 118: 113: 107: 106: 103: 99: 98: 91: 87: 86: 83: 79: 78: 75: 72: 69: 68: 63: 59: 58: 53: 49: 48: 45: 41: 40: 35: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 642: 631: 628: 626: 623: 621: 618: 616: 613: 611: 608: 606: 603: 602: 600: 590: 586: 583: 581: 577: 574: 572: 570: 566: 562: 561: 557: 550: 548: 547:The A.V. Club 541: 538: 535: 533: 526: 523: 512: 508: 502: 499: 492: 488: 485: 483: 480: 478: 475: 474: 470: 468: 466: 465:The A.V. Club 461: 460: 455: 448: 444: 440: 436: 435: 431: 429: 425: 424:Werner Herzog 421: 417: 413: 409: 405: 404: 403:T is for True 400: 397: 396: 392: 389: 385: 384: 380: 378: 374: 370: 369: 365: 363: 359: 358: 354: 352: 348: 347:progressivism 344: 340: 339: 335: 332: 331: 327: 324: 323: 319: 317: 313: 309: 308: 304: 302: 301: 296: 292: 288: 287: 283: 281: 280:Ralph Sampson 277: 276: 272: 270: 269: 265: 261: 260:Shane Carruth 257: 253: 252: 248: 245: 241: 237: 233: 229: 228: 227:Oh, the Guilt 224: 221: 217: 213: 212: 208: 207: 206: 204: 197: 195: 193: 189: 185: 184: 179: 175: 171: 167: 166: 157: 155: 151: 147: 144: 142: 138: 134: 131: 128: 126: 120: 117: 116:1-4165-4420-8 114: 112: 108: 104: 100: 96: 92: 88: 85:United States 84: 80: 76: 70: 67: 64: 60: 57: 54: 50: 46: 42: 39: 36: 32: 28: 23: 568: 564: 546: 540: 531: 525: 514:. Retrieved 501: 457: 453: 452: 433: 432: 420:Rivers Cuomo 402: 401: 394: 393: 382: 381: 373:laugh tracks 367: 366: 356: 355: 343:conservatism 337: 336: 329: 328: 321: 320: 316:Chris Gaines 312:Garth Brooks 306: 305: 298: 285: 284: 274: 273: 266: 250: 249: 240:David Koresh 226: 225: 216:Errol Morris 210: 209: 202: 201: 181: 164: 163: 162: 152: 141:Downtown Owl 139: 428:Ralph Nader 300:Rear Window 232:Kurt Cobain 188:pop culture 56:pop culture 599:Categories 516:2009-10-31 493:References 418:front man 412:literalism 192:Paul Sahre 591:'s Page 2 449:Reception 291:voyeurism 220:Ira Glass 130:317923385 95:hardcover 62:Publisher 589:ESPN.com 471:See also 439:exegesis 338:Football 262:'s 2004 174:Scribner 66:Scribner 44:Language 441:of the 388:PepsiCo 377:sitcoms 236:Nirvana 93:Print ( 52:Subject 47:English 416:Weezer 268:Primer 246:leader 198:Essays 156:  143:  34:Author 437:: an 408:irony 102:Pages 434:FAIL 410:and 362:ABBA 345:and 178:2009 124:OCLC 111:ISBN 587:at 578:at 567:on 487:NPR 375:in 349:in 176:in 105:256 601:: 509:. 242:, 234:, 194:. 571:. 519:. 97:)

Index


Chuck Klosterman
pop culture
Scribner
hardcover
ISBN
1-4165-4420-8
OCLC
317923385
Downtown Owl
I Wear the Black Hat: Grappling with Villains (Real and Imagined)
Chuck Klosterman
Scribner
2009
Sex, Drugs, and Cocoa Puffs
pop culture
Paul Sahre
Errol Morris
Ira Glass
Kurt Cobain
Nirvana
David Koresh
Branch Davidian
time travel in fiction
Shane Carruth
Sundance Film Festival winner
Primer
Ralph Sampson
voyeurism
Alfred Hitchcock

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