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43:, near Luxembourg. The art of using shadows to form figures onto a screen can be traced back to 9th-century Indonesia and China. European travellers saw these "Ombres Chinoises" (Chinese shadows) and returned home with descriptions of their performance. Séraphin introduced his version of the act at the back of a
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mechanisms to automate the show. He made a variety of devices and performed several different acts including "Le Chasse aux canards" (The Duck Hunt), "Le
Magicien Rothomago" (Rothomago the Magician), and "L'Embarras du ménage" (The Embarrassment of the Household). Amongst Séraphin's most popular
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Séraphin had adapted the Ombres
Chinoises and devised new methods to control the shadow-throwing puppets. Rather than use hidden performers moving the parts of the silhouetted puppets, Séraphin developed the use of
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inn during the early 1770s. Though he started the show in humble beginnings they became such a success, including regular visits from the aristocracy, that Séraphin would go on to perform at the
83:. At the height of popularity the most famous of Séraphin's shadow plays were reproduced so that children could perform them. Script details and paper versions of the characters were made in
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Galerie historique des comédiens de la troupe de
Nicolet: notices sur certains acteurs et mimes qui se sont fait un nom dans les annales des scènes secondaires depuis 1760 jusqu'à nos jours
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95:. Children would stick the characters to cardboard and cut them out, performing their own versions of the stories in small toy theatres.
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66:. Séraphin died in 1800 but his shows continued initially under the direction of his nephew until the theatre closed in 1870.
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Séraphin is seen as the most important figure in the development of the art form. His work is believed to have been seen by
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303:"Strindberg and the silent cinema. (Nordic Theatre Studies: August Strindberg in Performance)"
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27:(15 February 1747 – 5 December 1800) was a French entertainer who developed and popularised
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In 1784 Séraphin moved to Paris, performing his shows at the newly opened
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visited three of his plays. The performances would continue through the
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Devices of Wonder: From the World in a Box to Images on a Screen
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in France. The art form would go on to be copied across Europe.
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363:"Hunting the Hidden Silhouettes of the French Revolution"
330:"Richard Bradshaw And His Shadow Puppets Teachers' Notes"
79:(The Broken Bridge), a play based on a musical piece by
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Stafford, Barbara; Terpak, Frances (1 February 2002).
281:"The History of the Discovery of Cinematography"
258:. Getty Research Institute, U.S. p. 77.
175:. Belknap Press of Harvard University Press.
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139:. Quick Change Artistry. Archived from
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204:"Full text of "Les pupazzi noirs""
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232:. The Richard Balzer Collection
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100:Philip James de Loutherbourg
25:François Dominique Séraphin
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459:French performance artists
328:Bradshaw, Richard (1972).
137:"The Art Of Shadowgraphy"
81:Louis-Gabriel Guillemain
20:Portrait of Séraphin.jpg
283:. precinemahistory.net
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414:le Royaume des ombres
409:le Théâtre des Ombres
388:Edmond-Denis De Manne
51:in front of royalty.
39:Séraphin was born in
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398:N. Scheuring, 1869 -
365:. Warwick University
49:Palace of Versailles
418:arcane-magazine.com
173:The Shows of London
454:People from Longwy
119:He died in Paris.
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464:French puppeteers
392:Charles Ménétrier
361:Trevien, Claire.
64:French Revolution
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35:Shadow plays
29:shadow plays
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469:Shadow play
449:1800 deaths
444:1747 births
430:on YouTube.
438:Categories
123:References
112:, to form
75:works was
45:Versailles
369:13 August
346:14 August
313:14 August
287:13 August
236:13 August
230:"Shadows"
209:13 August
147:13 August
72:clockwork
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93:Augsburg
116:shows.
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85:Épinal
41:Longwy
340:(PDF)
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89:Nancy
371:2012
348:2012
315:2012
289:2012
260:ISBN
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