362:
486:, page 22) Author Keith Shadwick wrote: "Hendrix was dressed in clothes as exotic as any on display elsewhere ... He was not only something utterly new musically, but an entirely original vision of what a black American entertainer should and could look like." Author and historian Matthew C. Whitaker wrote: "Hendrix's burning of his guitar became an iconic image in rock history and brought him national attention." (Whitaker Matthew C. (2011).
550:
207:
later colorized the image, matching it with other pictures taken at the festival before using the shot for a 1987 magazine cover. According to author Gail
Buckland, the fourth and final frame of "Hendrix kneeling in front of his burning guitar, hands raised, is one of the most famous images in rock."
188:
Alex
Vadukul commented: "When Jimi Hendrix set his guitar on fire at the 1967 Monterey Pop Festival he created one of rock's most perfect moments. Standing in the front row of that concert was a 17-year-old boy named Ed Caraeff. Caraeff had never seen Hendrix before nor heard his music, but he had a
38:
223:
Author and musicologist Keith
Shadwick wrote: "Hendrix was dressed in clothes as exotic as any on display elsewhere ... He was not only something utterly new musically, but an entirely original vision of what a black American entertainer should and could look like." (Shadwick, Keith (2003).
473:
It is a historically significant photo of a famous individual. According to author and musicologist David
Moskowitz: "The image of Jimi kneeling over his burning guitar at Monterey became one of the most iconic pictures of the era." (Moskowitz, David (2010).
166:
Author
Michael Heatley wrote: "The iconic image by Ed Caraeff of Hendrix summoning the flames higher with his fingers will forever conjure up memories of Monterey for those who were there and the majority of us who weren't." (Heatley, Michael (2009).
202:
Caraeff stood on a chair next to the edge of the stage while taking a series of four monochrome pictures of
Hendrix burning his guitar. Caraeff was close enough to the fire that he had to use his camera as a shield to protect his face from the heat.
46:
239:
Author and
Hendrix historian John McDermott wrote: "He left the Monterey audience stunned and in disbelief at what they'd just heard and seen." (McDermott, John (December 2011). "Jimi Hendrix's 100 Greatest Performances".
189:
camera with him and there was one shot left in his roll of film. As
Hendrix lit his guitar, Caraeff took a final photo. It would become one of the most famous images in rock and roll." (Vadukul, Alex,
580:
Clearer and more accurate picture from https://dynaimage.cdn.cnn.com/cnn/q_auto,w_1100,c_fill,g_auto/http%3A%2F%2Fcdn.cnn.com%2Fcnnnext%2Fdam%2Fassets%2F170505161844-jimi-hendrix-ed-caraeff-11.jpg
247:
Author and historian
Matthew C. Whitaker wrote: "Hendrix's burning of his guitar became an iconic image in rock history and brought him national attention." (Whitaker Matthew C. (2011).
469:
Though this image is subject to copyright, its use is covered by the U.S. fair use laws, and the stricter requirements of
Knowledge (XXG)'s non-free content policies, because:
324:
The reduced resolution (300 × 197 pixels, file size: 13 KB) is not of a high enough quality that it could compete with the copyright holder's commercial interest.
190:
333:
507:
Its inclusion in the article adds significantly to the article because the photo and its historical significance are the object of discussion in the article.
93:
549:
544:
37:
285:
412:
483:
233:
176:
162:
To support encyclopedic discussion of this work in this article. The illustration is specifically needed to support the following point(s):
495:
393:
256:
217:
430:
is the subject of commentary rather than the event it depicts (which is the original market role, and is not allowed per policy).
651:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
405:
70:
266:
613:
572:
361:
654:
If the file has been modified from its original state, some details may not fully reflect the modified file.
636:
The following pages on the English Knowledge (XXG) use this file (pages on other projects are not listed):
399:
310:
501:
It is of much lower resolution than the original. Copies made from it will be of very inferior quality.
435://en.wikipedia.org/File:Jimi_Hendrix_burning_his_guitar_at_the_Monterey_Pop_Festival,_June_18,_1967.jpg
342://en.wikipedia.org/File:Jimi_Hendrix_burning_his_guitar_at_the_Monterey_Pop_Festival,_June_18,_1967.jpg
418:
that non-free images on Knowledge (XXG) must not " used in a manner that is likely to replace the
446:
If this tag does not accurately describe this image, please replace it with an appropriate one.
300:
Only one file of non-free content is used in the section to convey the significant information.
491:
479:
252:
229:
213:
172:
101:
317:
290:
273:
155:
134:
106:
82:
The image shows Jimi Hendrix burning his guitar at the Monterey Pop Festival, June 18, 1967.
679:
150:
609:
568:
169:
Jimi Hendrix Gear: The Guitars, Amps & Effects that Revolutionized Rock 'n' Roll
640:
463:
388:
337:
142:
47:
Jimi_Hendrix_burning_his_guitar_at_the_Monterey_Pop_Festival,_June_18,_1967.jpg
601:
560:
192:"Who Shot Rock and Roll" Celebrates the Photographers Behind the Iconic Images
113:
129:
398:
Any other uses of this image, on Knowledge (XXG) or elsewhere, may be
517:
Click on a date/time to view the file as it appeared at that time.
488:
Icons of Black America: Breaking Barriers and Crossing Boundaries
249:
Icons of Black America: Breaking Barriers and Crossing Boundaries
356:
210:
Who Shot Rock and Roll: A Photographic History, 1955-Present
386:. It is believed that the use of this image may qualify as
621:
Using version from SF Art Exchange (better RS than blog)
504:
The photo is only being used for informational purposes.
280:
The image is irreplaceable; no free alternative exists.
420:
original market role of the original copyrighted media.
422:" Use of historic images from press agencies must
92:The author is Ed Caraeff; the copyright holder is
51:(236 × 424 pixels, file size: 57 KB, MIME type:
303:The image is low-resolution/fidelity/bit rate.
8:
367:This image is a faithful digitisation of a
656:
519:
336:of copyrighted material in the context of
66:
674:
666:
658:
638:
327:
7:
426:be of a transformative nature, when
476:The Words and Music of Jimi Hendrix
649:
394:Copyright law of the United States
375:for it is most likely held by the
116:, screencap, cropped and reduced.
60:
44:
406:Knowledge (XXG):Non-free content
360:
21:
628:You cannot overwrite this file.
41:No higher resolution available.
14:
26:
1:
31:
377:person who created the image
384:agency employing the person
698:
114:San Franscico Art Exchange
444:
413:non-free content criteria
411:Please remember that the
328:
309:
284:
265:
199:. date November 13, 2009)
151:Purpose of use in article
149:
128:
120:
100:
86:
78:
16:
313:commercial opportunities
208:(Buckland, Gail (2009).
620:
579:
588:06:06, 6 February 2014
545:01:26, 14 January 2023
400:copyright infringement
226:Jimi Hendrix: Musician
660:Horizontal resolution
408:for more information.
369:unique historic image
267:Not replaceable with
212:. Knopf. pp. 62–63.
121:Date of publication
668:Vertical resolution
75:
269:free media because
228:. Backbeat Books.
171:. Voyageur Press.
67:
685:
684:
624:
484:978-0-313-37592-7
459:
458:
350:
349:
321:
294:
277:
244:32 (12), page 62)
234:978-0-87930-764-6
177:978-0-7603-3639-7
159:
138:
110:
689:
680:paint.net 4.3.12
657:
618:
617:
598:
589:
577:
576:
557:
440:
436:
433:
428:the image itself
381:
364:
357:
346:
343:
340:
331:
315:
314:
288:
287:
271:
270:
187:
153:
152:
132:
131:
104:
103:
89:copyright owner
76:
56:
54:
697:
696:
692:
691:
690:
688:
687:
686:
645:
637:
630:
625:
607:
606:
604:
596:
587:
566:
565:
563:
555:
511:
510:
467:
455:
454:
451:
438:
434:
431:
409:
379:
355:
344:
341:
332:
329:
312:
297:
268:
185:
163:
88:
74:
69:Media data and
65:
58:
52:
50:
43:
42:
12:
11:
5:
695:
693:
683:
682:
677:
673:
672:
669:
665:
664:
661:
648:
644:
643:
635:
634:
633:
626:
623:
622:
619:
602:
599:
593:
590:
585:
582:
581:
578:
561:
558:
552:
547:
542:
538:
537:
534:
531:
528:
525:
522:
515:
514:
509:
508:
505:
502:
499:
496:978-0313376429
466:
460:
457:
456:
452:
449:
448:
442:
441:
365:
354:
351:
348:
347:
326:
325:
322:
307:
306:
305:
304:
301:
295:
282:
281:
278:
263:
262:
261:
260:
257:978-0313376429
245:
237:
221:
218:978-0307270160
200:
180:
160:
147:
146:
139:
130:Use in article
126:
125:
122:
118:
117:
111:
98:
97:
90:
84:
83:
80:
68:
64:
61:
59:
40:
36:
35:
34:
29:
24:
19:
13:
10:
9:
6:
4:
3:
2:
694:
681:
678:
676:Software used
675:
670:
667:
662:
659:
655:
652:
646:
642:
639:
631:
629:
615:
611:
605:
600:
594:
591:
586:
584:
583:
574:
570:
564:
559:
553:
551:
548:
546:
543:
540:
539:
535:
532:
529:
526:
523:
521:
520:
518:
512:
506:
503:
500:
497:
493:
490:. Greenwood.
489:
485:
481:
477:
472:
471:
470:
465:
462:Fair use for
461:
447:
443:
437:
429:
425:
421:
417:
414:
407:
403:
401:
395:
391:
390:
385:
378:
374:
370:
366:
363:
359:
358:
352:
339:
335:
323:
319:
308:
302:
299:
298:
296:
292:
283:
279:
275:
264:
258:
254:
251:. Greenwood.
250:
246:
243:
238:
235:
231:
227:
222:
219:
215:
211:
206:
205:Rolling Stone
201:
198:
197:Rolling Stone
194:
193:
184:
183:Rolling Stone
181:
178:
174:
170:
165:
164:
161:
157:
148:
145:
144:
140:
136:
127:
123:
119:
115:
112:
108:
99:
95:
91:
85:
81:
77:
72:
62:
57:
48:
39:
33:
30:
28:
25:
23:
20:
18:
15:
653:
650:
641:Jimi Hendrix
627:
592:No thumbnail
516:
513:File history
487:
475:
468:
464:Jimi Hendrix
445:
427:
423:
419:
415:
410:
397:
389:non-free use
387:
383:
376:
372:
368:
338:Jimi Hendrix
311:Respect for
248:
242:Guitar World
241:
225:
209:
204:
196:
191:
182:
168:
143:Jimi Hendrix
141:
94:Getty Images
79:Description
71:Non-free use
45:
22:File history
498:, page 382)
478:. Praeger.
286:Minimal use
259:, page 382)
236:, page 115)
632:File usage
595:197 × 300
554:236 × 424
530:Dimensions
392:under the
371:, and the
179:, page 80)
53:image/jpeg
27:File usage
527:Thumbnail
524:Date/Time
373:copyright
353:Licensing
318:WP:NFCC#2
291:WP:NFCC#3
274:WP:NFCC#1
156:WP:NFCC#8
135:WP:NFCC#7
107:WP:NFCC#4
87:Author or
73:rationale
647:Metadata
614:contribs
573:contribs
450:Fair use
432:Fair use
334:Fair use
330:Fair use
32:Metadata
597:(13 KB)
556:(57 KB)
541:current
536:Comment
416:require
382:or the
63:Summary
49:
671:96 dpi
663:96 dpi
494:
482:
380:
255:
232:
216:
186:'s
175:
102:Source
603:Masem
562:Endof
124:1967
610:talk
569:talk
533:User
492:ISBN
480:ISBN
453:true
439:true
424:only
404:See
345:true
253:ISBN
230:ISBN
214:ISBN
173:ISBN
17:File
612:|
571:|
396:.
220:.)
195:.
96:.
616:)
608:(
575:)
567:(
402:.
320:)
316:(
293:)
289:(
276:)
272:(
158:)
154:(
137:)
133:(
109:)
105:(
55:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
