134:. She is the author of fourteen single-authored books in English and in Japanese, in addition to numerous articles. Her books have been translated into many other languages, including Italian, Korean, Polish and Russian. Ohnuki-Tierney was appointed the Distinguished Chair of Modern Culture at the
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was her first book on the
Japanese among whom she found "cultural germs" and a profusion of "urban magic." This helped her to realize the limitations of only studying a people and their way of life at a particular point in time. All her subsequent works have considered long periods of Japanese
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She has continued to work on the question of "aesthetic" (broadly defined), ubiquitous in wars of all types, from "tribal warfare" to conflicts between nation-states. This is done against the basic theoretical question of communicative opacityâhow people fail to recognize the absence of
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Ohnuki-Tierney has been working on the question of power of symbols and its absence in political spaces since the mid-1980s. Her most recent works began as a study of symbolism of cherry blossoms and their viewing in relation to
Japanese identities and led to an exploration of the
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162:. Her interest in anthropology began when someone told her that she was making too many "cultural" mistakes and should take a course in anthropology. In 1968, she received her Ph.D. in anthropology at the University of Wisconsin-Madison.
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history in order to understand "culture through time." Her focus has been on various symbols of identities of the
Japanese, such as rice and the monkey, within broader socio-political contexts and in comparative perspective.
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as a major trope utilized to both encourage and aestheticize sacrifice for the country during its military period. This research culminated in two recent books,
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The
Detroit Chinese: A Study of Socio-Cultural Changes in the Detroit Chinese Community from 1872 through 1963
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Kamikaze, Cherry
Blossoms, and Nationalisms: The Militarization of Aesthetics in Japanese History
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Kamikaze, Cherry
Blossoms, and Nationalisms: The Militarization of Aesthetics in Japanese History
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in DC in 2009 and then in 2010 Fellow of
Institut dâĂtudes AvancĂ©es-Paris. She is a member of
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258:. Anthropological Studies No. 2. Washington, D.C.: American Anthropological Association.
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336:. University of Chicago Press. One of five finalists for the non-fiction category of the
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Flowers That Kill: Communicative
Opacity in Political Spaces | Emiko Ohnuki-Tierney
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A native of Japan, born in Kobe 1934. Ohnuki-Tierney received a B.A. degree from
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The Monkey as Mirror: Symbolic
Transformations in Japanese History and Ritual
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Interviewed by Kalman
Applbaum and Ingrid Jordt on 30 April 2011 (video)
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Illness and Healing among the Sakhalin Ainu: A Symbolic Interpretation.
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University of WisconsinâMadison College of Letters and Science alumni
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Illness and Culture in Contemporary Japan: An Anthropological View
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The Department of Anthropology at the University of Wisconsin
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Flowers That Kill: Communicative Opacity in Political Spaces
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Kamikaze Diaries: Reflections of Japanese Student Soldiers
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Kamikaze Diaries: Reflections on Japanese Student Soldiers
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Campus honors eight faculty with named professorships
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Fellows of the American Academy of Arts and Sciences
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The Ainu of the Northwest Coast of Southern Sakhalin
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297:. Cambridge, UK: Cambridge University Press.
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284:Cambridge, UK: Cambridge University Press.
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184:Illness and Culture in Contemporary Japan
140:The American Academy of Arts and Sciences
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398:Select articles available for download
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368:. Stanford University Press. 2015.
170:Ohnuki- Tierney's first work is a
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146:among other prestigious awards.
144:John Simon Guggenheim Fellowship
458:Japanese women anthropologists
448:American women anthropologists
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323:. Princeton University Press.
310:. Princeton University Press.
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16:Japanese-born anthropologist
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174:. She next turned to the
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