155:. In that version, both Los and Enitharmon spring from Enion. After her birth, Enitharmon declares that women will rule the world, with Man being given Love and Women being given Pride. This would create within men a fear of female dominance that would in turn bring them under control of the females. In her sexual system, there are four parts: Manathu-Varcyon (desire), Antamon (sperm), Theotormon (frustration), and finally Sotha (war). These are represented by sexual desire being contained to Ethinthus (body), which leads to Leutha (guilt), followed by Oothoon (frustration) and ends with Thiralatha (erotic dreams). In the last stage, war is the ultimate result of
24:
194:, which compares her rule in regards to the fall of Christian culture. Through her, oracles and the Olympian gods are brought back. The bulk of the work is devoted to Enitharmon's domination of the material world and puts forth various sexual rules through religion. Blake describes how these rules are errors found in orthodox Christianity.
75:, and Eni-tharm(as)-on is one derivation of her name. That should perhaps be read in the inverse direction though, as a construction of the Tharmas/Enion pair's names. Within Blake's myth, she represents female domination and sexual restraints that limit the artistic imagination. She, with Los, gives birth to various children, including
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The Female Will is born from an object of affection refusing to give up its independence, and the concept represents what prohibits an individual from being able to have true vision. Under
Eitharmon's rule, representing the rule of the Female Will, leads to Los and Enitharmon entering into a constant
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and Vala. This causes both of them to lose the last bit of their innocence. Their union was thereafter filled with both envy and jealousy. Their union also causes Enion to lament over the fallen state that began from this. She is married to Los, and through their marriage Orc, the representation of
143:, Enitharmon, or Vala based on which part of the cycles are being discussed. Enitharmon represents what Los is trying to create, and he cannot have Enitharmon until he is able to complete his duty. In her connection to space, she represents the psychological aspects of unbound space upon the mind.
133:
Enitharmon represents spiritual beauty and poetic inspiration. She is symbolised by the moon and she is characterised by Pity. With Los, she is connected to the North in that they were from
Urthona, who dominates there. As poetic instinct, Enitharmon is represented as being born of the sexual
168:
revolution, is born. This symbolises the relationship between art and revolution. Los, however, grows jealous of Orc and chains him to a mountain. Enitharmon tries to intervene but Los is unable to release Orc. Following Orc, Enitharmon gives birth to many children. Of these,
218:, she is connected to poetry, and she realizes that she must eventually vanish in the end. Enitharmon is described as having a Looking Glass, which reflects the Eternal world in the Material world. This image appears in the 99th illustration of Blake's to the works of
206:, she is similar to eve and she is the tempter of Los/Adam. The work also describes the connection of poetic instinct and sexuality, along with pointing out how she and her daughters are able to create various things, such as a body for various Spectres to be created.
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in Blake's works. In
Enitharmon's connection to Urthona, who is represented by the loins, she is a goddess that represents what cannot be found within nature. In a natural cycle within Blake's myth, there is a repeating image of an Old Woman, who is represented by
159:. This war is connected to general war and to energy as a whole. Sex is supposed to lead to imagination and love. Love is supposed to leave one to a higher state, and the perversion of sexuality, in Blake's view, leads to destruction.
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state of strife with each other. However, the conflict also leads to Los pursuing her and the two procreating. Urizen is able to take advantage of the struggling between the two by tempting them with the ability to judge
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Unlike the other
Emanations, she is not a shade of a divine form, but serves as a material wife of Los as well as his Emanation. Blake's early myth describes how she was born after Los gave a material form to
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describes how
Enitharmon gave birth to many children, which included Milton himself. In the work, she is described as being connected to Space while Los is connected to Time. In
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explained the name
Enitharmon as a derivation or an elision of (z)enit(h)-harmon(y). This is to be read in the light of the mirrored name Los (
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222:. The design shows the Queen of Heaven, who represents feminine rule and the glass is of materialism. She also appears as an illustration in
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or "numberless" as another possible starting point for the name. Urthona is "earth-owner". Enitharmon is not therefore a simplistic
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describes how Los's pity, Enitharmon, separated from him and became the first female after Los created a form for Urizen. In
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This article is about the character in
William Blake's mythology. For the independent British publisher, see
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95:, Jr. on 22 November 1802, he claimed that his place at Surrey had "Enitharmon's bower".
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The Four and Twenty Elders
Casting their Crowns before the Divine Throne
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It is possible that the character
Enitharmon was based on Blake's wife,
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67:, also male. There is a complex verbal nexus attached. The Zoa
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The Wood of the Self-Murderers: The
Harpies and the Suicides
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Themes from William Blake's The Marriage of Heaven and Hell
1314:
The Works of William Blake: Poetic, Symbolic and Critical
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problems that happen during puberty. She rules as the
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51:. She is, but not directly, an aspect of the male
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882:Jerusalem: The Emanation of the Giant Albion
107:in Latin). He also suggested that the Greek
215:Jerusalem The Emanation of the Giant Albion
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1289:Scholarship, in popular culture, and more
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91:. In a letter from Blake to his friend
1131:Europe Supported by Africa and America
47:, playing a main part in some of his
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1353:Serenade for Tenor, Horn and Strings
1369:Songs and Proverbs of William Blake
1234:On the Morning of Christ's Nativity
840:Visions of the Daughters of Albion
14:
1403:William Blake in popular culture
1248:Illustrations of the Book of Job
1117:Original Stories from Real Life
826:The Marriage of Heaven and Hell
373:University Press of New England
225:The Marriage of Heaven and Hell
180:are described as her children.
43:is a major female character in
1190:A Vision of the Last Judgement
1:
1328:Blake: Prophet Against Empire
1138:The Night of Enitharmon's Joy
737:The Voice of the Ancient Bard
29:The Night of Enitharmon's Joy
477:There is No Natural Religion
930:Never pain to tell thy love
329:Damon 1988 pp. 124–125, 246
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389:Princeton University Press
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1463:William Blake's mythology
1335:Witness Against the Beast
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45:William Blake's mythology
896:The Pickering Manuscript
359:Cornell University Press
744:(found only in Copy BB)
622:The Clod and the Pebble
1429:Catherine Blake (wife)
311:Damon 1988 pp. 124–125
203:Vala, or The Four Zoas
188:Enitharmon appears in
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1408:William Blake Archive
1307:Life of William Blake
1197:Descriptive Catalogue
904:Auguries of Innocence
833:The French Revolution
637:The Little Girl Found
470:All Religions are One
463:An Island in the Moon
355:The Visionary Company
302:Bloom 1993 pp. 78, 84
284:Frye 1990 pp. 262–263
266:Bloom 1993 pp. 32, 60
59:. She is in fact the
26:
1204:The Great Red Dragon
911:The Mental Traveller
632:The Little Girl Lost
544:The Little Boy Found
524:The Little Black Boy
1226:Agony in the Garden
1219:The Ghost of a Flea
1124:The Ancient of Days
923:Rossetti Manuscript
692:The Little Vagabond
672:My Pretty Rose Tree
642:The Chimney Sweeper
604:Songs of Experience
594:On Another's Sorrow
539:The Little Boy Lost
534:The Chimney Sweeper
1158:Illustrations for
854:The Book of Ahania
847:The Book of Urizen
780:America a Prophecy
722:A Little Girl Lost
702:The Human Abstract
687:The Garden of Love
514:The Ecchoing Green
501:Songs of Innocence
489:Songs of Innocence
369:A Blake Dictionary
338:, additional text.
197:The Book of Urizen
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787:Europe a Prophecy
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717:A Little Boy Lost
491:and of Experience
456:Poetical Sketches
248:Damon 1988 p. 124
191:Europe a Prophecy
157:sexual repression
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1417:(1983 monologue)
1321:Fearful Symmetry
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819:The Book of Thel
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559:The Divine Image
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384:Fearful Symmetry
365:Damon, S. Foster
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18:Enitharmon Press
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564:Holy Thursday
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554:A Cradle Song
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549:Laughing Song
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35:William Blake
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647:Nurse's Song
612:Introduction
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579:Nurse's Song
509:The Shepherd
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1425:(1989 play)
769:continental
529:The Blossom
371:. Hanover:
257:Frye p. 127
184:Appearances
174:John Milton
1422:In Lambeth
1103:and prints
1033:Palamabron
998:Golgonooza
988:Enitharmon
771:prophecies
584:Infant Joy
357:. Ithaca:
345:References
109:anarithmon
83:Background
41:Enitharmon
1206:paintings
1168:The Grave
1101:Paintings
952:Mythology
757:Prophetic
727:To Tirzah
682:The Lilly
667:The Tyger
662:The Angel
129:Character
61:Emanation
57:Four Zoas
1457:Category
1434:Ancients
1377:The Lamb
1258:Sketches
519:The Lamb
1396:Related
1345:Musical
1063:Urthona
1048:Thiriel
1043:Tharmas
1038:Spectre
978:Bromion
657:The Fly
589:A Dream
391:, 1990.
375:, 1988.
361:, 1993.
123:Tharmas
69:Tharmas
53:Urthona
1388:(1998)
1380:(1982)
1372:(1965)
1364:(1958)
1356:(1943)
1145:Newton
1058:Urizen
1053:Tiriel
1013:Leutha
1003:Grodna
973:Beulah
968:Albion
963:Ahania
875:Milton
812:Tiriel
697:London
574:Spring
176:, and
149:Urizen
32:, 1795
1414:Blake
1023:Luvah
993:Fuzon
983:Enion
804:Other
759:books
569:Night
232:Notes
220:Dante
170:Satan
165:Luvah
153:Enion
141:Rahab
119:Enion
73:Enion
1212:Pity
1073:Vala
1068:Utha
921:The
767:The
178:Mary
121:and
1091:Art
1028:Orc
1018:Los
1008:Har
105:Sun
101:Sol
77:Orc
65:Los
63:of
1459::
381:.
367:.
353:.
239:^
228:.
172:,
125:.
103:=
79:.
932:"
928:"
913:"
909:"
906:"
902:"
418:e
411:t
404:v
20:.
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