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Chains (play)

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throwing up a 'good situation', and Charley finds himself alone in his desire to emigrate. His wife, his in-laws, his friends all oppose his wish; only his feisty sister-in-law Maggie can see what grinds him down and supports him. In the end, Fred leaves but Charley fails to do the same as his wife Lily has fallen pregnant. Charley abandons thoughts of Australia, accepts his fate with great bitterness and returns to his clerical job.
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to "bring new attention to this long forgotten, much deserving author." Wall Street Journal critic, Charles Isherwood, praised the production and play as "a gleaming gem, both engrossing and supremely well-acted. What’s more, this 1909 drama about restlessness affecting middle-class men—and women—in
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with what meagre savings he has in order to seek a new life. Charley, who finds life in England narrow and constraining, also wishes to leave. His desire is given added impetus as his company, going through difficult times, has reduced his wages. Practically everyone ridicules Fred Tenant for
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played to packed houses and received praise from theatre critics for its minutely-observed realism, for its focus on a little-discussed segment of society, and also for its relationship to the concerns of its present audience.
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The play was Elizabeth Baker's first performed full-length play and was performed just once at the Court Theatre. It was staged the following year at the
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as the second full production in their "Meet Miss Baker" series which aims to reintroduce
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which specializes in rediscovering long-forgotten classics revived
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A stage of their own: feminist playwrights of the suffrage era
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who filled up the clerical posts of the office world in
364: 141:Edwardian England proves to have a timely edge." 287:"Opinion | 'Chains' Review: Yearnings Unlocked" 384: 67:in the cast. It was subsequently produced in 8: 321:Michael Billington's review in the Guardian 359:This article on a play from the 1900s is a 391: 377: 150: 7: 349: 347: 203:10.1093/odnb/9780198614128.013.60845 24:is a play by the English playwright 285:Isherwood, Charles (23 June 2022). 35:The play explores the lives of the 328:Dominic Cavendish's review in the 223:Billington, Michael (2007-11-19). 14: 351: 225:"Chains / Orange Tree, Richmond" 81:was produced for television by 1: 195:"Baker, (Gertrude) Elizabeth" 116:(Maggie). It was directed by 363:. You can help Knowledge by 16:1909 play by Elizabeth Baker 268:"The Price of Thomas Scott" 436: 346: 193:Gale, Maggie B. (2018). 158:Stowell, Sheila (1992). 274:. Mint Theater Company. 197:. oxfordreference.com. 57:Duke of York's Theatre 130:Mint Theater Company 100:. The cast included 291:Wall Street Journal 248:Rabinowitz, Chloe. 94:Orange Tree Theatre 87:Ticket for Tomorrow 89:in November 1959. 37:lower middle class 372: 371: 315:Project Gutenberg 256:. Broadway World. 254:BroadwayWorld.com 41:Edwardian England 427: 420:1900s play stubs 393: 386: 379: 355: 348: 317: 295: 294: 282: 276: 275: 264: 258: 257: 245: 239: 238: 236: 235: 220: 214: 213: 211: 209: 190: 184: 183: 155: 435: 434: 430: 429: 428: 426: 425: 424: 400: 399: 398: 397: 344: 307: 304: 299: 298: 284: 283: 279: 272:minttheater.org 266: 265: 261: 247: 246: 242: 233: 231: 222: 221: 217: 207: 205: 192: 191: 187: 172: 157: 156: 152: 147: 138:Elizabeth Baker 114:Octavia Walters 61:Sybil Thorndike 26:Elizabeth Baker 17: 12: 11: 5: 433: 431: 423: 422: 417: 412: 402: 401: 396: 395: 388: 381: 373: 370: 369: 356: 342: 341: 336:Review in the 333: 325: 318: 303: 302:External links 300: 297: 296: 277: 259: 240: 215: 185: 170: 149: 148: 146: 143: 15: 13: 10: 9: 6: 4: 3: 2: 432: 421: 418: 416: 415:English plays 413: 411: 408: 407: 405: 394: 389: 387: 382: 380: 375: 374: 368: 366: 362: 357: 354: 350: 345: 340: 339: 334: 332: 331: 326: 324: 323: 319: 316: 312: 311: 306: 305: 301: 292: 288: 281: 278: 273: 269: 263: 260: 255: 251: 244: 241: 230: 226: 219: 216: 204: 200: 196: 189: 186: 181: 177: 173: 171:0-472-10334-2 167: 163: 162: 154: 151: 144: 142: 139: 135: 131: 126: 123: 119: 115: 111: 110:Ashley George 107: 103: 99: 95: 92:In 2007, the 90: 88: 84: 80: 76: 74: 70: 66: 62: 59:and included 58: 53: 50: 46: 42: 38: 33: 31: 30:Court Theatre 27: 23: 22: 365:expanding it 358: 343: 337: 329: 322: 308: 290: 280: 271: 262: 253: 243: 232:. Retrieved 229:the Guardian 228: 218: 208:24 September 206:. Retrieved 188: 160: 153: 133: 127: 121: 118:Auriol Smith 102:Justin Avoth 97: 91: 86: 78: 77: 65:Lewis Casson 54: 34: 20: 19: 18: 112:(Fred) and 104:(Charley), 410:1909 plays 404:Categories 234:2020-09-27 145:References 73:Birmingham 69:Manchester 330:Telegraph 132:produced 106:Amy Noble 49:Australia 180:24871252 128:In 2022 108:(Lily), 310:Chains 178:  168:  134:Chains 122:Chains 98:Chains 79:Chains 21:Chains 338:Stage 361:stub 210:2020 176:OCLC 166:ISBN 71:and 63:and 45:City 313:at 199:doi 85:as 83:ITV 75:. 406:: 289:. 270:. 252:. 227:. 174:. 120:. 32:. 392:e 385:t 378:v 367:. 293:. 237:. 212:. 201:: 182:.

Index

Elizabeth Baker
Court Theatre
lower middle class
Edwardian England
City
Australia
Duke of York's Theatre
Sybil Thorndike
Lewis Casson
Manchester
Birmingham
ITV
Orange Tree Theatre
Justin Avoth
Amy Noble
Ashley George
Octavia Walters
Auriol Smith
Mint Theater Company
Elizabeth Baker
A stage of their own: feminist playwrights of the suffrage era
ISBN
0-472-10334-2
OCLC
24871252
"Baker, (Gertrude) Elizabeth"
doi
10.1093/odnb/9780198614128.013.60845
"Chains / Orange Tree, Richmond"
"American Premiere of CHAINS by Elizabeth Baker to be Presented at Theatre Row"

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