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Frampton. With him, indeed, this diffused illumination is a matter of deliberate purpose. He adopts a subdued tone from a sense of decorative fitness, his aim being to ensure the flat effect and the subordination proper to mural backgrounds, as distinct from the meretricious illusion of prominent relief and receding distances, which disqualifies the average easel- picture from a place in any broad architectonic scheme. Mr. Frampton's compositions, on the contrary, are instinct with a restful and dignified serenity, no less satisfying than transcendental.
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As typical of this phase of his work may be mentioned a large panel depicting a scene from the legend of St. Brendan. The incident is one with which all readers of
Matthew Arnold's poems must be familiar—to wit, St. Brendan encountering Judas Iscariot on the iceberg. The quality of this picture
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A notable feature of much of the artist's painting is the almost total absence of high lights and cast shadows. Such a mode of treatment, in the hands of a less capable draughtsman, might well produce a painful impression of feebleness or lack of definition. Not so, however, in the case of Mr.
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recalls a forgotten chef- d'œuvre of
Spencer Stanhope's, viz. The Waters of Lethe. The twilight atmosphere is the same in both cases, but there is this difference, that Mr. Frampton surpasses the deceased artist in technical mastery of "echo".
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he chose to concentrate on illustrating the human form. All his larger and more important compositions have been figure subjects. Mr. Frampton considered himself to have been influenced both by
51:, most probably learning from his father, Edward Frampton, who was a stained-glass artist. His work usually depicted symbolic subjects and landscapes; early in his career he made sculpture.
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Early in his career he devoted himself to landscape painting; after a lengthy stay in France and Italy, and after seeing an exhibition of the collected works of Sir
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Regional characteristics of
European cathedral architecture
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Edward
Reginald Frampton died in Paris on 4 November 1923.
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35:(1870 – 4 November 1923) was a British
144:. London. 1 December 1923. p. 18
114:A Dictionary of Twentieth-Century Art
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178:The International Studio, Volume 66
136:"Religious Spirit in His Paintings"
74:, and also by the compositions of
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1214:19th-century British male artists
181:(The International Studio, 1919).
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243:British and Irish stained glass
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1199:20th-century English painters
1189:19th-century British painters
791:British stained-glass artists
28:, by Edward Reginald Frampton
883:Lavers, Barraud and Westlake
838:Barton, Kinder and Alderson
796:Irish stained-glass artists
152:– via Newspapers.com.
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1122:Stained glass conservation
493:Charles Edmund Clutterbuck
383:Pre-Raphaelite Brotherhood
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410:John Loughborough Pearson
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76:Pierre Puvis de Chavannes
873:Heaton, Butler and Bayne
327:Cambridge Camden Society
317:Arts and Crafts Movement
274:History of stained glass
162:The International Studio
33:Edward Reginald Frampton
1047:Curvilinear coordinates
645:Lilian Josephine Pocock
453:Edward Liddall Armitage
938:Fairford stained glass
868:John Hardman & Co.
670:Arnold Wathen Robinson
279:Medieval stained glass
175:Holme, Charles (Ed.).
110:"Frampton, Sir George"
108:Chilvers, Ian (1999).
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1194:English male painters
893:James Powell and Sons
858:Walter Francis Clokey
562:James Humphries Hogan
515:Rachel de Montmorency
488:Walter Francis Clokey
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72:Pre-Raphaelite design
47:. He also worked in
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949:My Four Green Fields
928:Canterbury Cathedral
584:Edward Holmes Jewitt
420:George Gilbert Scott
1022:Architectural glass
843:Burlison and Grylls
601:Charles Eamer Kempe
203:(artcyclopedia.com)
39:who specialized in
933:Coventry Cathedral
908:William Warrington
878:Hincks and Burnell
728:Nathaniel Westlake
699:Caroline Townshend
312:Aesthetic Movement
305:Artistic movements
116:. Encyclopedia.com
61:Edward Burne-Jones
30:
1209:English muralists
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898:Shrigley and Hunt
733:Christopher Whall
682:Arild Rosenkrantz
616:Catherine O’Brien
545:Reginald Hallward
535:Wilhelmina Geddes
425:Alexander Thomson
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337:Early Renaissance
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1062:Glass beadmaking
888:Morris & Co.
853:Clayton and Bell
757:Thomas Willement
711:Christopher Webb
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1067:Glassblowing
986:Fleur-de-lis
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943:York Minster
848:Harry Clarke
779:Edward Woore
660:Sarah Purser
621:Karl Parsons
606:Mary Lowndes
525:Mabel Esplin
520:Alfred Drury
483:Harry Clarke
478:Brian Clarke
378:Hogarth Club
201:E R Frampton
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146:. Retrieved
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118:. Retrieved
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1184:1923 deaths
1179:1870 births
1107:Rose window
1052:Float glass
1015:Terminology
817:John Ruskin
665:Ethel Rhind
633:Henry Payne
572:Joan Howson
503:Louis Davis
458:Hugh Arnold
357:Romanticism
148:31 December
141:The Gazette
1173:Categories
1102:Quatrefoil
650:John Piper
332:Classicism
298:Influences
26:Fairy Land
1082:Leadlight
1072:Grisaille
1057:Glass art
1027:Art glass
567:Evie Hone
540:Jane Gray
498:Trena Cox
342:Exoticism
65:primitive
1149:Commons:
1087:Mandorla
991:Heraldry
976:Biblical
971:Apostles
921:Examples
1158:Ireland
1132:Tracery
1112:Roundel
1092:Mullion
1006:Virtues
996:Prophet
966:Admiral
805:Critics
434:Artists
262:History
194:at the
37:painter
1097:Pontil
981:Bishop
959:Images
396:People
120:4 June
41:murals
1001:Saint
784:works
772:works
750:works
738:works
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704:works
692:works
675:works
638:works
626:works
589:works
577:works
550:works
508:works
446:works
95:Notes
55:About
150:2019
122:2009
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236:e
229:t
222:v
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