150:(1864â1918), she met the painter and sculptor Max Klinger (1857â1920). She became a model, muse and lover for him, but Klinger did not make the relationship public. He paid for her expensive apartment in the prestigious music district (270 m in SchwĂ€grichenstraĂe 11, Hochparterre). She accompanied him on numerous trips and worked as a hostess at social events. She was considered an extremely impressive, fascinating, and sometimes even extravagant personality. Their daughter DĂ©sirĂ©e was born on 7 September 1900, during a longer stay in Paris and she was given to a French foster mother.
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This separation was mentally and materially very difficult because
Klinger denied Asenijeff any further support. In 1917 she had to give up the apartment in the DufourstraĂe 18, where she had moved in 1909. She lived only on a pension. She began a descent into poverty, associated with a certain decay
157:, including a winegrower's cottage, which he converted into a normal residential building in order to be able to withdraw from the hectic city life of Leipzig with Asenijeff. More books of hers appeared. From 1912 she also wrote poetry. Guests of their salon were, among others, the three young poets
188:
Elsa
Asenijeff was completely isolated, had no connection to her Viennese relatives, and her daughter Désirée, who spent some time in Leipzig for the funeral of her father in 1920, did not make any contact with her. Lease debts eventually led to her admission to the Psychiatric Clinic of the
172:
An alienation between
Klinger and Asenijeff deepened further when Klinger in 1911 chose 18-year-old Gertrud Bock (1893â1932) as a model and constant companion, whom he married a few months before his death. In 1916, there was a final break between Asenijeff and Klinger.
193:. She viewed her incapacitation as fraud and demanded compensation because she still saw herself as one of the greatest writers. A two-year stay in the Leipzig-Dösen hospital, followed in 1926 by the transfer to
116:
After she had refused some marriage proposals, her parents forced her to marry. In 1890 she married the eleven-years-older
Bulgarian engineer and diplomat Ivan Johann Nestoroff and went with him to
113:
Elsa Maria
Packeny came from the Viennese bourgeoisie. Her father Karl Packeny was director of the Austrian Southern Railway. Until 1887 she attended the Vienna Teacher Training Center.
120:, Bulgaria. The marriage was not happy. She felt at the mercy of her husband, a theme that influenced her literary works in many ways. In 1896 she wrote a narrative volume
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598:âNicht immer dies eine Ich seinâ ⊠Die âkleine Kette ewiger Zersetzungsprozesseâ in den AnlĂ€ufen weiblicher Selbstkonstitution bei Elsa Asenijeff.
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Bo
Osdrowski/Tom Riebe (Hrsg.): Elsa Asenijeff. Versensporn - Heft fĂŒr lyrische Reize Nr. 19, Edition POESIE SCHMECKT GUT, Jena 2015, 120 Exemplare.
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near
Freiberg as a âcorrectional institution for antisocial adults and those unwilling to workâ. She died there on 5 April 1941.
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In 1896, she divorced
Nestoroff and the Bulgarian state allowed her to use Asenijeff as her official name. In 1897 she went to
579:âKotzbrockenâ. Elsa Asenijeffs Behauptung weiblicher Denk-Eigenart wider das âgroĂe WahngebĂ€udeâ der mĂ€nnlichen Wissenschaft.
131:, Germany to study philosophy and economics. She left her second son Heraclitus, born in 1896, with her grandparents.
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Denn da ist nichts mehr, wie es die Natur gewollt. Portraits von KĂŒnstlerinnen und
Schriftstellerinnen um 1900.
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Max
Klinger und Elsa Asenijeff. Geschlechterdifferenz als Programm. Dem Andenken an Ursula Baumgartl gewidmet.
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using the pseudonym Elsa Asenijeff, which she had chosen in memory of her deceased firstborn son Asen.
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Memorial stone for Elsa Asenijeff in the cemetery in BrÀunsdorf near Freiberg in Saxony.
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Das alles war ich. Politikerinnen, KĂŒnstlerinnen, Exzentrikerinnen der Wiener Moderne.
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2. Auflage. Friedrich, Leipzig 1896, (Reprint: Turmhut-Verlag, Mellrichstadt 2005,
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593:, S. 131â134. (Zugleich: Habilitationsschrift, UniversitĂ€t Graz, Graz 1998).
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of personality. Even a poetry book published in 1922 brought no improvement.
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Im Glanze seines Ruhmes ⊠Elsa Asenijeff (1867â1941), im Zwielicht.
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128:
545:
Eigensinn und Widerstand. Schriftstellerinnen der Habsburgermonarchie
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Ist das Liebe? Kleine psychologische ErzÀhlungen und Betrachtungen.
201:. In 1933, the responsible authorities relocated this facility to
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307:). (Kommentierte Neuauflage: Turmhut-Verlag, Mellrichstadt 2006,
360:, Georg MĂŒller Verlag, MĂŒnchen, 1914 (Reprint Nabu Press, 2012,
327:, Magazin-Verlag Jacques Hegner, Berlin und Leipzig, 1905. (
645:
384:, (Hrsg. Rita Jorek), Turmhut-Verlag, Mellrichstadt 2010,
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Studien zur Moderne, Band 8, Passagen-Verlag, Wien 1999,
250:. Wilhelm Friedrich Verlag, Leipzig, 1898. (Online bei
274:. Wilhelm Friedrich Verlag, Leipzig 1898. (Online bei
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Ich muà mich ganz hingeben können. Frauen in Leipzig.
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Max Klingers Beethoven â eine kunst-technische Studie
284:, Verlag Hermann Seemann Nachfolger, Leipzig, 1901. (
543:In: Christa GĂŒrtler, Sigrid Schmid-Bortenschlager:
197:and finally as ânot a danger to the publicâ in the
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529:Frauen â Kunst â Wissenschaft, Band 19.
466:Traumgekrönt. Elsa Asenijeff als Schriftstellerin.
583:Texturen. Die österreichische Moderne der Frauen.
142:At a Literary Society festival in Leipzig for
382:Bilanz der Moderne â Gedichte aus der Anstalt
347:Die neue Scheherazade. Ein Roman in GefĂŒhlen.
343:Die neue Scheherazade. Ein Roman in GefĂŒhlen.
247:Aufruhr der Weiber und das Dritte Geschlecht.
231:, Wilhelm Friedrich Verlag, Leipzig, 1898. (
8:
321:. Hermann Seemann Nachfolger, Leipzig 1902.
138:Elsa Asenijeff 1904, drawing by Max Klinger
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18:
153:In 1903, Klinger purchased a vineyard in
101:), was an Austrian writer and partner of
624:underFrauenpersönlichkeiten, Uni Leipzig
472:Heft 17/1990. (Seemann), Leipzig 1990,
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628:Literature by and about Elsa Asenijeff
303:. Seemann, Leipzig 1902. (Online bei
16:Austrian writer and model (1867â1941)
7:
350:. MĂŒller, MĂŒnchen 1913. (Online bei
345:&zoom=3&viewmode=fullscreen
300:TagebuchblÀtter einer Emancipierten.
681:20th-century Austrian women writers
676:19th-century Austrian women writers
453:Verlag fĂŒr die Frau, Leipzig 1990,
426:Ăsterreichische Nationalbibliothek
282:Unschuld, Ein modernes MĂ€rchenbuch
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691:20th-century pseudonymous writers
686:19th-century pseudonymous writers
510:AvivA, Berlin (u. a.) 2001,
644: This article incorporates
639:
566:Böhlau, Wien (u. a.) 1998,
533:, Mannheim 1995, S. 31â41,
485:Stadtlexikon Leipzig von A bis Z
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1:
449:In: Friderun Bodeit (Hrsg.):
696:Writers from Austria-Hungary
562:In: Frauke Severit (Hrsg.):
504:Asenijeff, Elsa (1867â1941).
422:"Elsa Asenijeff (1868-1941)"
325:Die Schwestern, eine Novelle
447:Aufschrei (Elsa Asenijeff).
358:Hohelied an den Ungenannten
712:
547:. Ueberreuter, Wien 1998,
506:In: Britta JĂŒrgs (Hrsg.):
378:A. H. Payne, Leipzig 1922.
376:Aufschrei. Freie Rhythmen.
71:
28:
581:In: Brigitte Spreitzer:
97:– 5 April 1941 in
632:German National Library
527:Femme fatale. EntwĂŒrfe.
491:LEIPZIG, Leipzig 2005,
480:, S. 40â43.
428:. 2006. Archived from
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165:(1886–1975) and
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191:University of Leipzig
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144:Detlev von Liliencron
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648:available under the
596:Brigitte Spreitzer:
577:Brigitte Spreitzer:
558:Brigitte Spreitzer:
521:Annegret Friedrich:
169:(1890–1945).
618:im Leipzig-Lexikon
574:, S. 163â201.
555:, S. 201â212.
461:, S. 175â190.
334:2014-07-28 at the
291:2016-03-04 at the
238:2016-03-04 at the
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159:Walter Hasenclever
140:
89:3 January 1867 in
87:Elsa Maria Packeny
470:Leipziger BlÀtter
390:978-3-936084-82-5
366:978-1-274-60794-2
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58:5 April 1941
671:1941 deaths
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103:Max Klinger
660:Categories
400:References
271:Sehnsucht.
256:s. a.
203:BrÀunsdorf
99:Braunsdorf
44:1867-01-03
634:catalogue
614:Biogramm
602:Texturen.
478:0232-7244
229:Sehnsucht
67:Signature
652:license.
499:, S. 27.
332:Archived
289:Archived
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155:GroĂjena
630:in the
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362:ISBN
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109:Life
55:Died
38:Born
535:OBV
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