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affect the simple elegance of
Kehlmann's writing or the brilliance of his wit. But his willingness to package his work in a way that makes it more marketable (and a writer with so many sales behind him must have had some say in the matter) suggests a level of collusion with that bitch villain of his new book."
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called the book "a darkly comic masterpiece, a rare and thrilling example of a philosophical novel as pleasurable as it is thought-provoking." Miller wrote that "Kehlmann insightfully explores fame's spell", and "The novel's more somber existential propositions are leavened by
Kehlmann's penchant for
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lifestyle his reputation has foisted upon him – can seem rather irritating". Gordon also argued that the book is not a novel but a short story collection, and assumed it was marketed as a novel only because "short story collections do not sell". Gordon wrote: "This mild deception clearly doesn't
160:. The narrative consists of nine loosely connected stories about technology, celebrity, identity and alienation. The book has the subtitle "A novel in nine episodes" ("Ein Roman in neun Geschichten"). A movie has been created about it called
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offhand absurdity. ... Other books have gained more attention this season. None are more deserving." Edmund Gordon of
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