408:
500:
656:
419:
from a song, movie, sound effect, or other audio recording that is currently copyrighted. The copyright for it may be owned by the company who made it or the author. For a song, it may also be owned by the person(s) who performed it. It is believed that the use of this work qualifies as
62:
562:
41:
561:
40:
190:, which was devised by the assistant EMI engineer Ken Townshend as a method for plugging electric guitars directly into the recording console, eliminating the need for amplifiers and microphones. The musicologist Kenneth Womack credits
47:
185:
s first song "the
Beatles manufacture an artificial textual space in which to stage their art." "Sgt. Pepper" was the first Beatles track that benefitted from a newly available production technique called
726:
444:
the sample contributes significantly to the encyclopedia articles in which it is used (listed under the heading "File usage" below) in a way that cannot be duplicated by other forms of media;
392:℗ & © 1967/2009 Calderstone Productions Limited (a subsidiary of Universal Music Operations Limited; until 2012 EMI Records Ltd.). Remaster copyright in association with Apple Corps Ltd.
560:
39:
272:
Hannan describes the track's unorthodox stereo mix as "typical of the album", with the lead vocal in the right speaker during the verses, but in the left during the chorus and
373:
736:
731:
415:
615:
377:
154:
624:
333:
431:
285:
266:
247:
232:
203:
741:
553:
395:
Written by John Lennon and Paul McCartney. Published by
Northern Songs Ltd. (PRS/US administration by Sony/ATV Tunes LLC (ASCAP))
594:
471:
673:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
447:
the sample is short in relation to the duration of the recorded track, and is of inferior quality to the original recording;
701:
470:
If you are the copyright holder of this sample and you feel that its use here does not fall under "fair use", please see
77:
585:
295:
345:
The file is 11.291 seconds long with fades in and out, which is less than 10% of the original 2 minutes and 3 seconds.
407:
238:
The musicologist Ian MacDonald praises McCartney's "screaming hard rock vocal and guitar".(MacDonald, Ian (2005).
676:
If the file has been modified from its original state, some details may not fully reflect the modified file.
276:.(Hannan, Michael (2008). "The sound design of Sgt. Pepper's Lonely Hearts Club Band". In Julien, Olivier.
611:
The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
465:
350:
108:
328:
Prose alone would not serve the same encyclopedic purpose as prose with an accompanying audio sample.
253:
In George Martin's opinion the rock and roll title track "was the most identifiably
Beatles sound" on
223:, which the musicologist Walter Everett describes as "the song's strength".(Everett, Walter (1999).
273:
499:
194:
with "afford McCartney's bass with richer textures and tonal clarity."(Womack, Kenneth (2007).
482:
281:
262:
243:
228:
213:
199:
116:
490://en.wikipedia.org/File:%22Sgt._Pepper%27s_Lonely_Hearts_Club_Band%22_by_the_Beatles_1967.ogg
382://en.wikipedia.org/File:%22Sgt._Pepper%27s_Lonely_Hearts_Club_Band%22_by_the_Beatles_1967.ogg
357:
338:
321:
302:
167:
146:
121:
581:
462:
A more detailed fair use rationale should be provided by the user who uploaded this sample.
162:
104:
720:
220:
314:
454:
217:
573:
210:
100:
63:
TimedText:"Sgt. Pepper's Lonely Hearts Club Band" by the
Beatles 1967.ogg.en.srt
450:
no other samples from the same track are currently used in
Knowledge (XXG);
174:
To explicate with an audio sample what cannot be conveyed with prose alone:
48:"Sgt._Pepper's_Lonely_Hearts_Club_Band"_by_the_Beatles_1967.ogg
435:
427:
422:
141:
481:: If this is a free, non-copyrighted audio recording, please post it to
464:
Any other uses of this sample, on
Knowledge (XXG) or elsewhere, may be
191:
187:
364:
The sample is of a reduced non-commercial quality 22050Hz and 75Kbps.
441:
the sample is being used for commentary on the recording in question;
526:
Click on a date/time to view the file as it appeared at that time.
61:
This media file has an associated
English-language subtitle file
128:
The 2009 remaster of Sgt. Pepper's Lonely Hearts Club Band (CD)
52:(Ogg Vorbis sound file, length 11 s, 75 kbps, file size: 104 KB)
402:
240:
Revolution in the Head: The
Beatles' Records and the Sixties
196:
Long and
Winding Roads: The Evolving Artistry of the Beatles
89:"Sgt. Pepper's Lonely Hearts Club Band" by the Beatles 1967
309:
Audio file is irreplaceable. No free alternative exists.
278:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
225:
The Beatles as Musicians: Revolver Through the Anthology
559:
38:
727:
Knowledge (XXG) files with English-language subtitles
216:
during the introduction and verses that is built on
178:According to the musicologist Kenneth Womack, with
434:, hosted on servers in the U.S. by the non-profit
593:Uploading an excerpt from a non-free work using
209:The song utilises a rock and roll orientated
8:
257:.(Martin, George; Pearson, William (1994).
678:
627:
616:Sgt. Pepper's Lonely Hearts Club Band
528:
376:of copyrighted material in the context of
73:
259:Summer of Love: The making of Sgt. Pepper
706:
696:
688:
680:
613:
367:
737:Knowledge (XXG) non-free audio samples
378:Sgt. Pepper's Lonely Hearts Club Band
155:Sgt. Pepper's Lonely Hearts Club Band
7:
732:Knowledge (XXG) files with subtitles
671:
474:for information on how to proceed.
472:Knowledge (XXG):Copyright problems
57:
45:
660:Completed 02:53, 25 December 2017
242:(3rd ed.). Chicago Review Press.
498:
432:English-language Knowledge (XXG)
406:
21:
603:You cannot overwrite this file.
14:
26:
1:
702:Xiph.Org libVorbis I 20070622
31:
708:Date and time of digitizing
428:United States copyright law
227:. Oxford University Press.
758:
107:; the copyright holder is
742:The Beatles audio samples
506:
368:
349:
332:
313:
294:
163:Purpose of use in article
161:
140:
132:
115:
93:
85:
16:
353:commercial opportunities
317:textual coverage because
625:Update transcode status
592:
466:copyright infringement
457:alternative available.
453:there is no adequate
109:Universal Music Group
436:Wikimedia Foundation
315:Not replaceable with
296:Not replaceable with
133:Date of publication
82:
595:File Upload Wizard
298:free media because
74:
715:
714:
667:
666:
646:
599:
563:
554:22:59, 3 May 2014
510:
509:
483:Wikimedia Commons
430:when used on the
390:
389:
361:
342:
325:
306:
286:978-0-7546-6708-7
267:978-0-333-60398-7
248:978-1-55652-733-3
233:978-0-19-512941-0
214:chord progression
204:978-0-8264-1746-6
171:
150:
125:
42:
749:
679:
647:
628:
622:Transcode status
590:
589:
570:
564:
502:
495:
491:
488:
413:This is a sound
410:
403:
386:
383:
380:
371:
355:
354:
336:
335:
319:
318:
300:
299:
192:direct injection
188:direct injection
184:
165:
164:
144:
143:
119:
118:
96:copyright owner
83:
53:
43:
757:
756:
752:
751:
750:
748:
747:
746:
717:
716:
620:
612:
605:
600:
579:
578:
576:
568:
558:
520:
519:
518:
517:
514:
493:
489:
486:
479:To the uploader
475:
458:
401:
384:
381:
372:
369:
352:
316:
297:
182:
175:
95:
81:
76:Media data and
72:
67:
55:
51:
44:
37:
12:
11:
5:
755:
753:
745:
744:
739:
734:
729:
719:
718:
713:
712:
709:
705:
704:
699:
695:
694:
693:Unknown Artist
691:
687:
686:
683:
670:
665:
664:
661:
658:
654:
651:
645:
644:
641:
638:
635:
632:
623:
619:
618:
610:
609:
608:
601:
598:
597:
591:
574:
571:
565:
556:
551:
547:
546:
543:
540:
537:
534:
531:
524:
523:
515:
512:
511:
508:
507:
504:
503:
496:
460:
459:
451:
448:
445:
442:
411:
400:
397:
388:
387:
366:
365:
362:
347:
346:
343:
330:
329:
326:
311:
310:
307:
292:
291:
290:
289:
270:
261:. Macmillian.
251:
236:
207:
172:
159:
158:
151:
142:Use in article
138:
137:
136:February 1967
134:
130:
129:
126:
113:
112:
105:Paul McCartney
97:
91:
90:
87:
75:
71:
68:
66:
65:
58:
56:
36:
35:
34:
29:
24:
19:
13:
10:
9:
6:
4:
3:
2:
754:
743:
740:
738:
735:
733:
730:
728:
725:
724:
722:
710:
707:
703:
700:
698:Software used
697:
692:
689:
684:
681:
677:
674:
668:
662:
659:
657:
655:
652:
649:
648:
642:
639:
636:
633:
630:
629:
626:
621:
617:
614:
606:
604:
596:
587:
583:
577:
572:
566:
557:
555:
552:
549:
548:
544:
541:
538:
535:
532:
530:
529:
527:
521:
505:
501:
497:
492:
484:
480:
476:
473:
469:
467:
456:
452:
449:
446:
443:
440:
439:
437:
433:
429:
425:
424:
418:
417:
412:
409:
405:
404:
398:
396:
393:
379:
375:
363:
359:
348:
344:
340:
331:
327:
323:
312:
308:
304:
293:
287:
283:
279:
275:
271:
268:
264:
260:
256:
252:
249:
245:
241:
237:
234:
230:
226:
222:
219:
215:
212:
208:
205:
201:
198:. Continuum.
197:
193:
189:
181:
177:
176:
173:
169:
160:
157:
156:
152:
148:
139:
135:
131:
127:
123:
114:
110:
106:
102:
98:
92:
88:
84:
79:
69:
64:
60:
59:
54:
49:
33:
30:
28:
25:
23:
20:
18:
15:
675:
672:
602:
525:
522:File history
478:
477:
463:
461:
421:
414:
394:
391:
351:Respect for
277:
274:middle eight
258:
254:
239:
224:
195:
179:
153:
99:Authors are
86:Description
78:Non-free use
46:
22:File history
682:Short title
643:Encode time
485:instead.
334:Minimal use
280:. Ashgate.
255:Sgt. Pepper
250:. Page 233)
235:. Page 101)
211:Lydian mode
206:. Page 170)
180:Sgt. Pepper
101:John Lennon
721:Categories
607:File usage
539:Dimensions
288:. Page 48)
269:. Page 76)
27:File usage
536:Thumbnail
533:Date/Time
438:, where:
399:Licensing
358:WP:NFCC#2
339:WP:NFCC#3
322:WP:NFCC#1
303:WP:NFCC#1
168:WP:NFCC#8
147:WP:NFCC#7
122:WP:NFCC#4
94:Author or
80:rationale
669:Metadata
653:188 kbps
637:Download
586:contribs
569:(104 KB)
513:Fair use
487:Fair use
423:fair use
374:Fair use
370:Fair use
221:sevenths
218:parallel
32:Metadata
634:Bitrate
550:current
545:Comment
70:Summary
50:
690:Author
685:Track1
640:Status
631:Format
575:GabeMc
426:under
416:sample
284:
265:
246:
231:
202:
117:Source
663:2.0 s
567:11 s
183:'
711:2014
582:talk
542:User
516:true
494:true
455:free
385:true
282:ISBN
263:ISBN
244:ISBN
229:ISBN
200:ISBN
103:and
17:File
650:MP3
723::
584:|
111:.
588:)
580:(
468:.
360:)
356:(
341:)
337:(
324:)
320:(
305:)
301:(
170:)
166:(
149:)
145:(
124:)
120:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.