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or epoxy resin shapes, sometimes set atop one another in simple, rigorous compositions (the "Bridges" series) or in box-like forms. Like her other her other work, they combine minimalism with details such as uneven edges, rounded corners, bowed planes and visible imperfections that emphasized her creative process. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand these later developments and bodies of work, which brought
Westerlund Roosen ongoing recognition through exhibitions and coverage by major critics and publications. Westerlund Roosen's work of this type and this series is discussed in the article and by critics cited in the article.
205:(epoxy resin, 16" x 16" x 47", 2020). The image illustrates the later sculpture of Mia Westerlund Roosen: her 2010s and 2020s series, which often returned to the minimal, monolithic approaches of her early work. This work often consisted of elementary, rectangular concrete slabs, or in this case, epoxy resin box-like forms combining minimalism with details such as uneven edges, rounded corners, bowed planes and visible imperfections that emphasized her creative process. The resin works take advantage of the material's more vulnerable, skin-like and luxurious qualities, which contrast with the somewhat chilling box, each distinguished by an individualized interior.
391:{{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Mia Westerlund Roosen | Description = Sculpture by Mia Westerlund Roosen, ''Box 2'' (epoxy resin, 16" x 16" x 47", 2020). The image illustrates the later sculpture of Mia Westerlund Roosen: her 2010s and 2020s series, which often returned to the minimal, monolithic approaches of her early work. This work often consisted of elementary, rectangular concrete slabs, or in this case, epoxy resin box-l...
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The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be
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The image serves an informational and educational purpose as the primary means of illustrating the later sculpture of Mia
Westerlund Roosen in the 2010s and 2020s, which often returned to the minimal, monolithic approaches of her early work. This work often employed elementary, rectangular concrete
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This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per
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There is no free equivalent of this or any other of this series by Mia
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it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright.
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whoever holds copyright of the original has the exclusive right to authorize derivative works.
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312://en.wikipedia.org/File:Mia_Westerlund_Roosen_Box_2_2020.jpg
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Artist Mia
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153://en.wikipedia.org/File:Mia_Westerlund_Roosen_Box_2_2020.jpg
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
