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is both the most daily, most environmental of
Ashbery's works and the most historical: it constantly contextualizes the momentary, by positioning the act of writing within different schemes of time (phenomenological, personal-autobiographical, historical) and space (central, marginal,
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is a work of 4,794 lines, divided into six numbered chapters or parts, each of which is further divided into sections or verse-paragraphs, varying in number from seven to 42. The sections vary in length from one or two lines, to seven pages.
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180:: "Ashbery invents and reinvents his self in this book-length stream-of-consciousness poem. In manically articulate free verse of long, supple lines, he conjures a secular landscape dotted with shadows of ancient gods... Ashbery (
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is easily all of these things... Ashbery has shown us again that he can go more than the distance we expect of great poets, but neither the terrain he covers nor the course he takes is altogether very exciting.
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184:) weaves a haunted, haunting music around ... big questions, squeezing joy, ennui, despair, hope and a thirst for belonging out of ordinary experience.
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is an "exemplary text" that points to
Ashbery's central position in twentieth century poetry as an heir to
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is a great accomplishment, but it sometimes reads more like a big effort than a real tour de force."
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This article is about the poem by John
Ashbery. For the process mapping diagram, see
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Lolordo, Nick (Winter 2001). "Charting the Flow: Positioning John
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Tankard, Paul (May 1997). "An Empty
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116:is a long poem by the American writer
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193:, critic Nick Lolordo contends that
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707:The New American Poetry 1945–1960
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503:Self-Portrait in a Convex Mirror
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700:The Best American Poetry 1988
334:Mahler, Scott (1991-06-23).
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736:This article related to a
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556:And the Stars Were Shining
480:The Double Dream of Spring
140:Scott Mahler wrote in the
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336:"An Amplitude of Ashbery"
174:The book was reviewed in
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16:1991 book by John Ashbery
307:Contemporary Literature
190:Contemporary Literature
806:Poetry by John Ashbery
630:Commotion of the Birds
494:(1975, illustrated by
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205:. Lolordo writes that
713:New York School (art)
467:The Tennis Court Oath
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597:Where Shall I Wander
492:The Vermont Notebook
474:Rivers and Mountains
229:American literature
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562:Can You Hear, Bird
358:Flow Chart: A Poem
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672:A Nest of Ninnies
604:A Worldly Country
549:Hotel Lautréamont
365:Publishers Weekly
356:"Fiction Review:
341:Los Angeles Times
272:Publishers Weekly
249:, pp. 33–46.
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143:Los Angeles Times
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369:. Retrieved
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345:. Retrieved
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648:The Skaters
611:Planisphere
568:Wakefulness
486:Three Poems
391:(1): 33–46.
274:review 2012
259:Mahler 1991
199:T. S. Eliot
187:Writing in
27:Flow Chart
816:Poem stubs
796:1991 poems
791:1991 books
785:Categories
541:Flow Chart
516:As We Know
460:Some Trees
381:Flow Chart
371:2012-03-22
347:2012-03-22
235:References
207:Flow Chart
195:Flow Chart
182:Some Trees
169:Flow Chart
164:Flow Chart
160:Hart Crane
129:Flow Chart
113:Flow Chart
104:0679402012
624:Breezeway
136:Reception
124:Structure
62:Publisher
21:Flowchart
657:" (1984)
650:" (1964)
385:Meridian
218:See also
54:Language
692:Related
327:1209052
298:Sources
57:English
684:(2000)
632:(2016)
626:(2015)
620:(2012)
614:(2009)
606:(2007)
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584:(2000)
578:(1999)
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528:A Wave
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470:(1962)
462:(1956)
444:Honors
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44:Author
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323:JSTOR
90:Pages
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738:poem
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99:ISBN
77:1991
383:".
315:doi
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