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Elliott Smith and the Big Nothing

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cited that Nugent "fails on a very basic level to discriminate between his privilege as a fan of Smith's unforgettable music and his responsibilities as a journalist writing an objective study of Smith's life" and the book "is murky, indistinct and woefully incomplete."
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edition released a year later, Nugent used a new afterword to respond to his critics, revealing that his publisher had given him an option of two deadlines: either on the first anniversary of Smith's death, or on the release date of Smith's posthumous album
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for a writer hurriedly transcribing interviews and rushing a book into print. The biography is filled with many such errors and approximations." The Simmons/Simins mistake was not corrected in subsequent editions of the biography.
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remarking that while "Nugent manages to patch together the major beats of Smith's life, he can offer little meaningful insight" and that Smith's fans "will be disappointed by this short and shallow biography."
310:. Nugent aimed for the release of the album, but when it was revealed the album was to coincide with the anniversary of Smith's death, he had no choice but to rush the book to completion. 204:, though no doubt true, ring hollow." Many of the book's detractors complained about the absence of original testimony from Smith's family and close friends such as 271:, Russell Simins. Bemis goes on to say that Nugent "failed to realize the Blues Explosion's drummer happens to be named Russell Simins, a profoundly inconvenient 243:
as "shallow", "sloppy", "a quickie", reliant on "second-degree friends and third-party accounts" and includes "fact checking that doesn't extend far beyond
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on October 30, 2004, just past the one-year anniversary of Smith's death. The book contains interviews with two of the musician's producers,
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that Nugent "did his research and left few stones unturned in telling Smith's relatively short and very sad story", and the
842: 682: 565: 499: 306: 247:." He cited one particular passage wherein he argued Nugent incorrectly wrote that Smith spent an evening partying in 427: 239:'s Alec Hanley Bemis, who himself is ironically thanked in the acknowledgement section of Nugent's book. He graded 196:
said in their mixed review that "Nugent sometimes gets a little too insider-yβ€”too many details about too many '90s
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stated that Nugent "opens a window of insight into our reluctant hero."
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Perhaps the most damning review of the book came from
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Elliott Smith and the Big Nothing PopMatters review
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Elliott Smith 398:Leopold, Todd (December 15, 2004). 17:Elliott Smith and the Big Nothing 14: 733:Elliott Smith and the Big Nothing 461:Elliott Smith and the Big Nothing 370:Elliott Smith and the Big Nothing 366:O'Neil, Tim (November 30, 2004). 241:Elliott Smith and the Big Nothing 228:Elliott Smith and the Big Nothing 141:Elliott Smith and the Big Nothing 372:by Benjamin Nugent | PopMatters" 200:β€”and his insistences on Smith's 22: 269:The Jon Spencer Blues Explosion 44:Alex Camlin, Karen Mason-Blair 1: 598:Heaven Adores You Soundtrack 566:From a Basement on the Hill 307:From a Basement on the Hill 859: 833:Books about Elliott Smith 708:To Elliott, from Portland 21: 828:2004 non-fiction books 168:, and friends such as 156:. It was published by 665:Pretty (Ugly Before) 843:Da Capo Press books 230:was sent to print. 18: 576:Compilation albums 176:Critical reception 815: 814: 792:Heaven Adores You 785:Good Will Hunting 725:Books about Smith 623:Needle in the Hay 616:No Confidence Man 282:Chicago Sun-Times 183:Publishers Weekly 137: 136: 88:Publication place 41:Cover artist 850: 806:Strange Parallel 767:Related articles 690:Between the Bars 509: 502: 495: 486: 480: 479: 477: 475: 455: 446: 445: 443: 442: 423: 417: 416: 414: 412: 395: 389: 388: 386: 384: 363: 354: 353: 351: 349: 328: 288:Austin Chronicle 127: 83:October 30, 2004 79:Publication date 26: 19: 858: 857: 853: 852: 851: 849: 848: 847: 818: 817: 816: 811: 762: 720: 695: 670: 603: 571: 518: 513: 483: 473: 471: 457: 456: 449: 440: 438: 425: 424: 420: 410: 408: 397: 396: 392: 382: 380: 365: 364: 357: 347: 345: 330: 329: 320: 316: 297: 295:Author response 261:Russell Simmons 257:Def Jam Records 178: 166:David McConnell 154:Benjamin Nugent 96:Media type 80: 35:Benjamin Nugent 12: 11: 5: 856: 854: 846: 845: 840: 835: 830: 820: 819: 813: 812: 810: 809: 802: 795: 788: 781: 776: 770: 768: 764: 763: 761: 760: 753: 743: 736: 728: 726: 722: 721: 719: 718: 711: 703: 701: 700:Tribute albums 697: 696: 694: 693: 686: 678: 676: 672: 671: 669: 668: 661: 654: 647: 640: 633: 626: 619: 611: 609: 605: 604: 602: 601: 594: 587: 579: 577: 573: 572: 570: 569: 562: 555: 548: 541: 534: 526: 524: 520: 519: 514: 512: 511: 504: 497: 489: 482: 481: 447: 418: 390: 355: 317: 315: 312: 296: 293: 202:sense of humor 177: 174: 135: 134: 129: 121: 120: 115: 109: 108: 105: 101: 100: 97: 93: 92: 89: 85: 84: 81: 78: 75: 74: 69: 65: 64: 58: 54: 53: 50: 46: 45: 42: 38: 37: 32: 28: 27: 13: 10: 9: 6: 4: 3: 2: 855: 844: 841: 839: 836: 834: 831: 829: 826: 825: 823: 808: 807: 803: 801: 800: 796: 794: 793: 789: 787: 786: 782: 780: 777: 775: 772: 771: 769: 765: 759: 758: 754: 751: 747: 744: 742: 741: 740:Elliott Smith 737: 735: 734: 730: 729: 727: 723: 717: 716: 712: 710: 709: 705: 704: 702: 698: 691: 687: 684: 680: 679: 677: 673: 666: 662: 659: 655: 652: 648: 645: 641: 638: 637:Waltz #2 (XO) 634: 631: 627: 624: 620: 617: 613: 612: 610: 606: 600: 599: 595: 593: 592: 588: 586: 585: 581: 580: 578: 574: 568: 567: 563: 561: 560: 556: 554: 553: 549: 547: 546: 542: 540: 539: 538:Elliott Smith 535: 533: 532: 528: 527: 525: 523:Studio albums 521: 517: 516:Elliott Smith 510: 505: 503: 498: 496: 491: 490: 487: 470: 469: 464: 462: 459:"Amazon.com: 454: 452: 448: 437: 433: 431: 426:O'Neil, Tim. 422: 419: 407: 406: 401: 394: 391: 379: 378: 373: 371: 362: 360: 356: 344: 343: 338: 336: 327: 325: 323: 319: 313: 311: 309: 308: 302: 294: 292: 290: 289: 284: 283: 277: 274: 270: 266: 262: 258: 254: 250: 249:New York City 246: 242: 238: 237: 231: 229: 225: 224: 219: 215: 211: 207: 203: 199: 195: 190: 185: 184: 175: 173: 171: 167: 163: 159: 158:Da Capo Press 155: 151: 150:Elliott Smith 147: 143: 142: 133: 130: 128: 122: 119: 118:0-306-81447-1 116: 114: 110: 106: 102: 98: 94: 91:United States 90: 86: 82: 76: 73: 70: 66: 62: 59: 55: 51: 47: 43: 39: 36: 33: 29: 25: 20: 804: 797: 790: 783: 755: 745: 738: 732: 731: 713: 706: 644:Baby Britain 596: 589: 582: 564: 557: 550: 543: 536: 531:Roman Candle 529: 472:. 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Retrieved 340: 334: 305: 298: 286: 280: 278: 240: 234: 232: 227: 221: 206:Joanna Bolme 181: 179: 148:of musician 140: 139: 138: 838:Music books 799:Lucky Three 774:Discography 675:Other songs 630:Miss Misery 218:Janet Weiss 198:indie bands 162:Rob Schnapf 822:Categories 658:Son of Sam 468:Amazon.com 441:2008-05-12 436:PopMatters 377:PopMatters 314:References 265:indie rock 255:mogul and 214:Sam Coomes 189:PopMatters 170:Pete Krebs 779:Heatmiser 651:Happiness 545:Either/Or 342:LA Weekly 335:LA Weekly 301:paperback 236:LA Weekly 210:Neil Gust 146:biography 68:Publisher 61:Biography 584:New Moon 559:Figure 8 259:founder 226:just as 132:61440629 49:Language 683:Say Yes 608:Singles 474:July 2, 411:July 2, 405:CNN.com 383:July 2, 348:July 2, 273:homonym 253:hip hop 72:Da Capo 63:, music 52:English 245:Google 31:Author 299:In a 267:band 251:with 144:is a 104:Pages 99:Print 57:Genre 476:2013 413:2013 385:2013 350:2013 223:SPIN 216:and 164:and 126:OCLC 113:ISBN 750:33β…“ 194:CNN 152:by 107:230 824:: 746:XO 552:XO 465:. 450:^ 434:. 402:. 374:. 358:^ 339:. 321:^ 212:, 208:, 752:) 748:( 692:" 688:" 685:" 681:" 667:" 663:" 660:" 656:" 653:" 649:" 646:" 642:" 639:" 635:" 632:" 628:" 625:" 621:" 618:" 614:" 508:e 501:t 494:v 478:. 444:. 432:" 428:" 415:. 387:. 368:" 352:. 337:"

Index


Benjamin Nugent
Biography
Da Capo
ISBN
0-306-81447-1
OCLC
61440629
biography
Elliott Smith
Benjamin Nugent
Da Capo Press
Rob Schnapf
David McConnell
Pete Krebs
Publishers Weekly
PopMatters
CNN
indie bands
sense of humor
Joanna Bolme
Neil Gust
Sam Coomes
Janet Weiss
SPIN
LA Weekly
Google
New York City
hip hop
Def Jam Records

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