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François Pachet

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1061: 294:. His most notable achievement is the Continuator, an interactive music improvisation system. Experimented with many professional musicians, presented notably at the SIGGRAPH’03 conference and considered a reference in the domain of music interaction, an example of a Musical Turing test with the Continuator on VPRO Channel with Jazz Pianist jazz Albert van Veenendaal (Amsterdam). 231:. In 1997, he got his habilitation diploma on the subject: "Object-oriented languages and knowledge representation" at University Pierre et Marie Curie. He was auditeur at the 58th national session of Institut des Hautes Etudes en Défense Nationale, in 2006, and was appointed Colonel in 2007 in the "réserve citoyenne" (French Air Force). 290:
project is satisfying the needs of record labels and copyright societies for Information management methods, for marketing and for protecting their informations, using an Authoring system using content features for professional musicians and studios. Moreover, in 2014, Pachet presented two music tutorials on Brazilian guitar and
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In 1997, Pachet moved to Sony-CSL (Computer Science Laboratory) Paris. He started a research activity on music and artificial intelligence. His team has authored and pioneered many technologies (about 35 patents) about electronic music distribution, audio feature extraction and music interaction. He
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in humans and be able to continue a work in the same musical style. Pachet wants a future in which consumers could buy the unique style of an artist and apply it to their own material; he says, "I call it 'Stylistic Cryogenics' -- to freeze the style into an object that can be reused and made alive
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Another achievement is CUIDADO (Content-based Unified Interfaces and Descriptors for Audio/music Databases available Online), a two-year project ended in 2003, on developing content-based, audio modules and applications; the project includes the analysis, the navigation and creative process. This
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The Flow Composer is his second achievement, a system to compose lead sheets in the style of arbitrary composers. It was followed by LSDB, the first collecting lead sheets in electronic format with a large-scale effort (Over 11,000 lead sheets collected); and Virtuoso, a solo jazz detector. The
267:"Popular Music Browser" project, which started in 1998, at Sony Computer Science Laboratories This research project covers all areas of the music‐to‐listener chain, from music description, descriptor extraction from the music signal, or 33: 836: 262:
The Music team at Sony Computer Science Laboratory Paris was founded in 1997 by Pachet, where he developed the vision that metadata can greatly enhance the musical experience, from listening to performance.
308:?", (Tomorrow, become Wagner or Daft Punk?) October 2015. Pachet writes about using CP techniques to model style in music and text for ACP (Association for Constraints Programming), in September 2015. 239:
In 1993, he was appointed Assistant Professor (in French, "Maitre de conférences"), at Pierre and Marie Curie University until 1997 in Computer Science, Research and Teaching.
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Moreover, he has designed the Continuator, a system allowing real-time musical improvisation with an algorithm. He is now the beneficiary of the
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techniques, Similarity‐based access, and novel music retrieval methods such as automatic sequence generation, and to user interface issues.
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Since 2017, he is director of Spotify's Creator Research Technology Lab in Paris, where he develops tools for assisting music creation.
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Journal of the American Society for Information Science and Technology (2014). "Popular music access: The Sony music browser".
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In 2017 he produced and released a multi-artist album, Hello World, composed with Artificial Intelligence.
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was appointed director of Sony Computer Science Laboratories in 2014. The CSL (the branch of Sony-CSL
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Creator Research Technology Laboratory, 166 rue du faubourg Saint-Honoré, 75008 Paris
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The MusicSpace is a spatialization control system created with O. Delerue in 2000.
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Pachet, F. (2002). "Playing with Virtual Musicians: the Continuator in practice".
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in 2014, best paper award in 2002: The Continuator: Musical Interaction with Style
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Pachet, F. (September 2002). "The Continuator: Musical Interaction with Style".
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Journal of the American Society for Information Science and Technology
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Pachet.F and O. Delerue (2000). "MusicSpace goes Audio". citeseerx.
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Pachet, F. (December 2009). "Description-Based Design of Melodies".
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Creator Technology Research Lab. Before joining Spotify he led
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Pachet has written several non-scientific books about music:
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Grant Flow Machines for investigating how machines can boost
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Pachet, F. (2008). "The future of content is in ourselves".
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Can being a jazz musician make you a better decision maker?
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Pachet, F. (2012). "Musical Virtuosity and Creativity".
1072: 887:"FlowMachine le logiciel qui fera de vous un Bob Dylan" 868:. Journal of New Music Research. 2002. Archived from 915:"Square Idée, Demain, devenir Wagner ou Daft Punk?" 130: 119: 101: 93: 85: 75: 67: 42: 23: 863:"The Continuator: Musical Interaction With Style" 583:"Institut des Hautes Etudes de Defence Nationale" 300:presents Pachet on Square Idée "Demain, devenir 8: 971:Comment je n'ai pas rencontré Paul McCartney 31: 20: 782: 464: 175:and style modelling. He has been elected 714:. Sylvain Guilbaud. 2015. Archived from 712:"Comment copier le style des musiciens" 688:. François Pachet. 2002. Archived from 629:"FlowComposer for Leadsheet Generation" 542: 1003: 992: 801: 790: 754:. Condé Nast UK. 2015. Archived from 211:in 1987–1988. He obtained a PhD from 16:French computer scientist (born 1964) 7: 601:"Innovating for Writers and Artists" 203:. He spent 18 months as lecturer at 1116:Artificial intelligence researchers 147:(born 10 January 1964) is a French 1121:European Research Council grantees 14: 213:Pierre and Marie Curie University 80:Pierre and Marie Curie University 1059: 953:Pachet, Francois (March 2018). 929:"What is Hello World? - SKYGGE" 225:Université du Québec à Montréal 163:. He is one of the pioneers of 159:Computer Science Laboratory in 151:, composer and director of the 129: 1: 839:. Ircam. 2003. Archived from 553:. ECCAI. 2014. Archived from 171:, especially in the field of 490:10.1007/978-3-642-31727-9_5 1142: 1111:French computer scientists 901:"Musical test continuator" 383:Computers in Entertainment 251:and Mario Tokoro in 1996. 89:Continuator, Flow Machines 1038:François Pachet's website 466:10.1007/s10601-010-9101-4 445:Pachet, F. (March 2011). 430:10.1162/comj.2009.33.4.56 366:10.1109/mmul.2002.1022861 189:École des ponts ParisTech 138: 112: 30: 957:. Paris: Buchet-Chastel. 740:. François Pachet. 2015. 478:Computers and Creativity 395:10.1145/1394021.1394024 169:artificial intelligence 1043:Flow Machine's website 1030:9 October 2014 at the 955:Histoire d'une oreille 800:Cite journal requires 666:(12). UCL: 1037–1044. 571:. B.J. Copeland. 2002. 413:Computer Music Journal 187:Pachet graduated from 825:. Hugues Vinet IRCAM. 820:"The CUIDADO Project" 173:machine improvisation 985:Pachet, Francois. . 974:. Paris: publie.net. 551:"ECCAI Fellows 2014" 342:. Göteborg, Sweden: 209:University of Malaya 639:on 28 November 2015 557:on 23 January 2011. 340:Proceedings of ICMC 201:Applied Mathematics 1071:. You can help by 968:Pachet, Francois. 758:on 29 January 2016 692:on 1 November 2014 589:on 6 October 2015. 199:in 1987, majoring 167:closely linked to 1089: 1088: 672:10.1002/asi.20055 518:Personal Writings 499:978-3-642-31726-2 389:(3). Sony: 1–20. 348:Best paper award. 193:Civil Engineering 142: 141: 114:Scientific career 1133: 1084: 1081: 1063: 1056: 1034:(Sony CSL Paris) 1012: 1011: 1005: 1000: 998: 990: 982: 976: 975: 965: 959: 958: 950: 944: 943: 941: 939: 925: 919: 918: 911: 905: 904: 903:. Youtube. 2012. 897: 891: 890: 883: 877: 876: 875:on 6 April 2016. 874: 867: 859: 853: 852: 850: 848: 833: 827: 826: 824: 816: 810: 809: 803: 798: 796: 788: 786: 774: 768: 767: 765: 763: 748: 742: 741: 734: 728: 727: 725: 723: 708: 702: 701: 699: 697: 682: 676: 675: 655: 649: 648: 646: 644: 625: 619: 618: 611: 605: 604: 597: 591: 590: 585:. Archived from 579: 573: 572: 565: 559: 558: 547: 513: 503: 470: 468: 441: 406: 377: 347: 326:Machine learning 321:Active listening 217:Computer Science 197:Computer Science 179:Fellow in 2014. 62:, Sainte-Adresse 56: 52: 50: 35: 21: 1141: 1140: 1136: 1135: 1134: 1132: 1131: 1130: 1091: 1090: 1085: 1079: 1076: 1069:needs expansion 1051:Hot Topics 2015 1032:Wayback Machine 1025:François Pachet 1021: 1016: 1015: 1001: 991: 984: 983: 979: 967: 966: 962: 952: 951: 947: 937: 935: 927: 926: 922: 913: 912: 908: 899: 898: 894: 885: 884: 880: 872: 865: 861: 860: 856: 846: 844: 835: 834: 830: 822: 818: 817: 813: 799: 789: 776: 775: 771: 761: 759: 750: 749: 745: 736: 735: 731: 721: 719: 718:on 4 March 2016 710: 709: 705: 695: 693: 684: 683: 679: 657: 656: 652: 642: 640: 627: 626: 622: 613: 612: 608: 599: 598: 594: 581: 580: 576: 567: 566: 562: 549: 548: 544: 539: 520: 508: 500: 475: 444: 409: 380: 354:IEEE MultiMedia 351: 337: 334: 317: 260: 237: 185: 145:François Pachet 63: 57: 54: 53:10 January 1964 48: 46: 38: 37:François Pachet 26: 25:François Pachet 17: 12: 11: 5: 1139: 1137: 1129: 1128: 1126:Spotify people 1123: 1118: 1113: 1108: 1103: 1093: 1092: 1087: 1086: 1066: 1064: 1054: 1053: 1045: 1040: 1035: 1020: 1019:External links 1017: 1014: 1013: 977: 960: 945: 920: 906: 892: 889:. 01net. 2014. 878: 854: 843:on 8 July 2009 828: 811: 802:|journal= 769: 752:"Musical Flow" 743: 729: 703: 677: 650: 620: 606: 592: 574: 560: 541: 540: 538: 535: 534: 533: 530: 527: 519: 516: 515: 514: 510:"Publications" 505: 504: 498: 472: 471: 459:(2): 148–172. 442: 424:Press: 56–68. 407: 378: 349: 333: 330: 329: 328: 323: 316: 313: 259: 256: 236: 233: 184: 181: 165:computer music 140: 139: 136: 135: 132: 128: 127: 121: 117: 116: 110: 109: 103: 99: 98: 95: 91: 90: 87: 86:Known for 83: 82: 77: 73: 72: 69: 65: 64: 58: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1138: 1127: 1124: 1122: 1119: 1117: 1114: 1112: 1109: 1107: 1106:Living people 1104: 1102: 1099: 1098: 1096: 1083: 1080:November 2015 1074: 1070: 1067:This section 1065: 1062: 1058: 1057: 1052: 1049: 1046: 1044: 1041: 1039: 1036: 1033: 1029: 1026: 1023: 1022: 1018: 1009: 996: 988: 987:ERCcOMICS.com 981: 978: 973: 972: 964: 961: 956: 949: 946: 934: 930: 924: 921: 916: 910: 907: 902: 896: 893: 888: 882: 879: 871: 864: 858: 855: 842: 838: 832: 829: 821: 815: 812: 807: 794: 785: 784:10.1.1.4.9515 780: 773: 770: 757: 753: 747: 744: 739: 733: 730: 717: 713: 707: 704: 691: 687: 686:"Continuator" 681: 678: 673: 669: 665: 661: 654: 651: 638: 634: 630: 624: 621: 616: 610: 607: 602: 596: 593: 588: 584: 578: 575: 570: 569:"Cyc project" 564: 561: 556: 552: 546: 543: 536: 531: 528: 525: 524: 523: 517: 511: 507: 506: 501: 495: 491: 487: 483: 479: 474: 473: 467: 462: 458: 454: 453: 448: 443: 439: 435: 431: 427: 423: 419: 415: 414: 408: 404: 400: 396: 392: 388: 384: 379: 375: 371: 367: 363: 359: 355: 350: 345: 341: 336: 335: 331: 327: 324: 322: 319: 318: 314: 312: 309: 307: 303: 299: 295: 293: 287: 284: 281: 277: 272: 270: 264: 257: 255: 252: 250: 246: 240: 234: 232: 230: 226: 222: 218: 214: 210: 206: 202: 198: 194: 190: 182: 180: 178: 174: 170: 166: 162: 158: 154: 150: 146: 137: 133: 125: 122: 118: 115: 111: 107: 104: 100: 96: 92: 88: 84: 81: 78: 74: 70: 66: 61: 55:(age 60) 45: 41: 34: 29: 22: 19: 1077: 1073:adding to it 1068: 1050: 986: 980: 970: 963: 954: 948: 936:. Retrieved 932: 923: 917:. ARTE 2015. 909: 895: 881: 870:the original 857: 845:. Retrieved 841:the original 831: 814: 793:cite journal 772: 760:. Retrieved 756:the original 746: 732: 720:. Retrieved 716:the original 706: 694:. Retrieved 690:the original 680: 663: 659: 653: 641:. Retrieved 637:the original 633:Flow Machine 632: 623: 609: 595: 587:the original 577: 563: 555:the original 545: 521: 477: 456: 450: 417: 411: 386: 382: 360:(3): 77–82. 357: 353: 339: 332:Bibliography 310: 296: 288: 285: 273: 265: 261: 258:Achievements 253: 241: 238: 205:Kuala Lumpur 186: 144: 143: 120:Institutions 113: 18: 1101:1964 births 617:. LSE 2014. 512:. Sony CSL. 484:: 115–146. 452:Constraints 269:data mining 235:Experiences 68:Nationality 1095:Categories 1004:|url= 938:13 January 847:4 November 722:4 November 643:4 November 537:References 346:: 211–218. 280:creativity 249:Luc Steels 49:1964-01-10 837:"Cuidado" 779:CiteSeerX 762:28 August 696:6 October 306:Daft Punk 183:Education 149:scientist 76:Education 1028:Archived 995:cite web 615:"Pachet" 482:Springer 374:14766603 315:See also 283:again". 221:Montréal 94:Children 1006:value ( 438:4794965 403:4802755 207:at the 153:Spotify 134:Spotify 131:Patrons 124:Spotify 1002:Check 933:SKYGGE 781:  496:  436:  401:  372:  302:Wagner 195:, and 102:Awards 71:French 60:France 873:(PDF) 866:(PDF) 823:(PDF) 434:S2CID 420:(4). 399:S2CID 370:S2CID 245:Tokyo 177:ECCAI 161:Paris 106:ECCAI 1008:help 940:2018 849:2015 806:help 764:2017 724:2015 698:2014 645:2015 494:ISBN 344:ICMA 298:ARTE 292:Jazz 229:UQAM 157:Sony 43:Born 1075:. 668:doi 486:doi 461:doi 426:doi 422:MIT 391:doi 362:doi 304:ou 276:ERC 223:at 215:in 191:in 1097:: 999:: 997:}} 993:{{ 931:. 797:: 795:}} 791:{{ 664:55 662:. 631:. 492:. 480:. 457:16 455:. 449:. 432:. 418:33 416:. 397:. 385:. 368:. 356:. 51:) 1082:) 1078:( 1010:) 989:. 942:. 851:. 808:) 804:( 787:. 766:. 726:. 700:. 674:. 670:: 647:. 603:. 502:. 488:: 469:. 463:: 440:. 428:: 405:. 393:: 387:6 376:. 364:: 358:9 97:2 47:(

Index


France
Pierre and Marie Curie University
ECCAI
Spotify
scientist
Spotify
Sony
Paris
computer music
artificial intelligence
machine improvisation
ECCAI
École des ponts ParisTech
Civil Engineering
Computer Science
Applied Mathematics
Kuala Lumpur
University of Malaya
Pierre and Marie Curie University
Computer Science
Montréal
Université du Québec à Montréal
UQAM
Tokyo
Luc Steels
data mining
ERC
creativity
Jazz

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