476:'s legend was too hackneyed a subject to afford scope for a new version; but Messrs. Sims and Pettitt have contrived to introduce into it fresh elements of fun, without so far departing from the original story as to make it unrecognisable. We have Old Faust longing for love and youth, and the appearance of Mephistopheles, who summons a vision of Marguerite, engaged as a fascinating barmaid at the Italian Exhibition at Nuremberg. Old Faust signs the necessary bond and is transformed into a gay and handsome gallant, who is accepted by Marguerite. Her brother, Valentine, to favour the addresses of Siebel, makes his sister a ward in Chancery, and the married pair dread the punishment of the Lord Chancellor, from which punishment they eventually escape at the Olympic Gardens, Nuremberg, by ascending in a balloon. Mephistopheles is outwitted by the reappearance of Old Faust, with the grievance that the gentleman in red has not fulfilled his portion of the contract, but allowed another to enjoy himself in his place. Valentine, though he has been carried off as killed, comes to life again, his valuable existence having been saved by Faust's sword being turned aside by Valentine's Waterbury watch, the touching gift of his sister!
498:
spirit, and gains a nightly encore for his songs, "I shall have 'em by-and-by", and "Enniscorthy" (written for him by R. Martin). Miss
Florence St. John is an ideal burlesque actress, so skilfully does she blend the innocence of the real Marguerite with the faster proclivities of her modern prototype. On the opening night it was noticed with regret that full advantage had not been taken of the exquisite voice Miss St. John possesses; but since then, in addition to the numbers, "A simple little maid", and "Fond heart, oh, tell me why," two other ballads have been added, and it need hardly be said that all are charmingly sung. ... As usual, Mr. George Edwardes has spared no expense in the production, to which Mr. Charles Harris has contributed his accustomed skill, and
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298:, taste and musical glasses." In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885. Edwardes expanded the burlesque format from often one-act to full-length pieces, with original music by Lutz instead of scores compiled from popular tunes, and choreography by the theatre's dance-master,
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536:, reviewing the New York production, the next year, had much the same reaction, disliking the "silly" piece even more and praising only the dance for the four women and the singing of Marguerite, who was St. John's understudy. In particular, it found Lonnen to be a poor substitute for Leslie in every respect.
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commented, "There is no disguising the fact that the absence of the principal members of the Gaiety troupe is appreciably felt"; the paper expressed reservations about the piece and some of the cast, but acknowledged that the Gaiety audience had shown great enthusiasm for the piece and the players.
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wrote, "The music, written by Herr Lutz, is appropriate and tuneful, and the book very amusing. The authors have been guilty of some atrocious puns. … The topical allusions are quite up to date and the lyrics smooth. An excellent
Mephistopheles is found in Mr. E. J. Lonnen, who plays with immense
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joined her there in 1885 and wrote many of its most successful burlesques under his pseudonym, "A. C. Torr". In the early 1890s, as
Burlesque went out of fashion, Edwardes changed the focus of the theatre from musical burlesque to the new genre of
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called the piece a great success, and particularly singled out "a sort of grotesque petticoat quadrille, danced by four
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306:(1888), originally choreographed by D'Auban, became very popular and is still available today on CD.
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as
Totchen. It was revived in July 1892, with Florence St. John again playing the role of Margaret,
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Totchen. A highlight of the piece was a dance for four women. It was revived in July 1892, with
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Valentine. The piece enjoyed subsequent productions in New York opening at the former
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starred as the "principal boy" at the Gaiety for nearly 25 years, from 1868 to 1892.
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Valentine. The piece enjoyed subsequent productions in New York, Australia (with
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Victorian burlesque by G. R. Sims and Henry
Pettitt with music by Meyer Lutz
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as
Mephistopheles, Fanny Robina as Faust, George Stone as Valentine, and
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Partial list of MIDIS of the songs (from Act I, until no. 12 only)
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Poster and additional information from the People Play UK website
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Sheet music for a piano arrangement of one of
Marguerite's songs
131:(a few songs by others were interpolated into the show). Set in
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821:(London) Spring, 2003, The Gilbert and Sullivan Society: London
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Florence St. John and Fanny Robina in the original production
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Information about Burlesque from the PeoplePlay UK website
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will certainly fill the Gaiety for many a night to come."
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Ganzl, Kurt, "Musicals", London: Carlton (1995), p. 56
670:(London) Spring 2003, The Gilbert and Sullivan Society.
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Stewart, Maurice. "The spark that lit the bonfire", in
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at 1445 Broadway on 10 December 1889, Australia (with
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Exploits and Opinions of Dr. Faustroll, Pataphysician
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Stewart, Maurice. "The spark that lit the bonfire",
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556:Good Old Gaiety: An Historiette & Remembrance
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201:The Bohemian G-yurl and the Unapproachable Pole
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657:, Hyperion, 1996, accessed 15 December 2009
519:, the theatre's usual "principal boy", and
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464:The following plot summary was printed in
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775:Cast list printed in "Faust Up To Date",
614:Arthur Lloyd Music Hall site (on Gaiety)
162:, and ran until August 1889. It starred
1463:2nd movement "Quasi-Faust" (1847, Alkan)
1280:The Black Bonspiel of Wullie MacCrimmon
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148:Mephistopheles, or Faust and Marguerite
635:"Theatrical Humour in the Seventies",
1921:The Devil's Hands Are Idle Playthings
1157:The Year the Yankees Lost the Pennant
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243:Frankenstein, or The Vampire's Victim
154:The piece was first performed at the
7:
356:again playing the role of Margaret,
550:(1904), p. 502 Chatto & Windus
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1784:El extraño caso del doctor Fausto
1626:The Mephistopheles of Los Angeles
1173:The Devil to Pay in the Backlands
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1648:The Laboratory of Mephistopheles
1379:Doctor Faustus Lights the Lights
472:It might have been thought that
158:on 30 October 1888, produced by
2127:Music based on the Faust legend
1461:Grande sonate 'Les quatre âges'
1272:Will Success Spoil Rock Hunter?
558:(1903) London:Gaity Theatre Co
401:Lord Chancellor – Walter Lonnen
1947:When the Devil Calls Your Name
1612:The Devil Went Down to Georgia
1403:Historia von D. Johann Fausten
1229:Johannes Cabal the Necromancer
981:Historia von D. Johann Fausten
219:Galatea, or Pygmalion Reversed
1:
2072:Mephistopheles and Margaretta
515:Referring to the absence of
372:as Valentine) and elsewhere.
186:as Valentine) and elsewhere.
1712:The Devil and Daniel Webster
1126:The Devil and Daniel Webster
655:British Light Music Classics
512:, and encored uproariously.
2147:Works by George Robert Sims
546:Adams, William Davenport.
253:Ruy Blas and the Blase Roue
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1939:The Devil and Daniel Mouse
1468:Scenes from Goethe's Faust
795:, 12 December 1888, p. 309
601:December 10, 2008, at the
332:was first produced at the
302:. Lutz's ballet music, a
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1840:Faust: Love of the Damned
819:Gilbert and Sullivan News
668:Gilbert and Sullivan News
548:A dictionary of the drama
127:, and a score written by
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2137:Musicals based on operas
1110:The Master and Margarita
1063:The Devil and Tom Walker
834:, 3 November 1888, p. 14
729:"News of the Day Abroad"
641:, 20 February 1914, p. 9
622:January 4, 2008, at the
398:Old Faust – Harry Parker
395:Valentine – George Stone
319:Edwardian musical comedy
265:Cinder Ellen up too Late
2142:Musicals set in Germany
1507:Bagatelle sans tonalité
1411:Faustus, the Last Night
830:"The London Theatres",
808:, 31 October 1888, p. 5
779:12 December 1888, p.309
446:Waitress – Emily Robina
431:Katrina – Miss Greville
413:Wagner – Emma Broughton
376:Roles and original cast
2117:Musicals by Meyer Lutz
1664:The Damnation of Faust
1591:Sympathy for the Devil
1552:Beethoven's Last Night
804:"The Gaiety Reopens",
705:"Mabel Love biography"
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449:Waitress – Minnie Ross
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360:as Mephistopheles and
334:Gaiety Theatre, London
284:Gaiety Theatre, London
272:(1892, with lyrics by
178:as Mephistopheles and
170:as Mephistopheles and
156:Gaiety Theatre, London
1864:Shortcut to Happiness
1856:I Was a Teenage Faust
1744:Marguerite de la nuit
1696:The Student of Prague
1680:The Student of Prague
1446:Gretchen am Spinnrade
1323:La damnation de Faust
1181:That Hell-Bound Train
626:accessed 1 March 2007
554:Hollingshead, John.
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419:Blitzen – Hetty Hamer
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1978:Randy Newman's Faust
1736:Beauty and the Devil
1672:Faust and Marguerite
1656:Faust and Marguerite
1355:Faust and Marguerite
1213:The Devil's Own Work
1189:For a Breath I Tarry
1094:The Sorrows of Satan
1055:Melmoth the Wanderer
1048:Daniel and the Devil
903:Works based on Faust
791:"Faust Up To Date",
443:Martha – Maria Jones
434:Hilda – Miss Sprague
422:Elsa – Lillian Price
416:Donner – Alice Young
404:Faust – Fanny Robina
225:Little Jack Sheppard
1728:The Legend of Faust
1598:Friend of the Devil
1387:The Rake's Progress
1374:(1916–1925, Busoni)
1149:The Devil in Velvet
944:Theophilus of Adana
927:Deal with the Devil
135:, it is a spoof of
1808:Oh, God! You Devil
1486:(1854–1857, Liszt)
1390:(1951, Stravinsky)
1197:The Damnation Game
932:in popular culture
922:Johann Georg Faust
862:Poster of the show
754:, 11 December 1889
752:The New York Times
733:The New York Times
533:The New York Times
491:
481:Critical reception
468:in December 1888:
386:
370:Robert Courtneidge
292:Wilhelm Meyer Lutz
184:Robert Courtneidge
2132:West End musicals
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1688:Rapsodia satanica
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1605:Bohemian Rhapsody
1478:(1906–07, Mahler)
735:, 31 October 1888
595:Carmen up to Data
576:, 31 October 1888
567:, 30 October 1888
561:Advertisement in
454:Florence St. John
389:Mephistopheles –
354:Florence St. John
342:Florence St. John
280:John Hollingshead
259:Carmen up to Data
164:Florence St. John
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1584:Cross Road Blues
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857:London cast list
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500:Faust up to Date
366:Broadway Theatre
330:Faust up to date
282:had managed the
231:Monte Cristo Jr.
108:Faust up to Date
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1021:Faust, Part Two
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1579:" (1859–1885)
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973:Seminal works
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764:"Courtneidge"
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711:on 2007-09-27
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517:Nellie Farren
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452:Marguerite –
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111:is a musical
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1970:Damn Yankees
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1752:Damn Yankees
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1371:Doktor Faust
1369:
1366:(1888, Lutz)
1362:
1361:
1358:(1855, Lutz)
1353:
1345:
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1329:
1321:
1313:
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1264:Damn Yankees
1262:
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1009:(1808 play)
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748:"Amusements"
732:
724:
713:. Retrieved
709:the original
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531:
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471:
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463:
391:E. J. Lonnen
358:Edmund Payne
346:E. J. Lonnen
329:
328:
308:
303:
300:John D'Auban
278:
269:
263:
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176:Edmund Payne
168:E. J. Lonnen
153:
146:
140:
107:
106:
105:
33:
1531:Epica Saga
1518:Other music
1474:Part II of
1339:Mefistofele
1113:(1929–1940)
992:(1592 play)
964:Stingy Jack
939:Simon Magus
910:Folk legend
521:Fred Leslie
495:The Theatre
466:The Theatre
325:Productions
314:Fred Leslie
296:Shakespeare
274:Adrian Ross
268:(1891) and
94:Productions
48:Sheet music
2111:Categories
2053:Frau Faust
1899:Television
1872:Goat Story
1848:Fausto 5.0
1816:Crossroads
1288:Temptation
1221:Jack Faust
715:2008-04-08
570:Review in
540:References
439:Mabel Love
437:Totchen –
350:Mabel Love
212:(1883, by
206:Blue Beard
190:Background
172:Mabel Love
139:'s opera,
129:Meyer Lutz
121:G. R. Sims
84:G. R. Sims
68:G. R. Sims
58:Meyer Lutz
2078:Paintings
2021:Gods' Man
1832:Bedazzled
1768:Bedazzled
1004:Goethe's
997:Cenodoxus
638:The Times
573:The Times
564:The Times
510:danseuses
407:Siebel –
196:burlesque
133:Nuremberg
113:burlesque
2096:Category
2046:(comics)
1986:Success!
1962:Musicals
1923:" (2003)
1916:" (1963)
1906:Episodes
1792:Mephisto
1628:" (2015)
1621:" (2012)
1614:" (1979)
1607:" (1975)
1600:" (1970)
1593:" (1968)
1586:" (1936)
1256:Gretchen
1128:" (1937)
1118:Mephisto
1065:" (1824)
1041:Bearskin
949:Erdgeist
620:Archived
616:Cuttings
599:Archived
460:Synopsis
288:operetta
270:Don Juan
262:(1890),
256:(1888),
246:(1887),
240:(1887),
234:(1886),
228:(1885),
222:(1883),
208:(1882),
204:(1877),
117:libretto
99:West End
2031:(manga)
1510:(Liszt)
1502:(Brian)
1494:(Liszt)
1422:Ballets
832:The Era
793:Theatre
777:Theatre
526:The Era
425:Lisa –
248:Mazeppa
115:with a
2056:(2014)
2048:(1987)
2033:(1950)
2024:(1929)
2013:Comics
2005:(2004)
1997:(2003)
1989:(1993)
1981:(1995)
1973:(1955)
1950:(2019)
1942:(1978)
1891:(2019)
1883:(2011)
1875:(2008)
1867:(2007)
1859:(2002)
1851:(2001)
1843:(2000)
1835:(2000)
1827:(1994)
1819:(1986)
1811:(1984)
1803:(1982)
1795:(1981)
1787:(1969)
1779:(1967)
1771:(1967)
1763:(1960)
1755:(1958)
1747:(1955)
1739:(1950)
1731:(1949)
1723:(1949)
1715:(1941)
1707:(1926)
1699:(1926)
1691:(1915)
1683:(1913)
1675:(1904)
1667:(1903)
1659:(1900)
1651:(1897)
1525:Albums
1414:(2006)
1406:(1994)
1398:(1955)
1382:(1938)
1307:Operas
1299:(2018)
1291:(1986)
1283:(1965)
1275:(1955)
1267:(1955)
1259:(1879)
1240:(2019)
1232:(2009)
1224:(1997)
1216:(1991)
1208:(1990)
1200:(1986)
1192:(1966)
1184:(1958)
1176:(1956)
1168:(1956)
1160:(1954)
1152:(1951)
1144:(1947)
1136:(1939)
1121:(1936)
1105:(1898)
1097:(1896)
1089:(1892)
1081:(1844)
1078:Auriol
1073:(1830)
1058:(1820)
691:
683:
474:Goethe
137:Gounod
64:Lyrics
2044:Faust
2029:Faust
1994:Faust
1931:Other
1880:Faust
1824:Faust
1760:Faust
1704:Faust
1640:Films
1569:Songs
1536:Epica
1331:Faust
1315:Faust
1248:Plays
1033:Prose
1006:Faust
917:Faust
581:Notes
210:Ariel
142:Faust
97:1888
54:Music
1205:Eric
689:ISBN
681:ISBN
123:and
79:Book
2064:Art
336:by
276:).
216:),
2113::
784:^
750:,
740:^
731:,
321:.
250:,
151:.
1919:"
1912:"
1624:"
1617:"
1610:"
1603:"
1596:"
1589:"
1582:"
1575:"
1124:"
1061:"
1050:"
1046:"
1043:"
1039:"
895:e
888:t
881:v
718:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
