50:(1907), performed by the Croydon Repertory Theatre, considered a lower middle-class girl who wished to marry a working class builder and her parents' objection to the marriage. The constrained lives of the lower middle-class clerical classes and the issue of marriage was the subject of Baker's first full-length play
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in New York City launched the "Meet Miss Baker" series which aims to present several of Baker's works through full productions and readings; to "bring new attention to this long forgotten, much deserving author." In 2019 they produced
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at the
Princes Theatre in London, and deals with the issues of a woman inheriting wealth from a family business. Working women and economic insecurity are the themes of other plays including
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Baker was born in London on 20 August 1876. Her parents were drapers and she began her working life as a drapery assistant, and later a typist, newspaper editor and journalist for
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The themes of Baker's plays arose from her social consciousness and were analyses of class, gender and social mobility. The plot of her first play
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35:. In June 1915 at the age of 39 she married James Allaway, a widower. Baker worked for the suffrage movement and was involved with the
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whose plays explored class, gender and the domestic and professional lives of the lower middle classes.
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with the same cast as had been scheduled two years earlier. They also staged a reading of
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where she lived with her stepsister. She died in Bishop's
Stortford on 8 March 1962.
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but these plans were interrupted by the COVID-19 Pandemic. They went on to present
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for nearly two years. After the death of
Allaway in 1941, Baker moved to
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382:"Mi88 Elizabeth Baker, the well-known playwright, gives us here a ..."
552:"The Latest Statuses of Off-Broadway Theatres During the Shutdown"
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Partnership, Miss Tassey, The Price of Thomas Scott, Miss
Robinson
409:. Cambridge : University Press. pp. 269, 273, 276–277, 490.
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A stage of their own: feminist playwrights of the suffrage era
518:"Review: In 'The Price of Thomas Scott,' Puritanism Prevails"
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English drama, 1900-1930; the beginnings of the modern period
337:. Ann Arbor: University of Michigan Press. pp. 100–128.
481:"Have You Met Miss Baker? Mint Theater Would Like You To"
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was staged for the first time in nearly a century by the
62:(1912) was first performed as a fund-raiser for the
122:Baker was reintroduced to a British audience when
24:(20 August 1876 – 8 March 1962) was an English
649:Members of the Women Writers' Suffrage League
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41:National Union of Women's Suffrage Societies
384:archive.spectator.co.uk. 13 February 1926
516:Vincentelli, Elisabeth (23 March 2019).
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634:English dramatists and playwrights
150:. In 2020 they planned to present
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438:"Women Writers Suffrage League".
455:"Chains / Orange Tree, Richmond"
142:They also presented readings of
442:. 15 February 1912. p. 16.
366:"The Fascination of "Chains"".
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296:"Baker, (Gertrude) Elizabeth"
64:Women Writers Suffrage League
37:Women Writers Suffrage League
103:televised two of her plays:
499:"The Price of Thomas Scott"
182:(1907) - originally titled
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403:Nicoll, Allardyce (1973).
370:. 28 May 1910. p. 16.
140:The Price of Thomas Scott.
99:Not long before her death
215:The Price of Thomas Scott
162:in the summer of 2022 at
610:Works by Elizabeth Baker
331:Stowell, Sheila (1992).
294:Gale, Maggie B. (2018).
117:Private and Confidential
595:. Mint Theater Company.
505:. Mint Theater Company.
298:. oxfordreference.com.
111:in November 1959, and
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589:"PENELOPE FORGIVES"
569:Rabinowitz, Chloe.
487:. American Theater.
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128:Orange Tree Theatre
109:Ticket for Tomorrow
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263:One of the Spicers
227:Over a Garden Wall
130:in November 2007.
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72:Penelope Forgives.
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577:. Broadway World.
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558:. Playbill.
388:22 November
368:The Graphic
245:Bert's Girl
233:Partnership
203:Miss Tassey
164:Theatre Row
156:Partnership
148:Miss Tassey
78:World War I
628:Categories
270:References
26:playwright
530:0362-4331
440:The Stage
251:Umbrellas
82:Rarotonga
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133:In 2019
56:(1909).
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190:Chains
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76:After
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209:Edith
174:Plays
144:Edith
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537:2020
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421:OCLC
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390:2013
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339:ISBN
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