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Schmedes was born into a family of musicians, the most prominent of which was his brother Hakon, a noted violinist and composer. After studying in Paris, Berlin, and Vienna, he made his debut as a
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Although he primarily sang roles from the
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Often regarded as a greater actor than singer, Schmedes appeared in two films, the more notable of which was
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emerged. He made his debut as a tenor in 1898, singing the title role in
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Mahler's Decade in Vienna: Singers of the Court Opera 1897–1907
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Mahler's Decade in Vienna: Singers of the Court Opera 1897–1907
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Schmedes' last performance was in 1924 in the title role of
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and one of the most prominent tenors during the years of
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in the
Gentofte Kirke cemetery. Accessed 30 April 2007.
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Cervenka, G., 2006, 'Ein legendärer Helden-Tenor',
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507:Thompson, H., 'Wagner at Bayreuth and at Munich',
475:, Marston Records 53004-2. Accessed 30 April 2007.
410:, Marston Records 53004-2. Accessed 30 April 2007.
378:Erik Schmedes is a character in the 2012 novel,
110:from 1899 through 1906. He also appeared at the
47:, particularly known for his roles in operas by
380:Death and the Maiden: A Max Liebermann Mystery
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51:. He was a brother-in-law by marriage of
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195:The Heldentenor recorded excerpts from
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136:(the United States premiere, opposite
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494:Rosenthal, H. and Warrack, J.,1979,
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114:in the 1908–09 season, singing in
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541:Erik Schmedes in an excerpt from
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25:Erik Schmedes as Lohengrin, 1902.
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30:Erik Anton Julius Schmedes
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281:Der Templer und die JĂĽdin
273:Die Rose vom Liebesgarten
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390:Notes and references
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305:Die Königin von Saba
301:Le muette de Portici
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36:– 21 March 1931, in
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527:Lohengrin
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40:) was an
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152:), and
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