185:). However, his concept of "developmental motif" has remained influential. A developmental motif is one which gradually changes or grows, becoming a structural carrier of formal developments. An example is the triadic motif heard at the beginning of the first movement of Beethovens' third symphony which only becomes a closed theme at the culminating closing of the movement. Unfortunately, only a small selection of excerpts from Kurth's writings was translated into English by Lee A. Rothfarb.
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157:'s operatic style. In a relatively short publishing career of about 15 years, Kurth wrote four enormously influential works:
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Ernst Kurths 'Grundlagen des linearen
Kontrapunkts' und die Rezeption der Schrift in den zwanziger Jahren
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Grundlagen des linearen
Kontrapunkts: Einführung in Stil und Technik von Bachs melodischer Polyphonie
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D. Menstell Hsu: "Ernst Kurth and his
Concept of Music as Motion", JMT, x (1966), 2–17
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Kritische
Bemerkungen zum V. Kapitel der 'Ars cantus mensurabilis' des Franko von Köln
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Die
Voraussetzungen der theoretischen Harmonik und der tonalen Darstellungssysteme
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B. Billeter: "Der
Briefwechsel Albert Schweitzer-Ernst Kurth",
129:(1 June 1886, in Vienna – 2 August 1946, in Bern) was a Swiss
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Untersuchungen über die
Entstehung der harmonischen Tonalität
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Romantische
Harmonik und ihre Krise in Wagners 'Tristan'
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Romantische
Harmonik und ihre Krise in Wagners "Tristan"
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Romantic
Harmony and its Crisis in Wagner's "Tristan"
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J. Handschin: "De différentes conceptions de Bach",
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195:Der Stil der opera seria von Gluck bis zum Orfeo
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231:(Berne, 1920/R, 2/1923/R; Russ. trans., 1975)
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265:E. Bücken: "Kurth als Musiktheoretiker",
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281:Schweizerisches Jb für Musikwissenschaft
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319:Ernst Kurth as Theorist and Analyst
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163:Foundations of Linear Counterpoint
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298:Über Rhythmustheorien der Neuzeit
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199:Die Jugendopern Glucks bis Orfeo
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253:Ernst Kurth: Selected Writings
241:Die Schulmusik und ihre Reform
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353:"Ernst Kurth/Works"
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403:1946 deaths
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143:Guido Adler
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392:Categories
340:References
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