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settlement's mission and rides off with a woman whom the
Colonel had kept as a slave. After turning bitter water sweet by stirring it with a branch, El Topo names the woman Marah. In need of food and water, El Topo spaces Marah's feet apart and digs up eggs from the sand beneath them, then utters a prayer before shooting a rock, which then releases water. When Marah tries these same techniques, she turns up nothing, seeming to lack El Topo's faith. After El Topo tears her clothes and apparently rapes her, Marah promptly becomes able to find eggs and water. She tells El Topo she will not return his love unless he proves himself the best gun-fighter by defeating the desert's four great gun masters. Each gun master represents a particular religion or philosophy, Nate, and El Topo learns from each of them before instigating a duel. El Topo is victorious each time, not through superior skill but through trickery or luck.
298:â and their violent preoccupation with guns, from their church "ritual" through to the film's bloody climax. Despite El Topo's great change in appearance, Hijo recognizes him and intends to kill him on the spot, but agrees to wait until he has succeeded in freeing the outcasts. Now wearing his father's black gunfighter clothes, Hijo grows impatient at the time the project is taking, and begins to work alongside El Topo to hasten the moment when he will kill him. At the point when Hijo is ready to give up on finishing the tunnel, El Topo breaks through into the cave. The tunnel has been completed, but Hijo finds that he cannot bring himself to kill his father.
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himself before El Topo is able to kill him, El Topo becomes ridden with guilt, destroys his own gun and revisits the places where he killed the masters, finding their corpses either on fire, covered with geometrical objects, or swarming with bees. The unnamed woman confronts El Topo and shoots him several times in the manner of
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nothing about her. We went to the desert with two other people: the photographer and a technician. No one else. I said, 'I'm not going to rehearse. There will be only one take because it will be impossible to repeat. Roll the cameras only when I signal you to And I really... I really... I really raped her. And she screamed."
423:, Barenholtz convinced the producer to have the film shown at midnight at the Elgin. Barenholtz chose the late showings of 1 am on Friday and at midnight during the week to give audiences a sense of "self-discovery". The film premiered on 18 December 1970, and ran continuously seven days a week until the end of June 1971.
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in New York City cancelled a retrospective exhibit on
Jodorowsky due to the controversy, Jodorowsky stated that the scene was not genuine and that he merely claimed such for publicity: "They were words, not facts. Surrealist publicity in order to enter the world of cinema from a position of obscurity
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He went on to state, "Then she told me that she had been raped before. You see, for me the character is frigid until El Topo rapes her. And she has an orgasm. That's why I show a stone phallus in that scene ... which spouts water. She has an orgasm. She accepts the male sex. And that's what happened
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After the first duel, a black-clad woman who speaks with a man's voice finds the couple and guides them to the remaining gun masters. As he kills each master, El Topo has increasing doubts about his mission, but Marah persuades him to continue. After the final gun master outsmarts El Topo by killing
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El Topo is traveling through a desert on horseback with his naked young son, Hijo. After they come across a town whose people, horses and livestock have been slaughtered, El Topo hunts down and kills the perpetrators and their leader, a fat balding
Colonel. El Topo leaves his son to the monks of the
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disagreed with Canby, describing the film as "a very strange masterpiece". He says, "On first blush it might seem no more than a violent surreal fantasy, a work of fabulous but probably deranged imagination. Surreal and crazy it may be, but it is also (one realizes the second time through) as fully
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on the gun masters' "four lessons". The outcasts dwell in a system of caves which have been blocked in â the only exit is out of their reach due to their deformities. When El Topo awakens, he is "born again" and decides to help the outcasts escape. He is able to reach the exit and, together with a
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When I wanted to do the rape scene, I explained to that I was going to hit her and rape her. There was no emotional relationship between us, because I had put a clause in all the women's contracts stating that they would not make love with the director. We had never talked to each other. I knew
573:, 80% of 46 critics' reviews are positive, with an average rating of 7.10/10. The website's consensus reads: "By turns intoxicating and confounding, El Topo contains the creative multitudes that made writer-director Alejandro Jodorowsky such a singular talent."
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The outcasts come streaming out, but as they enter the town they are shot down by the cultists. El Topo helplessly witnesses the community being slaughtered and is shot himself. Powering through his wounds, he massacres the town, then takes an oil lamp and
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dwarf girl who becomes his lover, performs for the depraved cultists of the neighboring town to raise money for dynamite to assist in digging a tunnel on one side of the mountain where the outcasts have effectively been kept imprisoned.
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I acknowledge that this statement is problematic in that it presents fictional violence against a woman as a tool for exposure, and now, fifty years later, I regret that this is being read as truth."
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The visuals were the main point of contention amongst the film's critics, who debated if the sequences and montage were meaningful or merely exploitative. Concerning the symbolism within the film,
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Hijo, now a young monk, arrives in the town to be the new priest, but is disgusted by the religion the cultists practice â notably symbolized by the frequent display of a basic line drawing of the
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wrote, "They're all there, in a movie that is all guts (quite literally) but that has no body to give the guts particular shape or function." He found the film to be a con. Also writing in the
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El Topo awakens many years later in a cave to find that the tribe of deformed outcasts have taken care of him and come to regard him as a god-like figure while he has been asleep and
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Following the release of the film, Jodorowsky courted controversy when he claimed that the scene in which he raped Mara
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was attached to star in the film, but that
Jodorowsky was having great difficulty raising money for the project. In an interview for
1041:"'Rango' Director Gore Verbinski Reveals The Top Ten Inspirations Of His Oscar-Contending Animated Feature Film | The Playlist"
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becomes a violent, would-be erotic freakshow, and that, I suppose, can be very heavy. For others, it is enough to make one yawn."
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These comments, and others made by
Jodorowsky throughout his career, faced renewed scrutiny in the wake of the
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in
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re-recorded the score for release on Apple
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to Mara in reality. She really had that problem. Fantastic scene. A very, very strong scene."
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Alejandro
Jodorowsky Gets Funding for Dream Project 'Abel Cain', by Ethan Anderton
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Retrospective critics have been more enthusiastic about the film. For example,
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Schjedahl, Peter (6 June 1971). "Should 'El Topo' Be
Elevated To 'El Tops'?".
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Siskel, Gene (28 January 1972). "'El Topo' Weighs In With Blood and Guts".
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Banks, T.; Collins, P.; Gabriel, P.; Hackett, S.; Rutherford, M. (2007),
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El Topo's son rides off with his father's lover and child on horseback.
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1132:"Lennon, Manson and me: the psychedelic cinema of Alejandro Jodorowsky"
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Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
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commented on how the visuals were perceived within the framework of
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In 2016 the sequel was released in comic book form under the name
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Noteworthy figures said to be fans of the film include directors
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1150:"Les Fils d'El Topo â Tome 1 â CaĂŻn par Alejandro Jodorowsky"
439:. The film was shown late at night like it was at the Elgin.
801:"'El Topo' & 'The Holy Mountain' Blu-rays Announced"
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played by Jodorowskyâand his quest for enlightenment.
992:"PULP â ACRYLIC AFTERNOONS â Jarvis Cocker Interview"
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Canby, Vincent (23 May 1971). "Is 'El Topo' a Con?".
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Bertha LomelĂ as the mother of the second gunfighter
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427:was distributed across the United States through
371:Alisha Newton as the wife of the third gunfighter
531:. Siskel's review states, "Under the influence,
250:film written, scored, directed by and starring
458:was officially released on DVD in May 2007; a
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403:in Mexico, where it was filmed and produced.
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828:Son of the 100 Best Movies You've Never Seen
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790:, University Press of America, Inc., page 59
380:Robert John as Hijo, El Topo's son, as a man
517:considered and ordered as fine clockwork."
1996:Mexican avant-garde and experimental films
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1981:1970s avant-garde and experimental films
399:There was no original intention to show
994:. Acrylic Afternoons. 20 September 1995
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362:HĂ©ctor MartĂnez as the first gunfighter
1986:Films directed by Alejandro Jodorowsky
1788:Aro Tolbukhin: In the Mind of a Killer
1721:Between Pancho Villa and a Naked Woman
1230:film review at Girls, Guns and Ghouls
1043:. Blogs.indiewire.com. Archived from
551:, but was not accepted as a nominee.
368:VĂctor Fosado as the third gunfighter
310:like one of the gun masters' graves.
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7:
825:Crouse, Richard (15 December 2010).
1772:Violet Perfume: No One Is Listening
788:Cult Films: Taboo and Transgression
19:For the Puerto Rican musician, see
803:. High-Def Digest. 7 February 2011
659:as a key inspiration for his game
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1093:27 October 2009, FirstShowing.net
593:; video game writer and director
347:Jacqueline Luis as El Topo's wife
2031:Films about people with dwarfism
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1130:Rose, Steve (14 November 2009).
1103:Rose, Steve (22 November 2002).
1016:, St. Martin's Griffin, page 157
462:release followed in April 2011.
353:Paula Romo as The Woman in Black
341:José Luis Fernåndez as Bandit #2
332:as Hijo, El Topo's son, as a boy
2011:Obscenity controversies in film
1482:Best International Feature Film
831:. ECW Press. pp. 111â112.
386:José Antonio Alcaraz as Sheriff
648:The Lamb Lies Down on Broadway
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1991:Mexican Western (genre) films
760:. Da Capo Press. p. 93.
2016:1970s Spanish-language films
1745:No One Writes to the Colonel
1014:Genesis: Chapter & Verse
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562:in his Great Movies series.
1152:. Glenatbd.com. 8 June 2016
739:and consists of 3 volumes.
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545:Best Foreign Language Film
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2001:Mexican independent films
1705:The Beginning and the End
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487:movement. In 2019, after
42:Theatrical release poster
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1780:The Crime of Padre Amaro
1689:Like Water for Chocolate
1617:The Place Without Limits
1089:30 January 2018 at the
2006:Mexican splatter films
1932:Prayers for the Stolen
1657:Life Is Most Important
1577:Reed: Insurgent Mexico
1280:Les tĂȘtes interverties
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466:Rape scene controversy
377:as the last gunfighter
350:Mara Lorenzio as Marah
344:Alf Junco as Bandit #3
1215:26 March 2013 at the
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1649:The Realm of Fortune
1593:Letters from Marusia
1336:The Dance of Reality
1265:Alejandro Jodorowsky
587:Nicolas Winding Refn
454:and bootleg videos.
417:Museum of Modern Art
324:Alejandro Jodorowsky
252:Alejandro Jodorowsky
185: (New York City)
153:Producciones Panicas
140:Alejandro Jodorowsky
95:Alejandro Jodorowsky
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61:Alejandro Jodorowsky
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1828:Tear This Heart Out
1585:Calzonzin Inspector
1474:Mexican submissions
1071:21 May 2011 at the
1066:The Sons of El Topo
695:The Sons of El Topo
549:44th Academy Awards
489:El Museo del Barrio
448:midnight screenings
1924:I'm No Longer Here
1047:on 7 February 2018
895:The New York Times
880:The New York Times
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699:Los hijos del Topo
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407:, an owner of the
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100:Brontis Jodorowsky
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1328:The Rainbow Thief
1304:The Holy Mountain
1105:"I am not normal"
859:. 31 January 2019
838:978-1-55490-330-6
641:, Lucia Lee, and
613:; and performers
567:review aggregator
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1320:Santa Sangre
1318:
1310:
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1197:
1186:
1175:
1154:. Retrieved
1144:
1136:the Guardian
1135:
1125:
1113:. Retrieved
1109:The Guardian
1108:
1098:
1079:
1061:
1049:. Retrieved
1045:the original
1035:
1021:
1013:
1008:
996:. Retrieved
986:
969:. Retrieved
959:
953:
946:
937:
927:
918:
909:
903:
894:
888:
879:
873:
861:. Retrieved
856:
847:
827:
805:. Retrieved
795:
787:
784:Havis, Allan
757:
751:
736:
734:
729:
725:
722:The Guardian
721:
716:stated that
713:The Guardian
711:
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702:
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694:
690:
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670:
660:
656:
646:
619:Roger Waters
605:; comedians
580:
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559:
553:
536:
532:
529:drug culture
522:
509:
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482:
478:
473:
469:
455:
443:
442:For decades
441:
424:
420:
412:
400:
398:
338:as Bandit #1
336:Alfonso Arau
312:
300:
293:
285:
277:
273:
248:acid Western
229:
228:
227:
194:Running time
170:Release date
25:
1860:After Lucia
1713:Midaq Alley
1288:Fando y Lis
1221:Roger Ebert
863:28 November
653:John Barham
643:John Lennon
627:Frank Ocean
599:Peter Fonda
583:David Lynch
556:Roger Ebert
519:Gene Siskel
437:the Beatles
433:Allen Klein
357:David Silva
198:124 minutes
163:ABKCO Films
107:David Silva
66:Produced by
48:Directed by
1971:1970 films
1965:Categories
1876:Cantinflas
1737:Un embrujo
1553:Black Wind
1383:Metabarons
1156:9 December
743:References
452:laserdiscs
326:as El Topo
288:meditating
264:gunfighter
181:1970-12-18
146:Production
110:Paula Romo
58:Written by
1900:Tempestad
1884:600 Miles
1852:Miss Bala
1756:2000â2023
1489:1950â1999
1401:Abel Cain
1369:The Incal
726:King Shot
685:Abel Cain
615:Bob Dylan
597:; actors
577:Influence
558:includes
496:Reception
222:$ 400,000
129:Edited by
16:1970 film
1892:Desierto
1844:Biutiful
1836:Backyard
1681:Homework
1633:Eréndira
1529:Tlayucan
1476:for the
1432:Category
1213:Archived
1203:AllMovie
1111:. London
1087:Archived
1069:Archived
1051:30 March
998:30 March
857:Artforum
807:30 March
786:(2008),
704:AbelcaĂn
569:website
543:for the
281:stigmata
235:Spanish:
211:Language
137:Music by
88:Starring
1569:El Topo
1513:Macario
1505:NazarĂn
1497:Torero!
1296:El Topo
1227:El Topo
1209:El Topo
1198:El Topo
1187:El Topo
1176:El Topo
971:5 April
954:El Topo
691:El Topo
657:El Topo
565:On the
560:El Topo
547:at the
537:El Topo
533:El Topo
521:of the
460:Blu-ray
456:El Topo
444:El Topo
425:El Topo
421:El Topo
415:at the
413:El Topo
401:El Topo
395:Release
308:beehive
242:, "The
230:El Topo
214:Spanish
203:Country
179: (
148:company
31:El Topo
1951:(2023)
1943:(2022)
1935:(2021)
1927:(2020)
1919:(2019)
1911:(2018)
1903:(2017)
1895:(2016)
1887:(2015)
1879:(2014)
1871:(2013)
1863:(2012)
1855:(2011)
1847:(2010)
1839:(2009)
1831:(2008)
1823:(2007)
1815:(2006)
1807:(2005)
1799:(2004)
1791:(2003)
1783:(2002)
1775:(2001)
1767:(2000)
1748:(1999)
1740:(1998)
1732:(1997)
1724:(1996)
1716:(1995)
1708:(1994)
1700:(1993)
1697:Cronos
1692:(1992)
1684:(1991)
1676:(1990)
1668:(1988)
1660:(1987)
1652:(1986)
1644:(1985)
1636:(1983)
1628:(1981)
1620:(1978)
1612:(1977)
1604:(1976)
1596:(1975)
1588:(1974)
1580:(1973)
1572:(1971)
1564:(1967)
1556:(1966)
1548:(1965)
1540:(1963)
1532:(1962)
1524:(1961)
1516:(1960)
1508:(1959)
1500:(1957)
1353:(2019)
1347:(2016)
1339:(2013)
1331:(1990)
1323:(1989)
1315:(1980)
1307:(1973)
1299:(1970)
1291:(1968)
1283:(1957)
835:
764:
679:Sequel
595:Suda51
485:#MeToo
219:Budget
206:Mexico
1948:TĂłtem
1115:1 May
672:Rango
510:Times
429:ABKCO
1908:Roma
1868:Heli
1480:for
1312:Tusk
1181:IMDb
1158:2016
1117:2010
1053:2013
1000:2013
973:2024
865:2019
833:ISBN
809:2013
762:ISBN
609:and
601:and
589:and
317:Cast
270:Plot
244:Mole
1201:at
1190:at
1179:at
504:of
1967::
1134:.
1107:.
964:.
958:.
936:.
855:.
817:^
776:^
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1055:.
1029:.
1002:.
975:.
956:"
952:"
940:.
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897:.
882:.
867:.
841:.
811:.
770:.
697:(
233:(
183:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
