Knowledge (XXG)

Filigree

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402: 378: 476: 715: 430:) and various parts of central Asia filigree has been worked from the most remote period without any change in the designs. Whether the Asiatic jewellers were influenced by the Greeks who settled on that continent, or merely trained under traditions held in common with them, it is certain that the Indian filigree workers retain the same patterns as those of the ancient Greeks and work them in the same way, down to the present day. Wandering workmen are given so much gold, coined or rough, which is weighed, heated in a pan of 140: 164: 504:, are often decorated with filigree. Large surfaces of gold are sometimes covered with scrolls of filigree soldered on, and corner pieces of the borders of book covers, or the panels of reliquaries, are frequently made up of complicated pieces of plaited work alternating with spaces encrusted with enamel. Byzantine filigree work occasionally has small stones set amongst the curves or knots. Examples of such decoration can be seen in the 394: 1199: 749:), after which the bits of wire curl up and take a natural spherical like shape to end up in minuscule grains which slightly differ one from the other. Small grains or beads of the same metals are often set in the eyes of volutes, on the junctions, or at intervals at which they will set off the wirework effectively. The more delicate work is generally protected by framework of stouter wire. 43: 156: 148: 706:: armguards, slippers, and cups, some of which are now in the Victoria and Albert Museum. They are made of thin plates of silver, over which the wirework is soldered. The filigree is subdivided by narrow borders of simple pattern, and the intervening spaces are made up of many patterns, some with grains set at intervals. 322:. Almost all of them are made of filigree work. Some earrings are in the form of flowers of geometric design, bordered by one or more rims each made up of minute volutes of gold wire, and this kind of ornament is varied by slight differences in the way of disposing the number or arrangement of the volutes. But the 689:
already had its own distinctive imagery, motifs and shapes. Filigree from the 17th and 18th centuries became famous for their extraordinary complexity. Gold and silver filigree jewellery of delicate and artistic design is still made in considerable quantities throughout the country, particularly
314:, patterns of gold wire are laid down with great delicacy on a gold ground, but the art was advanced to its highest perfection in the Greek and Etruscan filigree of the 6th to the 3rd centuries BC. A number of earrings and other personal ornaments found in central Italy are preserved in the 353:
in that collection are made of twisted wire, some in as many as seven rows of plaiting, with clasps in the shape of heads of animals of beaten work. Others are strings of large beads of gold, decorated with volutes, knots and other patterns of wire soldered over the surfaces. In the British Museum a
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had a copy made in the late 1840s. Instead of fine curls or volutes of gold thread, Irish filigree is varied by numerous designs by which one thread can be traced through curious knots and complications, which, disposed over large surfaces, balance one another, but always with special varieties and
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in 1868, is ornamented with work of this kind of extraordinary fineness. Twelve plaques on a band round the body of the vase, plaques on each handle and round the foot of the vase have a series of different designs of characteristic patterns, in fine filigree wire work wrought on the front of the
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of the employer's house according to the designs of the artist, who weighs the complete work on restoring it and is paid at a specified rate for his labour. Very fine grains or beads and spines of gold, scarcely thicker than coarse hair, projecting from plates of gold are methods of ornamentation
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and are not thought to have been produced in the region at that time. Filigree began to be produced in Portugal in the 8th century with the arrival of Arab migrants, who brought new patterns with them. With time, the peninsula began to produce different filigree patterns, but while in Spain the
657:, and mounted on convex plates, making rich ornamental headpieces, belts, and breast ornaments. Filigree silver buttons of wire-work and small bosses are worn by the peasants in most of the countries that produce this kind of jewellery. 499:
from the 6th to the 12th centuries, or in monasteries in Europe, in which studied and imitated Byzantine goldsmiths' work. These objects, besides being enriched with precious stones, polished, but not cut into facets, and with
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jewellers employed wire, both to lay down on a background and to plait or otherwise arranged jour. But, with the exception of chains, it cannot be said that filigree work was much practiced by them. Their experience was in their
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of Anglo-Saxon gold and silver (estimated 700 CE) discovered in a field in Staffordshire, England, on 5 July 2009 contains numerous examples of very fine filigree described by archaeologist Kevin Leahy as "incredible".
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and other personal ornaments of modern filigree are generally surrounded and subdivided by bands of square or flat metal, giving consistency to the filling up, which would not otherwise keep its proper shape.
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arrangements difficult to trace with the eye. The long thread appears and disappears without breach of continuity, the two ends generally worked into the head and the tail of a serpent or a monster.
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The oldest filigree pieces discovered in the Iberian Peninsula date back to 2000–2500 BC, but its origin is not clear. These pieces possibly belonged to merchants and navigators originally from the
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and petals of modern Italian filigree are not seen in these ancient designs. Instances occur, but only rarely, in which filigree devices in wire are self-supporting and not applied to metal plates.
256:(other than that intended for the grave, and therefore of an unsubstantial character) was made by soldering together and so building up the gold rather than by chiselling or engraving the material. 209:
and remains popular in Indian and other Asian metalwork. It was popular as well in Italian, French and Portuguese metalwork from 1660 to the late 19th century. It should not be confused with
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The art may be said to consist in curling, twisting and plaiting fine pliable threads of metal, and uniting them at their points of contact with each other, and with the ground, by means of
205:, made with tiny beads or twisted threads, or both in combination, soldered together or to the surface of an object of the same metal and arranged in artistic motifs. It often suggests 741:. When granulated motifs are desired, small beads are made traditionally by using precious metal wire or fine sheet to start with, which is cut up in small pieces mixed with 276:
in upper Mesopotamia, a form of filigree using silver and gold wires, known as "telkari", was developed in the 15th century. Examples of historic artwork can bee seen in the
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during the Middle Ages with great skill, and was introduced by them and established all over the Iberian Peninsula, hence it was carried to the Spanish colonies in America.
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Though filigree has become a special branch of jewellery in modern times, it was historically part of the ordinary work of the jeweller. Indeed, all the jewellery of the
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work and their molded ornaments. Many examples, however, remain of round plaited gold chains of fine wire, such as those that are still made by the filigree workers of
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and placed in the small holes of a pitted block of charcoal (or any other suitable refractory material) and are then melted with a blowpipe (or today with a
1219: 463:, most filigree work revolves around images of deities, though due to lack of patronage and modern design ideas, it is a dying art. Also noted is 994: 955: 945:
See the "Antiquites du Bosphore Cimmerien", by Gille, 1854; reissued by S. Reinach, 1892, which contains careful engravings of these objects.
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in Dublin contains a number of reliquaries and personal jewels, of which filigree is the general and most remarkable ornament. The
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chains. From some of these are hung smaller chains of finer wire with minute fishes and other pendants fastened to them.
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Earl of Dunraven (1873). "On an Ancient Chalice and Brooches Lately Found at Ardagh, in the County of Limerick".
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filigree jewellery-making tradition became less relevant, in Portugal it was perfected. After the 18th century,
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Much of the medieval jewel work all over Europe down to the 15th century, on reliquaries, crosses,
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jewellery work; the ajoure technique consisting of drilling holes in objects made of sheet metal.
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indicate that filigree was incorporated into jewellery since 3,000 BC. Specific to the city of
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balustrades of the type sometimes called "filigree", in the central atrium of the
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designs in a number of other contexts, including larger-scale metalwork such as
681: 567: 559: 535:' work. Admirable examples of filigree patterns laid down in wire on gold, from 492: 488: 265: 42: 1990: 1935: 1810: 1723: 1691: 1681: 1583: 1532: 1469: 1444: 1319: 1223:. Vol. 10 (11th ed.). Cambridge University Press. pp. 343–344. 487:
Passing to later times, there are in many collections of medieval jewel work
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filigree hearts, which are iconic symbols of Portuguese jewellery-making.
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is more thoughtful in design and more extremely varied in pattern. The
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British Jewish leaders searched for the Ark of the Covenant at Tara
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This article incorporates text from a publication now in the
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tombs, may be seen in the British Museum, notably a brooch from
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The English word filigree is shortened from the earlier use of
36: 1227: 1156:(2 ed.). University of California Press. p. 20. 1045: 1043: 1041: 1039: 1037: 1035: 1033: 1031: 884: 882: 880: 878: 876: 874: 872: 434:, beaten into wire, and then worked in the courtyard or 232:
grain, in the sense of small bead. The Latin words gave
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Elements of a German filigree button, made c. 1880
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were from an early period skillful in several kinds of
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Silver filigree brooches and buttons are also made in
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Albanian silver jewellery from 19th and 20th century
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Retrieved 28 July 2022 904:A Memoir on the Jewellery of the Ancients 127:Learn how and when to remove this message 1180:image from Victoria & Albert Museum 1049: 1022: 989:. London: British Museum, 2015, p. 244. 888: 474: 400: 376: 919:"DĂĽnyanın ilk Telkâri MĂĽzesi Midyat'ta" 819: 582:The reliquary containing the "Bell of 7: 832:Oxford Advanced Learner's Dictionary 65:adding citations to reliable sources 25: 1150:Higgins, Reynold Alleyne (1980). 1197: 617:The manufacture spread over the 341:jewellery from the tombs of the 264:Archaeological finds in ancient 41: 985:Farley, Julia; Hunter, Fraser. 901:Castellani, Alessandro (1861). 710:Methods of fabrication and uses 397:Silver filigree work of Cuttack 337:contains a large collection of 236:in Italian which itself became 197:In jewellery, it is usually of 52:needs additional citations for 927:(in Turkish). 10 December 2023 167:Citrine cannetille-work brooch 1: 465:silver filigree of Karimnagar 30:For the concrete system, see 964:. 2004-11-11. Archived from 784:pieces such as railings and 625:. It is still made all over 519:In the north of Europe, the 424:, this handicraft is called 174:(also less commonly spelled 159:Sterling dish, filigree work 857:Online Etymology Dictionary 426: 2262: 572:National Museum of Ireland 302:In ornaments derived from 29: 2187: 1153:Greek and Roman Jewellery 834:. Oxford University Press 220:which derives from Latin 190:and other small forms of 2246:Metalworking terminology 1093:(in European Portuguese) 987:Celts - Art and Identity 649:and many other parts of 543:, and a sword-hilt from 240:in 17th-century French. 1752:Nickel silver (alpacca) 1220:Encyclopædia Britannica 1126:Metalwork and Enameling 495:, etc., made either in 412:It is probable that in 178:, and formerly written 726: 484: 409: 398: 390: 278:Midyat Filigree Museum 228: 222: 168: 160: 152: 144: 2093:Other natural objects 1085:FiligranaPortuguesa. 907:. Jackson and Keeson. 737:, by the help of the 717: 558:filigree work of the 479:Silver filigree icon 478: 404: 396: 380: 166: 158: 150: 142: 1568:Wire wrapped jewelry 1548:RepoussĂ© and chasing 1182:jewellery collection 1123:(1971). "Filigree". 467:in Telangana state. 61:improve this article 2110:Ebonite (vulcanite) 1091:FiligranaPortuguesa 1025:, pp. 343–344. 687:Portuguese Filigree 564:Royal Irish Academy 549:Staffordshire Hoard 506:Victoria and Albert 226:meaning thread and 1455:Jewellery designer 727: 485: 410: 399: 391: 329:The museum of the 169: 161: 153: 145: 2228: 2227: 2145: 2144: 2015:Organic gemstones 1612: 1611: 1005:Carew, Mairead. " 995:978-0-7141-2836-8 768:Metaphorical uses 723:Bradbury Building 704:Battle of Magdala 676:Iberian Peninsula 445:, of the eastern 137: 136: 129: 111: 32:Filigree concrete 16:(Redirected from 2253: 2241:Jewellery making 1672:Britannia silver 1621: 1430: 1252: 1245: 1238: 1229: 1224: 1203: 1201: 1200: 1184: 1174: 1168: 1167: 1147: 1141: 1140: 1117: 1111: 1108: 1102: 1101: 1099: 1098: 1082: 1076: 1075: 1059: 1053: 1047: 1026: 1020: 1014: 1003: 997: 983: 977: 976: 974: 973: 952: 946: 943: 937: 936: 934: 932: 915: 909: 908: 898: 892: 886: 867: 866: 864: 863: 849: 843: 842: 840: 839: 824: 619:Balearic Islands 510:Cross of Lothair 429: 369:of green glass. 335:Saint Petersburg 231: 225: 132: 125: 121: 118: 112: 110: 69: 45: 37: 21: 2261: 2260: 2256: 2255: 2254: 2252: 2251: 2250: 2231: 2230: 2229: 2224: 2183: 2141: 2130:Spondylus shell 2088: 2010: 1781: 1767:Stainless steel 1718: 1702:Sterling silver 1662:Precious metal 1657: 1625:Precious metals 1608: 1572: 1474: 1421: 1261: 1256: 1213:, ed. (1911). 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1173: 1170: 1165: 1163:9780520036017 1159: 1155: 1154: 1146: 1143: 1138: 1136:9780486227023 1132: 1128: 1127: 1122: 1116: 1113: 1107: 1104: 1092: 1088: 1087:"A Filigrana" 1081: 1078: 1073: 1069: 1065: 1058: 1055: 1051: 1050:Chisholm 1911 1046: 1044: 1042: 1040: 1038: 1036: 1034: 1032: 1028: 1024: 1023:Chisholm 1911 1019: 1016: 1012: 1008: 1002: 999: 996: 992: 988: 982: 979: 968:on 2007-08-24 967: 963: 962: 957: 951: 948: 942: 939: 926: 925: 920: 914: 911: 906: 905: 897: 894: 890: 889:Chisholm 1911 885: 883: 881: 879: 877: 875: 873: 869: 858: 854: 848: 845: 833: 829: 823: 820: 813: 809: 806: 804: 801: 799: 796: 795: 791: 789: 787: 783: 779: 775: 767: 765: 762: 758: 754: 750: 748: 744: 740: 736: 732: 724: 720: 716: 709: 707: 705: 701: 693: 691: 688: 683: 675: 673: 671: 667: 663: 658: 656: 652: 648: 644: 640: 636: 632: 628: 624: 623:Mediterranean 620: 615: 613: 609: 605: 600: 598: 593: 590:" found near 589: 585: 584:Saint Patrick 580: 577: 573: 569: 565: 561: 557: 553: 550: 546: 542: 538: 534: 530: 526: 522: 517: 515: 511: 507: 503: 498: 494: 491:, covers for 490: 482: 477: 470: 468: 466: 462: 461:Odia language 458: 457: 452: 448: 444: 440: 437: 433: 428: 423: 419: 415: 407: 403: 395: 389: 385: 384: 379: 372: 370: 368: 364: 361: 357: 352: 348: 344: 340: 336: 332: 327: 325: 321: 317: 313: 309: 305: 300: 298: 294: 290: 285: 281: 279: 275: 271: 267: 259: 257: 255: 251: 243: 241: 239: 235: 230: 224: 219: 214: 212: 208: 204: 200: 195: 193: 189: 185: 181: 177: 173: 165: 157: 149: 141: 131: 128: 120: 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: â€“  77: 73: 72:Find sources: 66: 62: 56: 55: 50:This article 48: 44: 39: 38: 33: 19: 2220:Wearable art 2215:Phaleristics 2210:Metalworking 2115:Gutta-percha 1891:Lapis lazuli 1677:Colored gold 1558:Stonesetting 1522: 1218: 1191:Bibliography 1172: 1152: 1145: 1125: 1115: 1106: 1095:. Retrieved 1090: 1080: 1063: 1057: 1018: 1011:IrishCentral 1010: 1001: 986: 981: 970:. Retrieved 966:the original 959: 950: 941: 929:. Retrieved 922: 913: 903: 896: 860:. Retrieved 856: 847: 836:. Retrieved 831: 822: 778:wrought iron 771: 751: 728: 697: 679: 659: 616: 601: 581: 554: 518: 493:Gospel books 486: 454: 441: 439:still used. 411: 406:Tang dynasty 381: 328: 301: 297:trichinopoly 282: 263: 260:Ancient work 247: 237: 233: 217: 215: 196: 183: 179: 175: 171: 170: 123: 114: 104: 97: 90: 83: 71: 59:Please help 54:verification 51: 2157:Art jewelry 1981:Tiger's eye 1886:Labradorite 1836:Chrysocolla 1831:Chrysoberyl 1747:Mokume-gane 1724:Base metals 1496:centrifugal 1465:Silversmith 1340:Ferronnière 1290:Belt buckle 1285:Belly chain 798:Granulation 786:balustrades 755:, crosses, 682:Middle East 568:Tara Brooch 537:Anglo-Saxon 489:reliquaries 318:and in the 266:Mesopotamia 2235:Categories 1991:Tourmaline 1936:Prasiolite 1811:Aventurine 1682:Crown gold 1584:Draw plate 1533:Metal clay 1470:Watchmaker 1460:Lapidarist 1445:Clockmaker 1320:Collar pin 1315:Chatelaine 1097:2018-03-12 972:2013-02-07 862:2022-08-17 838:2022-08-17 828:"filigree" 814:References 774:ornamental 702:after the 655:turquoises 545:Cumberland 533:goldsmiths 360:Corinthian 304:Phoenician 87:newspapers 76:"Filigree" 2137:Toadstone 2074:Operculum 2001:Variscite 1996:Turquoise 1976:Tanzanite 1911:Moonstone 1906:Marcasite 1901:Malachite 1826:Carnelian 1801:Amazonite 1788:gemstones 1762:Pinchbeck 1707:Argentium 1697:Shibuichi 1638:Palladium 1617:Materials 1553:Soldering 1543:Polishing 1518:Engraving 1513:Enameling 1479:Processes 1450:Goldsmith 1385:Tie chain 1360:Neck ring 1350:Lapel pin 1259:Jewellery 961:The Hindu 803:GuillochĂ© 782:cast iron 747:blowtorch 719:Cast iron 700:Abyssinia 629:, and in 570:, in the 351:necklaces 347:bracelets 331:Hermitage 289:cloisonnĂ© 250:Etruscans 238:filigrane 234:filigrana 218:filigreen 192:metalwork 188:jewellery 184:filigrene 180:filigrann 117:June 2008 2205:Gemology 2179:Fineness 2170:(purity) 2105:Bog-wood 2052:Precious 2032:Ammolite 1971:Sunstone 1961:Sodalite 1956:Sapphire 1916:Obsidian 1856:Fluorite 1846:Diopside 1806:Amethyst 1786:Mineral 1777:Tungsten 1772:Titanium 1687:Electrum 1643:Platinum 1528:Kazaziye 1523:Filigree 1501:lost-wax 1400:Toe ring 1390:Tie clip 1365:Pectoral 1355:Necklace 1330:Cufflink 1305:Bracelet 1300:Bolo tie 1280:Barrette 1215:Filigree 1072:30079267 931:26 March 792:See also 757:earrings 753:Brooches 739:blowpipe 733:such as 631:Portugal 604:croziers 599:ground. 597:repoussĂ© 592:Limerick 481:repousse 456:tarakasi 436:verandah 432:charcoal 383:Tarakasi 339:Scythian 324:feathers 312:Sardinia 284:Egyptian 176:filagree 172:Filigree 18:Filagree 2200:Fashion 2174:Finding 2022:Abalone 1931:Peridot 1896:Larimar 1881:Kyanite 1866:Howlite 1851:Emerald 1841:Diamond 1714:Tumbaga 1692:ShakudĹŤ 1648:Rhodium 1599:Mandrel 1538:Plating 1491:Casting 1486:Carving 1395:Tie pin 1370:Pendant 1345:Genital 1335:Earring 1208::  761:buttons 662:Denmark 643:Albania 525:Britons 502:enamels 459:in the 443:Cuttack 427:malileh 388:Cuttack 363:capital 356:sceptre 345:. Many 244:History 101:scholar 2164:(mass) 2100:Bezoar 2006:Zircon 1966:Spinel 1941:Quartz 1876:Jasper 1861:Garnet 1757:Pewter 1742:Copper 1737:Bronze 1664:alloys 1653:Silver 1604:Pliers 1594:Hammer 1506:vacuum 1433:People 1426:Making 1410:pocket 1310:Brooch 1275:Anklet 1202:  1160:  1133:  1070:  993:  694:Africa 670:Sweden 668:, and 666:Norway 651:Greece 645:, the 547:. 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jewellery
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Etruscans
Greeks
Mesopotamia
Midyat
Mardin Province
Midyat Filigree Museum
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