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included. At the time Graham choreographed the piece, primitive religious art was popular among theater intellectuals as a source of iconography. Created in 1926,
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sources. Religious subjects remained part of Graham's reference material throughout her lifetime of making dances.
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211:"The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987"
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140:. The Bennett School of Liberal and Applied Arts, Millbrook, New York
188:(Paperback ed.). University of California Press. p. 206.
29:. The work premiered on January 24, 1929, at The Bennett School in
163:(2nd ed.). Macmillan Reference, Vol. 4. p. 2159.
186:Where She Danced: The Birth of American Art-dance
138:Performing Arts Encyclopedia, Library of Congress
101:Almost all of Graham's early works are lost,
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21:was a modern dance solo choreographed by
109:is her earliest known work derived from
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33:. The all solo program also included:
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159:Jones, Lindsay (December 2004).
131:"Dance Recital by Martha Graham"
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93:accompanied Graham on piano.
71:Tanagra (Gnossienne 1 and 2)
184:Kendall, Elizabeth (1979).
266:
209:Phillips, Lucy Victoria.
79:Deux Valses Sentimentales
39:Maid with the Flaxen Hair
250:Ballets by Martha Graham
161:Encyclopedia of Religion
27:George Frideric Handel
245:1929 ballet premieres
218:Columbia University
31:Millbrook, New York
107:Florentine Madonna
103:Figure of a Saint
18:Figure of a Saint
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97:Background notes
25:to the music of
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75:Scherzo Waltz
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51:Insincerities
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23:Martha Graham
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221:. Retrieved
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142:. Retrieved
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91:Louis Horst
35:Valse Noble
239:Categories
223:25 January
144:24 January
117:References
87:La Cancion
63:Politeness
55:Petulance
47:In a Boat
43:Fragilite
111:Biblical
67:Vivacity
83:Prelude
59:Remorse
192:
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214:(PDF)
134:(PDF)
225:2016
190:ISBN
165:ISBN
146:2016
85:and
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53:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.