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Emma Hauck

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due to severe psychosis. She had married a schoolteacher four years earlier, and was also the mother of two daughters, her husband and family being subjects of her psychosis. While institutionalized, Hauck wrote a series of letters to her husband which later were considered to be artworks, though she
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known for her artistic, handwritten letters to her husband while she was institutionalized in a mental hospital. Though these letters were never delivered, they have since come to be regarded as works of art due to their abstraction and repetitive content. In many cases the letters consist of only
145:, in which priority is given primarily to the aesthetic value of the written word, not to its linguistic meaning. Hauck's writing fills the entire page of her letters, in most cases consisting of the repeated phrase "Sweetheart come" (German 121:
likely did not consider them works of art herself. Hauck was released from Heidelberg after a brief stay, though she was later terminally institutionalized at Wiesloch asylum. Hauck died on 1 April 1920 in Anstalt
578: 153:. Hauck's motivation for writing these letters is unknown; they are thought to be an expression of her loneliness due to her constant discussion of her family while institutionalized. 579:"Two spring premieres: PYGmalion Theatre Company's Sweetheart Come by Melissa Leilani Larson; Efren Corado's Dust. Breath. Place. For RDT Link | the Utah Review" 149:
and in some instances merely "come" (German "komm"). These words are written in incredibly dense and at times illegible constructions which vary in shading and
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In 2021, Amsterdam based photographer Nanouk Prins published a photobook called Empty Forest, based on the letters of Emma Hauck.
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Vergissmeinnicht - Psychiatriepatienten und Anstaltsleben um 1900: Aus Werken der Sammlung Prinzhorn
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Letters of Note: Volume 1: An Eclectic Collection of Correspondence Deserving of a Wider Audience
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Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets
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Metamorfosis: Visiones fantásticas de Starewitch, Šankmajer y los hermanos Quay
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the words "Come sweetheart" or "Come" written over and over in flowing script.
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The letters themselves, taken as art, can be considered a form of
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Marshall, Catherine; Thompson, Jon; Ades, Dawn (1998).
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Animation Unlimited: Innovative Short Films Since 1940
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Art unsolved: The Musgrave Kinley outsider collection
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Beyme, Ingrid von; Hohnholz, Sabine (27 March 2018).
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The Prinzhorn Collection: Traces Upon the Wunderblock
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Hauck's letters were included in the 2000 exhibition
465:"ART REVIEW; Where Insanity and Modernism Intersect" 482:Caballero, Carolina LĂłpez; Hispano, AndrĂ©s (2014). 199:-based Pygmalion Theatre company produced the play 71: 52: 30: 23: 245: 243: 275: 273: 203:based on Hauck's letters and her life story. 95:(14 August 1878 – 1 April 1920) was a German 8: 381:"Sammlung Prinzhorn -Emma Hauck (Langtext)" 216:Écrits d’Art Brut. Graphomanes extravagants 20: 239: 7: 509:Faber, Liz; Walters, Helen (2003). 141:. They also share similarities to 14: 644:20th-century German women artists 116:at the age of 30, diagnosed with 463:Smith, Roberta (21 April 2000). 286:. Chronicle Books. p. 108. 125:. Her letters are held in the 1: 639:20th-century German artists 629:20th-century letter writers 85:Emma Hauck's letter titled 665: 619:People with schizophrenia 266:– via Google Books. 222:, Paris, Le Seuil, 2020. 551:"Emma Hauck | MoMA" 114:University of Heidelberg 342:"Emma Hauck - Artistes" 108:Emma Hauck was born in 614:Women outsider artists 89: 18:German outsider artist 649:People from Ellwangen 624:German letter writers 317:Reframing Confinement 314:Cooke, Lynne (2010). 280:Usher, Shaun (2014). 84: 634:Women letter writers 190:Museum of Modern Art 127:Prinzhorn Collection 385:prinzhorn.ukl-hd.de 256:. Springer-Verlag. 147:Herzensschatzi komm 469:The New York Times 180:directed the film 110:Ellwangen, Germany 90: 539:. 18 August 2015. 522:978-1-85669-346-2 495:978-84-9803-668-8 438:"Sweetheart Come" 423:978-0-85331-772-2 367:"Modern Painters" 346:Outsider Art Fair 327:978-3-7913-5048-6 293:978-1-4521-4086-5 263:978-3-662-55532-3 228:978-2-02-144768-2 79: 78: 656: 609:Outsider artists 583: 582: 575: 569: 568: 561: 555: 554: 547: 541: 540: 533: 527: 526: 506: 500: 499: 479: 473: 472: 460: 454: 453: 451: 449: 434: 428: 427: 407: 401: 400: 398: 396: 387:. Archived from 377: 371: 370: 363: 357: 356: 354: 352: 338: 332: 331: 311: 305: 304: 302: 300: 277: 268: 267: 247: 118:dementia praecox 59: 40: 38: 21: 664: 663: 659: 658: 657: 655: 654: 653: 589: 588: 587: 586: 577: 576: 572: 563: 562: 558: 549: 548: 544: 535: 534: 530: 523: 508: 507: 503: 496: 481: 480: 476: 462: 461: 457: 447: 445: 442:Letters of Note 436: 435: 431: 424: 409: 408: 404: 394: 392: 391:on 25 July 2021 379: 378: 374: 365: 364: 360: 350: 348: 340: 339: 335: 328: 313: 312: 308: 298: 296: 294: 279: 278: 271: 264: 249: 248: 241: 236: 212: 201:Sweetheart Come 159: 135: 106: 97:outsider artist 67: 61: 57: 48: 42: 36: 34: 26: 19: 12: 11: 5: 662: 660: 652: 651: 646: 641: 636: 631: 626: 621: 616: 611: 606: 601: 591: 590: 585: 584: 570: 556: 542: 528: 521: 501: 494: 474: 455: 429: 422: 402: 372: 358: 333: 326: 306: 292: 269: 262: 238: 237: 235: 232: 231: 230: 220:Lucienne Peiry 211: 208: 167:Drawing Center 158: 155: 143:asemic writing 134: 131: 105: 102: 77: 76: 73: 69: 68: 62: 60:(aged 41) 54: 50: 49: 43: 41:14 August 1878 32: 28: 27: 24: 17: 13: 10: 9: 6: 4: 3: 2: 661: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 596: 594: 580: 574: 571: 566: 560: 557: 552: 546: 543: 538: 532: 529: 524: 518: 514: 513: 505: 502: 497: 491: 487: 486: 478: 475: 470: 466: 459: 456: 443: 439: 433: 430: 425: 419: 415: 414: 406: 403: 390: 386: 382: 376: 373: 368: 362: 359: 347: 343: 337: 334: 329: 323: 319: 318: 310: 307: 295: 289: 285: 284: 276: 274: 270: 265: 259: 255: 254: 246: 244: 240: 233: 229: 225: 221: 217: 214: 213: 209: 207: 204: 202: 198: 195:In 2019, the 193: 192:, New York. 191: 187: 183: 179: 178:Brothers Quay 176:In 2000, the 174: 172: 168: 164: 156: 154: 152: 148: 144: 140: 132: 130: 128: 124: 119: 115: 111: 103: 101: 98: 94: 88: 83: 74: 70: 65: 55: 51: 46: 33: 29: 22: 16: 573: 559: 545: 531: 511: 504: 484: 477: 468: 458: 446:. Retrieved 441: 432: 412: 405: 393:. Retrieved 389:the original 384: 375: 361: 349:. Retrieved 345: 336: 316: 309: 297:. Retrieved 282: 252: 215: 210:Bibliography 205: 200: 194: 185: 181: 175: 162: 160: 146: 136: 107: 92: 91: 87:Darling Come 86: 58:(1920-04-01) 56:1 April 1920 15: 604:1920 deaths 599:1878 births 444:. Wordpress 395:26 December 299:27 December 182:In Absentia 139:calligraphy 72:Nationality 593:Categories 234:References 93:Emma Hauck 64:Heidelberg 37:1878-08-14 25:Emma Hauck 104:Biography 66:, Germany 47:, Germany 45:Ellwangen 171:New York 123:Wiesloch 369:. 1997. 188:at the 165:at the 133:Letters 519:  492:  448:4 July 420:  351:4 July 324:  290:  260:  226:  157:Legacy 75:German 151:value 517:ISBN 490:ISBN 450:2022 418:ISBN 397:2019 353:2022 322:ISBN 301:2019 288:ISBN 258:ISBN 224:ISBN 197:Utah 53:Died 31:Born 173:. 595:: 515:. 488:. 467:. 440:. 416:. 383:. 344:. 320:. 272:^ 242:^ 218:, 169:, 581:. 567:. 553:. 525:. 498:. 471:. 452:. 426:. 399:. 355:. 330:. 303:. 39:) 35:(

Index

Ellwangen
Heidelberg

outsider artist
Ellwangen, Germany
University of Heidelberg
dementia praecox
Wiesloch
Prinzhorn Collection
calligraphy
asemic writing
value
Drawing Center
New York
Brothers Quay
Museum of Modern Art
Utah
Lucienne Peiry
ISBN
978-2-02-144768-2


Vergissmeinnicht - Psychiatriepatienten und Anstaltsleben um 1900: Aus Werken der Sammlung Prinzhorn
ISBN
978-3-662-55532-3


Letters of Note: Volume 1: An Eclectic Collection of Correspondence Deserving of a Wider Audience
ISBN
978-1-4521-4086-5

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