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467:, Eunice Mindlin, and Val Burton. Lang also described a "Writers' Clinic" to which many Hollywood Ten writers belonged. On March 25, 1953, Huebsch returned for testimony, this time counseled not only by Esterman but also Daniel G. Marshall. Huebsch began by correcting the committee, saying he had not asked for no televisions but for a quashing of his subpoena. The committee disregarded his request but assured him he was not being recorded. After a short biography, the committee pressed him to state whether he had ever been a member of the
249:
marshal to the home of Mr. Huebsch. The marshal talked to Mrs. Huebsch and was informed that her husband would be home later that same date. We stayed around the place until fairly late at night, and Mr. Huebsch did not return. Inquiries around the neighborhood disclosed that the next day Mrs. Huebsch loaded the station wagon up and left. No one has been there for the last 5 weeks. We contacted the residence again on April 6, and no one was at home.
327:
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254:(The HUAC hearing transcript includes a footnote with corrected address: "Edward Huebsch , 10200 La Nida, North Hollywood.") Wheeler then read aloud for the public a letter from Jakes J. Boyiz, US Marshal for the Southern District of California, that shared "the following named persons be served subpenas commanding their appearance In the District of Columbia: Georgia Backus Alexander, Jack Berry,
213:
581:
639:. I could not get him to assert that he would take an anti-Communist position. So I reported that he was an informer. Nothing he has said then or since has convinced me I was wrong... The main point is, Carl wouldn't tell the Commies to go fuck themselves... I would have recommended expulsion.
654:
An especially odious instance of this kind of hysteria occurred close to home at a meeting of the Screen
Writers Guild in Hollywood. A good friend of mine, Edward Huebsch, was ducking a subpoena from HUAC but decided to attend a guild meeting because a discussion of the guild and the blacklist was
301:
During testimony by fellow screenwriter
Stanley Roberts, Huebsch's name came up again on May 20, 1952. Roberts described himself as a "motion-picture writer" who had worked in that business since 1936 for studios major (Metro-Goldwyn-Mayer, Columbia, Universal) and minor (Monogram). Roberts tried
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who had been trying to serve him. Eddie ducked into the hall and saw the marshal was trying to follow him into the closed meeting. Eddie immediately asked the chair to have the marshal barred, because only member of the guild were permitted. One of the right-wing members raised a point of order
552:
called the movie a "deadly solemn, gadgety suspense-melodrama about a disgruntled, liberal-thinking United States general, a
Vietnam veteran whose out-spoken antiwar views got him railroaded to prison on a trumped-up murder charge." While the newspaper summed it up in 1977 as having "no star," in
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got him to join. Two or three other "delegates" came to visit
Roberts after that, one of whom was Edward Huebsch. These delegates, including Huebsch, persuaded him that "The party was merely interested in the things that I was interested in, better conditions in the Screen Writers' Guild, better
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The last individual which I wish to bring to the committee's attention is Edward
Huebsch. He resides at 11200 La Maida, Los Angeles, Calif. We received this subpena rather late on our first trip to California, and when we received it we accompanied the United States marshal or deputy United States
414:
On March 23, 1953, Huebsch himself appeared before HUAC, counseled by
William B. Esterman. Initially, Huebsch objected to the televising of hearings by Congress, a point to which the committee acceded and rescheduled his hearing. On March 24, 1953, David A. Lang, a fellow screenwriter, named
665:
Interpreting the meaning of this event, Gordon concluded: "It means that the fear of the consequences were so pervasive for anyone who was seen to opposed the extreme right wing that no one dared to take such a stand openly" and opposed the blacklisting. In 1997, the
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and moved the marshal be given temporary membership in the guild and be permitted to enter the hall. This was promptly scheduled; the chair called for a vote... The members voted in favor of the motion. The marshal walked over and served Eddie the subpoena.
319:
labor conditions in
Hollywood, higher wages, and so forth, and in furthering Roosevelt's policies." Roberts left the Party in 1946, but Huebsch came back to ask him to rejoin and support the Conference of Studio Unions (CSU) strike (see "
483:). When the committee tried to press Huebsch into strictly "yes" or "no" answers, Huebsch cited a passage in the Fifth Amendment that prohibited the committee from such. Eventually, Huebsch refused to answer by citing the
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to explain to the committee that, "It is very difficult for us to understand, but communism in
Hollywood, as I have seen it, is on a purely local level. It doesn't seem to go anywhere." In 1938, Roberts first met
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MR. TAVENNER: You are not certain of his first name, can you identify the person to whom you are referring l\Y any other information so that there will be no question about a confusion of names?
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summarized it as "Noble banalities pulse endlessly from Mata's tear-drenched heartstrings and drown whatever sense of realism this yucky pseudo-historical novel might have had. Bathos supreme."
514:
945:. US GPO. March 1953. pp. 317–319 (Huebsch objection), 342–343 (Lang on clinic), 347–348 (more on clinic), 349–350 (Lang on cell with Huebsch), 371–380 (Huebsch testimony)
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475:. The committee pressed him by demanding he cite which provision of the Fifth Amendment, etc. Huebsch was equally aggressive, calling committee chairman
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2012 a new review said it "epitomized a paranoid, quintessentially ’70s moment in
American history and imagination... a nerve-racking procedural."
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MR. TUTTLE: I can't identify him other than the fact his name was
Huebsch. He was in one of the groups I was in and he was a writer.
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Another party interested in Foreman's testimony was the CP itself. They sent the screenwriter Eddie Huebsch to interview Foreman:
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Also in 1980, Ceplair and Englund mentioned Huebsch as one of those dodged subpoenas, recalled in 1999 by fellow screenwriter
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258:, Leonardo Bercovici, Edward Huebsch, Karen Morley, Fred Rinaldo, Lew Solomon, Michael Uris." Finally, writer-director
176:. Blacklist scholars Ceplair and Englund grouped Huebsch among those screenwriters who considered movies a "high art."
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I was assigned by the Party to find out what Foreman's testimony was going to be. I had lunch with him--he was doing
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at the time. I sat for eleven hours with him. We went to Lucy's, the fanciest restaurant in Hollywood--across from
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Huebsch moved to Los Angeles in 1946 after receiving his discharge and spending some time with family in New York.
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1381:"Witness Bickers with Red Inquiry; House Members Call Screen Writer 'Contemptuous' -- He Refuses to Give Replies"
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Screen Credit and the Writers Guild of America, 1938-2000: A Study in Labor Market and Idea Market Intermediation
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Huebsch became a screenwriter, whose career took off in the late 1940s. He often adapted books to film, as in
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On April 17, 1951, Huebsch's name came up during hearings. HUAC investigator William A. Wheeler testified:
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included Huebsch among 24 films that used pseudonyms (or "fronts") for true writers. In 2000, the
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Investigation into Communist infiltration into Hollywood commenced nationally with hearings by the
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noted Huebsch's "verbal jousting" with HUAC and that committee members called him "contemptuous."
288:) in writing a letter to the Screen Writers Guild that urged the guild to stand up for credits to
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By 1951, Huebsch went onto the Hollywood Blacklist; his name was omitted from writing credits for
1169:. Arlington House. pp. 383 (Best Man Wins), 408 (Millie's Daughter), 420 (Son of Dr. Jekyll)
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Roberts then went on the name Huebsch as a member of Communist-dominated groups in Hollywood:
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1360:. US GPO. 20 May 1952. pp. 3530–3531 (recruitment), 3533 (magazine), 3535 (strike)
1305:. US GPO. 17 April 1951. pp. 325–326 (Wheeler subpoena, letter), 636 (Tuttle list)
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Corrected Credit: Written for the Screen by Hugo Butler and Edward Huebsch. (04/01/97)
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group organized by the Communist Party in 1935 and disbanded in 1943. (His relative
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Days of Anger, Days of Hope: A Memoir of the League of American Writers, 1937-1942
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Keep Watching the Skies! American Science Fiction Movies of the Fifties · Volume 1
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worked through a list of subversive Hollywood people, which included Huebsch:
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Original Credit: Written for the Screen by Hugo Mozo and Eduardo Bueno. (1958)
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asked him to join. In late April or early May 1945, right after the death of
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903:. Anchor Press. pp. 5 (high art), 179 (military), 382 (underground).
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On behalf of the Party, Huebsch interviewed at length fellow screenwriter
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The Inquisition in Hollywood: Politics in the Film Community, 1930–1960
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named Huebsch as a communist with the following passage in his book
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issued further corrected blacklist credits that included Huebsch:
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Huebsch died age 68 on July 7, 1982, in Los Angeles, California.
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Huebsch as part of a Communist cell whose members also included:
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In May 1952, Huebsch joined 14 others (including members of the
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Edward Huebsch was born on February 20, 1914, in New York City.
1568:. University of Texas Press. pp. 68 (recall), 288 (list).
1262:
Blacklisted: The Film Lover's Guide to the Hollywood Blacklist
775:(as "Eduardo Bueno") with Hugo Butler (as "Hugo Mozo") (1960)
769:(as "Eduardo Bueno") with Hugo Butler (as "Hugo Mozo") (1958)
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called it "intricate, intriguing and intelligent drama." The
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Investigation of Communist Activities in the Los Angeles Area
1357:
Communist Infiltration of Hollywood Motion-picture Industry
1333:. New York University Law School. pp. 18–20, 20 (fn87)
1302:
Communist Infiltration of Hollywood Motion-picture Industry
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and wife Sonja Dahl, Michael Uris and wife Dorothy Tree,
1101:. McFarland. pp. 45 (Jekyll blurb), 433 (credits).
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scheduled. Outside the meeting hall, Eddie spotted the
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In 1979, Huebsch published the historical fiction novel
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Hollywood Exile, or How I Learned to Love the Blacklist
862:. Viking Press. pp. 158 (recount), 429 (listing).
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MR. TUTTLE: ...Mr. Huebsch, H-u-e-b-s-c-h, a writer.
232:(HUAC) in October 1947 that led to indictment of the
220:(here in 1947, around the time he became one of the
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Huebsch adapted books to film, including a story by
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Writers of historical fiction set in the modern age
967:
Only Victims: A Study of Show Business Blacklisting
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1027:. Hollywood Reporter. 1949. pp. 249, 403, 442
824:List of members of the League of American Writers
271:MR. TUTTLE: I think it was Eddie. I am not sure.
1003:. US GPO. 1953. pp. 38, 244, 496 (Hesperus)
536:In 1977, Huebsch tried to make a comeback with
115:screenwriter whose career was cut short by the
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1231:. Harvard University Press. pp. 181–182.
499:, at which point the committee dismissed him.
16:20th-Century American blacklisted screenwriter
1625:. Writers Guild of America West. 17 July 2000
1197:. University Press of Colorado. p. 265.
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1460:"Aiming a Query and Missiles at a President"
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459:, John Stanford, Wilma Shore, George Sklar,
269:MR. TAVENNER: Do you reca11 his first name?
1076:. Hollywood Film Archive. pp. 38, 219
471:. Huebsch declined to answer, citing the
381:, Bernard C. Schoenfeld, Irwin Lieberman,
216:One of Huebsch's screenwriter friends was
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1135:. Scarecrow Press. pp. 98 (Jekyll).
336:Federal Correctional Institution, Ashland
1070:Hurst, Walter E.; Baer, Richard (1989).
897:Ceplair, Larry; Englund, Steven (1980).
314:("the death of liberalism in America"),
273:MR. TAVENNER: You say he was a writer?
1051:. Hollywood Reporter. 1952. p. 262
851:
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1048:Motion Picture Production Encyclopedia
1024:Motion Picture Production Encyclopedia
518:Huebsch's last script was directed by
334:(from mugshot dated 1950-06-09 at the
230:House Un-American Activities Committee
139:, Huebsch volunteered to serve in the
1433:"'Twilight's Last Gleaming': No Star"
479:"King Harold Velde" (in reference to
427:, Laurie Blankfort, William Blowitz,
7:
135:In 1942 following the December 1941
1692:National Library Board of Singapore
1458:Rapold, Nicolas (21 October 2012).
1259:Buhle, Paul; Wagner, David (2003).
1767:20th-century American male writers
1265:. Palgrave Macmillan. p. 18.
970:. Putnam. pp. 279, 285, 288.
747:("A Lodging for the Night") (1949)
618:, a fellow American screenwriter:
14:
1496:. Crown Publishers. p. 317.
431:, Howard Dimsdale, Morton Grant,
1732:Screenwriters from New York City
1598:"WGA Corrects Blacklist Credits"
1537:. Kirkus Reviews. 1 October 1979
529:What Ever Happened to Baby Jane?
1742:20th-century American novelists
1653:. Crown Publishers. p. 317
1379:Hill, Gladwin (26 March 1953).
526:during production of the movie
137:Japanese attack on Pearl Harbor
361:Conference of Studio Unions:
330:Huebsch's colleagues included
292:as screenwriter for the movie
1:
1757:American historical novelists
1623:"Corrected Blacklist Credits"
1596:Johnson, Ted (2 April 1997).
672:Writers Guild of America West
1650:The Last Summer of Mata Hari
1534:The Last Summer of Mata Hari
1493:The Last Summer of Mata Hari
811:The Last Summer of Mata Hari
763:("Millie's Daughter") (1956)
588:, who penned the script for
558:The Last Summer of Mata Hari
306:'s home, where members like
77:Motion picture screen writer
1694:: Twilight's Last Gleaming
1225:Fisk, Catherine L. (2016).
649:in a specific incident:
602:appear in a scene together)
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1407:"Twilight's Last Gleaming"
538:Twighlight's Last Gleaming
497:United States Constitution
455:, W.L. River, Bob Robert,
181:League of American Writers
172:, adapted from a story by
1737:Jewish American novelists
1191:Folsom, Franklin (1994).
1163:Larkin, Rochelle (2008).
1073:Film Superlist: 1940-1949
736:The Wreck of the Hesperus
312:Franklin Delano Roosevelt
1129:Glut, Donald F. (1978).
856:Navasky, Victor (1978).
782:Twilight's Last Gleaming
668:Writers Guild of America
1747:American male novelists
964:Vaughn, Robert (1972).
389:Screen Writers Magazine
346:Screen Writers Guild:
1676:British Film Institute
1132:Classic Movie Monsters
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682:(Producciones Olmeca)
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399:, John Howard Lawson,
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321:Hollywood Black Friday
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201:The Son of Dr. Jekyll
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1688:: Son of Dr. Jekyll
790:Stories for Scripts:
439:, Pauline Lagerfin,
238:contempt of Congress
195:was also a member.)
1752:American communists
1324:Fisk, Catherine L.
834:Hollywood Blacklist
522:(here in 1962 with
469:Communist Party USA
295:The Las Vegas Story
275:MrMR. TUTTLE: Yes.
260:Frank Wright Tuttle
208:Hollywood Blacklist
179:Huebsch joined the
117:Hollywood blacklist
86:Hollywood blacklist
1439:. 10 February 1977
1413:. 31 December 1976
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560:, whose review by
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495:Amendments of the
457:Marguerite Roberts
352:John Howard Lawson
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308:John Howard Lawson
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141:United States Army
1503:978-0-517-53306-2
977:978-0-89950-032-4
760:Lux Video Theatre
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608:Victor Navasky
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540:, directed by
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57:(aged 68)
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23:Edward Huebsch
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1238:9780674973206
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829:Hollywood Ten
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767:Little Giants
765:
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749:
746:
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741:
738:
737:
733:
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728:Best Man Wins
725:
722:
721:
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705:
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691:
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680:LITTLE GIANTS
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458:
454:
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449:Arnold Manoff
446:
442:
438:
434:
433:Lester Koenig
430:
426:
422:
419:, Nick Bela,
418:
410:
406:
402:
398:
397:Dalton Trumbo
394:
390:
387:
384:
380:
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375:Jean Rouverol
372:
368:
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333:
332:Dalton Trumbo
328:
324:
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296:
291:
287:
286:Hollywood Ten
281:
263:
261:
257:
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234:Hollywood Ten
231:
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222:Hollywood Ten
219:
214:
207:
205:
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196:
194:
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186:
185:Popular Front
182:
177:
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169:Best Man Wins
161:
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96:B. W. Huebsch
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68:
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45:
44:New York City
31:
27:
20:
1655:. Retrieved
1649:
1644:
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1627:. Retrieved
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1601:
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1005:. Retrieved
999:
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966:
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941:
914:. Retrieved
899:
873:. Retrieved
859:Naming Names
858:
810:
804:
803:
795:
789:
788:
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772:
766:
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697:Screenplays:
696:
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679:
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664:
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627:
621:
616:Carl Foreman
612:Naming Names
611:
605:
589:
586:Carl Foreman
571:
557:
555:
549:
545:
537:
535:
527:
503:
501:
477:Harold Velde
413:
388:
383:Carl Foreman
341:
300:
293:
290:Paul Jarrico
283:
265:
253:
246:
242:
227:
199:
197:
193:Viking Press
189:B.W. Huebsch
178:
167:
165:
150:Screenwriter
145:
134:
126:
108:
107:
100:Viking Press
55:(1982-07-07)
53:July 7, 1982
1727:1982 deaths
1722:1914 births
1387:. p. 8
720:Black Eagle
600:Grace Kelly
596:Gary Cooper
524:Bette Davis
461:Bess Taffel
429:Hugo Butler
405:Hugo Butler
401:Gordon Kahn
393:Lester Cole
371:Hugo Butler
348:Ben Barzman
304:Ben Barzman
256:Hugo Butler
218:Lester Cole
66:Citizenship
60:Los Angeles
1716:Categories
840:References
174:Mark Twain
160:Mark Twain
123:Background
37:1914-02-20
637:Paramount
632:High Noon
606:In 1980,
591:High Noon
487:, Fifth,
445:Al Levitt
373:and wife
113:Communist
92:Relatives
1698:LA Times
1657:28 April
1647:(1979).
1629:28 April
1607:28 April
1581:28 April
1562:(1999).
1541:29 April
1517:29 April
1512:79014576
1490:(1979).
1469:28 April
1443:28 April
1417:28 April
1391:28 April
1364:28 April
1337:28 April
1309:28 April
1278:29 April
1244:28 April
1210:28 April
1173:28 April
1148:28 April
1114:28 April
1080:28 April
1055:28 April
1031:28 April
1007:28 April
983:28 April
949:28 April
916:29 April
875:28 April
818:See also
510:Comeback
69:American
1602:Variety
1411:Variety
594:(here,
546:Variety
1572:
1510:
1500:
1269:
1235:
1201:
1139:
1105:
974:
907:
866:
813:(1979)
805:Books:
800:(1947)
785:(1977)
755:(1951)
739:(1948)
731:(1948)
723:(1948)
715:(1947)
707:(1947)
576:Legacy
491:, and
323:").
131:Career
1331:(PDF)
692:Works
568:Death
493:Tenth
489:Ninth
485:First
74:Genre
1707:IMDb
1659:2020
1631:2020
1609:2020
1583:2020
1570:ISBN
1543:2020
1519:2020
1508:LCCN
1498:ISBN
1471:2020
1445:2020
1419:2020
1393:2020
1366:2020
1339:2020
1311:2020
1280:2020
1267:ISBN
1246:2020
1233:ISBN
1212:2020
1199:ISBN
1175:2020
1150:2020
1137:ISBN
1116:2020
1103:ISBN
1082:2020
1057:2020
1033:2020
1009:2020
985:2020
972:ISBN
951:2020
918:2020
905:ISBN
877:2020
864:ISBN
598:and
544:.
502:The
236:for
183:, a
50:Died
29:Born
1705:at
391::
191:of
1718::
1600:.
1551:^
1506:.
1479:^
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1383:.
1347:^
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463:,
451:,
447:,
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98:(
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35:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
