200:
172:
186:
214:
22:
160:, with fishermen drying their nets while others are gathered round a fire. The scenes depicted in the paintings were Vernet's favourite scenes that he painted in different settings throughout his career.
120:. His landscapes and especially seascapes were celebrated for their romantic qualities. Upon his return to France, a series of marine paintings were commissioned from him around 1753 by the French king
199:
171:
185:
213:
730:
128:, of which 15 paintings were executed. The project lasted for about 10 years, and until 1765 he traveled around France painting seascapes, eventually abandoning the project unfinished.
597:
534:
417:
573:
80:. The paintings consist of four separate scenes depicting morning, midday, evening and night, a series created by several artists of the era including Vernet and
519:
399:
735:
21:
566:
542:
613:
73:
559:
108:(1789–1863) were known as military painters. Vernet lived in Italy for 20 years, 1734 to 1753, where he had an atelier in
304:
656:
621:
421:
329:
279:
81:
254:
740:
750:
725:
720:
686:
92:
Claude Joseph Vernet was considered the leading French artist of his time in his genre, marine art and
745:
629:
582:
66:
674:
605:
443:
93:
63:
468:
366:
680:
546:
97:
539:
113:
507:
495:
The
Spectator and the Landscape in the Art Criticism of Diderot and His Contemporaries
393:
714:
698:
502:
388:
117:
105:
100:: he was the son of a decorative painter, and his son Antoine-Charles-Horace Vernet,
26:
692:
101:
403:. Vol. 27 (11th ed.). Cambridge University Press. pp. 1030–1031.
156:
shows women bathing and washing their clothes. The final scene shows a rocky
141:
523:. Vol. 27 (11th ed.). Cambridge University Press. p. 1030.
121:
77:
551:
125:
447:
232:
157:
149:
20:
136:
In the series of four paintings, the first depiction is entitled
112:. His style was influenced by the Italian 17th-century painters
109:
555:
38:
is a series of four paintings depicting four times of the day:
506:
392:
349:
347:
72:
They were painted in 1757 in Paris, and are held by the
667:
640:
589:
299:
297:
249:
247:
731:Collection of the Art Gallery of South Australia
274:
272:
140:. The painting shows a misty morning scene with
598:Charles of Bourbon Hunting Coots on Lake Licola
324:
322:
567:
8:
405:see para I. Claude Joseph Vernet (1714–1789)
574:
560:
552:
353:
243:
162:
16:Painting series by Claude Joseph Vernet
420:. arthistory.about.com. Archived from
144:with their boat. The second, entitled
535:Poetry inspired by the artist's works
471:. www.nationaltrustcollections.org.uk
7:
469:"National Trust Collections, Vernet"
367:"Biography and Works, Joseph Vernet"
14:
736:Paintings by Claude-Joseph Vernet
124:. This was to depict a series of
212:
198:
184:
170:
614:A Sporting Contest on the Tiber
104:(1758–1836), and his grandson
206:The four times of day: Evening
178:The four times of day: Morning
74:Art Gallery of South Australia
1:
192:The four times of day: Midday
148:depicts a sudden, unexpected
657:Views of the Ports of France
622:Port of Palermo by Moonlight
220:The four times of day: Night
82:Philip James de Loutherbourg
96:. He came from a family of
29:(1714–1789), French painter
767:
332:. www.artgallery.sa.gov.au
307:. www.artgallery.sa.gov.au
282:. www.artgallery.sa.gov.au
257:. www.artgallery.sa.gov.au
493:Lochhead, Ian J. (1982).
165:The Four Times of the Day
545:19 February 2015 at the
520:Encyclopædia Britannica
511:I. CLAUDE JOSEPH VERNET
400:Encyclopædia Britannica
444:"Claude Joseph Vernet"
369:. www.museothyssen.org
30:
687:Giovanni Paolo Panini
649:Four Times of the Day
497:. Umi Research Press.
35:Four Times of the Day
24:
630:A Mediterranean Port
583:Claude-Joseph Vernet
67:Claude Joseph Vernet
675:Bernardino Fergioni
606:A Seaport at Sunset
741:Maritime paintings
94:landscape painting
31:
708:
707:
689:(major influence)
356:, pp. 78–79.
64:landscape painter
758:
576:
569:
562:
553:
524:
516:
513:
512:
498:
481:
480:
478:
476:
465:
459:
458:
456:
454:
440:
434:
433:
431:
429:
414:
408:
407:
396:
385:
379:
378:
376:
374:
363:
357:
351:
342:
341:
339:
337:
326:
317:
316:
314:
312:
301:
292:
291:
289:
287:
276:
267:
266:
264:
262:
251:
216:
202:
188:
174:
766:
765:
761:
760:
759:
757:
756:
755:
751:Painting series
711:
710:
709:
704:
681:Adrien Manglard
663:
641:Painting series
636:
585:
580:
547:Wayback Machine
531:
510:
509:
501:
492:
489:
484:
474:
472:
467:
466:
462:
452:
450:
442:
441:
437:
427:
425:
424:on 4 March 2016
418:"making_nature"
416:
415:
411:
387:
386:
382:
372:
370:
365:
364:
360:
352:
345:
335:
333:
328:
327:
320:
310:
308:
303:
302:
295:
285:
283:
278:
277:
270:
260:
258:
253:
252:
245:
241:
229:
222:
221:
217:
208:
207:
203:
194:
193:
189:
180:
179:
175:
152:. The painting
134:
98:French painters
90:
17:
12:
11:
5:
764:
762:
754:
753:
748:
743:
738:
733:
728:
726:Bathing in art
723:
721:1757 paintings
713:
712:
706:
705:
703:
702:
696:
690:
684:
678:
671:
669:
665:
664:
662:
661:
653:
644:
642:
638:
637:
635:
634:
626:
618:
610:
602:
593:
591:
587:
586:
581:
579:
578:
571:
564:
556:
550:
549:
537:
530:
529:External links
527:
526:
525:
505:, ed. (1911).
503:Chisholm, Hugh
499:
488:
485:
483:
482:
460:
435:
409:
394:"Vernet"
391:, ed. (1911).
389:Chisholm, Hugh
380:
358:
343:
318:
293:
268:
242:
240:
237:
236:
235:
228:
225:
224:
223:
219:
218:
211:
209:
205:
204:
197:
195:
191:
190:
183:
181:
177:
176:
169:
167:
133:
130:
114:Claude Lorrain
89:
86:
62:by the French
15:
13:
10:
9:
6:
4:
3:
2:
763:
752:
749:
747:
744:
742:
739:
737:
734:
732:
729:
727:
724:
722:
719:
718:
716:
700:
699:Horace Vernet
697:
694:
691:
688:
685:
682:
679:
676:
673:
672:
670:
666:
659:
658:
654:
651:
650:
646:
645:
643:
639:
632:
631:
627:
624:
623:
619:
616:
615:
611:
608:
607:
603:
600:
599:
595:
594:
592:
588:
584:
577:
572:
570:
565:
563:
558:
557:
554:
548:
544:
541:
538:
536:
533:
532:
528:
522:
521:
515:
504:
500:
496:
491:
490:
486:
470:
464:
461:
449:
445:
439:
436:
423:
419:
413:
410:
406:
402:
401:
395:
390:
384:
381:
368:
362:
359:
355:
354:Lochhead 1982
350:
348:
344:
331:
325:
323:
319:
306:
300:
298:
294:
281:
275:
273:
269:
256:
250:
248:
244:
238:
234:
231:
230:
226:
215:
210:
201:
196:
187:
182:
173:
168:
166:
163:
161:
159:
155:
151:
147:
143:
139:
131:
129:
127:
123:
119:
118:Salvator Rosa
115:
111:
107:
106:Horace Vernet
103:
99:
95:
87:
85:
83:
79:
75:
70:
69:(1714–1789).
68:
65:
61:
60:
55:
54:
49:
48:
43:
42:
37:
36:
28:
27:Joseph Vernet
23:
19:
693:Carle Vernet
655:
648:
647:
628:
620:
612:
604:
596:
518:
494:
473:. Retrieved
463:
451:. Retrieved
438:
426:. Retrieved
422:the original
412:
404:
398:
383:
371:. Retrieved
361:
334:. Retrieved
309:. Retrieved
284:. Retrieved
259:. Retrieved
164:
153:
145:
137:
135:
102:Carle Vernet
91:
71:
58:
57:
52:
51:
46:
45:
40:
39:
34:
33:
32:
25:Portrait of
18:
746:Moon in art
660:(1754–1765)
715:Categories
701:(grandson)
508:"Vernet §
487:References
590:Paintings
475:1 January
453:1 January
428:1 January
373:1 January
336:2 October
311:2 October
305:"Evening"
286:2 October
261:2 October
255:"Morning"
142:fishermen
132:Paintings
683:(master)
677:(master)
543:Archived
280:"Midday"
227:See also
126:seaports
122:Louis XV
78:Adelaide
668:Related
514:"
330:"Night"
154:Evening
138:Morning
53:Evening
41:Morning
652:(1757)
633:(1771)
625:(1769)
617:(1750)
609:(1749)
601:(1746)
448:Art UK
146:Midday
88:Artist
56:, and
47:Midday
695:(son)
540:Works
239:Notes
233:Coast
158:inlet
150:storm
116:and
59:Night
477:2015
455:2015
430:2015
375:2015
338:2018
313:2018
288:2018
263:2018
110:Rome
717::
517:.
446:.
397:.
346:^
321:^
296:^
271:^
246:^
84:.
76:,
50:,
44:,
575:e
568:t
561:v
479:.
457:.
432:.
377:.
340:.
315:.
290:.
265:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.