Edward Ruscha - Knowledge (XXG)

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straightforward, even deadpan, in their depiction of subjects that are not generally thought of as having aesthetic qualities. His "Products" pictures, for example, feature boxes of Sunmaid raisins and Oxydol detergent and a can of Sherwin Williams turpentine in relatively formal still lifes. Mostly devoid of human presence, these photographs emphasize the essential form of the structure and its placement within the built environment. Ruscha's photographic editions are most often based on his conceptual art-books of same or similar name. Ruscha re-worked the negatives of six of the images from his book

1718:. The exhibit, "Ed Ruscha and the Great American West," focuses primarily on how the artist drew inspiration from the American West. In 1956, Ruscha drove from his home in Oklahoma to Los Angeles where he hoped to attend art school. While driving in a 1950 Ford sedan, the 18 year old artist drew inspiration from dilapidated gas stations, billboards, and telephone poles cross the great expanse of the land. This inspiration from the American West across Route 66 stuck with Ruscha his whole life. The artists paintings of the West reflect both symbolic and ironic renditions of how we imagine the West. 696:(1969) were written as if with liquid spilled, dribbled or sprayed over a flat monochromatic surface. His gunpowder and graphite drawings (made during a period of self-imposed exile from painting from 1967 to 1970) feature single words depicted in a trompe l’oeil technique, as if the words are formed from ribbons of curling paper. Experimenting with humorous sounds and rhyming word plays, Ruscha made a portfolio of seven mixed-media lithographs with the rhyming words, 1063: 501: 680:, his East Coast counterparts, Ruscha's artistic training was rooted in commercial art. His interest in words and typography ultimately provided the primary subject of his paintings, prints and photographs. The very first of Ruscha's word paintings were created as oil paintings on paper in Paris in 1961. He began to isolate monosyllables — ACE, BOSS, HONK, OOF — without additional imagery against solid backgrounds. 719:(1988), part of the artist's "Dysfuntional Family" series, Ruscha runs the text over the silhouetted image of a great, listing tall ship; the piece was a collaboration with fellow Los Angeles artist Nancy Reese (she did the painting, he the lettering). In a series of insidious small abstract paintings from 1994 to 1995, words forming threats are rendered as blank widths of contrasting color like 754:(1965) are exemplary works from Ruscha's group of paintings from the mid-1960s that take the strict idea of literal representation into the realm of the absurd. This body of work is characterized by what the artist termed “bouncing objects, floating things,” such as a radically oversized red bird and glass hovering in front of a simple background in the work and have a strong affinity to 738:(1962). Beginning in the mid-1980s, in many of his paintings black or white ‘blanks’ or ‘censor strips’ are included, to suggest where the ‘missing’ words would have been placed. The ‘blanks’ would also feature in his series of Silhouette, Cityscapes or ‘censored’ word works, often made in bleach on canvas, rayon or linen. 652:

In 1985, Ruscha begins a series of "City Lights" paintings, where grids of bright spots on dark grounds suggest aerial views of the city at night. More recently, his "Metro Plots" series chart the various routes that transverse the city of Los Angeles by rendering schematized street maps and blow-ups

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pastel drawings from in the mid-1970s show bright beams of light burst forth from skies with dark clouds. An overall glow is created by the black pastel not being completely opaque, allowing the paper to shine through. In the 1980s, a more subtle motif began to appear, again in a series of drawings,

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acquired over seventy photographs by Ruscha as well as his "Streets of Los Angeles" archive, including thousands of negatives, hundreds of photographic contact sheets, and related documents and ephemera. A portion of the material will go to the Getty as a promised gift from the artist. The "Streets

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Ruscha is married to the former Danica Knego (known as Danna). They met in 1965, wed in 1967, separated in 1972, filed for divorce in 1976, divorced in 1978, and remarried in 1987. The couple has two children, Edward "Eddie" Ruscha Jr., a son, and Sonny Bjornson, a daughter. In the late seventies,

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Since 1964, Ruscha has been experimenting regularly with painting and drawing words and phrases, often oddly comic and satirical sayings alluding to popular culture and life in LA. When asked where he got his inspiration for his paintings, Ruscha responded, “Well, they just occur to me; sometimes

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Photography has played a crucial role throughout Ruscha's career, beginning with images he made during a trip to Europe with his mother and brother in 1961, and most memorably as the imagery for more than a dozen books that present precisely what their titles describe. His photographs are

711:, among others, began using entire phrases in their works, thereby making it a distinctive characteristic of the post-Pop Art generation. During the mid-1970s, he made a series of drawings in pastel using pithy phrases against a field of color. He also congreagated with artists including 1546:

a visual and sensory experience where the visitor saw 360 pieces of paper permeated with chocolate and hung like shingles on the gallery walls. The pavilion in Venice smelled like a chocolate factory. For the Venice Biennale in 1976, Ruscha created an installation entitled

758:, a recurring theme in the artist's career. The fish plays a prominent role throughout the series and appears in nearly half of the paintings. Another frequent element is Ruscha's continuous depiction of a graphite pencil – broken, splintered, melted, transformed. 390:

Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement. His textual, flat paintings have been linked with both the Pop Art movement and the

2200:, and includes the original camera-ready three-panel maquette used for the publication. This ongoing project subsequently evolved into a vast photographic archive that spans over four decades and documents many major Los Angeles thoroughfares, including 816:(1970), produced at Editions Alecto, London, rhyming words appear in Gothic typeface, printed in edible substances such as pie fillings, bolognese sauce, caviar, and chocolate syrup. Ruscha has also produced his word paintings with food products on 1678:

featured the first retrospective to focus exclusively on Ruscha's canvases. Entitled "Ed Ruscha: Fifty Years of Painting," the exhibition sheds light on his influences, such as comics, graphic design, and hitchhiking. The exhibition travelled to

1796:(2005) for the Whitney, both of which were part of "The Course of Empire: Paintings by Ed Ruscha" at the Venice Biennale. Ruscha is represented by 33 of his works in the permanent collection of the Museum of Contemporary Art, Los Angeles; the 723:. Later, words appeared on a photorealist mountain-range series which Ruscha started producing in 1998. For these acrylic-on-canvas works, Ruscha pulled his mountain images either from photographs, commercial logos, or from his imagination. 2212:, shot in 1974 and 1975, and more than 25 other Los Angeles streets that Ruscha photographed since 2007. In total, the archive comprises thousands of negatives, hundreds of photographic contact sheets, and related documents and ephemera. 1764:, acquired Ruscha's complete graphic archive of 325 prints and 800 working proofs. The museum bought the archive and negotiated for impressions of future prints for $ 10 million, with funds provided by San Francisco philanthropist 1313:(1968) and enlarged it to the size of a small swimming pool, consisting of 3164 pages the same size as the pages in Ruscha's original book. The pages of this ‘pool on a shelf’ can be detached to create the life-size installation. 980:(SFMOMA)'s 75th anniversary, Ruscha was one of the artists invited to collaborate with the museum on a limited-edition of artist-designed T-shirts. Ruscha is regularly commissioned with works for private persons, among them 4588: 2867: 2075:(1963), a takeoff on the American billboard in which a single word is the subject, was expected to sell for $ 1.5 million to $ 2 million from a private European collection. It was eventually sold for $ 3.5 million at 1551:, consisting of letters written in Vaseline petroleum jelly on a black wall. Ruscha was the United States representative at the 51st Venice Biennale in 2005, showing the site- and occasion-specific a painting cycle 2779: 1378:

contains the essence of the artist's same-named painting, inasmuch as the story is told of a strange day in the life of an auto mechanic, who is magically transformed as he rebuilds the carburetor on a 1965

1644:, a major retrospective of the artist's prints, books, and graphic works, which number well over 300. The show travelled to the LACMA in 2000. Ruscha coauthored the catalogue raisonné with Walker curator 4100: 605:(1959)) this is the most widely known, and exemplifies Ruscha's interests in popular culture, word depictions, and commercial graphics that would continue to inform his work throughout his career. 767: 5084: 832:(1972) consists of six screen prints – three on paper, three on paper-backed wood veneer, each showing a lifelike swarm of a different meticulously detailed species. For the April 1972 cover of 2996: 578:(1991) these two words, which comprised the final shot in all black-and-white films, are surrounded by scratches and streaks reminiscent of damaged celluloid. Also, the proportions of the 660:(1998). The paintings are grey and vary in their degrees of light and dark, therefore appearing as they were done by pencil in the stippling technique. A 2003 portfolio of prints called 812:, an editioned portfolio of 75 stained sheets of paper produced and published by Ruscha in 1969, bears the traces of a variety of materials and fluids. In the portfolio of screenprints 4572: 2848: 1744:

In 2003, Ed Ruscha curated "Emerson Woelffer: A Solo Flight", a survey of the work of the late Los Angeles-based Abstract Expressionist, for the inaugural exhibition of the Gallery at

828:(1975) were executed in blackberry juice on moiré. However, these most vibrant and varied organic colorings usually dried to a range of muted greys, mustards and browns. His portfolio 3141: 957:(1983), which is in the museum's collection, to form a spectacular, monumental triptych. For his first public commission in New York in 2014, Ruscha created the hand-painted mural 2223:(2010); notes, photographs, correspondence and contact sheets relating to the creation and publication of his many other artist's books; and materials relating to his short films 1607: 1821: 4418: 3724: 1780:

acquired more than 300 photographs through a purchase and gift from the artist, making it the principal repository of Ruscha's photographic oevre. The gift, purchased from

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in Austin, Texas presented "Ed Ruscha: Archaeology and Romance," featuring more than 150 objects drawn from the Ransom Center's Edward Ruscha Papers and Art Collection.

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people say them and I write down and then I paint them. Sometimes I use a dictionary.” From 1966 to 1969, Ruscha painted his “liquid word” paintings: Words such as

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in Vienna, the first exhibition in a series for which internationally renowned artists were invited to work with the national art and natural history collections.

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acquired a Ruscha archive comprising five personal journals filled with preliminary sketches and notes; materials related to the making of his artist's book

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of Los Angeles" archive acquired by the Getty Research Institute begins with the photographic and production material for Ruscha's landmark 1966 book

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landscapes contributes to the themes and styles central to much of Ruscha's paintings, drawings, and books. Examples of this include the publication

5099: 1326:. The artist then cut and painted directly on the negatives, resulting in photographs that have the appearance of a faded black-and-white film. The 637:

print using a split-fountain printing technique, introducing a gradation of tone in the background of the print, with variations following in 1969 (

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some incorporating dried vegetable pigments: a mysterious patch of light cast by an unseen window that serves as background for phrases such as

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as a member of the Department of Art, after having previously received its Hassam, Speicher, Betts, and Symons Purchase Fund Award in 1992'.

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series (1974–75) represents the first instance where the photographic image has been directly used in his graphic work, where Ruscha had

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Alexandra Schwartz, ed. Leave Any Information at the Signal: Writings, Interviews, Bits, Pages by Ed Ruscha. Cambridge: MIT Press, 2002.

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screen (however, to make the word "Hollywood", Ruscha transposed the letters of the sign from their actual location on the slope of the

4497: 2231:(1971); his portfolios; and several art commissions. Ruscha himself donated a substantial portion of the archive to the Ransom Center. 4676: 3924: 3346: 3261: 2209: 2013: 1961:(1972/2008), an audio artwork that transforms the names of famous male artists into a bird song, parroting names such as Artschwager, 1797: 1761: 1603: 1571: 1013: 977: 3027:

Ed Ruscha's Light: An Exhibition of Works Related to the Artist's Recent Commission for the Getty Center, May 12 - September 13, 1998

2359:, Winter 2005, No. 111, Pages 127-142 (doi:10.1162/0162287053148139) October Magazine, Ltd. and Massachusetts Institute of Technology 5094: 4828: 4818: 4805: 4792: 4033: 3537: 3051: 2321: 2056: 2762: 905:, designed to be read in the rear-view mirror of a moving car. In 1985 Ruscha was commissioned to design a series of fifty murals, 4145: 3210: 3383: 2005: 1769: 1587: 1239: 902: 307: 4734: 3677: 3363: 3324: 2544: 877:(1983). By the 1990s, Ruscha was creating larger paintings of light projected into empty rooms, some with ironic titles such as 5049: 4132: 2798: 2484: 2454: 1688: 1247: 5064: 3115: 2962: 1928: 1883: 1864: 1748:(Roy and Edna Disney/CalArts Theater). In 2012, Ruscha was invited to curate “The Ancients Stole All Our Great Ideas” at the 1715: 1622: 1575: 1500: 950: 2012:: “Ed Ruscha has the coolest gaze in American art.” Ruscha was elected to a three-year term on the board of trustees of the 333:

In 1961, Ruscha spent seven months traveling through Europe. After graduation, Ruscha took a job as a layout artist for the

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His work is also strongly influenced by the Hollywood film industry: the mountain in his Mountain Series is a play on the

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Notably different from many of Ruscha's works of the same period, most obviously in its exclusion of text, his series of

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and was greatly moved. Ruscha has credited this artist's work as a source of inspiration for his change of interest from

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in New York City exhibited the retrospective “ED RUSCHA / NOW THEN” featuring over 200 works across mediums, including

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typeface of his own invention named ”Boy Scout Utility Modern” in which curved letter forms are squared-off (as in the

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In his drawings, prints, and paintings throughout the 1970s, Ruscha experimented with a range of materials including

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by Edward Ruscha, 1971, color silkscreen with apricot and grape jam with Metrecal on paper, accession TCM.1996.51

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in London, his first European exhibition. In 1968, he had his first European solo show in Cologne, Germany, at

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in Sydney mounted a selection of the artist's photographs, paintings, books and drawings that traveled to the

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David Hickey, "Ed Ruscha: La Mirada Distanciada (The Long View)", Dr. Cantz'sche Druckerei, Ostildern, 2006.

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Three board members resign as Desert X announces collaboration with Saudi Arabia, Los Angeles Times reports

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in a mockery of conditions of privilege and recognition given to male artists at that time. The muralist

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has more than 40 works by the artist in their collection. Ruscha also has small collections of books and

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between 1978 and 1987. The mural was preserved until 2006 when it was illegally painted over. The band

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shot at the artist's studio and desert home. Interviews with Ruscha are included in the documentaries

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Virginia Heckert, Ed Ruscha and Some Los Angeles Apartments, Los Angeles: Getty Publications, 2013.

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as a visiting professor for printing and drawing in 1969. He is also a lifelong friend of guitarist

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J. Paul Getty Trust Announces J. Paul Getty Medal to go to Lorna Simpson, Mary Beard and Ed Ruscha

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Apartments, Parking Lots, Palm Trees and others: Films, Photographs and Drawings from 1961 to 1975

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in Los Angeles organized a retrospective solely devoted to Ruscha's works on paper. In 2004, The

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In 1998, Ruscha was commissioned to produce a nearly thirty-foot high vertical painting entitled

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In 2016, there was a large 99 piece exhibit of Ruscha's paintings and prints in San Francisco's

1511:. This exhibition is historically considered one of the first "Pop Art" exhibitions in America. 4624: 3276: 1334:'s house photographer Malcolm Lubliner make photographs of a range of common domestic objects. 5004: 4877: 4867: 4857: 4844: 4834: 4824: 4814: 4801: 4788: 4718: 4672: 4609: 4373: 4354: 4317: 4261: 4184: 3838: 3608: 3591: 3578: 3543: 3533: 3430:

Werner Herzog to Speak with Artist Tom Sachs at Frieze L.A. About Their Film 'Paradox Bullets'

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News Release — November 13, 2013: Artist Ed Ruscha's Archive Acquired by Harry Ransom Center

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logo, while the dimensions of this work are reminiscent of a movie screen; in his painting

523:(1966), a book of continuous photographs of a two and one half mile stretch of the 24 mile 4738: 4714: 4576: 4164: 4104: 4058: 3780: 3588: 3464: 3350: 3328: 3145: 3122: 3075: 3013: 2981: 2930: 2852: 2829: 2746: 2661: 2548: 2506: 2269: 2176: 1916: 1675: 1539: 1182: 946: 845: 797: 458: 392: 365: 334: 279: 49: 4787:

Yve-Alain Bois, "Edward Ruscha: Romance with Liquids", Rizzoli Publications, Inc., 1993.

2327: 901:(1976–77) was made from a large sheet of sateen on a billboard and situated opposite the 4971: 4753: 3699: 2346:

Wells, Walter, Silent Theater: The Art of Edward Hopper, London/New York: Phaidon, 2007.

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Edward Ruscha: An Inventory of His Papers and Art Collection at the Harry Ransom Center

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The Getty Acquires Ed Ruscha Photographs and Archive, Press Release of October 06, 2011

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The Getty Acquires Ed Ruscha Photographs and Archive, Press Release of October 06, 2011

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stars Ruscha in the role of a hiker lost in the desert and guided only by the voice of

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He has been the subject of numerous museum retrospectives, beginning in 1983 with the

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In any case, "Art has to be something that makes you scratch your head," Ruscha said.

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as part of a survey of American printmaking with an on-site workshop. He constructed

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shows street intersections from San Francisco and LA juxtaposed one over the other.

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At Solid $ 325.3 M. Christie’s Contemporary Art Sale in New York, Ed Ruscha Is King

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from 1956 through 1960. While at Chouinard, Ruscha edited and produced the journal

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Press Release: SFMOMA and GAP partner to create limited edition T-shirt collection

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New York, Works from the Collection of Michael Crichton, 11–12 May 2010, New York.

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publishers in Tysons Corner, Virginia, in 2002. The artist was later asked by the

941:. He produced another site-specific piece, three 13-by-23-foot panels proclaiming 734:) This simple font is radically different from the style he used in works such as 4972:

Edward Ruscha Photographs of Sunset Boulevard and Hollywood Boulevard, 1965–2010.

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Ed Ruscha: The Ancients Stole All Our Great Ideas, 25 September - 2 December 2012

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In the 1970s, Ruscha also made a series of largely unknown short movies, such as

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Ruscha's classic prints, published as multiples, command up to $ 40,000 apiece.

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and would sustain this interest throughout his adolescent years. Though born in

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Oral history interview with Edward Ruscha, Smithsonian Archives of American Art

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SFMOMA Acquires Important Work By Ed Ruscha, Press Release of December 26, 2007

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for $ 30.4 million at a 2014 Christie's auction in New York. His word painting

1289:(1964) and photographed the process. More than forty years later, photographer 4351:

Desert X art exhibition heads to Saudi Arabia — and into contentious territory

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to write scripts to be performed by leading actors; Ruscha's contribution was

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Excerpts from a 1965 Artforum interview of Ruscha discussing his artist books

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Auping Michael, Prince Richard, "ED RUSCHA: ROAD TESTED", Hatje Cantz, 2011.

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in 1961, one year after graduating from college. Among his first paintings (

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magazine under the pseudonym “Eddie Russia” from 1965 to 1969 and taught at

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Alexandra Schwartz, "Ed Ruscha's Los Angeles", Cambridge: MIT Press, 2010.

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Mark Francis, "New Drawings", Transcontinental Litho-Acme, Montreal, 2006.

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a similar lithograph during his visit to the White House in 2014. Ruscha's

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Ruscha's artist books have proved to be deeply influential, beginning with

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In 2008, Ruscha was among four text-based artists that were invited by the

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Mary Richards, "Ed Ruscha. Modern Artists series", Tate Publishing, 2008.

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In 1968, Ruscha created the cover design for the catalogue accompanying a

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shots of Ruscha. In 2020, Ruscha produced the cover art and typography of

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Ruscha's first major public commissions include a monumental mural at the

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Christie's Post-War Contemporary Evening Sale, 8 November 2011, New York.

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in Los Angeles. In 1966, Ruscha was included in "Los Angeles Now" at the

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Award of Excellence for Artistic Contributions to the Fight Against AIDS

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Leonardo DiCaprio Buys Ruscha Print to Benefit Sean Penn’s Haiti Charity

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from 1965, which had been shown at Ferus Gallery that year, was sold by

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The Cultural Award of the Deutsche Gesellschaft für Photographie (DGPh)

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exhibited a second Ruscha drawing retrospective, which traveled to the

833: 629:(1965–68), Ruscha brought flames into play. In 1966, Ruscha reproduced 341: 247: 235: 128: 4135:". Deutsche Gesellschaft für Photographie e.V.. Accessed 7 March 2017. 3139:

Ed Ruscha features in the Band of Outsiders S/S 2012 polaroid campaign

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In 1989, Ruscha decorated a pool for his brother Paul at his house in

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Artist Ed Ruscha Teams Up With (RED) and Gagosian for COVID-19 Relief

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Between 2006 and 2012, Ruscha served on the board of trustees of the

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In 2006, an exhibition of Ruscha's photographs was organized for the

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Between 1962 and 1978, Ruscha produced sixteen small artist's books:

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Ed Ruscha: 'There's room for saying things in bright shiny colours'

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SFAI Awards Honorary Doctorates at 2009 Commencement, April 9, 2009

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SFAI Awards Honorary Doctorates at 2009 Commencement, April 9, 2009

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VINEGAR, A. (2009), ED RUSCHA, HEIDEGGER, AND DEADPAN PHOTOGRAPHY.

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to create a limited-edition silk twill scarf—featuring his drawing

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Ed Ruscha Treasure Trove to be Auctioned by Christie's (Exclusive)

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in 2013. From 2015 until 2019, Ruscha also served on the board of

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from 1969 and subsequently transformed into a film which features

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were emulated out of car parts in 2008 by Brazilian photographer

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http://www.guggenheim-venice.it/img/padiglione/5_2005_Ruscha.pdf

2893: 2683: 2642: 2528: 2144:

During the time he and Danna were apart, Ruscha dated actresses

1760:

In 2000, the Achenbach Foundation for Graphic Arts, a branch of

897:

in Colorado (1995). Created as part of a public-art commission,

821: 375: 255: 83: 3764:

The Gallery at REDCAT in Walt Disney Concert Hall, Los Angeles.

2055:(2013) was installed in the entry hall of the residence of the 1800:

owns 25 Ruscha paintings, works on paper, and photographs; the

4120:

Press Release, 11 September 2010: Ed Ruscha hits the Highlands

3605:

Metaphor-Loving Ruscha Remains True to His Word in This Survey

2877:

Post-War Contemporary Evening Sale, 8 November 2011, New York.

2799:

Ed Ruscha: Fifty Years of Painting, May 29 - September 5, 2010

2789:

Post-War Contemporary Evening Sale, 8 November 2011, New York.

2679:

I PLEAD INSANITY BECAUSE I'M JUST CRAZY ABOUT THAT LITTLE GIRL

2485:

Ed Ruscha: Fifty Years of Painting, May 29 - September 5, 2010

2455:

Ed Ruscha: Fifty Years of Painting, May 29 - September 5, 2010

1695:

in Los Angeles prepared an exhibition with Ruscha inspired by

919:(now the Miami Art Museum) in Florida, designed by architects 3344:

Mike Kelley/Edward Ruscha: Photographs, April 3 – May 1, 1999

511:

Although Ruscha denies this in interviews, the vernacular of

213: 4982:

Edward Ruscha photographs of Los Angeles streets, 1974-2010.

4482:

Eli Broad Goes Shopping as Sotheby's Art Auction Falls Short

4419:

Barack Obama gives Tony Abbott pop art print, gets surfboard

2407:"Large Trademark with Eight Spotlights | painting by Ruscha" 2043:

presented him with a signed two-color lithograph by Ruscha,

937:, for the lobby of the Harold M. Williams Auditorium of the 1309:, who re-photographed one of the photographs from Ruscha's 222: 2125:(1965) made $ 4.1 million at Christie's New York in 2011. 2095:

in yellow, which Ruscha painted in 1963, was purchased by

403:

While in school in 1957, Ruscha chanced upon then unknown

219: 4314:

Ed Ruscha joining SFMoMA board a year after quitting MOCA

3102:

Possessed: A Keepsake Of Romance And Travels Close to Hom

1530:

in 1970 and had his first solo exhibition there in 1973.

2906:

Ed Ruscha: Prints and Photographs, May 8 - June 14, 2014

852:

is rendered in apricot and grape jam and the diet drink

340:

By the early 1960s he was well known for his paintings,

4480:

Lindsay Pollock and Philip Boroff (November 12, 2008),

3010:

Why swimming pools are making a splash in the art world

2832:

Berkeley Art Museum and Pacific Film Archive, Berkeley.

1012:. The summer 2012 campaign of L.A.-based fashion label 824:, since they were more stain-absorbent; paintings like 4498:

A Warhol Leads a Night of Soaring Prices at Christie's

2702:

LAmag - Culture, Food, Fashion, News & Los Angeles

2500:

Ed Ruscha: Metro Plots, January 27 - February 27, 1999

2470:

Ed Ruscha: Standard Stations, March 1 — March 29, 2008

1835:

Ruscha's private collectors have in the past included

1358:

a scenario which he first projected in his photo-book

1066:

Ruscha's books on display as part of a 2018 exhibition

1008:

had Ruscha paint the exterior of his private plane, a

4332:

A Desert Biennial Alongside Coachella Is in the Works

1687:, Stockholm. “Ed Ruscha: Road Tested,” opened at the 1499:, in the historically important and ground-breaking " 4455:

Contemporary-Art Auction Sets Records for 15 Artists

3810:"Fine Arts Museums Acquire Ruscha's Graphic Archive" 3295:, 32: 852–873. doi: 10.1111/j.1467-8365.2009.00708.x 3277:

Ed Ruscha: Books & Co., March 5 - April 27, 2013

1923:

list of the 100 most influential people in the world

1804:

has 21 Ruschas in its permanent collection; and the

1538:

In 1970 Ruscha represented the United States at the

1514:

Ruscha had his first solo exhibition in 1963 at the

559:

as a commentary on Los Angeles and its car culture.

344:, and photographs, and for his association with the 210: 5085:

Members of the American Academy of Arts and Letters

953:to create two large-scale paintings that flank his 216: 188: 134: 124: 93: 67: 57: 28: 21: 2823:Ed Ruscha / MATRIX 134, May 1, 1990 - July 7, 1990 2071:As early as 2002, the oil on canvas word painting 1254:, a volume of Ruscha's writings, was published by 4771:John Coplans, "New Paintings of Common Objects", 4198:Whitney Museum of American Art to Honor Ed Ruscha 478:. Some critics are quick to see the influence of 348:group, which also included artists Robert Irwin, 4800:, "Ed Ruscha: Paintings", Bowne, Toronto, 2002. 3885:Ruscha's Biennale Works Are Shown at the Whitney 1822:Château de Montsoreau-Museum of Contemporary Art 1387:. In 1984, he accepted a small role in the film 1042:(1986)—to help provide more equitable access to 959:Honey, I Twisted Through More Damn Traffic Today 3725:"Ed Ruscha's 'Chocolate Room' Still Tantalizes" 3449:LA Suggested By the Art of Edward Ruscha (1981) 2740:Ed Ruscha, November 17, 2012 - January 12, 2013 2079:in New York, a record for the artist. In 2008, 1776:, then worth about $ 1.5 million. In 2004, the 1471:In 1962 Ruscha's work was included, along with 535:with a motorized camera. Also, paintings like 2763:Ed Ruscha: Painting's maverick man of letters 2355:Jaleh Manor 'Ed Ruscha's One-Way Street'. In 1876:2004: Honorary Royal Academician of London’s 1046:relief. In 2023 he created the cover art for 8: 4016:Owen Wilson on Iconic SoCal Artist Ed Ruscha 2248:Ed Ruscha: 'California Postcard: Moving Day' 1989:Ruscha's eponymous 1974 painting for their " 4551:Art Auction Highlights a Financial Downfall 3564:) CS1 maint: multiple names: authors list ( 3384:Ed Ruscha's Rare Early Films Visit New York 2121:, New York, in 2010. From the same series, 4708:Artists raise millions for Hillary Clinton 4514:Fall Art Auctions See Significant Declines 4386:Amy Chozik and Kelly Crow (May 22, 2009), 4181:Ed Ruscha, Wang Shu named to Time 100 list 3793:The Restless American: On Ed Ruscha's Road 3560:: CS1 maint: location missing publisher ( 3528:L.), Thornton, Sarah (Sarah (2009-11-02). 3483:The Restless American: On Ed Ruscha's Road 3414:Highway zur Kunst. Interview mit Ed Ruscha 2638:News, Mews, Pews, Brews, Stews, Dues, News 1428:L.A. Suggested by the Art of Edward Ruscha 698:News, Mews, Pews, Brews, Stews, Dues, News 18: 4388:Changing the Art on the White House Walls 4146:Ed Ruscha Honored at National Arts Awards 2083:acquired Ruscha's "liquid word" painting 2035:. In 2010, during British prime minister 1728:From September 2023 to January 2024, the 1608:Museo Nazionale delle Arti del XXI Secolo 1600:Museo Nacional Centro de Arte Reina Sofia 1285:(1968), for which Nauman burned Ruscha's 907:WORDS WITHOUT THOUGHTS NEVER TO HEAVEN GO 879:An Exhibition of Gasoline Powered Engines 653:of its neighborhood sections, such as in 4780:Nancy Marmer, "Edward Ruscha at Ferus," 4671:. Grand Central Publishing. p. 91. 3936:Jacqueline Trescott (October 30, 2004), 3497:Jacqueline Trescott (October 30, 2004), 2137:Ruscha bought land about ten miles from 2039:'s first visit to Washington, President 1703:, which opened in mid-2011 (traveled to 627:Los Angeles County Museum of Art on Fire 499: 258:. He is also noted for creating several 238:movement. He has worked in the media of 4108:amfAR, The Foundation for AIDS Research 4079:American Academy of Arts & Sciences 3664:"Ed Ruscha and the Great American West" 2813:National Galleries of Scotland and Tate 2239: 1709:Museum of Contemporary Art, North Miami 1627:Museum of Contemporary Art, Los Angeles 1612:Scottish National Gallery of Modern Art 531:, he photographed the entire length of 326:became one of the U.S.' first recorded 4988:, Los Angeles, Accession no. 2012.M.2. 4978:, Los Angeles, Accession no. 2012.M.1. 3553: 2811:Ed Ruscha, ‘’Crossover Dreams’’ (1991) 2432:"'The Final End', Edward Ruscha, 1992" 2171:(FEC), Ruscha donated $ 12,500 to the 1311:Nine Swimming Pools and a Broken Glass 1127:Nine Swimming Pools and a Broken Glass 488:(1940) in Ruscha's 1963 oil painting, 5075:Honorary members of the Royal Academy 4435:Christopher Bagley (April 27, 2015), 4014:Maxwell Williams (October 31, 2013), 3353:Patrick Painter Gallery, Los Angeles. 3189:Rosemary Feitelberg (12 April 2022), 2326:, BLOUINARTINFO, 2008, archived from 1927:2013: Honored on the occasion of the 1908:2009: Honorary doctorate degree from 1895:2008: Honorary doctorate degree from 1863:2001: Honorary doctorate degree from 1802:Hirshhorn Museum and Sculpture Garden 1596:Hirshhorn Museum and Sculpture Garden 1383:. The movie features Jim Ganzer and 891:Museum of Contemporary Art, San Diego 595:Large Trademark with Eight Spotlights 568:Large Trademark with Eight Spotlights 103:Large Trademark with Eight Spotlights 7: 5090:Northwest Classen High School alumni 4604:Suzanne Muchnic (January 13, 2006), 4591:Strange Catch for a Fresh Water Fish 4568:Angry Because It’s Plaster, Not Milk 4220:, press release of January 24, 2019. 3833:Suzanne Muchnic (January 13, 2006), 3808:Baker, Kenneth (November 29, 2000). 3678:"Ed Ruscha: Archaeology and Romance" 3518:Peggy Guggenheim Collection, Venice. 3008:Caroline Roux (September 18, 2020), 2942:Honolulu Museum of Art, wall label, 2870:Strange Catch for a Fresh Water Fish 2844:Angry Because It’s Plaster, Not Milk 2596:The Deadpan Laureate of American Art 2304:The Deadpan Laureate of American Art 2263:Streets # * of Los Angeles Archive 2123:Strange Catch for a Fresh Water Fish 2107:Angry Because It’s Plaster, Not Milk 1858:American Academy of Arts and Letters 961:for a temporary installation at the 814:News, Mews, Pews, Brews, Stews, Dues 752:Strange Catch for a Fresh Water Fish 748:Angry Because It’s Plaster, Not Milk 4512:Scott Reyburn (November 13, 2019), 4296:Peter Haldeman (October 30, 2012), 3754:Roy and Edna Disney/CalArts Theater 3723:Diehl, Travis (September 1, 2023). 3447:Douglas C. McGill (March 1, 1987), 3412:Claudia Bodin (February 15, 2010), 3165:"Paintings On The Wall - Ed Ruscha" 3078:San Francisco Museum of Modern Art. 2761:Alastair Sooke (February 9, 2008), 1436:Dennis Hopper: The Decisive Moments 1252:Leave Any Information at the Signal 726:From 1980, Ruscha started using an 368:. He worked as layout designer for 337:advertising agency in Los Angeles. 5110:20th-century American male artists 4402:Rachel Cooke (12 September 2010), 4349:Deborah Vankin (October 7, 2019), 4144:Andrew Russeth (October 6, 2009), 3996:Guelda Voien (September 1, 2017), 3925:San Francisco Museum of Modern Art 3428:Jordan Riefe (February 15, 2019), 3304:Suzanne Muchnic (March 30, 2003), 3137:Wanja Ochwada (15 February 2012), 2198:Every Building on the Sunset Strip 2014:San Francisco Museum of Modern Art 1882:2006: The Cultural Award from the 1798:San Francisco Museum of Modern Art 1762:Fine Arts Museums of San Francisco 1572:San Francisco Museum of Modern Art 1299:Twentysix Havana Gasoline Stations 1095:Every Building on the Sunset Strip 978:San Francisco Museum of Modern Art 529:Every Building on the Sunset Strip 527:. In 1973, following the model of 521:Every Building on the Sunset Strip 490:Standard Station, Amarillo, Texas. 109:Every Building on the Sunset Strip 14: 5030:20th-century American printmakers 4777:, November, 1962. (Illustrations) 4496:Carol Vogel (November 13, 2014), 4367:Gareth Harris (October 8, 2019), 4330:Jori Finkel (December 31, 2015), 4280:, BLOUINARTINFO, January 23, 2007 3905:, BLOUINARTINFO, January 23, 2007 3883:Carol Vogel (November 11, 2005), 3851:Carol Vogel (December 12, 2003), 3750:"Emerson Woelffer: A Solo Flight" 3580:Edward Ruscha: Editions 1959-1999 3260:Karin Nelson (January 10, 2010), 3100:David Colman (October 19, 2003), 2594:Jason Farago (7 September 2023), 2551:Crown Point Press, San Francisco. 2302:Jason Farago (7 September 2023), 2057:United States Ambassador to Spain 1642:Edward Ruscha: Editions 1959-1999 1350:(1975). With the assistance of a 1297:in Cuba, producing the portfolio 4694:Current Biography Yearbook, 1989 4623:Tomkins, Calvin (July 1, 2013). 4530:Judd Tully (November 14, 2019), 4032:Jordan Riefe (August 14, 2019), 3403:, Sprüth Magers Galerie, Berlin. 3369:Kenneth Tyler Collection at the 3246:“Documenta 5” at Specific Object 2141:; he later built a house there. 2006:Los Angeles County Museum of Art 1770:Los Angeles County Museum of Art 1707:, Colorado in December 2011 and 1588:Los Angeles County Museum of Art 1240:Los Angeles County Museum of Art 903:Los Angeles County Museum of Art 308:California Institute of the Arts 302:in 1956 where he studied at the 294:, Ruscha lived some 15 years in 206: 157: 5100:People from Venice, Los Angeles 4898:, July 1, 2013, pp. 48–57. 3967:Sevior, Michelle (2018-11-07). 3463:John Anderson (June 27, 2007), 3382:Andrew Russeth (May 18, 2010), 3041:De Young Museum, San Francisco. 2246:Dana Goodyear (11 April 2011), 1790:The Old Tool & Die Building 1689:Modern Art Museum of Fort Worth 1248:Modern Art Museum of Fort Worth 643:Cheese Mold Standard with Olive 175: 153: 5045:American contemporary painters 5035:21st-century American painters 5025:20th-century American painters 4579:Phillips de Pury & Company 3791:Amei Wallach (June 24, 2001), 3481:Amei Wallach (June 24, 2001), 3050:Carol Vogel (March 13, 2014), 2963:National Galleries of Scotland 2856:Phillips de Pury & Company 2698:"15 Minutes with George Condo" 2563:Annie, Poured from Maple Syrup 2119:Phillips de Pury & Company 1993:" compilation album. The band 1973:painted an 11,000-square-foot 1940:2024: Honorary doctorate from 1929:Whitney Museum of American Art 1884:German Society for Photography 1865:California College of the Arts 1716:M. H. de Young Memorial Museum 1623:Whitney Museum of American Art 1576:Whitney Museum of American Art 1501:New Painting of Common Objects 1456:How to Make a Book with Steidl 1324:Every Building on Sunset Strip 1266:published Ruscha's version of 951:M. H. de Young Memorial Museum 1: 5105:Photographers from California 4706:Ben Luke (November 3, 2016), 4298:In L.A., Art + Film + Fashion 4258:The Art World’s Space Invader 3938:Ed Ruscha Chosen for Biennale 3867:Carol Vogel (March 5, 2004), 3603:David Pagel (June 05, 2000), 3499:Ed Ruscha Chosen for Biennale 3371:National Gallery of Australia 2624:National Gallery of Australia 2371:Steidl Publishing, Göttingen. 1981:to honor Ruscha entitled the 1957:included Ruscha in her piece 1897:Rhode Island School of Design 1794:The Old Trade School Building 1691:, Texas in January 2011. The 1395:, and in 2010, he starred in 1189:Later book projects include: 1030:. In 2022, he teamed up with 5070:Artists from Omaha, Nebraska 4947:Resources in other libraries 4928:Resources in other libraries 4606:LACMA receives Ruscha prints 4549:Carol Vogel (May 13, 2010), 4453:Carol Vogel (May 15, 2002), 4312:David Ng (August 15, 2013), 4231:"Honorary Degree Recipients" 3835:LACMA receives Ruscha prints 3209:Snapes, Laura (2023-10-26). 2580:Ed Ruscha: Boulangerie, 1961 2087:(1969) for $ 2.4 million at 1287:Various Small Fires and Milk 1004:, 2001). In 1987, collector 590:to the crest of the ridge). 262:. Ruscha lives and works in 5040:American conceptual artists 4696:. H.W. Wilson. p. 490. 4179:David Ng (April 18, 2013), 4168:San Francisco Art Institute 4062:San Francisco Art Institute 3582:, June 12-September 5, 1999 3530:Seven days in the art world 2933:Ingleby Gallery, Edinburgh. 2730:, 9 June 1999, Los Angeles. 2369:THEN & NOW by Ed Ruscha 2169:Federal Election Commission 1910:San Francisco Art Institute 1565:Seven Days in the Art World 1424:American Art in the Sixties 1301:(2008). A recent homage is 1295:Twentysix Gasoline Stations 1089:Some Los Angeles Apartments 1076:Twentysix Gasoline Stations 955:A Particular Kind of Heaven 703:In the 1970s, Ruscha, with 619:Norm’s, La Cienega, on Fire 505:Twentysix Gasoline Stations 445:'s cover illustrations for 5126: 5060:Art in Greater Los Angeles 4277:MoCA Names Ruscha to Board 3902:MoCA Names Ruscha to Board 3349:November 17, 2018, at the 3091:W Magazine, November 2007. 3052:Traffic Sign For High Line 2801:Moderna Museet, Stockholm. 2745:November 11, 2012, at the 2723:Brave Men Run In My Family 2002:Museum of Contemporary Art 1674:In October 2009, London's 1604:Museum of Contemporary Art 717:Brave Men Run In My Family 429:'s paintings, the work of 425:. He was also impacted by 284:Hartford Insurance Company 4942:Resources in your library 4923:Resources in your library 4163:November 7, 2012, at the 4057:November 7, 2012, at the 3587:January 16, 2015, at the 3116:When Stella met Ed Ruscha 3029:The J. Paul Getty Museum. 2929:28 September 2011 at the 2101:Hurting the Word Radio #2 1584:San Antonio Museum of Art 1208:, 2004 (with Sylvia Wolf) 1206:Ed Ruscha and Photography 1143:Real Estate Opportunities 976:(2007). To celebrate the 943:Words In Their Best Order 917:Miami–Dade Public Library 662:Los Francisco San Angeles 582:print seems to mimic the 5095:Painters from California 4986:Getty Research Institute 4976:Getty Research Institute 4692:Moritz, Charles (1990). 3954:"Argus: UMFA Collection" 3779:15 November 2012 at the 3645:In Retrospect: Ed Ruscha 3262:Words by Jack, Art by Ed 3171:. MPL Communications Ltd 2944:Fruit Metrecal Hollywood 2828:January 7, 2013, at the 2273:Getty Research Institute 2193:Getty Research Institute 1814:Utah Museum of Fine Arts 1806:Art Institute of Chicago 1750:Kunsthistorisches Museum 1711:, Florida in May 2012). 1430:, a 1981 documentary by 842:Fruit Metrecal Hollywood 773:by Edward Ruscha, 1971, 771:Fruit Metrecal Hollywood 609:was quickly followed by 476:Sir John Everett Millais 270:Early life and education 4737:March 15, 2012, at the 4669:The Andy Warhol Diaries 4391:The Wall Street Journal 3327:March 15, 2012, at the 3163:Staff (11 March 2019). 2924:, 21 May - 23 July 2011 2411:Encyclopedia Britannica 2323:Edward Ruscha Biography 2139:Pioneertown, California 2045:Column With Speed Lines 1905:for Artistic Excellence 1631:National Gallery of Art 1592:Centre Georges Pompidou 1441:Sketches of Frank Gehry 1418:Ruscha was featured in 1391:directed by his friend 1338:Films and documentaries 1305:(2013) by Dutch artist 1101:Thirtyfour Parking Lots 304:Chouinard Art Institute 274:Ruscha was born into a 264:Culver City, California 202:Edward Joseph Ruscha IV 62:Chouinard Art Institute 33:Edward Joseph Ruscha IV 5050:American male painters 4039:The Hollywood Reporter 4020:The Hollywood Reporter 3853:Investing in Chocolate 3700:"ED RUSCHA / NOW THEN" 3435:The Hollywood Reporter 3306:Ruscha's Kodak moments 2696:Amadour (2023-02-15). 2505:June 24, 2011, at the 2202:Santa Monica Boulevard 1602:in 2001. In 2004, the 1524:Galerie Rudolf Zwirner 1458:(2010), among others. 1274:in an edition of 350. 1149:Babycakes with Weights 1113:and Patrick Blackwell) 1067: 1040:Science Is Truth Found 915:), for the rotunda of 777: 775:Honolulu Museum of Art 588:Santa Monica Mountains 508: 409:Target with Four Faces 328:alternative newspapers 5065:Artists from Oklahoma 4667:Hackett, Pat (2009). 3244:(September 7, 2007), 3169:www.paulmccartney.com 2210:Pacific Coast Highway 2173:presidential campaign 2117:for $ 3.2 million at 1878:Royal Academy of Arts 1856:2001: Elected to the 1580:Vancouver Art Gallery 1520:Robert Fraser Gallery 1354:, Ruscha arranged in 1352:Guggenheim Fellowship 1065: 945:, for the offices of 935:PICTURE WITHOUT WORDS 899:The Back of Hollywood 895:Denver Public Library 826:A Blvd. Called Sunset 769: 503: 193:Guggenheim Fellowship 5055:American pop artists 3625:. Barnes & Noble 2290:Los Angeles Magazine 2189:J. Paul Getty Museum 2053:Screaming in Spanish 1991:Sand in the Vaseline 1979:Downtown Los Angeles 1931:'s annual gala event 1818:Salt Lake City, Utah 1730:Museum of Modern Art 1619:J. Paul Getty Museum 1528:Leo Castelli Gallery 1526:. Ruscha joined the 1422:'s film documentary 447:New Directions Press 156: 1967; 4891:"Ed Ruscha's L.A.," 4757:Harry Ransom Center 4742:J. Paul Getty Trust 4218:J. Paul Getty Trust 3941:The Washington Post 3503:The Washington Post 3332:J. Paul Getty Trust 3039:Ed Ruscha: Triptych 2767:The Daily Telegraph 2665:Marlborough Gallery 2568:Norton Simon Museum 2293:(January 23, 2018). 2217:Harry Ransom Center 2179:in September 2016. 1936:J. Paul Getty Medal 1903:National Arts Award 1891:Aspen Award for Art 1723:Harry Ransom Center 1633:, Washington, D.C. 1509:Pasadena Art Museum 1293:relocated Ruscha's 1283:Burning Small Fires 1083:Various Small Fires 970:Whitechapel Gallery 875:99% DEVIL, 1% ANGEL 623:Burning Gas Station 570:(1962) depicts the 533:Hollywood Boulevard 517:Southern California 496:Southern California 455:Robert Rauschenberg 4713:2016-11-04 at the 4650:Ruscha’s Landscape 4625:"Ed Ruscha's L.A." 4575:2010-12-20 at the 4554:The New York Times 4518:The New York Times 4501:The New York Times 4458:The New York Times 4337:The New York Times 4301:The New York Times 4205:, October 2, 2013. 4202:Women's Wear Daily 4103:2014-02-26 at the 3888:The New York Times 3872:The New York Times 3856:The New York Times 3796:The New York Times 3729:The New York Times 3682:www.hrc.utexas.edu 3486:The New York Times 3452:The New York Times 3265:The New York Times 3249:The New York Times 3196:Women's Wear Daily 3144:2012-07-31 at the 3121:2011-06-13 at the 3074:2010-12-16 at the 3056:The New York Times 2980:2010-05-25 at the 2851:2010-12-20 at the 2782:Rehab Pump Doctors 2660:2010-12-21 at the 2547:2011-07-19 at the 2268:2012-01-31 at the 2027:In 2009, Ruscha's 1983:Ed Ruscha Monument 1942:Occidental College 1734:The Chocolate Room 1683:, Munich, and the 1629:, and then to the 1610:, Rome and to the 1574:(traveling to the 1467:Birth of "Pop Art" 1407:' 2018 short film 1258:in 2002. In 2010, 1238:exhibition at the 1194:Country Cityscapes 1068: 909:(a quotation from 885:Commissioned works 778: 564:Paramount Pictures 509: 306:(now known as the 4909:Library resources 4882:978-1-60606-138-1 4872:978-3-7757-2810-2 4862:978-1-935202-06-6 4849:978-0-262-01364-2 4839:978-1-85437-623-7 4784:, December, 1964. 4719:The Art Newspaper 4648:(February 1986), 4610:Los Angeles Times 4374:The Art Newspaper 4355:Los Angeles Times 4318:Los Angeles Times 4262:New York Magazine 4185:Los Angeles Times 3839:Los Angeles Times 3643:Douglas, Sarah. " 3609:Los Angeles Times 3592:Walker Art Center 3310:Los Angeles Times 2922:Gravity's Rainbow 2167:According to the 2162:Michelle Phillips 1995:Various Cruelties 1837:Leonardo DiCaprio 1786:Leonard A. Lauder 1705:Denver Art Museum 1654:Kunsthaus Bregenz 1650:Reading Ed Ruscha 1638:Walker Art Center 1598:in 2000, and the 1485:Phillip Hefferton 1426:. He appeared in 1420:Michael Blackwood 1385:Michelle Phillips 1307:Elisabeth Tonnard 1303:One Swimming Pool 1291:Charles Johnstone 1236:Billy Al Bengston 1121:Billy Al Bengston 1014:Band of Outsiders 1006:Frederick Weisman 923:and John Burgee. 836:, he composed an 593:Ruscha completed 507:, 1963, by Ruscha 437:’s 1925 painting 298:before moving to 199: 198: 43:December 16, 1937 5117: 4936:By Edward Ruscha 4760: 4751: 4745: 4729: 4723: 4704: 4698: 4697: 4689: 4683: 4682: 4664: 4658: 4643: 4637: 4636: 4634: 4632: 4620: 4614: 4602: 4596: 4586: 4580: 4563: 4557: 4547: 4541: 4528: 4522: 4510: 4504: 4494: 4488: 4478: 4472: 4467: 4461: 4451: 4445: 4433: 4427: 4426:, July 31, 2014. 4416: 4410: 4400: 4394: 4384: 4378: 4365: 4359: 4347: 4341: 4328: 4322: 4310: 4304: 4294: 4288: 4287: 4286: 4285: 4272: 4266: 4256:(May 25, 2008), 4251: 4245: 4244: 4242: 4241: 4227: 4221: 4212: 4206: 4195: 4189: 4177: 4171: 4155: 4149: 4142: 4136: 4129: 4123: 4117: 4111: 4095: 4089: 4088: 4086: 4085: 4071: 4065: 4049: 4043: 4030: 4024: 4012: 4006: 3994: 3988: 3987: 3985: 3984: 3975:. Archived from 3964: 3958: 3957: 3950: 3944: 3934: 3928: 3927:, San Francisco. 3919: 3913: 3912: 3911: 3910: 3897: 3891: 3881: 3875: 3869:Gift for Whitney 3865: 3859: 3849: 3843: 3831: 3825: 3824: 3822: 3820: 3805: 3799: 3789: 3783: 3771: 3765: 3763: 3761: 3760: 3746: 3740: 3739: 3737: 3735: 3720: 3714: 3713: 3711: 3710: 3696: 3690: 3689: 3684:. Archived from 3674: 3668: 3667: 3660: 3654: 3641: 3635: 3634: 3632: 3630: 3619: 3613: 3601: 3595: 3576: 3570: 3569: 3559: 3551: 3525: 3519: 3513: 3507: 3495: 3489: 3479: 3473: 3461: 3455: 3445: 3439: 3426: 3420: 3410: 3404: 3397: 3391: 3380: 3374: 3360: 3354: 3341: 3335: 3319: 3313: 3302: 3296: 3289: 3283: 3280:Gagosian Gallery 3274: 3268: 3258: 3252: 3239: 3233: 3232: 3230: 3229: 3206: 3200: 3187: 3181: 3180: 3178: 3176: 3160: 3154: 3135: 3129: 3126:Stella McCartney 3113: 3107: 3098: 3092: 3085: 3079: 3066: 3060: 3048: 3042: 3036: 3030: 3024: 3018: 3006: 3000: 2999:Tate Collection. 2994: 2988: 2972: 2966: 2953: 2947: 2940: 2934: 2918: 2912: 2909:Gagosian Gallery 2903: 2897: 2884: 2878: 2865: 2859: 2839: 2833: 2820: 2814: 2808: 2802: 2796: 2790: 2777: 2771: 2759: 2753: 2750:Gagosian Gallery 2737: 2731: 2718: 2712: 2711: 2709: 2708: 2693: 2687: 2674: 2668: 2652: 2646: 2633: 2627: 2610: 2604: 2592: 2586: 2577: 2571: 2558: 2552: 2538: 2532: 2519: 2513: 2510:Gagosian Gallery 2497: 2491: 2482: 2476: 2467: 2461: 2452: 2446: 2445: 2443: 2442: 2427: 2421: 2420: 2418: 2417: 2403: 2397: 2396: 2394: 2393: 2378: 2372: 2366: 2360: 2353: 2347: 2344: 2338: 2337: 2336: 2335: 2318: 2312: 2300: 2294: 2284:Nichols, Chris. 2282: 2276: 2260: 2254: 2244: 2115:Gagosian Gallery 2073:Talk About Space 1665:Kunsthaus Zürich 1648:. In July 2012, 1553:Course of Empire 1473:Roy Lichtenstein 1260:Gagosian Gallery 1155:A Few Palm Trees 1036:Gagosian Gallery 1010:Lockheed JetStar 998:Stella McCartney 850:"Hollywood" sign 798:vegetable juices 678:Roy Lichtenstein 631:Standard Station 611:Standard Station 572:20th Century Fox 537:Standard Station 411:in the magazine 399:Early influences 316:Emerson Woelffer 229: 228: 225: 224: 221: 218: 215: 212: 179: 177: 161: 159: 155: 115:Standard Station 96: 46: 42: 40: 19: 16:American painter 5125: 5124: 5120: 5119: 5118: 5116: 5115: 5114: 5010: 5009: 4994:discography at 4953: 4952: 4951: 4933: 4932: 4917: 4916: 4912: 4905: 4768: 4763: 4752: 4748: 4739:Wayback Machine 4730: 4726: 4715:Wayback Machine 4705: 4701: 4691: 4690: 4686: 4679: 4666: 4665: 4661: 4644: 4640: 4630: 4628: 4622: 4621: 4617: 4603: 4599: 4587: 4583: 4577:Wayback Machine 4564: 4560: 4548: 4544: 4529: 4525: 4511: 4507: 4495: 4491: 4479: 4475: 4468: 4464: 4452: 4448: 4437:Diplomatic Dash 4434: 4430: 4417: 4413: 4401: 4397: 4385: 4381: 4366: 4362: 4348: 4344: 4329: 4325: 4311: 4307: 4295: 4291: 4283: 4281: 4274: 4273: 4269: 4252: 4248: 4239: 4237: 4229: 4228: 4224: 4213: 4209: 4196: 4192: 4178: 4174: 4165:Wayback Machine 4156: 4152: 4143: 4139: 4130: 4126: 4118: 4114: 4105:Wayback Machine 4096: 4092: 4083: 4081: 4073: 4072: 4068: 4059:Wayback Machine 4050: 4046: 4031: 4027: 4013: 4009: 3995: 3991: 3982: 3980: 3966: 3965: 3961: 3952: 3951: 3947: 3935: 3931: 3920: 3916: 3908: 3906: 3899: 3898: 3894: 3882: 3878: 3866: 3862: 3850: 3846: 3832: 3828: 3818: 3816: 3807: 3806: 3802: 3790: 3786: 3781:Wayback Machine 3772: 3768: 3758: 3756: 3748: 3747: 3743: 3733: 3731: 3722: 3721: 3717: 3708: 3706: 3698: 3697: 3693: 3676: 3675: 3671: 3662: 3661: 3657: 3653:, October 2009. 3642: 3638: 3628: 3626: 3621: 3620: 3616: 3602: 3598: 3589:Wayback Machine 3577: 3573: 3552: 3540: 3527: 3526: 3522: 3514: 3510: 3496: 3492: 3480: 3476: 3465:The Cool School 3462: 3458: 3446: 3442: 3427: 3423: 3411: 3407: 3398: 3394: 3381: 3377: 3361: 3357: 3351:Wayback Machine 3342: 3338: 3329:Wayback Machine 3320: 3316: 3303: 3299: 3290: 3286: 3275: 3271: 3259: 3255: 3240: 3236: 3227: 3225: 3208: 3207: 3203: 3188: 3184: 3174: 3172: 3162: 3161: 3157: 3146:Wayback Machine 3136: 3132: 3123:Wayback Machine 3114: 3110: 3105:New York Times. 3099: 3095: 3086: 3082: 3076:Wayback Machine 3067: 3063: 3049: 3045: 3037: 3033: 3025: 3021: 3014:Financial Times 3007: 3003: 2995: 2991: 2982:Wayback Machine 2973: 2969: 2954: 2950: 2941: 2937: 2931:Wayback Machine 2919: 2915: 2904: 2900: 2885: 2881: 2866: 2862: 2853:Wayback Machine 2840: 2836: 2830:Wayback Machine 2821: 2817: 2809: 2805: 2797: 2793: 2778: 2774: 2760: 2756: 2747:Wayback Machine 2738: 2734: 2719: 2715: 2706: 2704: 2695: 2694: 2690: 2675: 2671: 2662:Wayback Machine 2653: 2649: 2634: 2630: 2611: 2607: 2593: 2589: 2578: 2574: 2559: 2555: 2549:Wayback Machine 2539: 2535: 2520: 2516: 2507:Wayback Machine 2498: 2494: 2483: 2479: 2468: 2464: 2453: 2449: 2440: 2438: 2429: 2428: 2424: 2415: 2413: 2405: 2404: 2400: 2391: 2389: 2380: 2379: 2375: 2367: 2363: 2354: 2350: 2345: 2341: 2333: 2331: 2320: 2319: 2315: 2301: 2297: 2283: 2279: 2270:Wayback Machine 2261: 2257: 2245: 2241: 2237: 2185: 2177:Hillary Clinton 2134: 2069: 2029:I Think I’ll... 1951: 1914:2013: Named in 1853: 1758: 1742: 1676:Hayward Gallery 1549:Vanishing Cream 1544:Chocolate Room, 1540:Venice Biennale 1536: 1469: 1464: 1446:The Cool School 1409:Paradox Bullets 1340: 1319: 1183:Lawrence Weiner 1107:Royal Road Test 1060: 947:Gannett Company 887: 871:WONDER SICKNESS 862: 860:Motifs in light 764: 746:Paintings like 744: 670: 647:Double Standard 625:(1965–66), and 607:Large Trademark 553:Large Trademark 541:Large Trademark 498: 431:H.C. Westermann 427:John McLaughlin 401: 393:beat generation 388: 366:Edward Kienholz 280:Omaha, Nebraska 272: 209: 205: 184: 181: 178: 1987) 173: 168: 163: 160: 1978) 151: 147: 144: 120: 94: 53: 50:Omaha, Nebraska 47: 44: 38: 36: 35: 34: 24: 17: 12: 11: 5: 5123: 5121: 5113: 5112: 5107: 5102: 5097: 5092: 5087: 5082: 5077: 5072: 5067: 5062: 5057: 5052: 5047: 5042: 5037: 5032: 5027: 5022: 5012: 5011: 5008: 5007: 4998: 4989: 4979: 4969: 4964: 4959: 4950: 4949: 4944: 4938: 4934: 4931: 4930: 4925: 4919: 4918: 4907: 4906: 4904: 4903:External links 4901: 4900: 4899: 4895:The New Yorker 4887:Calvin Tomkins 4884: 4874: 4864: 4851: 4841: 4831: 4821: 4811: 4808: 4795: 4785: 4778: 4767: 4764: 4762: 4761: 4746: 4744:, Los Angeles. 4724: 4699: 4684: 4678:978-0446571241 4677: 4659: 4638: 4615: 4597: 4581: 4558: 4542: 4523: 4505: 4489: 4473: 4462: 4446: 4428: 4423:The Australian 4411: 4395: 4379: 4360: 4342: 4323: 4305: 4289: 4267: 4246: 4222: 4207: 4190: 4172: 4150: 4148:BLOUINARTINFO. 4137: 4124: 4112: 4090: 4066: 4044: 4025: 4007: 3989: 3959: 3945: 3929: 3914: 3892: 3876: 3860: 3844: 3826: 3800: 3784: 3766: 3741: 3715: 3704:press.moma.org 3691: 3688:on 2018-07-27. 3669: 3666:. 22 May 2015. 3655: 3636: 3623:"Siri Engberg" 3614: 3596: 3594:, Minneapolis. 3571: 3538: 3520: 3508: 3490: 3474: 3456: 3440: 3421: 3405: 3392: 3375: 3362:Shaune Lakin, 3355: 3336: 3334:, Los Angeles. 3314: 3297: 3284: 3269: 3253: 3234: 3201: 3182: 3155: 3130: 3108: 3093: 3080: 3061: 3043: 3031: 3019: 3001: 2989: 2985:Moderna Museet 2967: 2948: 2935: 2913: 2898: 2879: 2860: 2834: 2815: 2803: 2791: 2772: 2754: 2732: 2713: 2688: 2669: 2647: 2628: 2605: 2600:New York Times 2587: 2572: 2553: 2533: 2524:BLVD.-AVE.-ST. 2514: 2492: 2488:Moderna Museet 2477: 2475:, Los Angeles. 2462: 2458:Moderna Museet 2447: 2422: 2398: 2373: 2361: 2348: 2339: 2313: 2308:New York Times 2295: 2277: 2275:, Los Angeles. 2255: 2251:The New Yorker 2238: 2236: 2233: 2206:Melrose Avenue 2184: 2181: 2150:Samantha Eggar 2133: 2130: 2097:Larry Gagosian 2068: 2065: 1971:Kent Twitchell 1953:Fellow artist 1950: 1947: 1946: 1945: 1938: 1932: 1925: 1912: 1906: 1899: 1893: 1887: 1880: 1874: 1867: 1861: 1852: 1849: 1782:Larry Gagosian 1778:Whitney Museum 1774:Chocolate Room 1766:Phyllis Wattis 1757: 1754: 1741: 1738: 1685:Moderna Museet 1681:Haus der Kunst 1663:in Paris, the 1652:opened at the 1561:Sarah Thornton 1557:Donna De Salvo 1535: 1534:Retrospectives 1532: 1503:," curated by 1497:Wayne Thiebaud 1468: 1465: 1463: 1460: 1372:Tommy Smothers 1368:Rudi Gernreich 1339: 1336: 1318: 1315: 1232: 1231: 1215: 1209: 1203: 1197: 1187: 1186: 1176: 1173:Colored People 1170: 1164: 1158: 1152: 1146: 1140: 1137:Mason Williams 1130: 1124: 1117:Business Cards 1114: 1111:Mason Williams 1104: 1098: 1092: 1086: 1080: 1059: 1056: 1022:Paul McCartney 994:Boy Meets Girl 986:Public Stoning 921:Philip Johnson 886: 883: 861: 858: 763: 760: 743: 740: 732:Hollywood Sign 705:Barbara Kruger 669: 668:Word paintings 666: 639:Mocha Standard 497: 494: 459:R. A. Bertelli 451:Marcel Duchamp 449:, and much of 400: 397: 387: 384: 380:Mason Williams 354:John McCracken 335:Carson-Roberts 276:Roman Catholic 271: 268: 260:artist's books 197: 196: 190: 186: 185: 183: 182: 171: 169: 166: 164: 149: 145: 142: 141: 138: 136: 132: 131: 126: 122: 121: 119: 118: 112: 106: 99: 97: 91: 90: 69: 68:Known for 65: 64: 59: 55: 54: 48: 32: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 5122: 5111: 5108: 5106: 5103: 5101: 5098: 5096: 5093: 5091: 5088: 5086: 5083: 5081: 5080:Living people 5078: 5076: 5073: 5071: 5068: 5066: 5063: 5061: 5058: 5056: 5053: 5051: 5048: 5046: 5043: 5041: 5038: 5036: 5033: 5031: 5028: 5026: 5023: 5021: 5018: 5017: 5015: 5006: 5002: 5001:Edward Ruscha 4999: 4997: 4993: 4992:Edward Ruscha 4990: 4987: 4983: 4980: 4977: 4973: 4970: 4968: 4965: 4963: 4960: 4958: 4955: 4954: 4948: 4945: 4943: 4940: 4939: 4937: 4929: 4926: 4924: 4921: 4920: 4915: 4914:Edward Ruscha 4910: 4902: 4897: 4896: 4892: 4888: 4885: 4883: 4879: 4875: 4873: 4869: 4865: 4863: 4859: 4855: 4852: 4850: 4846: 4842: 4840: 4836: 4832: 4830: 4829:968-5979-15-4 4826: 4822: 4820: 4819:1-932598-19-7 4816: 4812: 4809: 4807: 4806:1-880154-79-X 4803: 4799: 4796: 4794: 4793:0-8478-1730-X 4790: 4786: 4783: 4779: 4776: 4775: 4770: 4769: 4765: 4758: 4755: 4750: 4747: 4743: 4740: 4736: 4733: 4728: 4725: 4721: 4720: 4716: 4712: 4709: 4703: 4700: 4695: 4688: 4685: 4680: 4674: 4670: 4663: 4660: 4656: 4655: 4651: 4647: 4646:Peter Plagens 4642: 4639: 4626: 4619: 4616: 4612: 4611: 4607: 4601: 4598: 4594: 4592: 4585: 4582: 4578: 4574: 4571: 4569: 4562: 4559: 4555: 4552: 4546: 4543: 4539: 4538: 4533: 4527: 4524: 4520: 4519: 4515: 4509: 4506: 4502: 4499: 4493: 4490: 4486: 4483: 4477: 4474: 4470: 4466: 4463: 4459: 4456: 4450: 4447: 4443: 4442: 4438: 4432: 4429: 4425: 4424: 4420: 4415: 4412: 4408: 4405: 4399: 4396: 4392: 4389: 4383: 4380: 4376: 4375: 4370: 4364: 4361: 4357: 4356: 4352: 4346: 4343: 4339: 4338: 4333: 4327: 4324: 4320: 4319: 4315: 4309: 4306: 4302: 4299: 4293: 4290: 4279: 4278: 4271: 4268: 4264: 4263: 4259: 4255: 4250: 4247: 4236: 4232: 4226: 4223: 4219: 4216: 4211: 4208: 4204: 4203: 4199: 4194: 4191: 4187: 4186: 4182: 4176: 4173: 4169: 4166: 4162: 4159: 4154: 4151: 4147: 4141: 4138: 4134: 4128: 4125: 4122:The Art Fund. 4121: 4116: 4113: 4109: 4106: 4102: 4099: 4094: 4091: 4080: 4076: 4070: 4067: 4063: 4060: 4056: 4053: 4048: 4045: 4041: 4040: 4035: 4029: 4026: 4022: 4021: 4017: 4011: 4008: 4004: 4003: 3999: 3993: 3990: 3979:on 2019-08-10 3978: 3974: 3970: 3963: 3960: 3955: 3949: 3946: 3942: 3939: 3933: 3930: 3926: 3923: 3918: 3915: 3904: 3903: 3896: 3893: 3889: 3886: 3880: 3877: 3873: 3870: 3864: 3861: 3857: 3854: 3848: 3845: 3841: 3840: 3836: 3830: 3827: 3815: 3811: 3804: 3801: 3797: 3794: 3788: 3785: 3782: 3778: 3775: 3770: 3767: 3755: 3751: 3745: 3742: 3730: 3726: 3719: 3716: 3705: 3701: 3695: 3692: 3687: 3683: 3679: 3673: 3670: 3665: 3659: 3656: 3652: 3651: 3646: 3640: 3637: 3624: 3618: 3615: 3611: 3610: 3606: 3600: 3597: 3593: 3590: 3586: 3583: 3581: 3575: 3572: 3567: 3563: 3557: 3549: 3545: 3541: 3539:9780393337129 3535: 3531: 3524: 3521: 3517: 3512: 3509: 3505: 3504: 3500: 3494: 3491: 3487: 3484: 3478: 3475: 3471: 3470: 3466: 3460: 3457: 3453: 3450: 3444: 3441: 3437: 3436: 3431: 3425: 3422: 3418: 3415: 3409: 3406: 3402: 3396: 3393: 3389: 3385: 3379: 3376: 3372: 3368: 3366: 3365:Tropical Fish 3359: 3356: 3352: 3348: 3345: 3340: 3337: 3333: 3330: 3326: 3323: 3318: 3315: 3312: 3311: 3307: 3301: 3298: 3294: 3288: 3285: 3281: 3278: 3273: 3270: 3266: 3263: 3257: 3254: 3250: 3247: 3243: 3242:Roberta Smith 3238: 3235: 3224: 3220: 3216: 3212: 3205: 3202: 3198: 3197: 3192: 3186: 3183: 3170: 3166: 3159: 3156: 3152: 3151: 3147: 3143: 3140: 3134: 3131: 3127: 3124: 3120: 3117: 3112: 3109: 3106: 3103: 3097: 3094: 3090: 3084: 3081: 3077: 3073: 3070: 3065: 3062: 3058: 3057: 3053: 3047: 3044: 3040: 3035: 3032: 3028: 3023: 3020: 3016: 3015: 3011: 3005: 3002: 2998: 2993: 2990: 2986: 2983: 2979: 2976: 2971: 2968: 2964: 2961: 2959: 2952: 2949: 2945: 2939: 2936: 2932: 2928: 2925: 2923: 2917: 2914: 2910: 2907: 2902: 2899: 2895: 2892: 2890: 2883: 2880: 2876: 2873: 2871: 2864: 2861: 2857: 2854: 2850: 2847: 2845: 2838: 2835: 2831: 2827: 2824: 2819: 2816: 2812: 2807: 2804: 2800: 2795: 2792: 2788: 2785: 2783: 2776: 2773: 2769: 2768: 2764: 2758: 2755: 2751: 2748: 2744: 2741: 2736: 2733: 2729: 2726: 2724: 2717: 2714: 2703: 2699: 2692: 2689: 2685: 2682: 2680: 2673: 2670: 2666: 2663: 2659: 2656: 2651: 2648: 2644: 2641: 2639: 2632: 2629: 2625: 2622: 2620: 2616: 2609: 2606: 2602: 2601: 2597: 2591: 2588: 2584: 2581: 2576: 2573: 2569: 2566: 2564: 2557: 2554: 2550: 2546: 2543: 2540:Rachel Lyon, 2537: 2534: 2530: 2527: 2525: 2518: 2515: 2511: 2508: 2504: 2501: 2496: 2493: 2489: 2486: 2481: 2478: 2474: 2471: 2466: 2463: 2459: 2456: 2451: 2448: 2437: 2433: 2426: 2423: 2412: 2408: 2402: 2399: 2387: 2383: 2377: 2374: 2370: 2365: 2362: 2358: 2352: 2349: 2343: 2340: 2330:on 2017-04-28 2329: 2325: 2324: 2317: 2314: 2310: 2309: 2305: 2299: 2296: 2292: 2291: 2287: 2281: 2278: 2274: 2271: 2267: 2264: 2259: 2256: 2252: 2249: 2243: 2240: 2234: 2232: 2230: 2226: 2222: 2218: 2215:In 2013, the 2213: 2211: 2207: 2203: 2199: 2194: 2190: 2187:In 2011, the 2182: 2180: 2178: 2174: 2170: 2165: 2163: 2159: 2158:Lauren Hutton 2155: 2151: 2147: 2142: 2140: 2132:Personal life 2131: 2129: 2126: 2124: 2120: 2116: 2112: 2108: 2104: 2102: 2098: 2094: 2090: 2086: 2082: 2078: 2074: 2066: 2064: 2062: 2058: 2054: 2050: 2046: 2042: 2038: 2037:David Cameron 2034: 2030: 2025: 2023: 2019: 2015: 2011: 2010:J. 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Ballard 2007: 2003: 1998: 1996: 1992: 1988: 1987:Talking Heads 1984: 1980: 1976: 1972: 1968: 1964: 1960: 1956: 1955:Louise Lawler 1948: 1943: 1939: 1937: 1933: 1930: 1926: 1924: 1920: 1918: 1913: 1911: 1907: 1904: 1900: 1898: 1894: 1892: 1888: 1885: 1881: 1879: 1875: 1872: 1868: 1866: 1862: 1859: 1855: 1854: 1850: 1848: 1846: 1842: 1838: 1833: 1831: 1827: 1823: 1819: 1815: 1811: 1807: 1803: 1799: 1795: 1791: 1787: 1783: 1779: 1775: 1771: 1767: 1763: 1755: 1753: 1751: 1747: 1739: 1737: 1735: 1731: 1726: 1724: 1721:In 2018, The 1719: 1717: 1712: 1710: 1706: 1702: 1698: 1694: 1693:Hammer Museum 1690: 1686: 1682: 1677: 1672: 1670: 1669:Museum Ludwig 1666: 1662: 1657: 1655: 1651: 1647: 1643: 1639: 1636:In 1999, the 1634: 1632: 1628: 1624: 1620: 1617:In 1998, the 1615: 1613: 1609: 1605: 1601: 1597: 1594:in 1989, the 1593: 1589: 1585: 1581: 1577: 1573: 1568: 1566: 1562: 1558: 1554: 1550: 1545: 1541: 1533: 1531: 1529: 1525: 1521: 1517: 1516:Ferus Gallery 1512: 1510: 1506: 1502: 1498: 1494: 1490: 1486: 1482: 1478: 1474: 1466: 1461: 1459: 1457: 1453: 1452: 1447: 1443: 1442: 1437: 1433: 1429: 1425: 1421: 1416: 1414: 1413:Werner Herzog 1410: 1406: 1402: 1398: 1394: 1390: 1386: 1382: 1377: 1373: 1369: 1366:, Leon Bing, 1365: 1361: 1357: 1353: 1349: 1345: 1337: 1335: 1333: 1332:Gemini G.E.L. 1329: 1328:Tropical Fish 1325: 1316: 1314: 1312: 1308: 1304: 1300: 1296: 1292: 1288: 1284: 1280: 1275: 1273: 1269: 1265: 1261: 1257: 1253: 1249: 1245: 1241: 1237: 1229: 1228:David Breskin 1225: 1222:, 2010 (with 1221: 1220: 1216: 1213: 1210: 1207: 1204: 1201: 1198: 1195: 1192: 1191: 1190: 1184: 1181:, 1978 (with 1180: 1177: 1174: 1171: 1168: 1167:Dutch Details 1165: 1162: 1159: 1156: 1153: 1150: 1147: 1144: 1141: 1138: 1135:, 1969 (with 1134: 1131: 1128: 1125: 1122: 1119:, 1968 (with 1118: 1115: 1112: 1109:, 1967 (with 1108: 1105: 1102: 1099: 1096: 1093: 1090: 1087: 1084: 1081: 1078: 1077: 1073: 1072: 1071: 1064: 1057: 1055: 1053: 1049: 1045: 1041: 1037: 1033: 1029: 1028: 1027:McCartney III 1023: 1019: 1015: 1011: 1007: 1003: 999: 996:, 1987), and 995: 991: 990:Lauren Hutton 987: 983: 979: 975: 974:Public Notice 971: 966: 964: 960: 956: 952: 948: 944: 940: 936: 931: 929: 924: 922: 918: 914: 913: 908: 904: 900: 896: 892: 884: 882: 880: 876: 872: 867: 859: 857: 855: 851: 847: 843: 839: 835: 831: 827: 823: 819: 815: 811: 807: 803: 799: 795: 791: 787: 783: 776: 772: 768: 761: 759: 757: 753: 749: 741: 739: 737: 733: 729: 724: 722: 718: 714: 710: 706: 701: 699: 695: 692:(1967–9) and 691: 687: 681: 679: 675: 667: 665: 663: 659: 658: 650: 648: 644: 640: 636: 632: 628: 624: 620: 616: 612: 608: 604: 601:(1958–1960), 600: 596: 591: 589: 585: 581: 577: 573: 569: 565: 560: 558: 554: 550: 546: 542: 538: 534: 530: 526: 522: 518: 514: 506: 502: 495: 493: 491: 487: 486: 481: 480:Edward Hopper 477: 473: 472: 467: 466: 460: 456: 452: 448: 444: 440: 439:Goin’ Fishin’ 436: 432: 428: 424: 420: 416: 415: 410: 406: 398: 396: 394: 385: 383: 381: 377: 373: 372: 367: 363: 359: 355: 351: 347: 346:Ferus Gallery 343: 338: 336: 331: 329: 325: 321: 317: 313: 309: 305: 301: 297: 296:Oklahoma City 293: 289: 285: 281: 277: 269: 267: 265: 261: 257: 253: 249: 245: 241: 237: 233: 227: 203: 194: 191: 187: 165: 140: 139: 137: 133: 130: 127: 123: 116: 113: 110: 107: 104: 101: 100: 98: 92: 89: 85: 81: 77: 73: 70: 66: 63: 60: 56: 51: 45:(age 86) 31: 27: 23:Edward Ruscha 20: 4935: 4913: 4893: 4854:James Ellroy 4781: 4772: 4749: 4727: 4717: 4702: 4693: 4687: 4668: 4662: 4652: 4641: 4629:. 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For the “ 1048:the Beatles 928:Studio City 873:(1984) and 802:axle grease 750:(1965) and 674:Andy Warhol 617:(1962). In 613:(1963) and 584:Cinemascope 513:Los Angeles 435:Arthur Dove 350:John Altoon 300:Los Angeles 252:photography 244:printmaking 80:printmaking 76:photography 5014:Categories 4627:New Yorker 4284:2008-04-17 4240:2024-05-16 4084:2020-01-17 3983:2019-08-10 3973:ArtPremium 3909:2008-04-17 3759:2018-12-13 3709:2023-12-24 3228:2023-10-27 3175:28 October 2875:Christie's 2787:Christie's 2728:Christie's 2707:2023-12-31 2583:Christie's 2441:2020-03-10 2416:2020-03-10 2392:2020-03-10 2334:2008-08-05 2235:References 2077:Christie's 2067:Art market 1826:Montsoreau 1788:purchased 1667:, and the 1586:, and the 1364:Larry Bell 1224:Nels Cline 1219:Dirty Baby 1200:ME and THE 1179:Hard Light 982:James Frey 856:on paper. 846:silkscreen 838:Arcimboldo 756:Surrealism 742:Surrealism 721:Morse code 635:silkscreen 603:Sweetwater 358:Larry Bell 288:cartooning 278:family in 39:1937-12-16 4759:, Austin. 4485:Bloomberg 4471:Sotheby's 3556:cite book 3548:489232834 3223:0261-3077 3150:Wallpaper 3089:Ed Ruscha 2997:Ed Ruscha 2975:Ed Ruscha 2896:, London. 2686:, London. 2655:Ed Ruscha 2645:, London. 2542:Ed Ruscha 2531:, London. 2089:Sotheby's 2081:Eli Broad 1959:Birdcalls 1921:s annual 1489:Joe Goode 1405:Tom Sachs 1403:. 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