Knowledge (XXG)

File:"When I'm Sixty-Four" by the Beatles 1967.ogg

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McCartney requested the clarinets and asked that they be arranged "in a classical way", which according to Martin "got ... round the lurking schmaltz factor ... gave added bite to the song, a formality that pushed it firmly towards satire."(Martin, George; Pearson, William (1994).
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from a song, movie, sound effect, or other audio recording that is currently copyrighted. The copyright for it may be owned by the company who made it or the author. For a song, it may also be owned by the person(s) who performed it. It is believed that the use of this work qualifies as
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The musicologist Michael Hannan writes: "The rich timbres of the clarinets give the mix a fuller, fatter sound than many of the other tracks on the album."(Hannan, Michael (2008). "The sound design of Sgt. Pepper's Lonely Hearts Club Band". In Julien, Olivier.
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and pop, noting that its position following "Within You Without You" – a blend of Indian classical music and pop – demonstrates the diversity of the album's material, which he identifies as an important factor in the Beatles' success.(Moore, Allan F. (1997).
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The author Ian MacDonald cites "When I'm Sixty-Four" as an example of the Beatles' versatility. In his opinion the track is "aimed chiefly at parents", borrowing heavily from the English music hall style of
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the sample contributes significantly to the encyclopedia articles in which it is used (listed under the heading "File usage" below) in a way that cannot be duplicated by other forms of media;
441:℗ & © 1967/2009 Calderstone Productions Limited (a subsidiary of Universal Music Operations Limited; until 2012 EMI Records Ltd.). Remaster copyright in association with Apple Corps Ltd. 46: 609: 39: 422: 774: 464: 663: 426: 143: 382: 480: 334: 311: 295: 275: 253: 237: 206: 779: 444:
Written by John Lennon and Paul McCartney. Published by Northern Songs Ltd. (PRS/US administration by Sony/ATV Tunes LLC (ASCAP))
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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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the sample is short in relation to the duration of the recorded track, and is of inferior quality to the original recording;
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If you are the copyright holder of this sample and you feel that its use here does not fall under "fair use", please see
221:, with a sparse arrangement that includes clarinet, drums, guitar and bass. According to him the song's inclusion amidst 66: 633: 344: 394:
The file is 14.15 seconds long with fades in and out, which is less than 10% of the original 3 minutes and 35 seconds.
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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The following pages on the English Knowledge (XXG) use this file (pages on other projects are not listed):
514: 399: 97: 228:"multi-layered psychedelic textures ... provid a down-to-earth interlude".(MacDonald, Ian (2005). 377:
Prose alone would not serve the same encyclopedic purpose as prose with an accompanying audio sample.
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A more detailed fair use rationale should be provided by the user who uploaded this sample.
151: 189: 317:"When I'm Sixty-Four" was the first track the Beatles recorded that would be included on 175:
atmosphere, which is reinforced by McCartney's vocal delivery and the recording's use of
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The musicologist Alan F. Moore credits Martin's clarinet arrangement and Starr's use of
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in an attempt to make McCartney sound younger.(Emerick, Geoff; Massey, Howard (2006).
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no other samples from the same track are currently used in Knowledge (XXG);
431://en.wikipedia.org/File:%22When_I%27m_Sixty-Four%22_by_the_Beatles_1967.ogg 163:
To explicate with an audio sample what cannot be conveyed with prose alone:
484: 476: 471: 263: 130: 530:: If this is a free, non-copyrighted audio recording, please post it to 513:
Any other uses of this sample, on Knowledge (XXG) or elsewhere, may be
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The sample is of a reduced non-commercial quality 22050Hz and 69Kbps.
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Here, There and Everywhere: My Life Recording the Music of the Beatles
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the sample is being used for commentary on the recording in question;
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Click on a date/time to view the file as it appeared at that time.
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was used on "When I'm Sixty-Four", raising the music's pitch by a
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The 2009 remaster of Sgt. Pepper's Lonely Hearts Club Band (CD)
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Revolution in the Head: The Beatles' Records and the Sixties
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Long and Winding Roads: The Evolving Artistry of the Beatles
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Audio file is irreplaceable. No free alternative exists.
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Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
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The Beatles as Musicians: Revolver Through the Anthology
608: 38: 483:, hosted on servers in the U.S. by the non-profit 288:The Beatles: Sgt. Pepper's Lonely Hearts Club Band 641:Uploading an excerpt from a non-free work using 281:Moore characterises the song as a synthesis of 8: 179:, a harmonic pattern that can be traced to 726: 675: 664:Sgt. Pepper's Lonely Hearts Club Band 577: 425:of copyrighted material in the context of 78:"When I'm Sixty-Four" by the Beatles 1967 62: 304:Summer of Love: The making of Sgt. Pepper 754: 744: 736: 728: 661: 416: 775:Knowledge (XXG) non-free audio samples 325:on the album.(Everett, Walter (1999). 427:Sgt. Pepper's Lonely Hearts Club Band 319:Sgt. Pepper's Lonely Hearts Club Band 144:Sgt. Pepper's Lonely Hearts Club Band 7: 719: 523:for information on how to proceed. 521:Knowledge (XXG):Copyright problems 56: 44: 708:Completed 02:53, 25 December 2017 232:(3rd ed.). Chicago Review Press. 547: 481:English-language Knowledge (XXG) 455: 21: 651:You cannot overwrite this file. 14: 290:. Cambridge University Press. 26: 1: 750:Xiph.Org libVorbis I 20070622 31: 756:Date and time of digitizing 477:United States copyright law 329:. Oxford University Press. 796: 197:.(Womack, Kenneth (2007). 96:; the copyright holder is 780:The Beatles audio samples 555: 417: 398: 381: 362: 343: 152:Purpose of use in article 150: 129: 121: 104: 82: 74: 16: 402:commercial opportunities 366:textual coverage because 673:Update transcode status 640: 515:copyright infringement 506:alternative available. 171:with establishing the 502:there is no adequate 98:Universal Music Group 485:Wikimedia Foundation 364:Not replaceable with 345:Not replaceable with 122:Date of publication 323:secondary dominants 71: 643:File Upload Wizard 347:free media because 63: 763: 762: 715: 714: 694: 647: 611: 603:23:56, 3 May 2014 559: 558: 532:Wikimedia Commons 479:when used on the 439: 438: 410: 391: 374: 355: 335:978-0-19-512941-0 312:978-0-333-60398-7 296:978-0-521-57484-6 276:978-1-59240-269-4 254:978-0-7546-6708-7 238:978-1-55652-733-3 207:978-0-8264-1746-6 185:The Ragtime Dance 160: 139: 114: 41: 787: 727: 695: 676: 670:Transcode status 638: 637: 618: 612: 551: 544: 540: 537: 462:This is a sound 459: 452: 435: 432: 429: 420: 404: 403: 385: 384: 368: 367: 349: 348: 240:. 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Macmillian. 299: 279: 257: 241: 210: 195:Johann Strauss 161: 148: 147: 140: 131:Use in article 127: 126: 125:December 1966 123: 119: 118: 115: 102: 101: 94:Paul McCartney 86: 80: 79: 76: 64: 60: 57: 55: 36: 35: 34: 29: 24: 19: 13: 10: 9: 6: 4: 3: 2: 792: 781: 778: 776: 773: 772: 770: 758: 755: 751: 748: 746:Software used 745: 740: 737: 732: 729: 725: 722: 716: 710: 707: 705: 703: 700: 697: 696: 690: 687: 684: 681: 678: 677: 674: 669: 665: 662: 654: 652: 644: 635: 631: 625: 620: 614: 606: 604: 601: 598: 597: 593: 590: 587: 584: 581: 579: 578: 576: 570: 554: 550: 546: 541: 533: 529: 525: 522: 518: 516: 505: 501: 498: 495: 492: 489: 488: 486: 482: 478: 474: 473: 467: 466: 461: 458: 454: 453: 447: 445: 442: 428: 424: 412: 408: 397: 393: 389: 380: 376: 372: 361: 357: 353: 342: 336: 332: 328: 324: 320: 316: 313: 309: 305: 300: 297: 293: 289: 284: 280: 277: 273: 269: 265: 261: 258: 255: 251: 247: 242: 239: 235: 231: 224: 220: 219:Donald McGill 216: 215:George Formby 211: 208: 204: 201:. 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Index

File
File history
File usage
Metadata
"When_I'm_Sixty-Four"_by_the_Beatles_1967.ogg
Non-free use
John Lennon
Paul McCartney
Universal Music Group
WP:NFCC#4
WP:NFCC#7
Sgt. Pepper's Lonely Hearts Club Band
WP:NFCC#8
brushes
music hall
chromaticism
Scott Joplin
The Ragtime Dance
The Blue Danube
Johann Strauss
ISBN
978-0-8264-1746-6
George Formby
Donald McGill
ISBN
978-1-55652-733-3
ISBN
978-0-7546-6708-7
Varispeeding
semitone

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