212:: Depth of field is tangentially related to the size of the image plane, however, it is a popular misconception that the image plane is directly related to DOF. Smaller image planes (whether film or sensor) require a proportionally smaller lens to achieve a similar field of view. This means that a frame with a 12 degree horizontal field of view will require a 50 mm lens on 16 mm film, a 100 mm lens on 35 mm film, and a 250 mm lens on 65 mm film. And a 250 mm lens delivers much shallower DOF than a 50 mm lens does. It follows that standard lenses on most consumer video cameras with small sensors provide much larger depth of field than 35 mm film. Digital cinema cameras like the Red One or Panavision Genesis, as well as some digital SLR cameras with video capabilities, (such as the
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in the film perfectly. There must be some slight clearance to allow the pins to enter and leave the sprocket holes without undue friction or binding. This discrepancy means that each frame cannot be positioned perfectly within the gate each time; the frame may be slightly too high or low (jump) or to
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frame is actually the combination of two fields, one providing the odd-numbered scan lines and the other the even-numbered. Interlacing results in a type of motion blur known as "combing", and also shows "interline twitter" where vertical details approach the resolution limit, neither of which occur
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provides a stark example of the visual differences between film and videotape. The show employed videotape for scenes inside
Fletcher's cell, whereas film was used for scenes outside of the cell. The difference in lighting style and frame rate is very noticeable. Many British television series from
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For each frame, video cameras normally expose their sensor as long as they can, while film cameras only expose the negative up to half this time, so that they can transport the negative in the remaining time. Many video cameras now allow adjusting the shutter timing manually, though, so this is no
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When film is scanned so that an electronic (video) copy can be made, various means are used to help ensure that the variations in frame position as a result of sprocket hole wear are minimized. The more effective these means are, the less of a 'film look' the result will have. On the contrary, if
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can be applied to the remaining fields), but any motion after this process will look very uneven. Sophisticated computer motion estimation and field blending is usually used to convert NTSC video to 24 frames-per-second – something which could not have been done until recently, and still does not
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Old video technology only had a 5 stop exposure dynamic range. Modern HD video cameras have up to 14 stops. The exposure range is therefore less of an issue than before, although there is still a popular belief that video is considerably worse than film in the shoulder of the gamma curve, where
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was broadcast without filmizing and the show's producers later admitted this was a post-production error. This error caused alarm amongst the show's fans amidst fears that a permanent switch to video was being made indicating the success of the filmizing technique on this production.
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the left or right (weave). This introduces unintended motion from frame to frame as the film is projected. This discrepancy can increase as the film becomes worn with use, causing the sprocket holes to become more and more enlarged, thus allowing more error in frame position.
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was a video-based production which suffered as a result of having been shot and lit with filmization in mind. The decision to filmize was later reversed, resulting in a negative response to the film-style lighting which came across poorly on the unprocessed video footage.
202:: film and video systems have widely varying limits to the luminance dynamic ranges that they can capture. Modern video cameras are much closer to the dynamic range of film, and their use is better understood by directors.
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Some inexpensive consumer editing programs achieve de-interlacing by deleting one of the fields. The result gives half the vertical resolution of the original frame, and sometimes adds a jagged effect to the picture.
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process also uses. Every two video fields can be "blended" together, every other field can be decimated and the remaining fields can be shown for double the length (this noticeably reduces vertical resolution), or a
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the 1960s through the 1980s used videotape for interior scenes and film for exterior shots due to equipment limitations. This was parodied in the 'Society for
Putting Things on top of Other Things' sketch in
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US productions most often use actual film for prime time dramas and situation comedy series and filmizing is more common outside North
America. Video production is cheaper than film.
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also flirted briefly with the filmizing process in the mid-1990s, but it was quickly dropped after viewer complaints that the show "looked wrong." The same happened with
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Jump & Weave: Images projected from film do not always align properly from frame to frame when projected on screen due to minor variations in sprocket hole size.
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and framing. Regardless, there have been several attempts to process ordinary videotape to look like film, usually with little success. Notable examples include
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Footage that has been shot with the knowledge that it will be subsequently electronically filmized is usually shot in a very different way, with film-style
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noise generally differs both statistically and visually from digital sensor noise. However, artificial noise can be added to video, to simulate film grain.
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this compensation is reduced or disabled, the resulting electronic copy may exhibit more jump and weave, giving the result a sense of constant jitter.
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in film. De-interlacing can remove or reduce these artifacts, resulting in an appearance closer to that of film.
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used an elaborate post-production process to adjust colors and brightness levels to match those of film stock.
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Many digitally-shot
Television and film productions have been filmized during mastering.
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to have more of a "filmic look." In the US, this process is often referred to as
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where it was used for 7 episodes in
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For the post production company that specializes in the film look process, see
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Today, most digital cinematography video cameras in use feature
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is altered in overall appearance to appear to have been shot on
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1093:"Monty Python's Flying Circus – Series 2, Episode 5 transcript"
794:(June 12, 2009 edition. Used since September 26, 2019–present.)
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823:. As well as being filmized, the episodes had been cropped to
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yield as realistic results as PAL filmizing conversion.
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per second for film, 30 or 40 frames per second for old
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video. Modern video cameras shoot 24 and up as well.
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63:. Unsourced material may be challenged and removed.
259:interlaced video (usually used with most forms of
386:on the sprockets (or the claw) do not fit the
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633:(high-definition video since recent seasons.)
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994:"The Film Look: It's Not Just Jerky Motion"
414:and films that have been filmized include:
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307:video to give it more of a film look. An
123:Learn how and when to remove this message
255:When shooting with old cameras, 50
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362:, each frame of film is positioned, or
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196:video cameras – mechanical shutters.
61:adding citations to reliable sources
749:(used on the April 2, 2008 episode)
303:Many computer editing programs can
220:Photo-chemical color-timing/grading
859:Filmizing success stories include
170:Differences between video and film
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1122:How to Make Video Look Like Film
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1099:from the original on 2009-03-08
1010:from the original on 2017-10-31
992:Roberts, Alan (December 2002).
48:needs additional citations for
1152:Film look Techniques For Video
1001:BBC Research & Development
613:(2002, 2003 and 2006 editions)
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406:Television series, specials,
912:Monty Python's Flying Circus
768:Tyler Perry's House of Payne
374:cuts off the light, either
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1044:Retrieved October 4th 2015
746:The Young and the Restless
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1317:Film and video technology
154:. The process is usually
1276:Super-resolution imaging
834:BBC hospital drama-soap
735:(season 1 episodes used
342:The footage may also be
146:) is a process in which
862:The League of Gentlemen
786:(high-definition video)
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727:(high-definition video)
709:The League of Gentlemen
683:(high-definition video)
603:Last of the Summer Wine
598:(high-definition video)
590:(high-definition video)
526:(high-definition video)
424:(high-definition video)
938:Digital cinematography
928:Depth-of-field adapter
902:The 1970s BBC TV show
732:The Suite Life on Deck
610:MTV Video Music Awards
325:longer a big concern.
916:(Series 2, Episode 5)
623:high-definition video
580:high-definition video
442:high-definition video
378:or a device called a
943:Digital intermediate
896:Arrested Development
814:Red Dwarf Remastered
652:Red Dwarf Remastered
399:Filmized productions
214:Canon EOS 5D Mark II
57:improve this article
849:The fantasy series
680:Sonny with a Chance
358:In a standard film
278:Field-removed video
1249:Special processing
1157:2013-07-04 at the
1148:by A. Roberts, BBC
1144:2009-01-31 at the
1132:2008-05-09 at the
1082:by A. Roberts, BBC
1078:2009-01-31 at the
1059:2012-07-10 at the
827:and had all their
666:Salute Your Shorts
516:Footballers' Wives
250:progressive frames
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55:Please help
50:verification
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803:Limitations
741:processing)
638:Outnumbered
541:(2001 film)
531:Grange Hill
477:Derry Girls
432:(2006–2009)
421:A.N.T. Farm
408:Soap operas
248:format (24
72:"Film look"
1322:Television
1311:Categories
1240:Deflicking
1223:Comparison
1213:Deblocking
1103:2009-05-09
1039:2011-05-19
1014:2019-03-05
979:References
968:Filmmaking
874:The Office
852:Neverwhere
825:widescreen
783:Victorious
724:The Office
719:(Series 1)
618:Neighbours
561:Holby City
501:processing
484:Doctor Who
364:registered
309:interlaced
240:Frame rate
230:film grain
176:Frame rate
156:electronic
152:film stock
83:newspapers
1271:Film look
1235:Denoising
1029:"VidFIRE"
886:Heartbeat
880:Heartbeat
843:Emmerdale
820:Red Dwarf
776:Undressed
568:Hollyoaks
554:Heartbeat
456:Brookside
449:Bad Girls
376:sprockets
360:projector
144:film-look
140:filmizing
136:Film look
18:Filmizing
1296:Telecine
1218:Resizing
1155:Archived
1142:Archived
1130:Archived
1097:Archived
1076:Archived
1057:Archived
1005:Archived
958:FilmLook
922:See also
905:Porridge
837:Casualty
831:remade.
809:lighting
754:Trollied
738:FilmLook
695:Survivor
498:FilmLook
269:telecine
1260:tinting
1258: (
412:Sitcoms
372:shutter
338:Grading
164:VidFIRE
97:scholar
868:Spaced
688:Spaced
595:iCarly
344:graded
228:type:
194:Arri's
180:frames
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1327:Video
1008:(PDF)
997:(PDF)
701:Gabon
470:Coast
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877:and
645:Reba
437:Alys
384:pins
380:claw
368:gate
291:and
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263:and
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948:24p
282:FRV
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261:PAL
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