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contorted attitudes. One technique involved setting down arbitrary points on a sheet, which then became the extreme points of the various limbs. Notable examples of these drawings were made in concert with George
Richmond when the two artists were together in Rome. He rarely drew figures from life, basing his art on study of the antique and Michelangelo.
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in 1761, Fuseli was forced to leave the country as a result of having helped
Lavater to expose an unjust magistrate, whose powerful family sought revenge. He travelled through Germany, and then, in 1765, visited England, where he supported himself for some time by miscellaneous writing. Eventually,
750:
He was a thorough master of French, Italian, English and German, and could write in all these languages with equal facility and vigour, although he preferred German as the vehicle of his thoughts. His principal written work was his series of twelve lectures delivered to the Royal
Academy, begun in
601:
Though not noted as a colourist, Fuseli was described as a master of light and shadow. Rather than setting out his palette methodically in the manner of most painters, he merely distributed the colours across it randomly. He often used his pigments in the form of a dry powder, which he hastily
650:
His sketches or designs numbered about 800; they have admirable qualities of invention and design and are frequently superior to his paintings. In his drawings, as in his paintings, his methods included deliberately exaggerating the proportions of the human body and throwing his figures into
531:, with a view to forming a Milton gallery comparable to Boydell's Shakespeare gallery. There were 47 Milton paintings, many of them very large, completed at intervals over nine years. The exhibition proved a commercial failure and closed in 1800. In 1805 he brought out an edition of
459:, to whom he showed his drawings. Following Reynolds' advice, he decided to devote himself entirely to art. In 1770 he made an art-pilgrimage to Italy, where he remained until 1778, changing his name from Füssli to the more Italian-sounding Fuseli. In
823:
506:, whose portrait he had painted, planned a trip with him to Paris, and pursued him determinedly, but communication between the two was stopped by Rawlins. Fuseli later said "I hate clever women. They are only troublesome". In 1790 he became a full
520:. In 1799 Fuseli was appointed professor of painting to the Academy. Four years later he was chosen as Keeper, and resigned his professorship, but resumed it in 1810, continuing to hold both offices until his death. He was succeeded as keeper by
557:
As a painter, Fuseli favoured the supernatural. He pitched everything on an ideal scale, believing a certain amount of exaggeration necessary in the higher branches of historical painting. In this theory he was confirmed by the study of
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he excelled in the art of setting his figures in motion. Though the lofty and terrible was his proper sphere, Fuseli had a fine perception of the ludicrous. The grotesque humour of his fairy scenes, especially those taken from
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When Louis XVI was executed in France in 1793, Fuseli condemned the revolution as despotic and anarchic, although he had first welcomed it as a sign of "an age pregnant with the most gigantic efforts of character".
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610:, regardless of the quantity, and depending on accident for the general effect. This recklessness may perhaps be explained by the fact that he did not paint in oil until the age of 25.
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658:—"Damn Nature! she always puts me out" was his characteristic exclamation—and painted only two portraits. However, similar to contemporary landscape painters such as
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545:, when on his visit to England, was much taken with Fuseli's works, and on returning to Rome in 1817 caused him to be elected a member of the first class in the
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443:. He intended Henry for the church, and sent him to the Caroline college of Zürich, where he received a classical education. One of his schoolmates there was
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His figures are full of life and earnestness, and seem to have an object in view which they follow with intensity. Like
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Fuseli painted more than 200 pictures, but he exhibited only a small number of them. His earliest painting represented
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Early in 1779 he returned to
Britain, visiting Zürich on the way. In London, he found a commission awaiting him from
779:, who was 16 years his junior, recognized a debt to him, and for a time many English artists copied his mannerisms.
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482:. Fuseli painted a number of pieces for Boydell, and published an English edition of Lavater's work on
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and created his own "Milton
Gallery". He held the posts of Professor of Painting and Keeper at the
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Many interesting anecdotes of Fuseli, and his relations to contemporary artists, are given in his
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After a life of uninterrupted good health he died at the house of the
Countess of Guildford on
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One or more of the preceding sentences incorporates text from a publication now in the
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and prominent figure in radical
British political and intellectual life. He also visited
1696:
Hammelmann, Hans (1957). "Eighteenth-Century
English Illustrators: Henry Fuseli, R.A.,"
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In 1799 Fuseli exhibited a series of paintings from subjects furnished by the works of
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597:, is in its way not less remarkable than the poetic power of his more ambitious works.
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639:, exhibited in 1782, a painting of which he painted several versions. Themes seen in
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295:. His style had a considerable influence on many younger British artists, including
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Royal
Academy of Arts Collections, 5 February 2014. Retrieved 5 February 2014.
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423:, Switzerland, the second of 18 children. Among his brothers and sisters were
498:(originally one of his models), and he soon after became an associate of the
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such as horror, dark magic and sexuality, were echoed in his 1796 painting,
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1674:. Vol. 11 (11th ed.). Cambridge University Press. p. 368.
1396:. Vol. 11 (11th ed.). Cambridge University Press. p. 368.
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27:
Swiss-born
British painter, draughtsman and writer on art (1741–1825)
1485:(Letter to Miss Leslie December 1816). Boston: Ticknor & Fields.
1651:
This article incorporates text from a publication now in the
1186:
Passion and Obsession: Henry Fuseli, 1741–1825: painter and writer
684:
612:
491:
401:
330:
2281:
567:
460:
2017:
1850:
1846:
2013:
1949:
Britomart Delivering Amoretta from the Enchantment of Busirane
1170:
Britomart Delivering Amoretta from the Enchantment of Busirane
306:
1712:
Gothic Nightmares: Fuseli, Blake and the Romantic Imagination
281:. Many of his works depict supernatural experiences, such as
218:
197:
697:
In 1788 Fuseli started to write essays and reviews for the
233:
227:
209:
203:
1744:
The Fuseli Circle in Rome: Early Romantic Art of the 1770s
1687:
Fuseli's Milton Gallery: 'Turning readers into spectators'
1591:"Putney | Old and New London: Volume 6 (pp. 489–503)"
1968:
The Artist's Despair Before the Grandeur of Ancient Ruins
814:
The artist's despair before the grandeur of ancient ruins
795:. He was comparatively wealthy at the time of his death.
1249:
The American Heritage Dictionary of the English Language
273:; 7 February 1741 – 17 April 1825) was a Swiss painter,
490:
some valuable assistance in preparing a translation of
435:, a painter of portraits and landscapes, and author of
334:
631:
Joseph Interpreting the Dreams of the Baker and Butler
242:
224:
215:
200:
194:
1726:
Antiquity, Theatre, and the Painting of Henry Fuseli
463:
he moved in the same circles as the Scottish artist
230:
206:
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2930:
2889:
2843:
2785:
2655:
2534:
2456:
2375:
2366:
2252:
2120:
2051:
1978:
1959:
1884:
1764:
791:, at the age of 84, and was buried in the crypt of
633:, but the first to excite particular attention was
221:
191:
152:
142:
128:
120:
110:
91:
62:
34:
277:, and writer on art who spent much of his life in
662:, he evoked qualities of terror and the sublime.
1746:. New Haven: Yale Center for British Art, 1979.
1615:p. 465: London; Chapman & Hall, Ltd; 1909.
602:combined on the end of his brush with oil, or
2029:
1862:
8:
1816:Profile on Royal Academy of Arts Collections
1572:. London: Tate Gallery Publications. p. 14.
1531:10.1093/benz/9780199773787.article.b00069309
1525:, Oxford University Press, 31 October 2011,
339:introducing citations to additional sources
3239:
2372:
2036:
2022:
2014:
1869:
1855:
1847:
1434:. London: Tate Gallery Publishing, p. 53.
47:
31:
1707:. Zürich: Scheidegger & Spiess, 2005.
1361:
1359:
1357:
1355:
1353:
1351:
1349:
1347:
878:The two murderers of the Duke of Clarence
1497:"The Night-Hag Visiting Lapland Witches"
1481:Leslie, C. R. (1855). Tom Taylor (ed.).
1345:
1343:
1341:
1339:
1337:
1335:
1333:
1331:
1329:
1327:
329:Relevant discussion may be found on the
1235:
1095:Romeo stabs Paris at the bier of Juliet
953:consulting the Vision of the Armed Head
802:
564:the marble statues of the Monte Cavallo
539:, which did little for his reputation.
1761:
1408:Scotland and the Origins of Modern Art
645:Night-Hag visiting the Lapland Witches
4383:Romanticism and the French Revolution
1593:. British-history.ac.uk. 22 June 2003
447:, with whom he became close friends.
268:
7:
1837:31 artworks by or after Henry Fuseli
1751:Henry Fuseli and the Engraver's Art
1611:"Memorials of St Paul's Cathedral"
1469:Papal Palace on Monte Cavallo, Rome
1193:and David H. Weinglass, Zurich 1997
1925:Thor Battering the Midgard Serpent
1452:Thor battering the Midgard Serpent
1032:Horseman attacked by a giant snake
513:Thor Battering the Midgard Serpent
411:was Fuseli's diploma work for the
408:Thor Battering the Midgard Serpent
289:John Boydell's Shakespeare Gallery
25:
4537:19th-century British male artists
1917:The Vision of Catherine of Aragon
1821:Fuseli's Lecture on Painting 1801
1753:. Boston: World Wide Books, 1982.
1546:. London: Academy Editions. p. 7.
673:(1831). He influenced the art of
270:[ˈjoːhanˈhaɪ̯nʁɪçˈfyːsli]
4436:
4435:
1941:Lady Macbeth Seizing the Daggers
1770:
1644:
1557:The Life and Art of Henry Fuseli
1366:
1161:
1146:
1125:
1117:Lady Macbeth Seizing the Daggers
1108:
1087:
1066:
1045:
1024:
1005:
984:
960:
942:
923:
908:
885:
870:
852:
842:The artist in conversation with
834:
822:
805:
693:, 1824, National Gallery, London
322:relies largely or entirely on a
311:
187:
53:Henry Fuseli, 1778. Portrait by
4542:19th-century Swiss male artists
4522:18th-century Swiss male artists
165:
4487:Burials at St Paul's Cathedral
1798:Works by or about Henry Fuseli
1483:Autobiographical Recollections
916:Falstaff in the laundry basket
829:Anna Magdalena Schweizer, 1779
478:, who was then setting up his
1:
4482:19th-century British painters
4472:18th-century British painters
4406:Wanderer above the Sea of Fog
1637:Lexicon on art in Switzerland
1523:Benezit Dictionary of Artists
1471:. Retrieved 28 December 2011.
1252:(5th ed.). HarperCollins
1136:
1098:
1056:
1035:
974:
898:
4492:Keepers of the Royal Academy
1703:Lentzsch, Franziska, et al.
1017:visiting the Lapland Witches
4532:19th-century Swiss painters
4517:18th-century Swiss painters
1776:Fuseli's Titania and Bottom
1739:. London: Allen Lane, 1973.
1559:. New York: Praeger. p 211.
4563:
4323:Coleridge's theory of life
1406:Macmillan, Duncan (2023),
1277:Collins English Dictionary
689:Henry Fuseli (aged 83) by
455:he became acquainted with
4497:British portrait painters
4415:
4378:Romanticism and economics
2393:Manuel Antônio de Almeida
1769:
1700:6 No.4 (winter): 350–363.
1658:Rossetti, William Michael
1555:Tomory, Peter A. (1972).
1380:Rossetti, William Michael
1220:(brother of Henry Fuseli)
1133:Puck, or Robin Goodfellow
624:Detroit Institute of Arts
595:A Midsummer-Night's Dream
494:. In 1788 Fuseli married
467:and the Swedish sculptor
263:
124:Painting, draughtsmanship
46:
2158:German historical school
1630:"Johann Heinrich Füssli"
1570:Henry Fuseli 1741–1825:
1210:(father of Henry Fuseli)
575:William Michael Rossetti
4502:Swiss portrait painters
2805:Józef Ignacy Kraszewski
1730:Oxford University Press
1671:Encyclopædia Britannica
1393:Encyclopædia Britannica
1314:Oxford University Press
580:Encyclopædia Britannica
287:. He painted works for
4388:Romanticism in science
4343:Middle Ages in history
4338:List of Romantic poets
3050:Josiah Gilbert Holland
1893:The Oath on the Grütli
1705:Fuseli: The Wild Swiss
1542:Keay, Carolyn (1974).
1430:Myrone, Martin (2001)
1225:References and sources
694:
626:
599:
573:Describing his style,
416:
265:Johann Heinrich Füssli
67:Johann Heinrich Füssli
4477:British male painters
4358:Romantic epistemology
4348:Opium and Romanticism
2917:Stojadinović-Srpkinja
2143:Counter-Enlightenment
1807:Works by Henry Fuseli
1789:Works by Henry Fuseli
1737:Fuseli: The Nightmare
1568:Schiff, Gert (1975).
1414:, London, pp. 65–71,
1320:on 25 September 2020.
1310:UK English Dictionary
1214:Füssli, Johann Kaspar
1204:Füssli, Johann Caspar
688:
616:
586:
547:Accademia di San Luca
537:Lives of the Painters
502:. The early feminist
445:Johann Kaspar Lavater
405:
4422:Age of Enlightenment
2064:England (literature)
1992:Johann Kaspar Füssli
1986:Johann Caspar Füssli
1749:Weinglass, David H.
997:Scylla and Charybdis
759:His pupils included
433:Johann Caspar Füssli
335:improve this article
4527:Swiss male painters
4512:Artists from Zürich
4373:Romantic psychology
2168:Hudson River School
2112:Sweden (literature)
2097:Russia (literature)
1216:(1743–1786), Swiss
1206:(1706–1782), Swiss
931:The Creation of Eve
844:Johann Jakob Bodmer
793:St Paul's Cathedral
721:Mary Wollstonecraft
691:Edward Hodges Baily
504:Mary Wollstonecraft
480:Shakespeare Gallery
457:Sir Joshua Reynolds
419:Fuseli was born in
4507:Royal Academicians
2358:White Mountain art
2299:Historical fiction
2107:Spain (literature)
1933:Titania and Bottom
1742:Pressly, Nancy L.
1698:The Book Collector
894:Titania and Bottom
695:
627:
533:Matthew Pilkington
465:Alexander Runciman
417:
4449:
4448:
4363:Romantic medicine
4333:List of romantics
3772:
3771:
3423:Felix Mendelssohn
3418:Fanny Mendelssohn
3229:
3228:
2943:Rosalía de Castro
2881:Soares dos Passos
2229:Transcendentalism
2193:Nazarene movement
2153:Düsseldorf School
2011:
2010:
1831:Books and Writers
1825:Petri Liukkonen.
1793:Project Gutenberg
1785:
1784:
1735:Powell, Nicolas.
1521:"Fuseli, Henry",
1420:978-1-84822-633-3
968:The daughters of
700:Analytical Review
675:Fortunato Duranti
566:, which, when at
431:. His father was
400:
399:
385:
175:
174:
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16:(Redirected from
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4398:Evolution theory
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739:, the home of
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496:Sophia Rawlins
488:William Cowper
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333:. Please help
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2767:P. B. Shelley
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2747:Mary Robinson
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2476:Chateaubriand
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2305:Mal du siècle
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2020:
2019:
2016:
2004:
2001:
1999:
1998:Neoclassicism
1996:
1993:
1990:
1987:
1984:
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1981:
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1942:
1938:
1935:
1934:
1930:
1927:
1926:
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1918:
1914:
1911:
1910:
1909:The Nightmare
1906:
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1713:
1709:
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1699:
1695:
1692:
1688:
1685:Calè, Luisa.
1684:
1683:
1679:
1673:
1672:
1667:
1663:
1662:Fuseli, Henry
1659:
1654:
1653:public domain
1642:
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1631:
1627:
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1614:
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1578:9780900874888
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1395:
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1384:Fuseli, Henry
1381:
1376:
1375:public domain
1362:
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1309:
1304:
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1282:HarperCollins
1279:
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1205:
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1201:
1197:
1192:
1191:Gaudenz Meili
1188:
1187:
1183:
1182:
1178:
1172:
1171:
1164:
1159:
1155:
1149:
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1123:
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994:
987:
982:
972:
971:
963:
958:
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952:
945:
940:
936:
935:Paradise Lost
932:
926:
921:
917:
911:
906:
896:
895:
888:
883:
879:
873:
868:
864:
863:
860:The death of
855:
850:
846:
845:
837:
832:
825:
820:
816:
815:
808:
803:
798:
796:
794:
790:
782:
780:
778:
777:William Blake
774:
770:
766:
762:
754:
752:
748:
744:
742:
738:
734:
733:Allerton Hall
730:
726:
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718:
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701:
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687:
680:
678:
676:
672:
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663:
661:
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652:
648:
646:
642:
641:The Nightmare
638:
637:
636:The Nightmare
632:
625:
621:
620:
619:The Nightmare
615:
611:
609:
605:
598:
596:
591:
585:
583:
581:
576:
571:
569:
565:
562:'s works and
561:
552:
550:
548:
544:
540:
538:
534:
530:
525:
523:
522:Henry Thomson
519:
515:
514:
510:, presenting
509:
505:
501:
500:Royal Academy
497:
493:
489:
485:
481:
477:
472:
470:
469:Tobias Sergel
466:
462:
458:
453:
450:After taking
448:
446:
442:
440:
437:Lives of the
434:
430:
426:
425:Johann Kaspar
422:
414:
413:Royal Academy
410:
409:
404:
394:
383:
380:
376:
373:
369:
366:
362:
359:
355:
352: –
351:
347:
346:Find sources:
340:
336:
332:
326:
325:
324:single source
320:This section
318:
314:
309:
308:
302:
300:
298:
297:William Blake
294:
293:Royal Academy
290:
286:
285:
284:The Nightmare
280:
276:
271:
266:
261:
257:
252:
251:
246:-zə-lee, few-
238:
183:
179:
155:
151:
148:
145:
141:
138:
137:
136:The Nightmare
133:
127:
123:
119:
116:
113:
109:
104:
95:17 April 1825
94:
90:
86:
82:
65:
61:
56:
50:
45:
41:
33:
30:
19:
4434:
4427:
4420:
4404:
4124:Porto-Alegre
4038:
3778:Philosophers
3662:Rachmaninoff
3111:Chavchavadze
3101:Baratashvili
2861:João de Deus
2830:Wincenty Pol
2622:Küchelbecker
2350:
2316:Noble savage
2303:
2269:
2244:Wallenrodism
2221:
2207:
2138:Coppet group
2072:(literature)
1966:
1947:
1939:
1931:
1923:
1915:
1907:
1899:
1891:
1878:Henry Fuseli
1877:
1839: at the
1830:
1811:Open Library
1780:Smarthistory
1750:
1743:
1736:
1725:
1711:
1704:
1697:
1686:
1669:
1633:
1613:Sinclair, W.
1607:
1595:. Retrieved
1585:
1569:
1564:
1556:
1551:
1544:Henry Fuseli
1543:
1538:
1522:
1516:
1504:. Retrieved
1500:
1491:
1482:
1476:
1464:
1451:
1446:
1432:Henry Fuseli
1431:
1426:
1407:
1402:
1391:
1318:the original
1306:
1297:
1285:. Retrieved
1275:
1266:
1254:. Retrieved
1247:
1238:
1218:entomologist
1185:
1168:
1153:
1132:
1115:
1094:
1073:
1052:
1031:
1012:
995:in front of
991:
967:
949:
934:
930:
915:
892:
877:
859:
841:
812:
786:
769:William Etty
761:David Wilkie
758:
749:
745:
705:Thomas Paine
698:
696:
671:John Knowles
666:
664:
653:
649:
644:
640:
634:
630:
628:
617:
600:
594:
587:
579:
577:in the 1911
572:
560:Michelangelo
556:
541:
536:
526:
518:diploma work
511:
473:
449:
436:
418:
406:
388:
378:
371:
364:
357:
345:
321:
282:
264:
178:Henry Fuseli
177:
176:
134:
130:Notable work
97:(1825-04-17)
36:Henry Fuseli
29:
4467:1825 deaths
4462:1741 births
4114:Michałowski
3946:Wackenroder
3911:F. Schlegel
3906:A. Schlegel
3682:Tchaikovsky
3571:Bortkiewicz
3443:R. Schumann
3438:C. Schumann
3403:Kalkbrenner
3372:Saint-Saëns
2677:Anne Brontë
2562:Eichendorff
2547:B. v. Arnim
2542:A. v. Arnim
2352:Weltschmerz
2311:Medievalism
2260:Blue flower
2188:Nationalist
2133:Bohemianism
2045:Romanticism
2003:Romanticism
1971:(1778–1780)
1896:(1779–1781)
1506:12 November
1156:, 1815–1820
1120:, 1810–1812
1102: 1809
1039: 1800
1000:, 1794–1796
978: 1795
902: 1790
880:, 1780–1782
847:, 1778–1781
789:Putney Hill
529:John Milton
508:academician
484:physiognomy
391:August 2022
275:draughtsman
147:Romanticism
111:Nationality
103:Putney Hill
85:Switzerland
4456:Categories
3989:Chassériau
3964:Aivazovsky
3672:Rubinstein
3657:Mussorgsky
3606:Wieniawski
3591:Paderewski
3433:Moszkowski
3216:Vörösmarty
3206:Shevchenko
3060:Longfellow
2984:Batyushkov
2979:Baratynsky
2948:Espronceda
2815:Mickiewicz
2810:Malczewski
2777:Wordsworth
2762:M. Shelley
2717:de Quincey
2582:Günderrode
2466:Baudelaire
2346:Wanderlust
2183:Lake Poets
1728:. Oxford:
1722:Andrei Pop
1714:. London:
1689:. Oxford:
1440:1854373579
1230:References
656:landscapes
604:turpentine
584:said that:
361:newspapers
73:1741-02-07
4429:Modernism
4089:Kiprensky
4049:Géricault
4034:Friedrich
4024:Delacroix
3999:Constable
3979:Bonington
3969:Bierstadt
3921:Senancour
3896:Schelling
3851:Lamennais
3846:Khomyakov
3811:Coleridge
3806:Chaadayev
3713:Stanković
3708:Mokranjac
3627:Balakirev
3586:Moniuszko
3535:Donizetti
3530:Cherubini
3428:Meyerbeer
3413:Marschner
3388:Beethoven
3301:Moscheles
3235:Musicians
3221:Wergeland
3186:Orbeliani
3141:Grundtvig
3045:Hawthorne
3014:Zhukovsky
3009:Vyazemsky
2994:Lermontov
2953:Gutiérrez
2912:Radičević
2876:Herculano
2800:Krasiński
2742:Radcliffe
2712:Coleridge
2687:E. Brontë
2682:C. Brontë
2612:Jean Paul
2607:Hölderlin
2496:Lamartine
2433:Magalhães
2423:Guimarães
2331:Pantheism
2321:Nostalgia
2173:Indianism
2121:Movements
2052:Countries
1994:(brother)
1885:Paintings
1660:(1911). "
1382:(1911). "
1287:14 August
1256:14 August
1154:Fairy Mab
1075:Kriemhild
1015:Night-Hag
970:Pandareus
817:, 1778–79
755:Influence
737:Liverpool
729:publisher
608:gold size
331:talk page
303:Biography
256:‹See Tfd›
4441:Category
4257:Dahlhaus
4242:Blanning
4209:Scholars
4179:Tropinin
4174:Tidemand
4164:Stattler
4159:Scheffer
4059:Głowacki
4029:Edelfelt
3984:Bryullov
3926:Snellman
3901:Schiller
3891:Rousseau
3871:Michelet
3816:Constant
3786:Belinsky
3759:Sibelius
3703:Konjović
3677:Scriabin
3647:Lyapunov
3581:Lipiński
3550:Spontini
3540:Paganini
3484:Goldmark
3275:Thalberg
3270:Schubert
3250:Bruckner
3211:Topelius
3201:Runeberg
3191:Prešeren
3161:Leopardi
3126:Frashëri
3116:Eminescu
3096:Andersen
3004:Tyutchev
2989:Karamzin
2963:Zorrilla
2958:Saavedra
2856:Castilho
2844:Portugal
2835:Słowacki
2737:Polidori
2667:Barbauld
2602:Hoffmann
2557:Brentano
2471:Bertrand
2292:Romantic
2128:Ancients
2102:Scotland
1988:(father)
1960:Drawings
1272:"Fuseli"
1244:"Fuseli"
1198:See also
993:Odysseus
862:Achilles
681:Writings
622:(1781),
441:Painters
439:Helvetic
143:Movement
4282:Lovejoy
4217:Abraham
4139:Richard
4129:Préault
4054:Girodet
3936:Thoreau
3881:Novalis
3866:Mazzini
3861:Maistre
3836:Hazlitt
3821:Emerson
3801:Carlyle
3791:Berchet
3734:Berwald
3729:Bennett
3698:Hristić
3652:Medtner
3632:Borodin
3622:Arensky
3545:Rossini
3520:Bellini
3499:Joachim
3472:Hungary
3453:Strauss
3381:Germany
3347:Berlioz
3316:Voříšek
3311:Smetana
3289:Czechia
3243:Austria
3176:Maturin
3171:Manzoni
3146:Heliade
3121:Foscolo
3091:Alfieri
3086:Abovian
3040:Emerson
2999:Pushkin
2938:Bécquer
2871:Garrett
2825:Potocki
2772:Southey
2732:Maturin
2702:Carlyle
2659:Britain
2632:Novalis
2587:Gutzkow
2535:Germany
2501:Mérimée
2486:Gautier
2413:Barreto
2408:Azevedo
2388:Alencar
2368:Writers
2287:Byronic
2223:Purismo
2077:Germany
2059:Denmark
1979:Related
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1693:, 2006.
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3749:Franck
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3642:Glinka
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3601:Tausig
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3576:Chopin
3564:Poland
3525:Busoni
3489:Heller
3458:Wagner
3393:Brahms
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3357:Halévy
3325:France
3306:Reicha
3296:Dvořák
3265:Mahler
3260:Hummel
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3030:Bryant
2972:Russia
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2897:Jakšić
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2795:Fredro
2787:Poland
2757:Seward
2647:Uhland
2637:Schwab
2627:Mörike
2617:Kleist
2572:Goethe
2567:Fouqué
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2506:Musset
2458:France
2448:Varela
2443:Taunay
2428:Macedo
2376:Brazil
2326:Ossian
2253:Themes
2092:Poland
2087:Norway
2069:France
1952:(1824)
1944:(1812)
1936:(1790)
1928:(1790)
1920:(1781)
1912:(1781)
1904:(1781)
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3079:Other
2931:Spain
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2752:Scott
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2697:Byron
2692:Burns
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783:Death
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553:Works
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