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Folk arts

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164:, through which the values and structure of the community are expressed. It then becomes important to document these traditional acts and their meaning. Both community members and outsiders need to be educated as to the importance of these traditional objects and actions within the life of the community. And finally, the celebration of these arts needs to become an active demonstration and statement for the members of this community. 206:" and "text and context" dominated discussions among folklorists. Performance is frequently tied to verbal and customary lore, whereas context is used in discussions of material lore. Both formulations offer different perspectives on the same folkloric understanding, specifically that folklore artifacts need to remain embedded in their cultural environment if we are to gain insight into their meaning for the community. 273:. Their declared mission is to "further folk art, customs and culture around the world through the organization of festivals and other cultural events, … with emphasis on dancing, folk music, folk songs and folk art." By supporting international exchanges of folk art groups as well as the organization of festivals and other cultural events, their goal is promote international understanding and world peace. 29: 289:. The NEA guidelines define as criteria for this award a display of "authenticity, excellence, and significance within a particular tradition" for the artists selected. (NEA guidelines) ." In 1966, the NEA's first year of funding, support for national and regional folk festivals was identified as a priority with the first grant made in 1967 to the National Folk Festival Association. 221:, using symbolic language and employing the subjunctive mood. In performance the audience leaves the daily reality to move into a mode of make-believe, "what if". That this fits well with all types of verbal lore, music, and movement, where reality finds little footing among the symbols, fantasies, and nonsense of 284:
works to promote greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. As part of this, they identify and support NEA folk art fellows in quilting, ironwork, woodcarving, pottery, embroidery,
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imbued with meaning beyond its initial practicality. These vital and constantly reinvigorated artistic traditions are shaped by values and standards of excellence that are passed from generation to generation, most often within family and community, through demonstration, conversation, and practice.
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include such forms as music, dance and narrative structures. Each of these arts, both tangible and intangible, was originally developed to address a real need. Once this practical purpose has been lost or forgotten, there is no reason for further transmission unless the object or action has been
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among other social sciences. The cultural anthropologist Victor Turner identified four universal characteristics of cultural performance. These are playfulness,
225:, proverbs, and jokes is self-evident. Customs and the lore of children and games also fit easily into the language of a folklore performance. 128:
are rooted in and reflective of the cultural life of a community. They encompass the body of expressive culture associated with the fields of
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have long been celebrated around the world to encourage and support the education and community engagement of diverse ethnic communities.
797: 379: 416: 270: 491: 112: 281: 803: 50: 202:. These intangible folk art forms only became grouped as such in the second half of the 20th century, when the two terms " 141: 93: 65: 156:. They seek to understand the significance of these cultural forms within the community by studying their creation, 792: 46: 39: 356: 218: 72: 705: 79: 484: 345: 290: 229: 819: 157: 61: 824: 530: 203: 857: 657: 552: 153: 667: 829: 477: 441: 266: 222: 133: 148:
It is these cultural artifacts, both tangible and intangible, that become the purview of the
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includes objects which historically are crafted and used within a traditional community.
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and various kinds of narrative structures. This category is part of the
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IOV International Organization of Folk Art, in partnership with UNESCO
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IOV International Organization of Folk Art, in partnership with UNESCO
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Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art
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The concept of cultural (folklore) performance is shared with
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Folk Art and Ethnological Museum of Macedonia and Thrace
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(1997). 1: 315:(Japanese folk art movement) 375:Folk Art Society of America 874: 798:Aarne–Thompson–Uther Index 793:Morphology (folkloristics) 171: 15: 357:Folk Art Museum of Patras 126:Folk and traditional arts 417:UNESCO Mission Statement 261:Supporting organizations 178:In addition to tangible 16:Not to be confused with 458:(1997a). "Performance". 346:Folk arts of Karnataka 436:. Santa Barbara, CA: 172:Further information: 168:Performance folk arts 204:folklore performance 184:performance folk art 142:Intangible folk arts 47:improve this article 464:, pp. 630–635. 363:Native American Art 230:Children's folklore 658:Luminous gemstones 553:Personal narrative 407:, pp. 633–34) 297:Regional folk arts 291:Folklife festivals 154:cultural historian 845: 844: 447:978-0-87436-986-1 321:(Korean folk art) 267:cultural heritage 223:traditional tales 138:Tangible folk art 134:cultural heritage 123: 122: 115: 97: 865: 788:Folklore studies 503:genres and types 494: 487: 480: 471: 459: 451: 419: 414: 408: 401: 308:Chinese folk art 303:African folk art 287:traditional arts 118: 111: 107: 104: 98: 96: 55: 31: 23: 873: 872: 868: 867: 866: 864: 863: 862: 848: 847: 846: 841: 776: 740: 716:Folk instrument 687: 668:Old wives' tale 653:Legend tripping 617: 562: 504: 498: 454: 448: 431: 428: 423: 422: 415: 411: 402: 398: 393: 371: 299: 263: 200:performing arts 176: 170: 119: 108: 102: 99: 56: 54: 44: 32: 21: 12: 11: 5: 871: 869: 861: 860: 850: 849: 843: 842: 840: 839: 834: 833: 832: 827: 822: 812: 807: 800: 795: 790: 784: 782: 778: 777: 775: 774: 769: 764: 759: 754: 748: 746: 742: 741: 739: 738: 733: 731:Folk wrestling 728: 723: 718: 713: 708: 703: 697: 695: 689: 688: 686: 685: 680: 675: 670: 665: 660: 655: 650: 645: 644: 643: 633: 627: 625: 619: 618: 616: 615: 610: 605: 600: 595: 590: 585: 584: 583: 576:Folk etymology 572: 570: 568:Oral tradition 564: 563: 561: 560: 555: 550: 545: 540: 535: 534: 533: 523: 518: 512: 510: 506: 505: 499: 497: 496: 489: 482: 474: 468: 467: 466: 465: 446: 427: 424: 421: 420: 409: 405:Ben-Amos 1997a 395: 394: 392: 389: 388: 387: 382: 377: 370: 367: 366: 365: 360: 354: 349: 343: 340:Warli painting 337: 332: 327: 322: 316: 310: 305: 298: 295: 262: 259: 258: 257: 252: 247: 242: 237: 232: 185: 169: 166: 121: 120: 35: 33: 26: 13: 10: 9: 6: 4: 3: 2: 870: 859: 856: 855: 853: 838: 835: 831: 828: 826: 823: 821: 818: 817: 816: 813: 811: 808: 806: 805: 801: 799: 796: 794: 791: 789: 786: 785: 783: 779: 773: 770: 768: 765: 763: 760: 758: 755: 753: 750: 749: 747: 743: 737: 734: 732: 729: 727: 724: 722: 719: 717: 714: 712: 709: 707: 704: 702: 699: 698: 696: 694: 690: 684: 681: 679: 678:Silver bullet 676: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 642: 639: 638: 637: 636:Folk religion 634: 632: 629: 628: 626: 624: 620: 614: 611: 609: 606: 604: 601: 599: 596: 594: 593:Nursery rhyme 591: 589: 586: 582: 579: 578: 577: 574: 573: 571: 569: 565: 559: 556: 554: 551: 549: 546: 544: 541: 539: 536: 532: 529: 528: 527: 524: 522: 519: 517: 514: 513: 511: 507: 502: 495: 490: 488: 483: 481: 476: 475: 472: 463: 457: 456:Ben-Amos, Dan 453: 452: 449: 443: 439: 435: 430: 429: 425: 418: 413: 410: 406: 400: 397: 390: 386: 383: 381: 378: 376: 373: 372: 368: 364: 361: 358: 355: 353: 350: 347: 344: 341: 338: 336: 333: 331: 328: 326: 325:North Malabar 323: 320: 317: 314: 311: 309: 306: 304: 301: 300: 296: 294: 292: 288: 283: 279: 278:United States 274: 272: 268: 260: 256: 253: 251: 248: 246: 243: 241: 238: 236: 233: 231: 228: 227: 226: 224: 220: 216: 212: 207: 205: 201: 197: 193: 189: 183: 181: 175: 167: 165: 163: 159: 155: 151: 146: 143: 139: 135: 131: 127: 117: 114: 106: 95: 92: 88: 85: 81: 78: 74: 71: 67: 64: â€“  63: 59: 58:Find sources: 52: 48: 42: 41: 36:This article 34: 30: 25: 24: 19: 810:Storytelling 802: 752:Cunning folk 692: 683:Weather lore 558:Urban legend 462:Green (1997) 433: 412: 399: 369:Associations 275: 264: 255:Game studies 235:Game studies 215:anthropology 208: 177: 158:transmission 147: 125: 124: 109: 100: 90: 83: 76: 69: 57: 45:Please help 40:verification 37: 767:Folk healer 623:Folk belief 516:Animal tale 426:Works cited 211:ethnography 162:performance 62:"Folk arts" 837:Vernacular 762:Folk devil 721:Folk music 711:Folk dance 641:Folk saint 631:Birthstone 543:Tall tales 526:Fairy tale 391:References 335:Tribal art 245:Folk music 240:Folk dance 196:folk dance 188:folk music 150:folklorist 103:March 2023 73:newspapers 858:Folk arts 820:Knowledge 815:Tradition 772:Folk hero 726:Folk play 706:Folk epic 693:Folk arts 663:Mythology 648:Ghostlore 613:Word game 509:Narrative 250:Folk song 192:folk song 852:Category 825:Medicine 781:See also 757:Fakelore 736:Foodways 701:Folk art 501:Folklore 438:ABC-CLIO 359:, Greece 180:folk art 130:folklore 18:folk art 745:Society 598:Proverb 548:Parable 348:(India) 342:(India) 330:Theyyam 276:In the 219:framing 87:scholar 673:Ritual 608:Saying 603:Riddle 538:Legend 444:  319:Minhwa 313:Mingei 280:, the 89:  82:  75:  68:  60:  830:Story 581:False 521:Fable 94:JSTOR 80:books 588:Joke 531:list 442:ISBN 213:and 190:and 160:and 152:and 132:and 66:news 460:in 49:by 854:: 440:. 194:, 136:. 493:e 486:t 479:v 450:. 403:( 116:) 110:( 105:) 101:( 91:· 84:· 77:· 70:· 43:. 20:.

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folk art

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"Folk arts"
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folklore
cultural heritage
Tangible folk art
Intangible folk arts
folklorist
cultural historian
transmission
performance
Folklore § In action: performance in context
folk art
folk music
folk song
folk dance
performing arts
folklore performance
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anthropology
framing

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